Transformers Age of Extinction Movie 2014 – Transformium – Melanin Reference

Refer to Transformium as melanin in Transformers Age of Extinction. Refer to Vibranium as melanin in Avengers, Black Panther and the Captain America Movies. Off course at first site Vibranium is a special hard metal. But there is another meaning synonymous to it; listen to the language used to describe it to see their talking yet another time about melanin.

A guide to interpreting can be found in the Contextual Jump start – How to Interpret Movies; scroll down to the section where it talks about melanin. A great explanation of the use of melanin in the body is given by Young Pharaoh’s discussion of Oneness disconnection. The detail transcript below is from Transformers Age of Extinction. A wealthy confident assertive American business man say to the blonde British woman consultant whom he likes to flirt with but she just wants to keep the relationship business. He says “You have no idea what has been happening here. We’re about to make the quantum leap” Scene shift in to his business laboratory. He says “A rare-earth metal. (Black grainy substance in glass jars. Note the light skinned black man behind him back to back) “Molecularly unstable.” The business man pulls out of a glass container on a conveyor belt a metal substance. Now when we see it up close it is now a shiny silver color, no longer black and grainy as we saw before but now a big chunk he is holding with black tweesers) Industrial uses, none. And then the aliens came. And we made the connection. It’s what their made of.

Bobby Hemmitt says there is a connection between terms ‘Dinosaurs’ and ‘Osiris’ aka. ancient people or rather ancient humans. The greatest symbols representing the ancient people are the black man and women.

(Scene shift: first face you see is a black man guarding the door of a new room that are entering into)
Wembley: It’s the holy grail.
“Transformium” (the word transform signifying movement). That’s what we’re calling it.
Business man: Focus-grouped. Catchy.
Business man: Trademarked. Yeah.
This is the greatest advance in modern physics since the splitting of the atom.
It’s programmable matter.
And now we’ve mapped it’s genome
Business man interjects: “I”
Wembly: Now you’ve mapped its genome.
Business man interrupts: And now we can begin to give it instructions. (He activates a machine with his hand. A white sphere ball emerges from the center and gets lifted up by a metal rod. He picks it up in his left hand”
Wembly: This is extremely good. (The camera right before the climactic unveiling pans back out to the back man guarding the door, yet the camera keeps him off to the side for a brief moment. Then the scene blinks back to the center of the room to just the people with the room)
Wembly: Watch this
The camera pans counter clockwise to the business man holding the white ball in his left hand. Then ball lifts up from his hand and transforms. In a split second a black man walk clockwise in the background then out of the shot blocked from sight by the British woman consultant’s shoulder.
Wembly: We can change anything into anything
Business man (using two hands to change alter the form): Sensual, almost Don’t you think? Look at that. (They laugh) Do you like music?
It changes into speaks in the shape of a pill called the beats by Dre (Aka the black man rapper Dr. Dre) Business man says: The pill. Perhaps something a little more violent? (It changes into a gun that he holds in his right hand. He smiles. And slowly seems to aim it at the chest of the British woman however the direction is slightly off. He is actually pointing it passed her right shoulder in the direction of the black guard standing out side. At first frightened as we see Wembly shock and fright on his face. She then quickly in a split second gains composers realizing that she is not in danger and immediately smiles. She and the business man are smiling at each other while the gun is still pointed in the direction of the black male guard. This direction is barely noticeable based on the camera angle. However what is confusing is that remember another tech working came in the room with back hair. The gun seems to be pointed at him. He is a distraction so the viewer would miss the connection. But the view must also keep mind that the real target was behind the black haired tech worker who was standing directly in line with the Black man guard by the door.
The British woman consultant: Oh my God. You’ve done it (She acknowledges her God of that moment, whom is the business man who has the ability and potential unpredictable craze to take her life in the moment. She gives obeisance and reverence to him with the comment. The American and British power dynamic)
Scene shift
Business man excepts a screen clicker from an Asian woman standing like a statue and not looking him in the eyes: In aerospace, in military. We will own the entire robotics industry. (While leading the blonde British woman past her to a screening room that shows a promo of their industry endeavors on the wall. “All exploration. The oceans. Space. Everything.”

How to Interpret Movies – Interpreting Films

The Avengers CIVIL WAR Movie DECODED: ALL ROADS LEAD TO WAKANDA – The Arch Degree

www.hollywooddecoded.com – Ktthearchdegree Youtube More from The Arch Degree – www.ktthearchdegree.com

Movies Decoded – The Arch Degree – Interpreting Films

Kaiju Remedies from Pacific Rim Movie

Kaiju Remedies from Pacific Rim Movie

Melatonin – Your Body’s Natural Wonder Drug

Melatonin is synonymous with the term melanin Also click here and scroll to the section where it talks about melanin. Or do a search of the terms

Important! Dr Jewel Pookrum Melanology

Dr Jewel Pookrum Melanology Series – Free to listen to on itunes

Occult History of Melanin
– Bobby Hemmitt

An Occult History of Melanin – Bobby Hemmitt

MelatoninMelanin

ANUBIS The Final Dimension of Melanin Pt 1 & 2 Bobby Hemmitt

ANUBIS The Final Dimension of Melanin

Melatonin – Your Body’s Natural Wonder Drug

Melatonin – Your Body’s Natural Wonder Drug

The Science of Melanin: Dispelling the Myths by T. Owens Moore (Author)

In this ground-breaking work, perhaps the first full length scientific analysis of the substance found in practically all living organisms and inanimate objects, T. Owens Moore attempts to dispel the myths and rectify the common misconceptions associated with melanin. In part one, he focuses on writers of five key texts that employ an African-centered perspective. The recurring theme espoused by these writers is that melanin alone is the entity that makes black people psychologically and behaviorally different from non-black people. Nothing could be farther from the truth, argues Moore.

Pharaoh -Extraterrestrial Quarantine & Oneness Disconnection

Extraterrestrial Quarantine and Oneness disconnection – Young Pharaoh

Extraterrestrial Existence

Interpreting Films – Metaphysics and Mythology – Science Theory –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  – 

Bobby Hemmitt: Explains The DarkSide Energy (1/11/04) Part 6 of 9 

https://www.youtube.com/results?search_query=Bobby+Hemmitt%3A+Explains+The+DarkSide+Energy+%281%2F11%2F04%29+Part+6+of+9

Bobby Hemmitt: Explains The DarkSide Energy

True History Of Earth – Dinosaurs – Osiris – Heaven Technology: Evan Lefavor’s EL-Logs 17


His Heavenly father Sky is aka Adolabroth
The truth is in fragments. One can find pieces of truth every where in unexpected places. Evan Lefavor on first impression sounds bazaar but if one listen’s carefully he is sharing a lot of ancient knowledge of how things came to be. Look past the bazaar to get the story. Take note. The second half of the video below he describes the Adolabroth story, which is the same story Bobby Hemmitt speaks of but the names are different. Also Dan Winter also speaks of the story in his description of Galactic History, aka. ET History, ET Origins, and ET Origins of DNA.

Melanin People: How to Eat and Devour their Energy
– Secrets Revealed

Melanin People: How to Eat and Devour their Energy. Luciferians Reveal their Secrets

Biologic Architecture Sustaining Life Energy – Dan Winter

Biologic Architecture Sustaining Life Energy – Dan Winter

Biologic Architecture Sustaining Life Energy – Dan WinterInterpreting Films – Metaphysics and Mythology – Science Theory –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  –  – 

THE MELINATED BODY – Young Pharaoh – The Body Electric

Pharaoh- THE MELINATED BODY

Making Sense of Astrology Hardcover – June 1, 1998 by Tim Trachet (Author), Ronny Martens Despite 2000 years of examination and numerous challenges to the validity of astrology and its application to people’s lives, the belief in the power of the stars continues to be strong worldwide. Does astrology work? Can it help us understand our lives and the world around us? Scientific analysis of astrological claims has moved the debate to a new level, away from the philosophical and symbolic.

Making Sense of Astrology provides an objective evaluation of astrology, providing an overview of the main arguments linking astrology to astronomy. The authors, well-known international experts in science and reason, draw on well-founded data from the birth of astrology, traditional mythology, claims by astrologers, the psychology behind belief in the zodiac, and essential information from scientific studies.

Astrological theory and practice are evaluated, throwing light on the many reasons for their continued success. The authors provide descriptive and evaluative material that should enable readers to make an intelligent and informed judgment about the value of astrology.

making sense of astrology by tim trachet pdf

http://youngpharaoh.net/             www.theblackwomanisgod.one

the body electric by robert o. becker.pdf

The Body Electric: Electromagnetism And The Foundation Of Life 1st Edition by Robert Becker (Author), Gary Selden (Author) The Body Electric tells the fascinating story of our bioelectric selves. Robert O. Becker, a pioneer in the filed of regeneration and its relationship to electrical currents in living things, challenges the established mechanistic understanding of the body. He found clues to the healing process in the long-discarded theory that electricity is vital to life. But as exciting as Becker’s discoveries are, pointing to the day when human limbs, spinal cords, and organs may be regenerated after they have been damaged, equally fascinating is the story of Becker’s struggle to do such original work. The Body Electric explores new pathways in our understanding of evolution, acupuncture, psychic phenomena, and healing.

Important! Dr Jewel Pookrum Melanology

Dr Jewel Pookrum Melanology Series – Free to listen to on itunes

Occult History of Melanin
– Bobby Hemmitt

An Occult History of Melanin – Bobby Hemmitt

Melanin People: How to Eat and Devour their Energy. Luciferians Reveal their Secrets

ANUBIS The Final Dimension of Melanin

Kundalini energyMetaphysics and MythologyScience TheoryTags

Movies, TV Shows, Commercials interpreted…

Interpreting Films – Amazing Thought blog references Movies!!!, TV Shows, Commercials, Books and Video and Audio lectures for information relating to general social structures, people interactions, metaphysical theories, history, contemporary hot topics, religious commentary and Metaphysical Theory.

The list to the side has provided a contextual jump start basis which helps to interpret life, Movies, TV Shows, Commercials, Books and Lectures in a new way. Many more names can be added to this list…However there is no endorsement any person listed on this site whom may share there own opinions. The list begins the basic context for the information presented in this blog:


People interactions and General Social Structures
Neely Fuller Jr & Frances (The identity of Suppression)
Neely Fuller Jr Talktainment Radio
Neely Fuller Jr (9 Areas of Activity)
Isis Papers (Society, subtle Symbols)
Eckhart Tolle (People pain-bodies)
Paul Mooney (People Observation in Society)
Professor Griff (Music Industry)
Jawanza Kunjufu (Conspiracy to Destroy)

People interactions and economics
Dr Claud Anderson (POWERNOMICS)
Rev. Ike Legacy Ministry (Wealth Abundance)
Dr. Umar Johnson (Empowerment)
Phil Valentine (Empowerment Community)
Cornel West (Philosopher)
Basil Davidson (Africa Magnificent Cake)

 Science Theory
Dan Winter (ET Galactic History)
Dan Winter’s (Fractality, Goldenmean)
Dr Jewel Pookrum (Melanology)
Henrietta Lacks (Immortal Cells Medical Industry)
Karl Pribram (Holographic Universe)
Lloyd Strayhorn (Numerology)
Michael Palmer (Medical Dramas)
Christopher Carolan (Financial Market Cycles)
Carl Munck (The Pyramid Code)
Young Pharaoh (Melanin Science)
Long Island medium (After Death communications)

Dr Tim Morrow (Heal Thyself)
Steven Greer (Broad science)

Metaphysics, Historical & Religious Commentary
Eckhart Tolle (Consciousness, Presence)
Dion Fortune (Automaton)
John Henrik Clarke (Historian)
Mark Passio (Occult Symbols Interpreted)
Bobby Hemmitt (Video & Book list)
Dr Alim Bey (Ritual purpose)
Juanita Bynum (Gospel)
Eugene Adams (Prophecy foretold)
Henry Baker (Black Inventors List)
Ivan Van Sertima (Ancient History)
Marcus Rediker (Slave Ship Experience)
Naazir Ra (Hidden Power University)
Na’im Akbar (Negro Psychosis)
Phil Valentine (Metaphysics)
Robert Anton Wilson (Final Secret Illuminati)
Basil Davidson (Africa Magnificent Cake)
Earl W. Carter (No Apology Necessary)
Dr Cindy Trimm (Kingdom Living)

Kundalini energy
Young Pharaoh (Kundalini Explained)
Citi Hampton (Kundalini Explained)
Alexyss K Tylor (Vagina Power, Penis Power)
Bobby Hemmitt (The Serpent People)
Dr Alim Bey (chakra, Flow, Energy)
Juanita Bynum (Gospel)
Arthur E. Powell (The Astral Body)
Aleister Crowley (Illuminati Ideas Rituals)
C Freeman El (I Self Law Master)


How to Interpret Movies

Movies, TV Shows, Commercials and Books that reach the masses of people on the planet tend to carry continuous ongoing themes and symbols at ad nauseam repetition. Most people are confused by the story’s, choice of characters and plot lines and for the most part just see them as great sources of entertainment. Why are these forms of media so imperatively important that Millions of dollars are spent every year to produce them?

Before interpreting one will need a broader context of understanding. But at the root “Why” is the start of the process. It is important to ask “Why” to each thing that is perceived in being ones’ current reality, until it takes you further back in history, deeper in space and time to where you never realized how far you have gone. “Why” is a key. Why is this? Why is that? “Why” helps one to step out of conditioning, in order to start recognizing the conditions. You don’t just stop at the contemporary past. You go further, wider and deeper. Why do we have these general social structures? Why do people interact with each other the way they do? Why does the world operate as it does through economics, education, entertainment, labor, law, politics, sex, war and religion? Why do we have religion? Can one find more answers in religion? Why is there racism, discrimination, sexism and so on? Why do movies often portray one thing but the opposite exists in reality?

Somewhere within the list of names and subjects towards the top of this page the preceding information was gathered. Many “Why” questions were answered. Please Stop Now? Warning ahead. Strap on your seat belts. The proceeding information is going to get outrageous. Can you handle it? Ready? Set. Go! Unique beings are in control of every major structure on the planet also known as the 9 areas of activity by Neely Fuller Jr (also see Dr. Frances Cress Welsing (Neely’s counterpart) and Mark Passio for Occult Symbols Interpreted). These unique beings carry within them an innate pathology (rooted in oneness disconnection as explained by Young Pharaoh) that governs their leadership, use of media channels, story lines and plot lines. The pathology projected through various forms of media are confusing to many and the viewer tends to find little connection to them.. Below you can see some keys to make sense of the madness and begin to see yourself in the Movies, TV shows, Commercials, advertisements, books and recognize the subtle messages they share on a continual basis.

In Frank Herberts Dune 1984 movie whom Dan Winter (who shares a peak into Galactic History) and Bobby Hemmitt (who uncovers hidden knowledge) among several others claim Dune is more accurate than the Bible in describing history and the state of the world in the past and present.


The Arch Degree: CIVIL WAR DECODED: ALL ROADS LEAD TO WAKANDA

www.hollywooddecoded.com – Ktthearchdegree Youtube More from The Arch Degree – www.ktthearchdegree.com

In the Dune 1984 moive the Baron Vladimir Harkonnen played by Kenneth McMillan is the uncle to Feyd-Rautha Harkonnen (10174 AG – 10193 AG) is one of the antagonists of Dune. Feyd played by Sting (British born) was the younger nephew (Modern day Britain) of Baron Vladimir Harkonnen of House Harkonnen The orange haired Baron has horrible skin and black color finger nails and toe nails, unpredictable, does not adhere to typical moral standards and exhibits extreme gluttony. Feyd-Rautha Harkonnen was nominated by Baron Vladimir as the “Na-Baron” – heir to House Harkonnen. The Baron favored the young Feyd-Rautha over Feyd’s older brother “The Beast” Glossu Rabban played by actor Paul Smith (of America ethnicity), Count of Lankiveil. Feyd was both intelligent and charismatic, and was dedicated to the Harkonnen culture of sadism and cruelty, though potentially only due to his upbringing. 1:49:19 minutes into the movie Baron says to Feyd “And when we have crushed these people enough, I’ll send you Feyd” (Contemporary, New age and evolved (Britian). Also visually likeable yet still carrying the seed of deceit to maintain the subversive leadership and oppression of the people). Who are the people he is symbolically referring to and what is the manner in which the Great villain Baron will send Feyd? Dune is a great movie to apply the keys of interpretation through symbolism and mythology some of which is mentioned within this contextual jump start. Note: Dialects or accents equal nations or cultures. Also actors are selected with strategic intent. The nationality or what nation an actor is born into may also be very important to why the actor is chosen for the role.

Melanin – Most movies that reach the masses have symbolism with references to melanin in some way. It is often referred to as ancient essence, spice, shadow, cinder, soot (from a match or a fire), ever moving ever changing essence, transforium (in the Transformer movie series), vibranium (in the movies Avengers, Captain America, and the Black Panther), an intelligent dark essence, darkness in the blood, chaos in the blood and hundreds of many other phrases and names. A battle to control or harness the power of chaos. It carries great fascination but it is still a threat. Fear based images and cautionary images are often used to describe it. There are numerous, extremely important and phenomenally profitable uses for melanin; The Melatonin Miracle: Nature’s Age-Reversing, Disease-Fighting, Sex-Enhancing Hormone by M.D.’s Walter Piepaoli and William Regelson with Carol Colman. Also see Kaiju Remedies from Pacific Rim movie. And see Dr Jewel Pookrum (Melanology). As well as Top 10 facts about melanin. Melanin extraction as exemplified in the movies The Dark Crystal and Dune.

The famous Avengers characters Captain America’s shield is made from vibranium (hence a vibrating, ever moving substance).

In the movie Avengers Age of Ultron the on screen character Helen Chung says “The vibranium atoms aren’t just compatible with the tissue cells, they are binding them. And Shield never thought to…” Ultron interrupts her and interjects “The most versatile substance on the planet. And their using it to make a Frisbees (aka Captain American’s shield; using melanin to not only bind with tissues but also to bind with metals to enhance their strength capacity) The Black Panther’s black skin suit is also made out of vibranium (aka, code word melanin). Also see how Transformium is also connected to a melanin reference in Transformers Age of Extinction. Thanks to Keyamsha; Note there are Top 10 facts about melanin everyone should know: [BREAKING NEWS] Melanin Is Worth Nearly $400 A Gram!!!.

Kundalini – Kundalini references symbols such as the snake, reptile clothing and/or accessories, rhythm, dancing, creativity, surge of energy, octopus, electricity, lightning, thunder, unpredictability and many more. Kundalini manifests itself in many unlimited forms and it is a threat. The protagonists and antagonists will usually be fascinated by it and/or some symbolic melanin representation form. They will fight to acquire it, figure out how to harness its power, control it or fight against it or suppress the many forms it arises from. It is also possible for each one of the scenarios to be present in the interior film…seemingly like a world wind of confusion for the viewer…what is the feeling impression the viewer is receiving from the film at the exact moment symbols, dialect and dialogue are present? This is critical. It happens through the presentation of symbols, slight gestures, point of view shots, where the eyes focus on simultaneously to what is happening in the background and foreground scene, and vice versa while the screen play dialogue is shared. Actors are selected for specific reasons, scenes, looks, dialect, personality and Idiosyncrasies. Translate this also to the seemingly miscellaneous actor that crosses the foreground and background almost in a blur simultaneously to dialogue, scene shifts or climactic moments.

Pay attention to their racial skin color, hair color, clothing and what they are doing. Also pay attention to objects in the background and foreground, their color, texture, name, wording and signage. The presentation of confusion persists because scenes are jumping from one to another so fast that it is often hard to keep up with what is happening and shown down to the finest details. But keep your eyes on the prize, focus on the patterns that occur consistently throughout most films and movies containing black actors. Note what is happening in the background is just as important as the foreground. For instance, one scene showing a black male in the group of other races in the background, the subsequent scene general shows a black female. Then sometimes they are shown together again or separate and/or apart from each other on different sides of the same scene. It weaves in and out on repeat through the entire film and movie but it is done so slight that it is often easily missed.

In cases with no black actors are in the films foreground or background, default to the black, orange hair color or darkest hair color. It is almost like the weaving of symbolic Kundalini energy (yen and yang) throughout the film.

Heroes – also see the Heros’ Journey The protagonists and the antagonist are often referred to as heroes. Heroes are often presented as creations either by science, some freak accident or trauma. They do the phenomenal work of suppressing kundalini on behalf of the greater ruling populus. The heroes are the great, strong, clever, resourceful and fearless characters that are connected to the ancient blood line yet control and suppress the manifestation of the ancient blood line within themselves and others.

Superman unchained could destroy the world so he must be kept in check (via encoding like a robot or slave) by the Justice League, thus the “always serve and protect” mantra is continually repeated, encoded in the viewer and shared. Superman was once portrayed as very positive trust worthy character but is now portrayed as an untrustworthy and almost villianistic, rageful, unpredictable, alien character where the world has turned against him branding him as an outsider that must be kept in his place, locked up or restrained in order to exploit him for his strength and talents. Also reference the movie Bicentennial Man , iRobot among several other movies that will be added here later. For more information about demi-human programing visit Humans Season 1, HumanSimulacra.pdf  source montalk.net, Simulacra and simulation PDF by B Conrad Williams source www.bconradwilliams.com and The Simulacra by Philip K. Dick.

Ancient people are often referred to as goons, goblins, demons, monsters, monkeys, gorillas, reptilians, lizard people, crocodiles, snakes, goats, deers, bears, witches and thousands of many other names and phrases. The movies or media generally expresses them as untactful (lacking tact), unstable, unreliable, flighty, aggressive, narrow mindedness, over sexualized, over flirtatious, happen stance place holders, long winded and even possessing no capacity to provide relevant input relating to solving a problem in a plot and a very long list of other negative connotations to think about a person who stems symbolically from the ancient blood line. The Bibles Old Testament foretold the tragedy of African slavery in No Apology Necessary by Reverend Earl W. Carter Jr and Let the Stone tell the tale by Dr Eugene Adams. It also should be made clear that the mixing of the blood during slavery and beyond, make a new form of monster; having both ancient and contemporary blood, and make it nearly impossible to unravel the ancient bloodline throughout the color spectrum of races specifically in America; spanning from black to white. Thus, the use of the black man and the black woman are only contextually the greatest symbols representing the ancient people. The trait (rooted in oneness disconnection) is inherent in all races. Few are aware of it within themselves but the masses of people will not ever and or cannot dismantle its harmful destructive discord. However, keep in mind the most capable beings to overcome sustained suffering are of the bloodline who survived the middle passage of slavery and beyond in the western hemisphere with an emphasis on blacks in America. Keyword on the term suffering. Slaves were at the mercy of their masters and overseers, in many ways this dynamic has not changed. Tangent thought each race or group capitalizes on suffering imagery displayed in movies and other media but none of their bloodlines suffered the middle passage of slavery. Contrived images or experiences of suffering to mimic that of the ancient ones does not count although the movie or media logic is that it does. On the flip side, going back to slavery, any terrifying activity that could be thought about was most likely done and inflicted on the slaves, often while shackled or constrained from escaping. Horrific events occurred; beating, torturing, castrating, cutting off hands, feet, tongues and other body parts, being eating alive, boiled alive in hot water and oil, whole bodies roasted over fire and eating like bar-be-que, starved, treated worse than animals, eating the worst left over pieces of food, burnt, poisoned, branded, raping of women, children and men in front of the family by male and female perpetrators usually by another race (which contributed to dismantling typical gender roles and magnifying various areas of gender identity), as well as making parents breed with children and visa versa, hence the term “Mother Fucker” (an untrustworthy environment), tearing families apart. Imagine the extreme shame, physical and psychological trauma from being so humiliated, accused of wrong doing when there was none, cheated on, degraded, violated, victimized and the masses of people confined to these inhumane conditions were so powerless and unable to do anything about it. See Goodbye uncle Tom! “Warning Graphic Content” for a theatrical peak into some imagery of the slave experience. They were “miraculously” resilient. Historians share accounts where people were amazed about how black people’s bodies quickly recovered from the horrifically, terrible trauma of being crammed in the boats for so long crossing the seas and the tortures of slavery. The elites know the black blood line is the most significant symbol of suffering. Referrence Bobby Hemmitt in 400 years of lynching and Without Sanctuary photos and video. Although the suffering symbolage stands true this banner is denied the victims and their bloodline, snatched and given to their pathological oppressors. The elite also know that this blood line is literally connected to the precursor of every culture, language, race, country and continent around the entire world. In the beginning was blackness. From the blackness further evolution, transmutation, or scientific contrivance has occurred. Although the movie series of Hostel (specifically Hostel 3) was and is extremely gruesome and difficult to watch it focuses on contemporary suffering and torture for the thrill and pleasure of the perpetrators and the fright of the victims. It is jam packed with religious and occult symbols. Through this movie series it is fascinating to observe the oneness disconnection in its extreme workings. But watch this movie series after reading through this entire text. Once you can piece together the symbols it is less frightening to watch because one begins to realize a mythological story is being told. Tangent thought; ode to Ludacris’s song “How Low can you go” which is a phrase most likely unknown to the author that genius-lly captures the essence of the ancient beings thrill ride in this life in the midst of all the various unlimited forms of experience and suffering which contributes to creating a new God form essence on this planet and in the universe.  The “Lower” one has gone the greater the change and opening up to deeper realms of experience.

There are underlining messages in movies that are outrageous and confusing to many. However, they are based on the perspective of the elites who see life in a much broader since then the masses of people on the planet do. They have the ability and power to share the story’s given to them by the mass from the elite’s perspective and frame of reference. It is subtlety slipped in to the plot to where the masses have very little idea that it is present. Universal truths are open to the elite.  Thus, the universe evolved and created its most unique expression in terms of a human or a person. In the universal state, more telepathic and the most “recent” state, more empathetic in the form of humanity through feeling, suffering, expressing, and creating on a micro and macro level.  Allude to Jesus coming to earth to experience the infirmities of the flesh and what it feels like to be human. This developed within him a profound love and respect for humanity. The ruling authority is in the business of fulfilling prophecy. In “considering the opposites” vilifying the victims whom are the progenitors of the prophecy and trying to stand in their stead as the true fulfillers of prophecy. How is this done? By documenting or presenting via news, media, TV shows, movies and films a barrage of instances of suffering and allowing the elite to experience life unfiltered through fun, happiness, evoking sadness and crying, emotional sensations, ecstasy, sex, anger, rage, revenge and even murder or sacrifice unhindered, to a degree; all of which are elements in developing humanity. The elite must be allowed to have full access to all these polarities for optimal mental and physical stimulation. Thus, experiencing all that life has to offer is encouraged. But on the flip side, for their worldwide subjects experiencing all life is hindered by rules, laws, policies, stigmas, dogmas, cultural morals (can also be known as religions). It is the ability to project worldwide images of suffering shown to the masses in epic movies and various media channels that encode the masses with the belief that entitles the elite to the birthright of the Gods and an obligation to rule and be superior over the masses. However, prophecy said this will be the case. The “fool” the ones most deeply rooted in oneness disconnection (also considered the least experienced or rather having the least historical time chart) will rule in the last days. Regardless of the 2017 movie story line or plot in The Boss Baby film, the symbolic Boss Baby is the born leader of this dispensation. All other cultures have had their chance to lead; now is the Boss Baby’s turn? Why a baby? Because it is symbolically the newest entity created amongst the races. And why a “born leader”? Because leading is in its nature (meaning DNA make up). In the presence of other races it eases into and eventually takes on the leadership roles. One does not have to know how to build at first, just lead others who know how to do it, learn from them and then do it one’s self later on. It possesses a unique genius imagination to build it better; continuous ongoing improvement.

Pineal Gland – Is referred to in movies and other media as magic wand (Harry Potter wands

and Will Smith 2017 movie “Bright”, staff (staff of Tahuti, Caduces), sword (Optimus Primes’ sword flares up like a flame or gun and Vultrons sword in the shape of a flame, as well as Star wars Jedi lightsaber different colors are different forms of Pineal Gland activation and how it manifest certain energies in the world) Tangent thought (“Hot like fire, Im gonna take you higher, you can’t resist, kiss, kiss, kiss….” [making the connection to spark the flame of pineal activation]…Aaliyah’s Hot Like Fire song. “Come on babe light my fire” Lauryn Hill’s Superstar Song.

Also consider Celion Dion’s song “Back to life” a song written by Cia, an alternative perspective, it sounds like it’s about the third eye or pineal gland awakening – The last key factor to consider in fulfilling prophecy is exercising the pineal gland and stimulating greater mental and physical functions is the intention of the elite as well as to do this in a race against time before the Gods wake up, while simultaneously trying to keep them asleep, whomever they might be in various economic forms and locations within the planet, hampering their pineal activity through poisons and various forms of moral dogma restrictions. The God like energy would be that portrayed as the most powerful or terrifying supervillains.

However, because many of the glands are calcified and no matter what type of stimulation an individual encounters, it will not cause the pineal gland to awaken. However, technology (which is outside the body) is a tool that mimics pineal activation. The pineal gland is a biological tool, connected to all the sensory perceptions of the body, possessing the ability to be connected universally and to cross into other dimensions. So in place of the gland, technology is used to help spirits cross dimension in order to operate and control dimensional time travel, rewrite history or change destiny as depicted in The Legends of Tomorrow 2017 TV Series. Regardless of how Vandal Savage appears in the TV series he represents a Moore or rather a symbolic black man (whom possess within his DNA or semen the ability to annihilate all races from the planet. He is the greatest natural threat. He is the symbolic sabbatic goat or the Satan. The Sufis – Idries Shah page 245 and 255 – Baphomet equals Black male and/or Black Female). Yes, it is far-fetched but if you watch every DC cartoon or show that has Vandal Savage in it sometimes he is a very light skinned black person, with Moorish clothing and a black man as his voice. Movies will often choose an actor who is white but begins to have black persons features but yet is still not black to play the role of a black person whom symbolically stems from the ancient bloodline.

Before the original Gods went to “sleep” and reincarnated losing memory of the past and semblance of cultural identity’s they created/orchestrated cultures to house and retain ancient information and knowledge of the past and prophecies foretelling the future. The Gods are scattered and hidden within cultural fragments around the world within the form of races we see today. The darkest skinned people amongst each cultural are hit hardest with the greatest attack, whom symbolically represent the greatest symbol of ancient representation. Yes, this is based on skin color. The bloodline most connected to the most ancient of people on the planet within each culture are that of a dark skinned bloodline. This is not referring to African people specifically on the African continent in particular whom from a contemporary perspective are consider the same as the new age races and cultures. The terms “Black” or “African American” are the newest age classifications whom are most connected to middle passage drama and possess the greatest DNA connection to all races. Each mythology from every culture, language, race, country and continent attacks this blood line…Attack on the Titan’s; suppression tactics are similar around the world; for instance, racism in China explained by Dr Umar Johnson. Neely fuller Jr describes the general tragic arrangement as Tacky, Trashy and Terroristic which is a matrix system designed to degenerate people of color and also it is set up not to be anything out side of pre-listed three categories of people interaction (click link and scroll down to the Tacky Trashy Terroristic subject). It is the flushing out, purging out, rooting out of this bloodline in ad nauseum repetition around the world throughout mythology, movies and various media channels. Why did the Gods create this process? Maybe to intention a new being through generational alchemy (Bobby Hemmitt speaks of this concept) or a new form of the God essence in the universe. Bobby Hemmitt speaks ‘Explains the DarkSide Energy’ “We have to go all the way back to the beginning of this prior to the earth aspect because this did not just start this the world that we know. This started in the heavens. It started in the origin. It started in the primordial abyss of the womb where you would actually have a renegade or a tyrant that would be a tyrant of a universal primordial family breaking away and trying to create a universe of its own outside of the original source. Botches the job that never the less creates a simulation of the original source which can only be acted out as a series of illusions to support this debauchery and the ultimate deterioration of misfortune is that the very essence of light particles or souls that is in the primordial world of the original source would eventually get trapped in this cosmic abortion that was set up by this tyrant and would have to be a part of this tyrannical creation for years to eventually clean this shit up, that would make the original source greater than the original source was that would have a flaw in it to even create a tyrant that would break away from the original source. And it would never fall again. So, in so many words we are only talking about creation sifting out flaws of its own essence, to make a great and perfected product. In other words, in the beginning there was no perfection. That’s why they call it Chaos. That was the scientific element. The other element is you have the great mother. She had a son (Adolabroth), an abortion who did not stay in long enough to form to maturity that jumps ship. Comes out and creates its own child like world. Like a child would do. A child’s world is going to be different than an adults’ world. The adults’ world is going to be more fortified and more to the essence. And the essence. But the child’s world is going to be a play play world or an illusionary world. Well whatever this particular person, but will later on be called God by the very parents that it would later on trap in this world. It’s like a cancer in the original body, a cancer though benign in the beginning, malignant in the end. And then set up a series of creations, within the context of creation, and in the context of a man and woman a life that was started in this counterfeit creation would set up a series of events and struggles to get back to the original source. The rest is history.” Bobby Hemmitt later on speaks “It is the flaw of the chaos that makes this illusionary universe. It is the spark. It is the sparks of intelligence, or what we call the shards of the chaos that will bring light and diffuse the flaw. Basically, it’s the flaw. And this creation that we find ourselves trapped in is nothing but a cosmic turning of diffusing the flaw. Or the flaw burning itself out. The flaw disintegrating. It’s almost like a science experiment to test it out. To find out what the problem really is, to get rid of the problem. Or it’s like a cleaning crew coming in to a vial and filthy situation gone bad and start to clean up. But the source and the origin of the vial and filthy creation is in a struggle. And every time they wipe up something the source dirties it back up. It’s this cosmic struggle. Meanwhile the source, because it goes there first. Not being the first in creation but the first to come in this environment and create the problem. But by it being the first there the time is running out on it because the ones behind them are little behind to clean it up, but they got a little more energy because they did not spend that energy by getting there first. So it’s a catch up thing that has to happen. But ultimately, we catch up. Also consider ancient prophecies or mythology such as in Let the Stone tell the tale. Note the architects intention-ed the innate pathology that exists within every culture to be in opposition to the symbolic ancient ones. It is inescapable from their DNA, physical composition, vibrational receptivity, thought processes and or pathology. “Cultural sensitivity can be systematically masked” to seem undetectable via training but beware it is deeply ingrained in the essence of the beings DNA. Governed by an entities make up, there is no escaping the inner workings. This inner operation spans all ethnic color lines and is rooted in oneness disconnection, Thus peeling back the surface, “against the ancient ones” and “projected superiority” over the ancient ones based on the color lines is unfortunately ever present. Yet on the flip side it is fortunate for the “sleep Gods”…Toast to evolution and suffering. Tangently, on their quest for true connectedness with this earthly/natural plain, unfortunately will never be fully realized. Also, the quest for true cultural reciprocated understanding will always be the wantingness for the carrot dangled at the end of a stick; never achieving fulfillment. It keeps life propelling forward creating new imaginings of the present and future. Subtle forms of people interaction are shown in films at ad naseum repetition. Note the films symbolically represent real life people interactions with exquisite detail. They never waver from “against…” or “projected superiority” based on color in their portrayed behavior. Look for them. Look for the pattern. It is always there. Regardless of the constant barrage of derogatory symbolism representing the ancient race (with black people from America representing the greatest symbol) in movies they are Highly entertaining and packed with a lot of information about that blood lines past and present with acute details of past and present day chaos and implosion behaviors of the “sleep Gods” as they putrefy beyond recognition, cohesiveness, sense of self, culture and identity.

As said before in The Great Wall (2017) Movie all the races on the planet have their own mythology of their battle with the ancient blood line of whom are repeatedly represented as a natural threat verses a technological threat, and also as insignificant, place holders and people that don’t really matter to the world. Bobby Hemmitt further says “Black people looked apon as not being human, not being competent or adequate”. Dr Na’im Akbar explains in excellent detail the black psychosis; the craze that baffles the world and all cultures. In essence, what is asked and projected is “what is wrong with these crazy people. They have lost their minds. Their behavior is destroying themselves, filled with emotions and little logic. How are they surviving the chaos.” It is also interesting to note Chang for his candid spot on view of the black people in particular.

Asian Interviewer: “Can you address their concerns Mr.Chang?”

CHANG: “The concerns of Black people? Yes I can. The fact is, that we all live under a system of White Supremacy. We Asian people look back at our long history of conflict with the European. We observe their strategies and develop our own, in response and in kind. There is no need for loud mass movements on our part, because we intend to overtake them in time, through action and personal sacrifice”.

Asian INTERVIEWER: “And the Black man?”

CHANG: “He does not count into our situation. He is simply here. We do not hate the Black man. We just love the Asian man most. Real love–not cliche. We want to see Asian man happy, so we employ him. We eat together. We spend time with each other. We want his kids to be educated, so we invest in our own schools that offer our children the technical abilities to change the world’s power structure in our favor. We want to see the Asian man safe, so we purchase and organize our own communities. We want him to remain Asian, so we reduce the outside influence of others ideologies and cultures. While he fought to sniff behind the White man, the Black man has had the opportunity and every right in the world to do the same, but he chooses to indict people like me for not hiring him over my own brothers. For me to do this would be foolish and that would not be Asian love. In contrast, the Black man will fight for the right to be up under everyone else other than other Black people who he should feel the most love for. If our indifference to their situation make us racist, then what would you call the Black man’s indifference to his own situation?” source: www.FarrahGray.com

..can you blame him. He is speaking the truth. Blacks are considered untrustworthy, insignificant in many social and economic structures, wayward (difficult to work with, control or predict because of unusual or perverse, inappropriate destructive behavior), obstinate, backwards and many other negative connotations. This evaluation holds a lot of truth based on the putrefaction theory of the soul (putrefaction in the biological sense is the process of decay or rotting in a body or other organic matter, not only the body but of the mind matrix system and also of the soul.) Like fermenting grapes to produce wine. The older it is the more potent and the most change has occurred from its original form. In other words, very ancient souls decay and the Ka or essence, DNA, experiences, traumas, memories, past life reincarnations is pasted down from generation to generation to the present, since the beginning of time. The older the soul the most transmutation has occurred from the original souls. Genetic Reincarnation. “Everybody is a compilation of all the DNA that ever existed and the line that you are from the time you broke away from the thing you call the divine. And you didn’t break away from it, you, your just another expression of the aspect of its essence, having the particular experience that you are. We are the best of our ancestor’s genes, we are the latest tech version and the highest tech model. Until we give our children that same thing.” ~ Professor James Smalls. However, going back to Chang Blacks do not have the same opportunity. Black people have to work symbolically “ten times harder than everybody else to get in the same situation that a white person would get with a snap of the figure” reference video on Mr. Chang page.

Movies do present the two general categories of symbolic “blackness” which operate “against” each other, the sleepers and the awake. You can’t tell them apart by racial color; only by their actions. One projection of the sleepers is the fight or distrust between one black person and another black character, undermining one another. Arguing and bickering back and forth or engaging in behavior that is inappropriate, unstable and not productive.  On the other hand, there are varying degrees of awakedness. The awakened could be the side that is portrayed as the villains or the antagonists. It takes thinking in opposites to uncover these gems; looking at what is portrayed as bad and configuring it to be good. The sleepers and the awake in movies are often referred to as “Girl(s), Boy(s), Baby(s), kid(s) (a kid is another name for a young goat; remember the sabbotic goat reference mentioned earlier), young man, young woman, sweet heart, honey, honey bunch, and sweetie” and many other names and phrases that imply less than adult (When the same phrases are flipped back on to the ruling classes offense taken). These names are used by the ruling cultures and the “subordinate” even amongst themselves, jokingly, romantically and platonically. Symbolically never reaching true adulthood, forever subject to infancy (my crib; my home) or adolescence (my girl friend, my boy friend); “When I grow up” continues on into adulthood and death. On one hand, the symbolic projection is somewhat true there is always a subtle master slave relationship where the masters are the caretakers or providers giving the slaves the things it needs to survive, due to the mal distribution and allocation of resources and wealth (Dr Claud Anderson POWERNOMICS). The sleepers and the awake as symbolically represented in the epic Claymore animated series. However, note the awakened ones are symbolically represented as bad horrific monsters with innate uncanny abilities and powers. Sleepers abide generally in base levels of consciousness (elemental spirits highly connected to the earth plane, materialistic satisfaction). Note black Americans amalgamated and putrefied into having no cultural identity, loosing sense of self and in many ways are shiftless and unstable in character and emotions due to the middle passage, slavery, Jim Crow laws, discrimination and racism; this leaves a nature that is highly impressionable by the dominant cultural stimulus) who represent the masses of people aka “negas” (contemporarily carrying a subordinate and derogatory connotation by in the past “negas” represented “God”) around the planet and the awake have varying levels of greater consciousness who are more connected to dimensions…this concept is somewhat unclear and confusing. The black Green lantern character John Stewart in the animation cartoon series wearing the ring is only limited in his creation ability and power by his imagination and or connecting to other dimensions. The villains do anything and try anything to break his attention in order to dismantle the power of the ring (pineal gland illumination; thus the ability to tap into other dimensions) Also check out the movies The Ring 2002 Horror Film (Fear of the ring and ability to predict Future death)

and The Lord of the Rings (control of the rings) of which both talk about different aspects of fascination about the ring (Pineal gland). In the trailer below note the emphasis on the “one ring” as opposed to the concept of many. This is the intended projection to the audience.

In the Lord of the Rings the future of civilization rests in the fate of the One Ring, which has been lost for centuries. Powerful forces are unrelenting in their search for it. But fate has placed it in the hands of a young Hobbit (ode to Boss Baby) named Frodo Baggins (Elijah Wood), who inherits the Ring and steps into legend. A daunting task lies ahead for Frodo when he becomes the Ringbearer – to destroy the One Ring (considering the opposites and the movie Gantz:o allude to many “rings” or “Shards”; not just one) in the fires of Mount Doom where it was forged…Being dimensionally connected allows the use of universal forces to create some of the most impactful and long lasting experiences for mankind “How did they do that dance, create that invention, come up with that music, sing that song, etc and so on (Historical black inventors in particular), things that are completely amazing and mind boggling that gives an anchor for the rest of the world to follow along or “culture vulture” from, take possession of, replicate and enhance”…may be purported as coming from “another dimension” (as if to suggest “Alien” or “stemming from another world” but really it seems to be of this dimension…the one experienced every day. Could it just be simply tapping into the overwhelming unlimited potential that exists in each person; myth? Lie? Cliché? Does each person on the planet possess unlimited potential? Maybe that is the threat. The intention to suppress so hopefully nothing comes out or arises that is depicted as being greater than the ruling populous. But on the flipped side the use of suffering to contrive new inventions or new ways of existing on the planet. Or considering predestination the past and present may have been intentioned to be this way. And suppression was and is used for a tool of change, advancement, reconfiguration, small pockets of immense energy escape through the cracks of pressure; emerging some of the most talented and or legendary thinkers, doers and entertainers in history. Who knows?…we will see as time carries on whether an exact answer arises…

Racial ambiguity – Today in movies, ethnic appearance, hair color, clothing color and combinations of the three are very significant to represent the spread of racial stereotypes in movies and other media. Very often  one will notice a person who is something like a melungeon or “of ambiguous ethnicity”, can’t tell if they are black or white (i.e. Vin Diesel or Abraham Liconln was one, part “black”; Tri-racial describes populations thought to be for example of mixed European, African and Native American ancestry) signifying that there is something else darker mixed with in the DNA/blood line that causes the actor to look “off-white” or sub-par white, with slight negroid resemblance features but yet still has not crossed the biological thresh hold of being considered  of “black” ethnicity but yet are not considered or classified as “black”. They symbolically represent the ancient bloodline or Heroes of the movies, film or media. Due to these features, they will denote a symbolic black male or black female. Actor Rami Malek’s ethnicity is 87.5% Egyptian and 12.5% Greek, has a popular television role in Mr. Robot. Actor Ron Perlman is of jewish decent (i.e off-white) who seems to resemble a black slave joker salesman who markets the products of the master or he also can resemble or symbolize a moore through his attire and his unique black eye sun glasses in the Pacific Rim movie. Actor Michelle Rodriguez in the Fast and Furious movie fits this criterion as well.  She is of Puerto Rican decent who classifies herself as Hispanic.

Blackface – Not too long ago “Blackface” was used in films, theatrical events, commercials and other forms of media. Check out this scene from an Indian film where some of the actors are in Blackface in movie Aayirathil Oruvan.

Blackface is a form of theatrical makeup used predominantly by non-black performers to represent a black person. The practice gained popularity during the 19th century and contributed to the spread of racial stereotypes such as the “happy-go-lucky darky on the plantation” or the “dandified coon“. (1) ….Stereotypes embodied in the stock characters of blackface minstrels not only played a significant role in cementing and proliferating racist images, attitudes, and perceptions worldwide, but also in popularizing black culture. (7) In some quarters, the caricatures that were the legacy of blackface persist to the present day and are a cause of ongoing controversy. Another view is that “blackface is a form of cross-dressing in which one puts on the insignias of a sex, class, or race that stands in opposition to one’s own.” (8) Nowadays the same thing is accomplished using a white person character actor with deep dark brown/nearly black color to black hair generally denotes a symbolic ancient black person either with an American or British accent. Secondly a white person with red hair (orange hair color) generally denotes a half breed sub par from white and could also denote a symbolic black person or person stemming or tainted with the ancient bloodline in some circumstances. If two protagonist characters or two antagonist characters are male and female or male to male or female to female, one having black hair and the other having orange hair or one having blonde hair and the other having black hair, they will generally express a love hate relationship throughout the movie plot. They will bicker back and forth, weave in and out of arguments. Possibly flirt back and forth. Or long to be with each other as their ideal mate if only the circumstances were right (ode to Superman and Lois Lane, Batman and Cat Woman. One may be able to think of other character combinations). Genuine complete romance amongst male to female characters with the pre-described hair color combinations will never be accomplished or solidified during the plot of the show. These two characters are often in juxtaposition to two white characters who may be romantically involved (have reached true romance during the plot of the show), have a stable family structure and other positively noted relationship features. The hair color of one actor will be either a blonde with another actor whom has auburn hair color or two auburn color white character actors together with either an American or British accent. Dialects equal nations or bloodlines. An American is often depicted as a “dirty blond”, black or brunette hair color which is not quite blond still in the elite class but “tainted” due to the unique mixing of races in the Americas. America is beholden to Britain. Britain being the father and the Americas being the wayward, beast, extremely arrogant son (child) and or confidant, friend, buddy,  brother or sister. Actors with the British accent tend to carry any hair color. Remember we mentioned the movie Dune in the beginning.

The Baron would represent the ancient being/s that created the various cultures to use them for his ultimate desire to rule and dominate cultures, the planet, and its resources. However this idea once again feeds in to the “Consider the opposite” where really the elites have the desire and intention to rule and dominate cultures and resources but yet tell the world they are the victims who need everyone’s help to fight against the fictional character Baron(s) around the planet; unfolding it this way the elites would seem like pathological liars…

Point of view shots to a black hand in a generally white film or media generally coupled with a scene of trying to do or accomplish something…the nature to do (be commander and chief or in a place of authority, power and influence), accomplish and thrive as portrayed in the symbolic ancient people is a no no…if you try you must fail, if you try to take authority your authority must be usurped quickly, undermined, snatched away before any confidence is solidified. It typically happens during a climactic part of the film to really give the greatest impact of suppressionary encoding in the viewer who will hopefully be of the ancient lineage to further the sleepness and further the divided between cultures and male and female energies (suppression of kundalini). Point of view shots with a black person in the middle of the background or passing through the background during a conversation between two white protagonists should be watched critically. What is the dialogue saying at the precise time a black person walks past? Eye direction is also key. Where is the protagonist and antagonist looking at the exact time a black actor “passes through” or conversation, or a specific word or phrase is spoken? The black person character actor is generally oblivious to what is happening during the foreground conversation but they may be within the point of view shot anyhow simultaneously to conversation ensuing in the foreground is becoming extremely intense. Note an unconscious feeling impression is solidified in the viewer at that exact point in time of an intense of climactic scene. Also note what that feeling is and you can uncover the underlining plot line when typically, the next face or image you’ll see immediately following a climactic scene is a black face (black male or black female) or symbolic black representation image. This is repeated with ad naseum repetition amongst major movies, films and commercials. A point of view shot to the slightest resemblance of freckles on a protagonist is intentionally shown on a white person and it denotes half breed or sub par white person and could also symbolically denote a black person in some circumstances.

In a movie during group conversations when one black person is among the other group members who generally are white or a mix of races, the dialogue will show in most cases that the black person whom may play a supporting (not a significant role) is the one that “accidentally”, “unintentionally” or rather “intuitionally” steers the conversation to the best idea or plan of action in the plot. The other characters catch on but not at first. The first reaction is a dismissal. If no black person is present default to the black-haired character or the orange-haired character. Also note the idea shared by the “black actor” is initially and quickly sloughed off as insignificant but then the group conversation steers right back to that idea, expounds upon it and the leader of the group ends up being the one who indirectly claims it as his or her own and gives the direction to the rest of the group so they can go forth and overcome the threat or obstacle presented in the movie or film. This is hard to describe; these scenes can be confusing because the scenes and the dialogue are happening so quickly plus it is an intense time where everyone in the movie is needing to solve the problem in the plot to get to the next step in the film. Regardless of the conversation concept these sequences are on repeat in nearly every film who possesses the basic scenarios described in this paragraph.

The black woman depicted as a “monster” generally has characteristics of a highly sexuallized nature (uses her feminine wiles to get what she wants and manipulate outcomes) and imposing character; make the connection to cat woman in the black suit or with black hair; also note the movie The Purge, Election Year ( the DVD can be found at the bottom of the Gantz:o page)

Trying to stop the Goddess Ishtar deity energy from rising up and confusing the nature of that energy. The intention is to vilify it and suppress her kundalini manifestation. This is also done with the black male character actors as well. We have to remember that sexual kundalini energy is bad and it must be shunned, suppressed and/or punished. What better way to get the point across then to infuse his or her character with monster like characteristics. As just mentioned this same tactic is often done with black male actors. Juxtapositionally it holds one of the greatest symbols of fascination steering us to view a black woman, orange haired woman or symbolic woman of the ancient bloodline as a harlot, monster or outcast (someone who should be shunned). Check out Salem TV Series – Tituba aka Salem witch trials. This maybe should have been mentioned earlier but is still has a connection to Tituba and other actors; The concept is a subtle yet forceful push to “Make America British Again.” Note the British hand of power in the movie industry. Paying British actors to act as Americans. Ashley Madekw is a British black actress with a British accent but in this film or TV series carries an American accent.

The “monster” is also depicted as a cyborg (half man half robot. This cyborg link takes one to the depiction of a black man) and juxtapositionally Frankenstein (a man once dead created out of various body parts put back together and electronically raised from the dead. This would be connected to the yaukoo story or the creation of the white man. However the character film used to symbolically represent the beastly black male – then God’s who are or once were sleep/dead and made up of many forms, types or pieces of DNA. See the American Gods TV series on starz), Wonder Woman (made/formed/fashioned out of clay brought to life by thunder bolts of Zeus), Superman (an alien trying to live and operate as a human) and many other mythological symbols and characters. Regarding cyborg, there is a light on his forehead (3rd eye, pineal gland which is a portal to other dimensions, he is considered one the smartest Avengers, contrary to the movies you will need to watch of the cartoon animation films or series with cyborg in it to understand that he often comes up with the best ideas or is one of the key components in the plan to defeat the films antagonist(s)), a light in his chest area also considered the heart chakra (symbolic feeling center), a light near or above his loins or root chakra (where the soul resides, the little Sun within the body; the body being the HUGE avatar (1 & 2) juxtaposed to the tiny speck of light consciousness one inhabits the body through; animating the body with the personality and idiosyncrasies. Bobby Hemmitt talks more about this.

It is hard to describe and phrase properly but “Consider the Opposites” is a key concept. Maybe it is easier to understand the concept in the form of lies. As Bobby Hemmitt would say “the enemy doesn’t just lie some of the time; The enemy lies all the time” in the form of opposites. As mentioned before try considering some of the antagonist attributes as good instead of what the movie is trying to portray as bad. Often movies will project fear based emotional references to steer the viewer to be afraid of a particular subject. For instance the Freddie Krueger premise is to don’t go into a deep sleep or he will come after you and terrorize you in your dreams…must do whatever it takes to stay awake. This fear based theme is also repeated in movie “The Invasion“. Note the pineal gland is generally most active in deep sleep thus the greater potential for astral travel and crossing into other dimensions.

Please watch the movie Gantz:o. Below is an excerpt from the page.

The talk with the super monster God. In front of the protagonist holding the ripped off dead head of the fiercest super warrior (who was played by the only black actor in a Japanese film) (note there is a subtle connection between the war against the sleepers and the awake; using the sleepers to fight against the awakened ones; the sleepers despises the awakened beings. And symbolically become the greatest super warriors against the awake) in its hand and holding its index figure out pointing to the protagonists’ forehead/3rd eye symbolic position and holds it in this position as if to say it is giving the protagonist a chance to have a change of heart or else he will be killed. In essence, the God wanted to find one person who truly believed in him by this gesture of sparing the protagonists’ life. This compassionate moment becomes the Gods downfall because it was so concerned about sparing the protagonist life that it neglected to pay attention the ensuing danger around him. This sympathetic gesture may have been intended to convert the protagonist from an enemy to an ally. However, the innate hatred of Gods wins out. When indeed the protagonist never trusts or believes in the Monster/God. He is only trying to find a way through the dialogue to spare his life…you can’t convert one’s nature…It is as it is…for instance a dog or an animal will always be so…(Dion fortune reference: says in chapter VII. The Pathology of Non-Human Contacts “Non-Human is like a pet animal, not a fellow-creature. That, frankly, is the only possible ground upon which they can be approached. If we expect no more of them than we should a pet bird, if we manage them as we should manage a kitten, we have got as near to the solution of the problem as we are ever likely to get….”) no matter the constant training and affection will not steer them down the path to becoming human.

The Pathology of an Automaton

In view of the dialogue the protagonist drops his gun realizing it is a losing battle to fight and quickly says “Wait”…”Let me ask you” “Why are we…”Killing each other?”

The monster responds to his question indirectly.
Monster/God: Do you feel like your’re in God’s presence?

The protagonist: God?

Monster/God: God is the absolute power.

The protagonist: Your God?
scene pause
The protagonist: Are you? (responding as if the Monster/God is obligated to give him a response; projected superiority interjection)

The monster/God: This world has many (Gods). I’m merely one of them. There is no defying that fact?

Remember throughout the whole dialogue the monsters finger is still against the protagonist forehead/3rd eye symbolic position.

However immediately after the monster speaks the last line the ditsy lady warrior (whom just pledged her romantic commitment to the protagonist)

blast the arm of the monster that was pointing at the forehead of the protagonist, therefore dismantling/evaporating the monsters ideology before it sets in/transmits solidification in the viewers mind. She has claimed the protagonist, not the monster. She will fight tooth and nail to defend that honor. The monster says “I see” meaning that it understands that monsters (Gods) should not trust people. And proceeds to shoot laser beams out of its eye (ode to Superman eye beams) and tries to destroy the city and the remaining warriors.

Tangent thought; at the center of each eye is a black hole or a portal. The eye looks similar to the Milky Way Galaxy. There is also a light beam that goes through the center of a black hole and out the other side. In the article “Scientists Unravel Secrets of Monster Black Hole at Center of Milky Way” What is the analysis behind the Superman eye beams anyway? The projection of the lying entity that always thinks and projects in opposites says to itself about descendants of the ancient bloodline that focused attention destroys also “Don’t look me in the eyes” this act is offensive; but flipping the pathology 180 degrees one can deduce that focused attention creates. Perhaps creating the sensation to feel or experience compassion or oneness. The innate encoding robotically says to itself whenever it comes into the presence of the symbolic ancient blood line “must break attention, must do whatever I can to break attention, I must follow where, what or who their eyes are focusing on and break that attention, the descendants of the ancient blood line must always focus their attention on me, I will be their source and their stimulant, they must not create, or I must control their ability to create so I always end up possessing the essence of their creations but quickly destroy the creator of it, so I can absolve myself of guilt because I don’t want them or anyone to know that I stole it from them, fore I am the true creator.”

Tangent thought again: blacks in slavery got the “Be seen and not heard” beat into to them and encoded in their minds by their masters. Subsequently “You should never look a white man in his/her eyes; This is an offense. It is a sign of disrespect. It is construed as challenging or bucking up against perceived authority. So instead keep your eyes low or look to the ground when you encounter them. One must present the impression of being subtle, abased, insecure and inferior.”

The movie industry launched a worldwide massive campaign against the descendants of the ancient blood line (specifically the symbolic black male) in Superman vs. Batman: Dawn of Justice Movie. Note that in the logo the Superman’s “S” is swallowed up by the Batman symbol. Meaning the “S” is smaller and centralized within the Batman symbol. Both Superman’s and Iron man’s hair is historically dark in color. Both Batman’s dark aubur hair color and Superman’s historically black-hair color are symbolic to black male  yet they carry a white American elite status. The butler is British (father figure, guider, supporter, confidant, buddy, moral or conscious authority to Batman. It may be outrageous to allege that Alfred had some to do with orchestrating the death of batman’s parent’s. The least character to consider as a villain is often the most villianistic and twists the story line into a major shock). Superman black hair is symbolic to the ancient blood line. Superman and Batman’s love interests have either orange or black hair. Batman is a white man whom participates in all knowledge, dark arts and the occult. Superman represents the symbolic black man whom participates in morality and whom has alien lineage. In the beginning of the film Justice League Full Movie 2017 Joker boldly and confidently toys with Superman as he is a gullible child whom will not tap into his ultimate power and whom could easily kill the Joker. By the way the Joker character looks very similar to black person in history if one replaces the white skin with black skin; see Goodbye uncle Tom! “Warning Graphic Content” around 1:11 minutes into the movie. If true the Joker is the “Gentleman” who advertised the slaves for sale and made sure they were ready for auctioning so master would get the highest price for the sale. With so many tricks up his sleeve and innovative ways to market and advertise masters’ products all while shuckin and jivin, Joker seems like a fitting name. The Joker wears a top hat, Victorian-era attire (The era when the slave trade made the nation rich and wealthy beyond imagination). On some images of Joker there will be reptilian clothing.

If Superman gets fed up and ensues with anger, rage and suffering he busts through moral code that binds his actions. It is the projection of moral limitations that keep his power shackled. The love interests represent the symbolic black women. Batman has unlimited wealth, power and the greatest access to surveillance of the world.

Note Superman’s “False God” theme. Note the use of a Black African women to head rant on  the dis-ease with supperman; projecting him as untrustworthy and potentially murderous.

Input the black man and the projected theme is the black man is a False God. Then flip it 180 degrees, they are saying the symbolic black man is a God

…interesting … Thus, follow the hair color to get to the real message they are trying to share. This “God” theme is repeated in The Purge movie imagery. A black male teen is wearing a mask with “God” written across the forehead. This same image was used in a lot of commercials and billboards across cities and towns. Another repeated image is a black teen wearing a mask with an upside down cross on it at the symbolic 3rd eye position; points to the symbol of the symbolic black man/3rd eye awakening as an/the anti-christ

The middle east phenomenon. The attack on the middle east talked about in the news is generally an attack on the symbolic and literal portal near or in the same position as ones’ root chakra where a soul comes through from “the other side” to populate and or animate the human body. Think of movie Avatar were the beings have to be in a sleep state to transfer and project their Ka, essence or consciousness to another body. Or in an altered state of consciousness such as in the movie Pacific Rim. The middle east “Wars” and constant bombings, and seemingly never-ending flare ups or uprisings are symbolic speech the elite use in main stream media to talk amongst themselves to share information in plain sight yet at the bafflement of minorities and people “not in the known”. The threat is too many souls coming through to this planet. A war to suppress the number of soul manifestations on to the planet. The symbolic war is to stave off the number of souls coming to this planet. A soul is like a Jedi in the Animated Star Wars Clone Wars movie and book. A human possessing a soul generally do not know they are symbolically a thousand times more powerful than an average person whom does not possess a soul. There will always be a media rage on the middle east conflict as long as the threat ensues. The soul is essentially a speck of light at the root chakra within the body. It is a portion of the sun seen in the sky, which this sun in relation to the earth is furthermore a portion from the largest star Sirius at the center of the galaxy. The suns are balls of consciousness constantly emitting codes of information scientists are always on the hunt to decipher. The very tiny speck of light at the root chakra is a flame that never stops burning just as the suns in the sky never stop burning until the time a person dies. Sometimes the soul connection to the body is not broken causing spirits to be trapped in this realm whom have not made the successful transition to the “other side” (see Young Pharaoh description from more detail on this subject. Scroll down to the bottom of the Frighteners post to watch Young Pharaoh video topic on Mummification and After Death practices).

List of Interpreted Movies films and other media
The Importance of Milk
movie Gantz:o
– The Invasion – Sweat is a healing agent
Salem TV Series – Tituba
Marvel’s Iron Fist
Melanin Reference – Transformium – Transformers Age of Extinction Movie 2014
The Great Wall (2017) Movie
The Pathology of an Automaton
People idiosyncrasies in movies and real life

This is an idea section that will continually be updated and tweaked for better clarity. stay tuned.
Fun MoviesKundaliniMelaninMelanin and MythMovies
The Invasion Adolabrath – Adolabroth – Adolebroth Maafa21
Bobby HemmittNeely Fuller Jr Neely & Frances  – Dr Claud Anderson
Eckhart Tolle Dion Fortune Mark Passio – Citi Hampton
– Alexyss K Tylor – Dr Alim Bey – Dan Winter – Dan Winters
– Yahweh – Yahweh Yaldabaoth – Yahweh-Yaldabaoth
Yaldabaoth – Melatonin – Melatonin Miracle
– No Apology Necessary











20123rd Eye Acceleration911Adam and EveAdolabrathAdolabrothAdolebrothAdvance Surveillance TechnologyAfricaAfrica Basil DavidsonAfrica Ep 3Africa Ep 4Africa Ep 5African History Before Slavery (HERO)AfricanmoorishlecturesAfricans In AsiaA Great And Mighty WalkAlexander RetrovAlchemyAleister CrowleyAncient AncestorsAncient Kemitian MysteriesA New Earth Web ClassAngkor ThomAngkor WatAnimal Cruelty In China Animated SeriesAnthony BrowderAnunnakiArabArchonsArk Of SothisArthur E. PowellArtificial WombAtlantisAutomatonAutumn EquinoxAvengersAwakening The 3rd EyeAware ProfileBamiyan Buddhas – , – Baron Sombie Basil DavidsonBBCBibleBill Clinton’s SonBiologic ArchitectureBlack DotBlack HairBlackHair DVDBlack Hair TakeoverBlack Mystical AgendaBlacknine FilmsBlog Talk RadioBloodBobby HemmittBobby Hemmitt Book listBobby Hemmitt DvdBobby Hemmitt DvdsBobby Hemmitt SexBobby Hemmitt StrokeBody PartsBookBook Of EnochBook Of The LawBorobudurBrain FunctionBrazil’s National IdentityBuddha BoyCannibalismCaravans Of GoldCarbon 7Carl MunckCfl BulbsC Freeman ElChangChaos BeingsChemtrailsChinese GlobalizationChinese Takeover Africa ChristianityChristopher CarolanCiti Hampton Claymore EpisodesCodeficationCode Of The GodsColor ConfrontationCompensatory Code SystemCompensatory Concept PodcastsConsciousnessConspiracy Of SoundConvention Of Ancient IsraelCornel WestCounterfit SpiritCraig VenterCress Theory On Color ConfrontationCuba Gooding JrCurrent EventsDanney WilliamsDan WinterDan WintersDark AgesDark Goddess RisingDark MatterDark Moon RisingsDark OccultDark Side EnergyDarkside EnergyDavid IckeDead Sea ScrollsDeathDeath RayDeedee SharpDeja.Vu.Full.MovieDemiurgeDepopulationDevilDino Dean ShowDion FortuneDjangoDnaDna HistoryDna KingdomeDna TransformationDoctors Will Not Tell YouDocumentaryDraculaDracula ParticleDragonDr Alim BeyDr Claud AndersonDr Delbert BlairDr Frances Cress WelsingDr Jewel PookrumDr Naim AkbarDr Phil ValentineDr Tim MorrowDr Timothy Leary Ph D Dr Umar JohnsonDvdDvd PackDvdsEchart Tolle Eckhart TolleEffed By The Predator NationEffeminizationEgypt PyramidsEmergency Preparedness KickEnd Of The Illusion Aka This WorldEnigmaEsotericEsoteric DreamsEthiopiaEt HistoryET Origins Of DNAEugene AdamsEugenicsExpansion Of The Dna KingdomExtraterrestrialExtra TerrestrialsExtreme MeasuresEye Opener ProductionFall And RiseFantastic FourFarm To FridgeFarrah GrayFeeling ExpressionsFestivities Of MelaninFoodFor Love Of LibertyFractal Compression – FractalityFraggle RockFrances Cress WelsingFrancess Cress WelsingFree ElectricityFree EnergyFreemasonsFree Your Mind ConferenceFrom Superman To ManMoviesGalactic HistoryGANTZ:O MovieGate To Garden Of EdenGathering Of The Metaphysical MastersGenetic Engineering TechnologyGenocideGeorge Washington CarverGerald MasseyGifted HandsGlamoursGnosis Gnostic GospelsGnostic ScripturesGnostic Scriptures TranslationGodGoldenmeanGothamGreat PyramidsGreen LanternGutenberg ProjectHaarpHalloween Egungun GedeHealingHealthHeart ChakraHelaHela Mystical AgendaHenrietta LacksHenry BakerHerbsHermetic MagicHermeticsHidden Colors FilmHistory Of BritainHistory Of MelaninHistory Of NasaHitlerHollow EarthHolocaustHolographic UniverseHuman ArtificialHuman Fetus Eating In ChinaHuman Galactic HeritageHumansHuman SacrificeHurricane KatrinaIdiosyncrasiesIlluminatiIlluminati SacrificeImmigrant HumanImmortalImpregnation RitualInside The LabyrinthInvasionInventorInventorsIslamIvan Van SertimaJada Pinkett SmithJamaicaJehovahJermaine GarveyJesse VenturaJesusJesus ChristJim HensonJohn Henrik ClarkeJuanita BynumJudaismJudgement Hall Of Osirus MaatKamiteKarl PribramKarmaKatrinaKemetic Dark Matter QuestKenneth GrantKey To The UniverseKhonsuKkkKnow Thyself PartKony 2012Koreans And Black Hair TakeoverKu Klux KlanKundaliniKundalini ScienceLabyrinthLand GrabLarvalLaw Of AttractionLed BulbsLet The Stone Tell The TaleLeuren MoretLiber Al Vel LegisLight BulbsLive In LondonLive In The RemixLloyd StrayhornLost GospelsLunar RaceMaafaMaafa21MaatMaat BlueprintMaat Transitioning SoulMagic In The New EonMarcus RedikerMark PassioMathematics Of The BeastMayansmaatlifeMcDonaldsMeatMedical AppartheidMedical HorrorsMedicinal CannibalismMeditation MusicMedusaMelaninMelanin And MythMelanin ConferenceMelanologyMelatoninMelatonin MiracleMemory Through DeathMental IllnessMerlins MagicMessonicMetaphysicalMetaphysical MastersMetaphysicsMetaphysics Of EverythingMetaphysics Of SexMichael PalmerMilkMilky Way PlanetsMillionaireMin Clemson BrownMind ControlMontaukMontell Jordan His StoryMoonMoralityMorgan FreemanMos DefMoviesMovies InterpretedMs Blue MummiesMuslimMysteries Of The Universe SMysticalMystical AgendaMystical MagicMythologyNaazir RaNag Hammadi LibraryNeely Fuller JrNegroNever Get Sick AgainNew World OrderNibiruNigga Is Ye CrazyNiggasNiggerNo Apology NecessaryNon HumanNon-Human –   – Know SelfNubiandvdsNubian SpiritNucleur RadiationNumerologyNutritionOccult History Of MelaninOccult RitualsOccult SacrificeOccult SymbolismOccult To MetaphysicsOilOprahOrigin Of AIDSOrigin Of HumansOrigin Of The WorldOsirusParasiteParasite CleanseParenting VideosPathologyPaul MooneyPeople IdiosyncrasiesPeople Of WalmartPharaohs To NegroesPhil ValentinePineal GlandPlanet XPlanned ParenthoodPlasma FusionPolitics Of Ancient IsraelPopulation ControlPorkPost Traumatic Slave SyndromePowder Full MoviePower4home SystemPower Companies Professor GriffProject Blue BeamProject CamelotPsychiatryPsychiatry: An Industry Of DeathPsychic Self DefensePsychic Self-DefensePyramid MatrixPyramids In ChinaPyramids In JapanRacismRacism A HistoryRacist Asian And AfricansRadiationRaw FoodRaw MilkReallionaire – Remote ViewingRenee RaudmanReptiliansReturn Of The Ancient OnesRevelation Of Divine SelfRise Of Dark MatterRitual SacrificeRobert Anton WilsonRobert TempleRobotoidRomeRudolf SteinerRule By SecrecySacred MarriageSacred ScienceSamboSan Francisco GeometrySankofa ArchiveSatanScience And AncientsSeal Shepherd – Secrets of body language Self NeglectSeriesSerpentSeven Rays And GlamoursSex And PoliticsSex RitualSharon QuinnSirius MysterySiriustimescomSlaverySlavery In JamaicaSlaves On BoatsSlave TradeSleeping MusicSmileSniffSolar OvenSolar Panel Tax RebateSolar System ScopeSomething The Lord MadeSpike LeeSpontaneous CombustionStellar Ignition Of DnaStepin FetchitSteve DewittStomach ParasiteStone Tell The TaleStructure Of LifeSubliminal MessagesSugarSugar StacksSuper CowSupervillian OriginsSurvive Any StormSvaliSweatSynthetic HumansSynthetic LifeTalktainment RadioTariq EliteTariq NasheedTechnologyTemple Angkor ThomTemple Angkor WatTemple Of BorobudurTeslaThe 6th DayThe Ancestors DestinyThe Ben Carson StoryThe Bible And The GunThe Black DotThe Catacombs Of ParisThe Catacombs Of RomeThe CodeThe Code BookThe Compensatory ConceptThe “Creator”The Darkside EnergyThe Feast Of All SaintsThe Final BattleThe Hidden SelfThe InvasionThe Isis PapersThe King And The CityThe Legend Of At AtlantisThe Legend Of KorraThe Lost MotelThe Magnificent African CakeThe Occult Technology Of PowerThe OneThe Original GodsThe PatientThe Protocols Of The Learned Elders Of ZionThe Remix FamilyThe SecretThe SisterhoodThe Slave ShipThe UnderworldThe Untold StoryThe Wizard Of OzThey LiveThree Types Of PeopleThrive MovieThunder DogTime TravelTime Travel MoviesTree Of LifeTrilateral CommissionUFO Alien Technology DisclosureUmar Abdullah JohnsonUnderstanding RacismUnderwater Pyramids In JapanVaccinesVampiresVaticanVegetarianVictims Of RacismVideoVideo Game Console InventorVolcanoWashitawWhat If The God You Serve Is The DevilWhat On Earth Is HappeningWhen The Great Ones ReturnWhite SupremacyWhitney HoustonWho Built The MoonWho Is This King Of GloryWireless EnergyWizard Of OzWorms In BodyWorms In StomachYahwehYahweh YaldabaothYahweh-YaldabaothYaldabaothYoung Justice Season Episode – Young Pharaoh

Interpreting Films – Amazing Thought blog references Movies!!!, TV Shows, Commercials, Books and Video and Audio lectures for information relating to general social structures, people interactions, metaphysical theories, history, contemporary hot topics, religious commentary and Metaphysical Theory.

The Great Wall (2017) Movie

The Great Wall (2017) Movie

Fantastic Movie!!! Great action and adventure. The Tao Tei came to earth eons ago by a green (Green color symbolizes alien) meteor from out space crash lands into earth. They are strong vicious reptilian and beast hybrid species, have an amalgamation of all different types of animals. Distinct features include a big crocodile mouth, lots of teeth, green skin, large hands and raptor claws. It’s fast like a cheetah and extremely strong like a lion. It takes orders from its queen whom it’s soul purpose is to serve, feed and protect. The queens existence fuel the pack. In some ways the queen reflects the great mother energy. This not the first time motion pictures have depicted ancient people as monsters or some sort of mythical creatures…..Reptile symbolically references Kundalini.

Matt Damon’s character William (American accent, main protagonist) and friend Tovar (spanish accent, supporting role, could be a Moorish descendant) manages to kill one Tao Tei. and keeps the hand of the beast he cut of when it fell over a cliff. He gets ambushed by the native troops who bring him to the Renzong Emperor, during the Song Dynasty. Now he is at the Imperial Court where they would like to kill William and Tovar the intruders. They question him, how he this white barbarian who managed to kill a Toa Tei single handedly, after all he looks and smells like a beast himself dirty and stinking for not having bathed for such a long time and looks unkempt and unsophisticated (but obviously judging someone by their looks can be very much deceiving.

It is proven by the strategist that William was telling the truth because the blood of the beast was found on the sword. They decide to kill him and keep the intruders to find the knowledge on how he managed to kill the beast.

Immediately after he gains respect of the court, a troop runs in an interrupts the proceedings warning of an impending attack on the empire by the Tao Tei beasts. They the cinematography begins to show the overwhelming magnificent of the empire as William and Tovar are taken changed up to the top of the Great Wall by the troops where they are able to see everyone get prepared for battle. The troops are organized into different colors and each division has special warfare suits.  It has crafted and engineered so many different ways to protect and serve its people. William and Tovar are so impressed. The woman are infront of the army who get the closest to the beast. They are in the most vulnerable and daring position and quickly get eating by the beast (harkons back to the symbology and cultural practice in certain Asian societies where woman children are killed at birth/discarded from society and considered less valuable than a man child. Their carcasses are eaten in mass as delicacies on the underground black market. The man child are more valuable and protected. It has created an imbalance where the male population far out ways the female population; decreasing the ability of the culture to populate. Who started this trend….? ….. Human fetus eating in China…. In some sneaky way white supremacy is the dominant social structure of the world (Ode to Neely Fuller). It would be in their best interest to find a way to destabilize an entire culture by getting another culture to destabilize itself through some outrageous sanctioned belief system crippling its abilility to reproduce a culture that has lasted and developed for thousands years. Who is writing the screenplay and producing this movie. I see no Asian names listed… Thus from what perspective is this story being told). Side bar: Actress Jing Tian’s character has no Asian male or woman love interest. The Honorable Great White Hope character seems to suggest a good male love interest counter part for her to set her affections on. The sentiment seems to be reciprocated from him to her…shown in him wanting to be there for here to support her. Although they are from different world and are truly “different” (This “difference” dialogue is a theme throughout the movie from when they first talk to each other in private to when they depart.) By the way he never commits himself to her or her culture and end up leaving her at the end of the movie as she looks out after him from on top of the Great Wall as he rides away on his horse with his partners. There is a slight premise left that she will for ever long for him as her equal counter part; they are both brave & fierce warriors and Great leaders. the Symbol Great wall of culture, heritage and geography keep them apart. Once all the beast died the empire was never as strong as it once was when it unified to fight the beast.

The strategist figured out that William was able to defeat the Tao Tei with a magnet rock which in affect puts the beast to sleep when the rock comes into close proximity to it. It mutes the signal for the Queen (Great Mother energy) whom is vibrationally or energetically connected to every beast. It causes the beast to be in an isolated sleep state disconnected from the whole. Once strong and ferocious it instantly becomes weak, vulnerable and very easy to kill. The rock symbolically represents melanin. People have a hard time sleeping at night and melanin helps but them to sleep. Melatonin supplement pills are popular sleep aids. Natural herbal Melatonin Dietary Supplements are on the rise. However as Bobby Hemmitt says it use to come out of humans through the extracting of the pineal gland. Made it is still done in the underground black market. Fear and Loathing in Las Vegas alludes to eat of the pineal gland for the purposes of getting an extreme high. They go completely insane in inebriation and hallucinations and destroy their interior apartment in a fit of craze. Black bats on the cover on the cover also alludes to melanin because melanin is most active at night like bats are.

The catch 22 is that the suppression act by the world social engineers spares forth more and more of the Great Mother energy. This is no their intent. It is unfortunate product of their suppress tactics.

Fast forward and simplify….
William proves his good nature and honorable character through saving a young native soldier from getting eaten by a Tao Tei. William also proves to be one of the best warriors whom just happened to show up right at the perfect time to help the empire engineer a plan to defeat the beast.

Kundalini energyTags, Neely Fuller

Melanin People: How to Eat and Devour their Energy. Luciferians Reveal their Secrets

“Luciferism can be understood in part as a philosophical and spiritual extension of eating and consuming. When compassion, empathy and conscience are killed, then devouring can swell proportionately. When the impediments to personal power acquisition are removed, then devouring the life energies of other beings becomes easy: I become stronger as you become weaker, I absorb strength as yours flows into me. I become capable of this because I do not experience your pain, I don’t care about your loss, and I feel no regret about using, abusing, and devouring you.’”

Bro. Bobby Hemmitt says alot the these deep, wise, intelligent and “crazy” things. Bobby Hemmitt is a scholar of esoteric knowledge. He has been captivating audiences for the past 20 years with a dynamic brand of exploratory scholarship and an energetic public delivery that involves a tremendous amount of research that he always and I repeat always gives to you within the presentation. If you think he’s talking out of the side of his neck you can call him out but you better check his sources first. His research is impeccable. His philosophy is based in knowing that all the things labelled pagan, occult, and mysterious are the knowledge and wisdom of the cultures of the world that were living in harmony with all life prior to the rise of our current European centered civilization. The rational, christian, scientific belief systems are a paradigm that limits our ability to access the unity of oneness with all existence. Bobby delves into what we call metaphysics, rituals, science, occult, voodoo, astronomy, gnostic wisdom, mysticism, kemetic wisdom, ufo’s,  magic of all forms, greek mythology, and some so-called “downright satanic shit.” Blending them all into one and giving an insightful analysis of current events that is just awesome to witness.
This rare book goes into how the luciferians Eat and devour ones energy and reveals their methods & hidden techniques!

Here are some of the topics this book covers:
1. THE HIERARCHY OF DEVOURING
2. DEVOURING UP THE HIERARCHY
3. PHYSICAL DEVOURING : RITUAL SACRIFICE
4. DEVOURING EMOTIONAL ENERGY
5. DEVOURING COGNITIVE ENERGY
6. BREAKING INTO THE CORE & CREATING OBJECT -OF-FOCUS
7. ASSAULTING THE CORE
8. SPIRITUAL TRADITIONS ATTRACTING LUCIFERIAN DEVOURS
9. SELF-ANNIHILATING TRADITIONS AND MUCH MORE!!THIS BOOK IS A MUST HAVE FOR THE SERIOUS OCCULT & METAPHYSICAL STUDENTS!Book Format: Spiral Binding GBC
Pages: 53
Author: Bobby Hemmitt

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BREAKING INTO THE CORE & CREATING AN OBJECT -OF-FOCUS
Luciferans believe that core identity can be devoured only when it is broken, like an egg or a nutshell. Once broken, the victim’s core identity yields powerful energies. To break the victim’s core identity, the luciferan first needs to gain access to it. To gain access, the Luciferan needs a powerful key, for even the weakest human will not easily open up such intimate territory. Access can be gained by fashioning an object-of-focus.
To initally gain access to the victim’s cognitive core, the luciferan has to fashion a lure, a device which will invite the victim to open his core identity. An “object-of-focus” is such a lure or key.
An object-of-focus can be a belief system, an icon (such as a specific object or even the Luciferan’s personality), a sacred place, an intense experience (euphoria, ecstasy), or any other thing that the Luciferan has created and therefore controls.
To construct an effective object-of-focus, the……………..
will include – in addition to plant and animal life – the full range of human energies offered up from the body to the soul.
Luciferans have learned how to devour and metabolize these human energies, to withdraw these vital forces from their human victims in order to enhance and vitalize their own lives. I do not completely understand how this powaggat’si process works. I do know that the process exists, and that Luciferans depend upon it to fully actualize and empower their own drive for godhood at the apex of the hierarchy.
PHYSICAL DEVOURING: RITUAL SACRIFICE
When elevated to formal religious status, devouring becomes sacrifice the ritual eating of the victim’s physical body. The logic of sacrifice is grounded in devouring: since devouring unites all forms of sentient life, logically it should form the basis of many religious rituals. for example, Christ is devoured in the Mass; communion is the act of devouring the blood and body of Jesus Christ. Christ was sacrificed, and apparently welcomed the opportunity to be devoured rather than to devour.
For the practicing Luciferan, however, ……….
THE HIERARCHY OF DEVOURING
Luciferism can be understood in part as a philosophical and spiritual extension of eating and consuming. When compassion, empathy and conscience are killed, then devouring and consuming can swell proportionately. When the impediments to personal power acquisition are removed, then devouring the life energies of other beings becomes easy: I become stronger as you become weaker I absorb strength as yours flows into me. I become capable of this because I do not experience your pain, I don’t care about using, abusing, and devouring you. on the contrary, I can come to love your suffering and pain, and use it to help me rise up the hierarchy of devouring. (for example the Movie Hostel) Your pain refreshes and empowers me: by devouring your energy and vitality, I can rise with joy, euphoria, and ecstasy to become pure powaqqat’si.
We all devour. Luciferans and non-Luciferans alike; like it or not, we are all part of a food chain. Luciferans simply accept this fact and enthusiastically expand their range of food possibilities, from plants and animals to humans and even to God.
All human beings are devourers. We eat other living things. Billions of domesticated animals come into existence apparently for the sole purpose of our devouring. Our me sources often live in conditions of abject misery, and are then coldly and efficiently transformed into food. We shovel other beings, both plant and animal, into our mouths without much reflection on their suffering. We are devourers, and ours is a world dominated by a Hierarchy of Devouring.
The term “hierarchy of devouring” came to me from Charles Templeton. He is now a well-know author, but used to be an aspiring preacher. Apparently he had be quite good at it, packing halls in Toronto and sharing billing with preachers like Billy Graham. Eventually he became an atheist, and publicly articulated by he no longer believed in God.
He said he could no longer believe in a God who would create a hierarchy of devouring. By this he meant the entire structure of life on this planet, which is apparently built on one command: eat or die. Big animals eat smaller ones, they in cum eat yet smaller animals and so on down to the simplest forms of life. At the top of the heap, at least for now, are human beings. We are at the top because we are excellent devourers.
“The heart and pulse of life” said Templeton “is built around cruelty and power.” Just watch brutality. Luciferans are not group-animals. They reject all organzational bonding unless it directly serves their personal needs: other Luciferans are only competitors to be overcome. For Luciferans, devouring human flesh is an act barely removed from devouring animals or plants. They seldom use it because it yields little real energy or power. An individual Luciferan might occasionally us ritual sacrifice to solidify his control over a group of submissive followers, but the act seldom yields benefits sufficient to compensate for the risks of discovery.
Ritually killing and devouring humans refreshes and reminds Luciferans of their commitment to devour their way up the hierarchy in pursuit of absolute power. As a Symbolic act is has some validity; as a practical method of power acquisition, it is risky and seldom worth the effort. Emotional, cognitive and spiritual devouring is far more nutritious.
DEVOURING EMOTIONAL ENERGY
Luciferans eat the emotional energy of victims. They parasitically drain those around them, leaving their victims desiccated, exhausted, confused, despairing, and depressed. Victims can seldom articulated the source of their
http://www.thirdeyemax.com/2010/11/devils-food-cake-cake-that-hate.html  Cannibalism Find the meaning of Devils Food Cake and it’s origin in the book below:

Fruitcakes & Couch Potatoes and Other Delicious Expressions Kindle Edition
by Christine Ammer

 Mummies, Cannibals and Vampires: The History of Corpse Medicine from the Renaissance to the Victorians 2nd Edition

Mummies, Cannibals and Vampires charts in vivid detail the largely forgotten history of European corpse medicine, which saw kings, ladies, gentlemen, priests and scientists prescribe, swallow or wear human blood, flesh, bone, fat, brains and skin in an attempt to heal themselves of epilepsy, bruising, wounds, sores, plague, cancer, gout and depression. In this comprehensive and accessible text, Richard Sugg shows that, far from being a medieval therapy, corpse medicine was at its height during the social and scientific revolutions of early-modern Britain, surviving well into the eighteenth century and, amongst the poor, lingering stubbornly on into the time of Queen Victoria.

Ranging from the execution scaffolds of Germany and Scandinavia, through the courts and laboratories of Italy, France and Britain, to the battlefields of Holland and Ireland, and on to the tribal man-eating of the Americas, Mummies, Cannibals and Vampires argues that the real cannibals were in fact the Europeans. Picking our way through the bloodstained shadows of this remarkable secret history, we encounter medicine cut from bodies living and dead, sacks of human fat harvested after a gun battle, gloves made of human skin, and the first mummy to appear on the London stage. Lit by the uncanny glow of a lamp filled with human blood, this second edition includes new material on exo-cannibalism, skull medicine, the blood-drinking of Scandinavian executions, Victorian corpse-stroking, and the magical powers of candles made from human fat. In our quest to understand the strange paradox of routine Christian cannibalism we move from the Catholic vampirism of the Eucharist, through the routine filth and discomfort of early modern bodies, and in to the potent, numinous source of corpse medicine’s ultimate power: the human soul itself.

Now accompanied by a companion website with supplementary articles, interviews with the author, related images, summaries of key topics, and a glossary, the second edition of Mummies, Cannibals and Vampires is an essential read for anyone interested in the history of medicine, early modern history, and the darker, hidden past of European Christendom.

Medicinal Cannibalism in Early Modern English Literature and Culture (Early Modern Cultural Studies) 2,011th Edition, Kindle Edition

by L. Noble (Author)

Cannibalism: A Perfectly Natural History Hardcover

For centuries scientists have written off cannibalism as a bizarre phenomenon with little biological significance. Its presence in nature was dismissed as a desperate response to starvation or other life-threatening circumstances, and few spent time studying it. A taboo subject in our culture, the behavior was portrayed mostly through horror movies or tabloids sensationalizing the crimes of real-life flesh-eaters. But the true nature of cannibalism–the role it plays in evolution as well as human history–is even more intriguing (and more normal) than the misconceptions we’ve come to accept as fact.

In Cannibalism: A Perfectly Natural History,zoologist Bill Schutt sets the record straight, debunking common myths and investigating our new understanding of cannibalism’s role in biology, anthropology, and history in the most fascinating account yet written on this complex topic. Schutt takes readers from Arizona’s Chiricahua Mountains, where he wades through ponds full of tadpoles devouring their siblings, to the Sierra Nevadas, where he joins researchers who are shedding new light on what happened to the Donner Party–the most infamous episode of cannibalism in American history. He even meets with an expert on the preparation and consumption of human placenta (and, yes, it goes well with Chianti).

Bringing together the latest cutting-edge science, Schutt answers questions such as why some amphibians consume their mother’s skin; why certain insects bite the heads off their partners after sex; why, up until the end of the twentieth century, Europeans regularly ate human body parts as medical curatives; and how cannibalism might be linked to the extinction of the Neanderthals. He takes us into the future as well, investigating whether, as climate change causes famine, disease, and overcrowding, we may see more outbreaks of cannibalism in many more species–including our own.

Cannibalism places a perfectly natural occurrence into a vital new context and invites us to explore why it both enthralls and repels us.

Clitoridectomy Cake – Nigger cake
– The Pain cake

Seal Shepherd – Human Fetus Eating in China

Seal Shepherd
http://www.youtube.com/user/SealShepherdBlue
Animal Cruelty and Slaughter in China

Kaiju Remedies from Pacific Rim movie

Symbolic black market for body part harvesting for the purpose of repairing, healing and regenerating bodies to become more productive, reduce the aging process and live healthier and longer lives.

[BREAKING NEWS] Melanin Is Worth Nearly $400 A Gram!!!
Top 10 Facts About Melanin

Tales from the Darkside: The Movie is a 1990 American horror anthology film directed by John Harrison. The film depicts a kidnapped paperboy who tells three stories of horror to the suburban witch who is preparing to eat him, à la Hansel and Gretel.

Betty remarks that Timmy saved the best story (“Lover’s Vow”) for last, but he says that he hasn’t told her the really best story yet and that this one has a happy ending. She tells him that he should have done it earlier, because now it’s too late and she has to start cooking him to be ready in time for her party, and that none of the stories in the book have happy endings. As Betty advances on Timmy, he tells her this story, his own, narrating his own actions as he trips her by throwing some marbles on the floor. Betty slips and falls on her butcher’s block, impaling herself on her tools. Timmy releases himself and pushes her into her own oven. The film ends with Timmy helping himself to a cookie and breaking the fourth wall by asking us, “Don’t you love happy endings?”

Chocalate cookie eating: symbolic of eating the black body/flesh with chips of melanin inside.

An Occult History of Melanin – Bobby Hemmitt

What if the God you serve is the Devil.

ANUBIS The Final Dimension of Melanin

You are higher than the God that created you
https://www.youtube.com/watch?v=bvo7wDF8o_M
https://www.youtube.com/results?search_query=what+if+god+was+the+devil+bobby+hemmitt

Making sense of the Madness in Movies

Using Bobby Hemmitts extensive knowledge and sources of information the below information on How to interpret movies – Interpreting films was synthesized.

How to Interpret Movies – Interpreting Films

The Arch Degree: Civil War Decoded: All Roads Lead to Wakanda

www.hollywooddecoded.com – Ktthearchdegree Youtube More from The Arch Degree – www.ktthearchdegree.com

The Avengers Civil War – Political pressure mounts to install a system of accountability when the actions of the Avengers lead to collateral damage. The new status quo deeply divides members of the team. Captain America (Chris Evans) believes superheroes should remain free to defend humanity without government interference. Iron Man (Robert Downey Jr.) sharply disagrees and supports oversight. As the debate escalates into an all-out feud, Black Widow (Scarlett Johansson) and Hawkeye (Jeremy Renner) must pick a side.

Movies Decoded – The Arch Degree – Interpreting Films

Melatonin – Your Body’s Natural Wonder Drug

Melatonin – Your Body’s Natural Wonder Drug [Hardcover]
Russel J., Ph.D. and Robinson, Jo Reiter (Author)
Your Body’s Natural Wonder Drug Melatonin
http://www.lef.org/magazine/mag96/sept96_review.html

Would you believe that something could:

Extend your youth by more than ten years?
Boost your immune system in two weeks’ time?
Help prevent heart disease, Alzheimer’s, Parkinson’s, diabetes, and cataracts?
Cut your recovery time from jet lag in half?
Offer not just cancer prevention but a key to a cure?

All in a widely available non-prescription capsule? It’s true–and it’s called melatonin.  This remarkable book represents a major breakthrough in human health and life extension studies.  It reveals cutting-edge research on melatonin–a natural hormone produced deep within the brain–that is revolutionizing our understanding of life.  Melatonin helps determine how fast we age, how effectively we fight off disease and toxins, and how well we sleep.

Melatonin is the most comprehensive, up-to-date, and authoritative book available about this amazing substance.  Dr.  Russel J.  Reiter is one of the world’s leading experts in the field.  During more than thirty years of pioneering research, he has uncovered many of melatonin’s unique properties– including its role as the most powerful antioxidant in the body.  In this book he reveals what he and other scientists around the world have only recently discovered about melatonin’s remarkable potential to:

Increase immune response dramatically
Greatly improve existing treatments for cancer and AIDS
Lower cholesterol and blood pressure
Put you to sleep as effectively as a prescription drug–without side effects
Improve mood and reduce symptoms of PMS
Prevent the free radical damage that underlies aging
Neutralize the dangerous side effects of mammograms, X-rays, and surgery

In Melatonin, Reiter offers a complete, three-phase program to help you take advantage of this new information right now.  First, he helps you pinpoint
the habits, hidden environmental hazards, and common medications that may be diminishing your natural supply of melatonin.  Next, he explains how you can
naturally stimulate your production of this life-giving hormone.  Finally, he provides a complete guide to melatonin supplements, including safe and effective doses, the best kind to buy, and when and how to take them.

With all the suspense of a medical detective story, Melatonin reveals clue by tantalizing clue all of the amazing properties of this “hidden” wonder hormone, much the way they presented themselves to Dr.  Reiter and his colleagues.  The result is a book that only an insider could write–a book as exciting to read as it is vital to your health and the health of those you love.

The Ancient African Battle For The Universe – Bobby Hemmitt

The Ancient African Battle For The Universe Pt 1 Of 6 – Bobby Hemmitt
https://www.youtube.com/results?search_query=The+Ancient+African+Battle+For+The+Universe

The Ancient African Battle For The Universe Pt 2 Of 6 – Bobby Hemmitt
The Ancient African Battle For The Universe Pt 3 Of 6 – Bobby HemmittThe Ancient African Battle For The Universe Pt 4 Of 6 – Bobby HemmittThe Ancient African Battle For The Universe Pt 5 Of 6 – Bobby HemmittThe Ancient African Battle For The Universe Pt 6 Of 6 – Bobby Hemmitt

ANUBIS The Final Dimension of Melanin

I Come In Peace (aka Dark Angel) (1990) (FULL MOVIE)

https://www.youtube.com/results?-search_query=I+Come+In+Peace+%28aka+Dark+Angel%29

I Come in Peace (originally produced and released internationally as Dark Angel) is a 1990 American science fictionaction film directed by Craig R. Baxley, and starring Dolph Lundgren, Brian Benben, Betsy Brantley and Matthias Hues. The film was released in the United States on September 28, 1990. The film is about a rule-breaking vice cop who becomes involved in the investigation of mysterious drug-related murders on the streets of Houston, Texas.

Houston cop Jack Caine will not let police procedure prevent him pursuing his mission to wipe out the White Boys, a gang of white collar drug dealers who killed his partner while Caine was stopping a convenience store robbery.

The White Boys disguise their narcotics trafficking behind rows of expensive luxury sports cars, executive level jobs, and flashy designer suits. Led by the vicious but urbane Victor Manning, the White Boys operate above accusation but not suspicion. Law enforcement knows they are dirty, but they cannot prove it. Caine is determined to bring them down. Caine’s superior is tired of his unusual and improper tactics. Meanwhile, Caine’s girlfriend, coroner Diane Pallone, wants him to make a stronger commitment to their relationship.

When the White Boys steal a shipment of heroin from a federal evidence warehouse, they hide evidence of their involvement by blowing up the facility, killing or injuring numerous people. This brings in the FBI, which becomes involved in Caine’s vendetta against the White Boys. Caine is partnered with a by-the-book partner, FBI agent Arwood “Larry” Smith. They investigate the drug theft and murder of several key White Boys soldiers. Smith wants Caine to follow official procedure, but Caine ignores him. He disregards Smith’s interference and begins to suspect that the Feds are investigating more than just the White Boys.

Caine’s instincts are proven right. The first clue is the murder weapon in the White Boys’ massacre: a hyper-fast, super-sharp vibrating disk like nothing they have ever seen. The second is a series of drug-related deaths has everyone very puzzled. The corpses are full of heroin, but the cause of death is not drug overdose. Caine and Smith do not follow the manual in their pursuit of answers. They end up on the trail of Talec, a vicious extraterrestrial drug dealer.

Talec shoots his victims full of drugs and then uses alien technology to extract endorphins from their brains, synthesizing them into a substance to be used by addicts on his home planet. He is pursued by an alien cop named Azeck, who warns Caine and Smith that if Talec is not stopped, thousands of intergalactic drug dealers will start to come to Earth to slaughter its population. Putting aside their differences, Smith and Caine team up to take Talec down.

The Avengers CIVIL WAR Movie DECODED: ALL ROADS LEAD TO WAKANDA – The Arch Degree

www.hollywooddecoded.com – Ktthearchdegree Youtube More from The Arch Degree – www.ktthearchdegree.com

Movies Decoded – The Arch Degree – Interpreting Films

Enemy of the State (1998) – 1080p HD – Full Movie

An enemy of the state is a person accused of certain crimes against the state, such as treason. Describing individuals in this way is sometimes a manifestation of political repression. For example, an authoritarian regime may purport to maintain national security by describing social or political dissidents as “enemies of the state.” In other cases, the individual in question may have legitimately endangered the country and/or its population. For example, a double agent selling military or intelligence secrets could undermine a nation’s security, and could therefore be considered an enemy not of just a person or entity within a state, but the state itself and all entities therein.

https://www.youtube.com/results?search_query=Enemy+of+the+State+%281998%29

Enemy of the State is a 1998 American conspiracy-thriller film directed by Tony Scott, produced by Jerry Bruckheimer, and written by David Marconi. The film stars Will Smith and Gene Hackman, with Jon Voight, Lisa Bonet, Gabriel Byrne, Loren Dean, Jake Busey, Barry Pepper, and Regina King in supporting roles. The film tells the story of a group of NSA agents conspiring to kill a Congressman and the cover up that ensues after a tape of the murder is discovered.

NSA official Thomas Bryan Reynolds meets with U.S. Congressman Phil Hammersley in a public park to discuss support for a new counter-terrorism legislation the U.S. Congress is pushing that dramatically expands the surveillance powers of intelligence agencies over individuals and groups. Hammersley remains committed to blocking its passage, since he believes it would almost totally destroy the privacy of American citizens. Reynolds, determined to have the bill pass so as to gain a long-delayed and anticipated promotion within the NSA, has his team murder Hammersley, spread heart pills over his car, place him in the car and push it in a lake to make it look like he had a heart attack. In the aftermath, they discover that wildlife researcher Daniel Zavits had a camera aimed in the woods at their location. Zavits inspects the footage and, realizing he has captured the congressman’s murder, calls a journalist he knows. The call is monitored by Reynolds’s team who attempt to break into Zavits’ apartment to retrieve the tape. Realising he is in danger, Zavits transfers the video to a disc before fleeing the apartment ahead of Reynolds’s men.

Zavits bumps into an old college friend, labour lawyer Robert Clayton Dean, and slips the disc into his shopping bag without his knowledge. Shortly after, Zavits is killed when he runs into the street in front of a fire truck. When the NSA discovers that Dean might have the video, Reynolds’s team raids his house and plants surveillance devices. They then disseminate false evidence to implicate Dean of working with the mob family of Paulie Pintero and having an affair with ex-girlfriend Rachel Banks. The subterfuge destroys Dean’s life: he is dismissed from his job, his bank accounts are frozen, and his wife Carla throws him out of the house.

Dean believes Pintero is behind the smear campaign as revenge for a prior case, with help from Banks’ secretive contact Brill. Dean sets up a meet with Brill, to which the NSA sends an impostor, but the real Brill rescues Dean. Brill explains that his pursuers are NSA agents and rids him of tracking devices hidden in his clothing. With Dean and Brill in hiding, the NSA agents kill Banks and frame Dean for the murder.

Dean obtains the disc and Brill identifies Reynolds in the recovered video, but the disc is destroyed during an escape from an NSA raid. Brill, whose real name is Edward Lyle, tells Dean of his past as a communications expert; he was stationed in Iran during the Iranian Revolution; his partner, Rachel’s father, was killed, but Lyle made it out and has been in hiding since. Lyle tries to coax Dean into running away, but Dean is adamant about clearing his name.

Dean and Lyle trail another supporter of the surveillance bill, U.S. Congressman Sam Albert, videotaping him having an affair with his aide. Dean and Lyle “hide” one of the NSA’s bugs in Albert’s room so Albert will find it and have the NSA start an investigation into Albert’s tapping. Lyle also deposits money into Reynolds’s bank account to make it appear that he is taking bribes, putting pressure on Reynolds.

Lyle contacts Reynolds to set up a meeting to exchange the video and get Reynolds to incriminate himself. Reynolds’ men instead ambush the meeting and hold Lyle and Dean at gunpoint, demanding the tape. Dean tells them that the Hammersley murder footage is in the hands of Pintero, knowing Pintero’s restaurant is under FBI surveillance. Dean, Reynolds, and the NSA team head into Pintero’s restaurant. Using ambiguous language, Dean convinces Pintero that Reynolds is after the incriminating video Dean blackmailed him with and the encounter turns into a massive gunfight that kills the mobsters, Reynolds, and several of his NSA team. Lyle escapes while the FBI rescues Dean and uncovers the entire conspiracy.

The U.S. Congress is forced to abandon the bill to avoid a national scandal, though they cover up the NSA’s involvement to preserve the agency’s reputation. Dean is cleared of all charges and is reunited with his wife. Lyle leaves Dean a “goodbye” message via his TV as he’s watching, showing himself relaxing in a tropical location.

“Extreme Measures” [1996] FULL MOVIE [Part 1]

Dr. Guy Luthan (Hugh Grant) is a New York emergency room doctor who one night comes across a strange patient: a homeless man who has a wristband from a hospital he’s not familiar with, mentioning a drug he’s never heard of, and with strange symptoms, including a wildly fluctuating heart rate. When the man dies, Guy attempts to follow up and find out more about the patient – only to find that the body and all records have disappeared, and he’s told by his superiors to drop the case.

https://www.youtube.com/results?search_query=Extreme+Measures%22+%5B1996%5D

As he continues trying to find out what happened, Guy’s personal and professional life get suddenly sidetracked. His home is ransacked and cocaine is planted near his bedside. The police arrest him and he is convicted and in the process he loses his job, the ability to ever practice medicine anywhere in the world and virtually all of his friends. In desperation, he manages to get the help of some homeless men who lead him to their underground home. His ER patient who died also had lived there. Through them he’s led to an organization, led by neurosurgeon Dr. Lawrence Myrick (Gene Hackman), that performs spinal experiments on the homeless people, all of whom have died thus far, in an attempt to find a cure for paralysis.

Dr. Myrick attempts to sway Guy to join his team telling him that these people are heroes and losing one to save millions is worth the sacrifice. Guy admits that while there is some truth in what Myrick says, he states they have not chosen to be heroes, which makes Myrick a murderer. Dr. Myrick is shot and accidentally killed by rogue FBI Agent Frank Hare (David Morse). Later, Mrs. Myrick hands the discs and documentation regarding the research to Guy telling him “my husband was trying to do a good thing, but in the wrong way”. He opens the package, views the materials and proceeds towards the neurology building where he is now working.

Body Parts

Bill Chrushank (Jeff Fahey) is a psychologist working with convicted killers at a prison in addition to teaching classes at a university. Ray, a convict who murdered his cellmate recently, tells Bill that Bill can’t do anything to fix him. At home, Bill wonders to his wife (Kim Delaney) if this is true. He wants to be able to fix someone like Ray but in all his research and studies has never seen proof it’s possible. The next day, while driving to work, Bill gets in a horrific car accident where he loses his arm. At the hospital, Dr. Agatha Webb (Lindsay Duncan) convinces Bill’s wife to sign off on an experimental transplant surgery to give him a new arm from a donor they have waiting. Heavily drugged, Bill is wheeled into the operating room where he groggily notes several armed cops in hospital scrubs.

https://www.youtube.com/results?search_query=body+parts+movie

The cops leave as soon as Dr. Webb removes the unknown donor’s head from his body at a nearby operating table. Bill awakens from the surgery and struggles to rehabilitate his new arm, which is covered in gruesome scars. One day, while struggling to lift a tiny weight, his arm makes a violent unexpected move upward. After this happens Bill makes a swift recovery and is released from the hospital.

After some initial awkwardness between his wife with the new arm, he pleasures her with it and they make love. Just when it seems things are back to normal, Bill starts seeing flashes of horrible acts of murder (as if he is committing them). Next, he loses control of his new arm and cuts his face while shaving. Then at the prison, Ray freaks out seeing that Bill has the same tattoo on his wrist, which is only given to inmates on death row. Bill has a police friend scan his new fingerprints and is shocked to discover the arm came from convicted serial killer Charley Fletcher (John Walsh), who had murdered 20 people.

Bill confronts Dr. Webb but she says his new arm can’t do anything he doesn’t want it to. Unconvinced, he follows her and finds the identities of two other patients: Mark Draper (Peter Murnik) and Remo Lacey (Brad Dourif) who received the killer’s legs and other arm, respectively. Bill visits Remo Lacey first, who was a struggling artist before the transplant but now is making a small fortune selling paintings he has made with his new arm.

Bill notes that Remo’s new paintings are of the visions he has been seeing in his head, arguing he is painting what the killer saw when he murdered people. But Remo only cares about money and his newfound success and dismisses Bill’s warnings. Bill follows Mark next. While parked at a red light behind Mark, Mark’s new leg slams down on the gas pedal on its own accord, which almost kills Mark as his car drives through the red light into a busy intersection. Bill tells Mark he is having problems after the transplant as well but Mark is just happy to be able to walk again and tells Bill he should be grateful and move on with his life.

But Bill is unable to, as he is becoming increasingly agitated and violent. He snaps at and has a fight with his wife, involuntarily hits his son after his son accidentally hurts his arm while wrestling, and almost strangles his wife to death while they are both sleeping. Bill is forced to move out of his house and into a hotel for the safety of his family. He demands that Dr. Webb take his arm off but she refuses, stating that the problems he is experiencing are insignificant compared to the success of her experiment. She tells him to see a psychologist and he tells her to “go fuck [her]self.” Feeling alone and isolated, Bill meets up with the Remo and Mark at a bar. Bill is obsessed with finding out where evil resides (the mind, the heart, the flesh?) but they eventually get him to cheer up and stop worrying about it, only to have a drunk guy who recognizes him from news about the surgery. The drunk demands to see “the arm from the TV” and Bill gets pissed and a bar fight breaks out where an enraged Bill singlehandedly takes out several patrons and almost kills another before the cops show up.

Mark returns home to his apartment building and struggles to get to his room as his legs unexpectedly lock up on him. Scared, he calls Bill but gets his answering machine. Bill wakes in bed beside it just in time to catch the end of Mark’s message, where he hears Mark yell and a struggle with someone. Bill goes to Mark’s apartment and finds him dead in a pool of blood on his bed, both legs having been ripped from his torso. Bill calls the cops only to have a detective (Zakes Mokae) think he is a suspect. Bill implores the detective to check on Remo, fearing he is next, but they get to Remo’s too late. Charley — who is still alive, having his head transplanted and braced onto a new body — throws Remo out a window and rips his arm off before falling to his death. The detective tells Bill he will be safe with him but while they are stopped at a traffic light Charley pulls up in a car beside them and handcuffs his wrist to Bill. A thrilling car chase ensues as the two cars must stay together or Bill’s arm will get ripped off. Bill eventually uses the detectives gun to blast the handcuffs apart just before they hit a divider that splits the road in two. The detective stops his car and gets out and fires his gun at the escaping Charley only to have Bill steal his car to chase after him. Charley, driving wildly, crashes his car and is barely able to get the severed legs and arm out of the backseat before it explodes. Dr. Webb pulls up in her car and comforts him, revealing that Charley is her son and her diabolical plan becomes clear: she chopped up her son into pieces to keep him alive and put him back together again later (instead of letting him be executed via electric chair).

Bill drives to the hospital and enters with a gun from the detective’s car. He finds an operating room where he sees the gruesome sight of Charley’s severed torso, legs and one arm in a glass case, wiggling from wires in some kind of stasis that keeps the parts alive. Dr. Webb appears and says she is ready to take his arm back now. Bill is going to shoot her but Charley knocks him out with a shotgun from behind. Bill wakes up tied to an operating table. Dr. Webb starts a circular saw to remove his arm but Bill uses the killer’s rage we have seen throughout the movie to break free of his restraints. He knocks out Dr. Webb and wrestles with Charley for his shotgun. Right before Charley can pull the trigger Bill is able to snap his neck. Bill yells and shoots the glass case of body parts with the shotgun, killing the rest of Charley’s parts. He calls the cops only to see that Charley is still alive and aiming his dropped gun at him from the floor. Bill rolls out of the way just in time and Charley accidentally shoots Dr. Webb as she is regaining consciousness. Bill grabs the shotgun and blows Charley’s head off, killing him for good.

In the last scene, Bill sits with his wife in a nice park writing in his journal, where he notes that he hasn’t had any other problems with the arm since Charley was killed, and that while he does not know where evil resides he is thankful to both Dr. Webb and Charley for his new arm.

Thunderheart (1992) Trailer
https://www.youtube.com/results?search_query=Thunderheart+%281992%29

Thunderheart is a 1992 contemporary western mystery film directed by Michael Apted from an original screenplay by John Fusco. The film is a loosely based fictional portrayal of events relating to the Wounded Knee incident in 1973. Followers of the American Indian Movement seized the South Dakota town of Wounded Knee in protest against federal government policy regarding Native Americans. Incorporated in the plot is the character of Ray Levoi, played by actor Val Kilmer, as an FBI agent with Sioux heritage investigating a murder on a Native American reservation. Sam Shepard, Graham Greene, Fred Ward and Sheila Tousey star in principal supporting roles. Also in 1992, Apted had previously directed a documentary surrounding a Native American activist episode involving the murder of FBI agents titled Incident at Oglala. The documentary depicts the indictment of activist Leonard Peltier during a 1975 shootout on the Pine Ridge Indian Reservation.

The film was a co-production between the motion picture studios of TriStar Pictures, Tribeca Productions, and Waterhorse Productions. It was commercially distributed by TriStar Pictures theatrically, and by Columbia TriStar Home Video for home media. Thunderheart explores civil topics, such as discrimination, political activism and murder. Following its cinematic release, the film garnered several award nominations from the Political Film Society. On November 24, 1992, the Original Motion Picture Soundtrack was released by the Intrada Records label. The film score was composed by musician James Horner.

During the early 1970s, FBI agent Ray Levoi is assigned to aid in the investigation of a political murder, that of tribal council member Leo Fast Elk (Allan R.J. Joseph), on a Native American reservation in South Dakota. Agent William Dawes, Ray’s superior, has chosen him for the task due to his mixed Sioux heritage, which might assist in the inquiry as they interview local townspeople. Ray is partnered with agent Frank “Cooch” Coutelle, who has diligently worked on the probe looking to apprehend a prime suspect: Aboriginal Rights Movement radical Jimmy Looks Twice. While helping Cooch track down the suspect, Ray gradually becomes sensitized to Indian issues, partially from his attraction to Maggie Eagle Bear, a Native American political activist and schoolteacher.

Mocked and ridiculed by the locals (being called a “Washington Redskin”), including tribal police officer Walter Crow Horse, Ray finds that he has an unaccountable standing with some of the tribal elders such as Grandpa Sam Reaches. The natives recognize Ray as “Thunderheart”, a Native American hero slain at the Wounded Knee Massacre in the past, and now reincarnated to deliver them from their current troubles.

Much to Cooch’s anger, Ray comes to suspect there is a conspiracy and cover-up involving the small town. He and Crow Horse later discover that a local government-sponsored plan to strip mine uranium on the reservation is at the root of the killings. The mining is polluting the water supply and fueling a bloody conflict between the reservation’s anti-government ruling council and the pro-government natives who, led by tribal council president Jack Milton, are not above using violence to further their aims. Milton does not own the land where the mining occurs, but gets kickbacks from the leases. Cooch is later revealed to be part of the scandal to silence the opposition and help broker the land deal. Soon after finding Maggie Eagle Bear and former convict Richard Yellow Hawk murdered, a showdown ensues between Cooch and pro-government collaborators against Ray, Crow Horse and the anti-government activists. Cooch becomes outnumbered by the armed resistance and is later investigated on charges of corruption.

Superman 1978

Superman (informally titled Superman: The Movie in some listings and reference sources) is a 1978 superhero film directed by Richard Donner and based on the DC Comics character of the same name. The film is a British, Swiss, Panamanian and American joint venture, produced by Warner Bros., Film Export A.G., Dovemead Limited and International Film Productions. Superman stars Marlon Brando, Gene Hackman, Christopher Reeve, Margot Kidder, Glenn Ford, Phyllis Thaxter, Jackie Cooper, Trevor Howard, Marc McClure, Terence Stamp, Valerie Perrine, and Ned Beatty. The film depicts Superman’s origin, including his infancy as Kal-El of Krypton and his youthful years in the rural town of Smallville. Disguised as reporter Clark Kent, he adopts a mild-mannered disposition in Metropolis and develops a romance with Lois Lane, while battling the villainous Lex Luthor.

https://www.youtube.com/results?search_query=Superman+1978

Several directors, most notably Guy Hamilton, and screenwriters (Mario Puzo, David and Leslie Newman, and Robert Benton), were associated with the project before Richard Donner was hired to direct. Tom Mankiewicz was drafted in to rewrite the script and was given a “creative consultant” credit. It was decided to film both Superman and its sequel Superman II (1981) simultaneously, with principal photography beginning in March 1977 and ending in October 1978. Tensions arose between Donner and the producers, and a decision was made to stop filming the sequel, of which 75 percent had already been completed, and finish the first film.

On the planet Krypton, using evidence provided by scientist Jor-El, the Council sentences attempted insurrectionists General Zod, Ursa, and Non to the Phantom Zone. For this, Zod swears revenge on Jor-El and his family. Jor-El, despite his eminence, is unable to convince the Council that Krypton will soon be destroyed when its red supergiant sun goes supernova. To save his infant son, Kal-El, Jor-El launches a spacecraft containing him toward Earth, a planet with a suitable atmosphere where Kal-El’s dense molecular structure will give him superhuman powers. Shortly after the launch, Krypton’s sun explodes, destroying the planet.

The ship crash lands on Earth near Smallville, Kansas. Kal-El, who is now three years old, is found by Jonathan and Martha Kent, who are astonished when he is able to lift their truck. They take him to their farm and raise him as their own, naming him Clark after Martha’s maiden name.

At 18, soon after Jonathan’s death due to a heart attack, Clark hears a psychic “call” and discovers a glowing crystal in the remains of his spacecraft. It compels him to travel to the Arctic, where the crystal builds the Fortress of Solitude. Inside, a holographic vision of Jor-El appears and explains Clark’s origins, educating him on his powers and responsibilities. After 12 years of training, with his powers fully developed, he leaves the Fortress wearing a blue and red suit with the House of El family crest on his chest and becomes a reporter at the Daily Planet in Metropolis. He meets and develops an unrequited romantic attraction to co-worker Lois Lane.

Lois becomes involved in a helicopter accident where conventional means of rescue are impossible, requiring Clark to use his powers in public for the first time to save her, and goes on to thwart a jewel thief attempting to scale the Solow Building using suction cups, captures robbers fleeing police in the Fulton Market, depositing their cabin cruiser on Wall Street, and rescues a girl’s cat from a tree in Brooklyn Heights. Superman also rescues Air Force One after a lightning strike destroys the port outboard engine, making the caped wonder” an instant celebrity. He visits Lois at her home the next night and takes her for a flight over the city, allowing her to interview him for an article in which she names him “Superman.”

Meanwhile, criminal genius Lex Luthor has developed a plan to make a fortune in real estate by buying large amounts of barren desert land. After learning that the U.S Army and U.S. Navy will launch a twin nuclear missile test, he diverts one missile to a weak point in the San Andreas Fault,

Knowing Superman could stop his plan, Luthor lures him to an underground lair and reveals his plan and exposes him to Kryptonite. As Superman weakens, Luthor further taunts him by revealing that the first missile is headed east toward Hackensack, New Jersey, aware that even Superman cannot stop both impacts. Teschmacher is horrified because her mother lives in Hackensack, but Luthor does not care and leaves Superman to a slow death. Knowing his reputation for keeping his word, Teschmacher rescues Superman on the condition that he will deal with the New Jersey missile first. After Superman diverts the eastbound missile into outer space, the other one explodes near the San Andreas Fault. He is able to mitigate the effects of the nuclear explosion, getting rid of the pollution from the fallout and shoring up the crumbling Earth, but the aftershocks are still devastating.

While Superman is busy saving others from the aftershocks, Lois’s car ends up falling into a crevice that opens from one of them. It quickly fills with dirt and debris and she suffocates to death. Angered at being unable to save her, Superman defies Jor-El’s earlier warning not to manipulate human history, preferring to heed Jonathan’s advice that he must be on Earth for “a reason.” He accelerates around the Earth, rewinding time, in order to save Lois. He then delivers Luthor and Otis to prison and flies into the sunrise for further adventures.

Gladiator trailer
https://www.youtube.com/results?search_query=Gladiator+trailer

Gladiator is a 2000 British-American epic historical drama film directed by Ridley Scott. It stars Russell Crowe, Joaquin Phoenix, Connie Nielsen, Ralf Möller, Oliver Reed (in his final film role before his death), Djimon Hounsou, Derek Jacobi, John Shrapnel, and Richard Harris. Crowe portrays the fictional character, loyal Hispano-Roman general Maximus Decimus Meridius, who is betrayed when Commodus, the ambitious son of Emperor Marcus Aurelius, murders his father and seizes the throne. Reduced to slavery, Maximus rises through the ranks of the gladiatorial arena to avenge the murders of his family and his emperor.

In AD 180, Hispano-Roman General Maximus Decimus Meridius leads the Roman army to a decisive victory against the Germanic tribes near Vindobona on the northern frontier. Now weary of battle, Maximus only desires to retire to his Spanish farm estate. But Emperor Marcus Aurelius tells him that his own son and heir, Commodus, is unfit to rule and that he will appoint Maximus as regent to help save Rome from corruption. When the Emperor reveals his plan to his son, Commodus murders him in a fit of rage.

Commodus announces he is the new Emperor and asks Maximus for his loyalty. When the general refuses, he is arrested by his officers and is sentenced to death at dawn. Maximus kills his captors and rides for his farm. However, he arrives too late, and finds it destroyed and his family murdered, by Commodus’ orders. Maximus buries his wife and son, and then collapses from his wounds and grief. He is found by slavers who take him to Zucchabar, a colonia in the Roman North African province of Mauretania Caesariensis, where he is sold to a lanista (gladiator trainer) named Proximo.

Although reluctant at first, Maximus fights in local tournaments and makes friends with two other gladiators: Juba, a Numidian who holds onto Maximus’s figurines of his wife and child, and Hagen, a German. As he wins every match because of his military skills and indifference to death, he gains fame and recognition. But Proximo, who reveals that he himself was once a gladiator who fought well enough to be given his freedom, advises Maximus that being a good killer is not enough; a good gladiator is one who can “win the crowd”. Proximo encourages Maximus to go to Rome and fight in the Colosseum, because Commodus has organized 150 days of games. He could then use the power he commands in the arena as leverage against the Emperor.

Maximus’ first gladiatorial combat in the Colosseum is a re-enactment of the Roman victory over Carthage at the Battle of Zama. Although the gladiators (portraying the Carthaginians) are expected to be massacred, Maximus leads them to victory over the legionaries of Scipio Africanus. This prompts a surprised and delighted Commodus to enter the arena to offer his personal congratulations. When the emperor’s young nephew, Lucius, also joins them, Maximus decides not to kill Commodus. Instead he reveals himself and vows to have vengeance. The Praetorian Guard is ordered to attack but this angers the crowd. Under pressure to keep the mob of Rome happy, Commodus angrily relents.

Maximus’ next fight is a victory against a large undefeated gladiator. Despite Commodus’s orders to kill the loser, Maximus spares his defeated opponent’s life. This defiance earns him the nickname “Maximus the Merciful” and more cheers of adulation. Angered at this outcome, Commodus enters the arena to taunt Maximus about his family’s death. But the gladiator turns his back and walks away, another defiant act that is making him more popular than the Emperor.

Maximus discovers from Cicero, his ex-orderly, that his former legions remain loyal. Lucilla, Commodus’ sister, and Gracchus, from the Senate, meet secretly with Maximus. He obtains their promise to help him escape Rome, rejoin his soldiers, topple Commodus by force, and hand power back to the Roman Senate. However, Commodus learns of the plot from Lucilla by threatening her son Lucius. The Praetorian Guard arrest Gracchus while others are sent to the gladiators’ barracks. Maximus escapes after Proximo and his men (including Hagen) sacrifice themselves. But at the rendezvous point, Maximus is captured and Cicero is killed.

To win the crowd back, Commodus challenges Maximus to a duel in the Colosseum. However, he secretly stabs Maximus in the side before the match to gain an advantage. Nevertheless Maximus eventually disarms Commodus during their duel. When his Praetorian Guards refuse to give him another sword, the emperor tricks Maximus into disarming and produces a hidden knife, but Maximus drives the blade back into Commodus’s throat. Maximus, however, succumbs to his wounds shortly thereafter.

Maximus’s last words are to ask for political reforms, for his gladiator allies to be freed, and for Senator Gracchus to be reinstated. While the body of Commodus is left unceremoniously on the floor of the arena, Maximus is solemnly carried away by his friends and allies to be given an honorable funeral as a “soldier of Rome”. The crowd stands as a sign of respect as Maximus is carried out.

Later, a now-free Juba revisits the Colosseum at night. He buries the figurines of Maximus’ wife and son at the spot where he died. He says he is now going back to his own family and promises to see Maximus again, “but not yet”.

X-Men
The Prophesey III
The Prophecy 3 – YouTube
Full Eclipse (TV 1993) – IMDb

X-Men: The Last Stand is a 2006 superhero film, based on the X-Men superhero team introduced in Marvel Comics. The film, distributed by 20th Century Fox, is the sequel to 2003’s X2 and the third installment in the X-Men film series. It was directed by Brett Ratner, written by Simon Kinberg and Zak Penn, and features an ensemble cast, including Hugh Jackman, Halle Berry, Ian McKellen, Famke Janssen, Anna Paquin, Kelsey Grammer, James Marsden, Rebecca Romijn, Shawn Ashmore, Aaron Stanford, Vinnie Jones, and Patrick Stewart. The film’s script is loosely based on two X-Men comic book story arcs: “The Dark Phoenix Saga” by writer Chris Claremont and artist John Byrne, and “Gifted” by writer Joss Whedon and artist John Cassaday, with a plot that revolves around a “mutant cure” that causes serious repercussions among mutants and humans, and on the resurrection of Jean Grey.

Twenty years in the past, Professor Charles Xavier and Erik Lehnsherr meet young Jean Grey at her parents’ house to invite her to join their school, the X-Mansion. Ten years later, the industrialist father of Warren Worthington III discovers his son is a mutant as Warren tries to cut off his wings.

In the present, Worthington Labs announces it has developed an inoculation to suppress the X-gene that gives mutants their abilities, and offer the “cure” to any mutant who wants it. The cure is created from the genome of a young mutant named Jimmy, who lives at the Worthington facility on Alcatraz Island. While some mutants are interested in the cure, including the X-Men’s Rogue, many others are horrified by the announcement. Lehnsherr re-establishes his Brotherhood of Mutants with those who oppose the cure, warning his followers that the cure will be forcefully used to exterminate the mutant race.

With help from Pyro, Lehnsherr recruits Callisto, and several other mutants. They attack the mobile prison holding Mystique to free her, also freeing Juggernaut and Multiple Man. Mystique saves Lehnsherr by taking a shot of the mutant cure aimed at him, rendering her human. Hateful of humans, Lehnsherr abandons Mystique, much to her shock. Meanwhile, Scott Summers, still distraught over the loss of his fiancée, Jean Grey, drives to her resting location at Alkali Lake. Jean appears to Summers but, as the two kiss, Jean kills him. Sensing trouble, Xavier sends Logan and Storm to investigate. When they arrive, they find only telekinetically floating rocks, Summers’ glasses, and an unconscious Jean.

When they return to the X-Mansion, Xavier explains to Logan that when Jean sacrificed herself, she also freed the “Phoenix”, a dark and powerful alternate personality which Xavier had telepathically repressed, fearing the Phoenix’s destructive potential. Logan is disgusted to learn of this psychic tampering with Jean’s mind but, once she awakens, he discovers that she killed Summers and is not the Jean Grey he once knew. The Phoenix emerges, knocks out Logan, and escapes to her childhood home.

Lehnsherr learns of Jean’s resurrection through Callisto, and the X-Men arrive at the Grey home at the same time as the Brotherhood. Lehnsherr and Xavier go in alone, and both vie for Jean’s loyalty until the Phoenix resurfaces. She destroys the house and disintegrates Xavier before leaving with Lehnsherr. The Brotherhood decides to strike Worthington Labs, and the government sends multiple teams to attack the Brotherhood’s base in the forest, with information gained from Mystique, furious over Lehnsherr’s betrayal. However, the life forms in the camp are all copies of Multiple Man, and Lehnsherr uses his powers to move the Golden Gate Bridge so he and his army can get to Alcatraz and facilitate the attack on Worthington Labs. The remaining X-Men confront the Brotherhood, despite being significantly outnumbered, and arrive just as the military troops who thus far have been neutralizing the attacking mutants are overwhelmed by the Brotherhood.

During the fight, Kitty Pryde saves Jimmy from Juggernaut, who had been sent to kill him. Logan has Colossus throw him at Lehnsherr and distract him long enough for Hank McCoy to inject Lehnsherr with the “cure” and thus nullify his powers. Army reinforcements arrive and shoot at Jean just as Logan had calmed her down. The Phoenix is awakened by the attack and disintegrates the troops in retaliation. The Phoenix then begins to destroy Alcatraz and anyone within range of her powers. Logan realizes that only he can stop the Phoenix due to his healing factor. When Logan approaches her, Jean momentarily gains control and begs him to kill her. Logan fatally stabs Jean, destroying the Phoenix, but mourns for her death.

Sometime later, mutant rights are finally obtained and Xavier’s school is still operating with Storm as headmistress. The President of the United States appoints McCoy as ambassador to the United Nations. Rogue reveals to Bobby Drake that she has taken the cure, much to his disappointment. Meanwhile, Lehnsherr sits alone at a chessboard in a San Francisco park. As he gestures toward a metal chess piece, it wobbles slightly; his powers are returning.

In a post-credits scene, Moira MacTaggert checks on a comatose patient who greets her with Xavier’s voice, leaving her startled.

Fire from Heaven: A Study of Spontaneous Combustion in Human Beings [Paperback] Michael Harrison
http://www.amazon.com/Fire-Heaven-Spontaneous-Combustion-Esoterica/dp/1871438659
Milo Rigaud – Secrets of Voodoo
http://www.scribd.com/doc/95015049/Milo-Rigaud-Secrets-of-Voodoo
Atlantis [Hardcover] Aleister Crowley
http://www.amazon.com/Atlantis-Aleister-Crowley/dp/B000WBM24O
Our Kind of People (Google eBook) Lawrence Otis Graham
http://books.google.com/books/about/Our_Kind_of_People.html?id=_FWTEBzgNdcC

Movies Interpreted

Interpreting Films – Amazing Thought blog references Movies!!!, TV Shows, Commercials, Books and Video and Audio lectures for information relating to general social structures, people interactions, metaphysical theories, history, contemporary hot topics, religious commentary and Metaphysical Theory.

The list to the side has provided a contextual jump start basis which helps to interpret life, Movies, TV Shows, Commercials, Books and Lectures in a new way. Many more names can be added to this list…However there is no endorsement any person listed on this site whom may share there own opinions. The list begins the basic context for the information presented in this blog:


People interactions and General Social Structures
Neely Fuller Jr & Frances (The identity of Suppression)
Neely Fuller Jr Talktainment Radio
Neely Fuller Jr (9 Areas of Activity)
Isis Papers (Society, subtle Symbols)
Eckhart Tolle (People pain-bodies)
Paul Mooney (People Observation in Society)
Professor Griff (Music Industry)
Jawanza Kunjufu (Conspiracy to Destroy)

People interactions and economics
Dr Claud Anderson (POWERNOMICS)
Rev. Ike Legacy Ministry (Wealth Abundance)
Dr. Umar Johnson (Empowerment)
Phil Valentine (Empowerment Community)
Cornel West (Philosopher)
Basil Davidson (Africa Magnificent Cake)

 Science Theory
Dan Winter (ET Galactic History)
Dan Winter’s (Fractality, Goldenmean)
Dr Jewel Pookrum (Melanology)
Henrietta Lacks (Immortal Cells Medical Industry)
Karl Pribram (Holographic Universe)
Lloyd Strayhorn (Numerology)
Michael Palmer (Medical Dramas)
Christopher Carolan (Financial Market Cycles)
Carl Munck (The Pyramid Code)
Young Pharaoh (Melanin Science)
Long Island medium (After Death communications)

Dr Tim Morrow (Heal Thyself)
Steven Greer (Broad science)

Metaphysics, Historical & Religious Commentary
Eckhart Tolle (Consciousness, Presence)
Dion Fortune (Automaton)
John Henrik Clarke (Historian)
Mark Passio (Occult Symbols Interpreted)
Bobby Hemmitt (Video & Book list)
Dr Alim Bey (Ritual purpose)
Juanita Bynum (Gospel)
Eugene Adams (Prophecy foretold)
Henry Baker (Black Inventors List)
Ivan Van Sertima (Ancient History)
Marcus Rediker (Slave Ship Experience)
Naazir Ra (Hidden Power University)
Na’im Akbar (Negro Psychosis)
Phil Valentine (Metaphysics)
Robert Anton Wilson (Final Secret Illuminati)
Basil Davidson (Africa Magnificent Cake)
Earl W. Carter (No Apology Necessary)
Dr Cindy Trimm (Kingdom Living)

Kundalini energy
Young Pharaoh (Kundalini Explained)
Citi Hampton (Kundalini Explained)
Alexyss K Tylor (Vagina Power, Penis Power)
Bobby Hemmitt (The Serpent People)
Dr Alim Bey (chakra, Flow, Energy)
Juanita Bynum (Gospel)
Arthur E. Powell (The Astral Body)
Aleister Crowley (Illuminati Ideas Rituals)
C Freeman El (I Self Law Master)


How to Interpret Movies

Movies, TV Shows, Commercials and Books that reach the masses of people on the planet tend to carry continuous ongoing themes and symbols at ad nauseam repetition. Most people are confused by the story’s, choice of characters and plot lines and for the most part just see them as great sources of entertainment. Why are these forms of media so imperatively important that Millions of dollars are spent every year to produce them?

Before interpreting one will need a broader context of understanding. But at the root “Why” is the start of the process. It is important to ask “Why” to each thing that is perceived in being ones’ current reality, until it takes you further back in history, deeper in space and time to where you never realized how far you have gone. “Why” is a key. Why is this? Why is that? “Why” helps one to step out of conditioning, in order to start recognizing the conditions. You don’t just stop at the contemporary past. You go further, wider and deeper. Why do we have these general social structures? Why do people interact with each other the way they do? Why does the world operate as it does through economics, education, entertainment, labor, law, politics, sex, war and religion? Why do we have religion? Can one find more answers in religion? Why is there racism, discrimination, sexism and so on? Why do movies often portray one thing but the opposite exists in reality?

Somewhere within the list of names and subjects towards the top of this page the preceding information was gathered. Many “Why” questions were answered. Please Stop Now? Warning ahead. Strap on your seat belts. The proceeding information is going to get outrageous. Can you handle it? Ready? Set. Go! Unique beings are in control of every major structure on the planet also known as the 9 areas of activity by Neely Fuller Jr (also see Dr. Frances Cress Welsing (Neely’s counterpart) and Mark Passio for Occult Symbols Interpreted). These unique beings carry within them an innate pathology (rooted in oneness disconnection as explained by Young Pharaoh) that governs their leadership, use of media channels, story lines and plot lines. The pathology projected through various forms of media are confusing to many and the viewer tends to find little connection to them.. Below you can see some keys to make sense of the madness and begin to see yourself in the Movies, TV shows, Commercials, advertisements, books and recognize the subtle messages they share on a continual basis.

In Frank Herberts Dune 1984 movie whom Dan Winter (who shares a peak into Galactic History) and Bobby Hemmitt (who uncovers hidden knowledge) among several others claim Dune is more accurate than the Bible in describing history and the state of the world in the past and present.


The Arch Degree: CIVIL WAR DECODED: ALL ROADS LEAD TO WAKANDA

www.hollywooddecoded.com – Ktthearchdegree Youtube More from The Arch Degree – www.ktthearchdegree.com

In the Dune 1984 moive the Baron Vladimir Harkonnen played by Kenneth McMillan is the uncle to Feyd-Rautha Harkonnen (10174 AG – 10193 AG) is one of the antagonists of Dune. Feyd played by Sting (British born) was the younger nephew (Modern day Britain) of Baron Vladimir Harkonnen of House Harkonnen The orange haired Baron has horrible skin and black color finger nails and toe nails, unpredictable, does not adhere to typical moral standards and exhibits extreme gluttony. Feyd-Rautha Harkonnen was nominated by Baron Vladimir as the “Na-Baron” – heir to House Harkonnen. The Baron favored the young Feyd-Rautha over Feyd’s older brother “The Beast” Glossu Rabban played by actor Paul Smith (of America ethnicity), Count of Lankiveil. Feyd was both intelligent and charismatic, and was dedicated to the Harkonnen culture of sadism and cruelty, though potentially only due to his upbringing. 1:49:19 minutes into the movie Baron says to Feyd “And when we have crushed these people enough, I’ll send you Feyd” (Contemporary, New age and evolved (Britian). Also visually likeable yet still carrying the seed of deceit to maintain the subversive leadership and oppression of the people). Who are the people he is symbolically referring to and what is the manner in which the Great villain Baron will send Feyd? Dune is a great movie to apply the keys of interpretation through symbolism and mythology some of which is mentioned within this contextual jump start. Note: Dialects or accents equal nations or cultures. Also actors are selected with strategic intent. The nationality or what nation an actor is born into may also be very important to why the actor is chosen for the role.

Melanin – Most movies that reach the masses have symbolism with references to melanin in some way. It is often referred to as ancient essence, spice, shadow, cinder, soot (from a match or a fire), ever moving ever changing essence, transforium (in the Transformer movie series), vibranium (in the movies Avengers, Captain America, and the Black Panther), an intelligent dark essence, darkness in the blood, chaos in the blood and hundreds of many other phrases and names. A battle to control or harness the power of chaos. It carries great fascination but it is still a threat. Fear based images and cautionary images are often used to describe it. There are numerous, extremely important and phenomenally profitable uses for melanin; The Melatonin Miracle: Nature’s Age-Reversing, Disease-Fighting, Sex-Enhancing Hormone by M.D.’s Walter Piepaoli and William Regelson with Carol Colman. Also see Kaiju Remedies from Pacific Rim movie. And see Dr Jewel Pookrum (Melanology). As well as Top 10 facts about melanin. Melanin extraction as exemplified in the movies The Dark Crystal and Dune.

The famous Avengers characters Captain America’s shield is made from vibranium (hence a vibrating, ever moving substance).

In the movie Avengers Age of Ultron the on screen character Helen Chung says “The vibranium atoms aren’t just compatible with the tissue cells, they are binding them. And Shield never thought to…” Ultron interrupts her and interjects “The most versatile substance on the planet. And their using it to make a Frisbees (aka Captain American’s shield; using melanin to not only bind with tissues but also to bind with metals to enhance their strength capacity) The Black Panther’s black skin suit is also made out of vibranium (aka, code word melanin). Also see how Transformium is also connected to a melanin reference in Transformers Age of Extinction. Thanks to Keyamsha; Note there are Top 10 facts about melanin everyone should know: [BREAKING NEWS] Melanin Is Worth Nearly $400 A Gram!!!.

Kundalini – Kundalini references symbols such as the snake, reptile clothing and/or accessories, rhythm, dancing, creativity, surge of energy, octopus, electricity, lightning, thunder, unpredictability and many more. Kundalini manifests itself in many unlimited forms and it is a threat. The protagonists and antagonists will usually be fascinated by it and/or some symbolic melanin representation form. They will fight to acquire it, figure out how to harness its power, control it or fight against it or suppress the many forms it arises from. It is also possible for each one of the scenarios to be present in the interior film…seemingly like a world wind of confusion for the viewer…what is the feeling impression the viewer is receiving from the film at the exact moment symbols, dialect and dialogue are present? This is critical. It happens through the presentation of symbols, slight gestures, point of view shots, where the eyes focus on simultaneously to what is happening in the background and foreground scene, and vice versa while the screen play dialogue is shared. Actors are selected for specific reasons, scenes, looks, dialect, personality and Idiosyncrasies. Translate this also to the seemingly miscellaneous actor that crosses the foreground and background almost in a blur simultaneously to dialogue, scene shifts or climactic moments.

Pay attention to their racial skin color, hair color, clothing and what they are doing. Also pay attention to objects in the background and foreground, their color, texture, name, wording and signage. The presentation of confusion persists because scenes are jumping from one to another so fast that it is often hard to keep up with what is happening and shown down to the finest details. But keep your eyes on the prize, focus on the patterns that occur consistently throughout most films and movies containing black actors. Note what is happening in the background is just as important as the foreground. For instance, one scene showing a black male in the group of other races in the background, the subsequent scene general shows a black female. Then sometimes they are shown together again or separate and/or apart from each other on different sides of the same scene. It weaves in and out on repeat through the entire film and movie but it is done so slight that it is often easily missed.

In cases with no black actors are in the films foreground or background, default to the black, orange hair color or darkest hair color. It is almost like the weaving of symbolic Kundalini energy (yen and yang) throughout the film.

Heroes – also see the Heros’ Journey The protagonists and the antagonist are often referred to as heroes. Heroes are often presented as creations either by science, some freak accident or trauma. They do the phenomenal work of suppressing kundalini on behalf of the greater ruling populus. The heroes are the great, strong, clever, resourceful and fearless characters that are connected to the ancient blood line yet control and suppress the manifestation of the ancient blood line within themselves and others.

Superman unchained could destroy the world so he must be kept in check (via encoding like a robot or slave) by the Justice League, thus the “always serve and protect” mantra is continually repeated, encoded in the viewer and shared. Superman was once portrayed as very positive trust worthy character but is now portrayed as an untrustworthy and almost villianistic, rageful, unpredictable, alien character where the world has turned against him branding him as an outsider that must be kept in his place, locked up or restrained in order to exploit him for his strength and talents. Also reference the movie Bicentennial Man , iRobot among several other movies that will be added here later. For more information about demi-human programing visit Humans Season 1, HumanSimulacra.pdf  source montalk.net, Simulacra and simulation PDF by B Conrad Williams source www.bconradwilliams.com and The Simulacra by Philip K. Dick.

Ancient people are often referred to as goons, goblins, demons, monsters, monkeys, gorillas, reptilians, lizard people, crocodiles, snakes, goats, deers, bears, witches and thousands of many other names and phrases. The movies or media generally expresses them as untactful (lacking tact), unstable, unreliable, flighty, aggressive, narrow mindedness, over sexualized, over flirtatious, happen stance place holders, long winded and even possessing no capacity to provide relevant input relating to solving a problem in a plot and a very long list of other negative connotations to think about a person who stems symbolically from the ancient blood line. The Bibles Old Testament foretold the tragedy of African slavery in No Apology Necessary by Reverend Earl W. Carter Jr and Let the Stone tell the tale by Dr Eugene Adams. It also should be made clear that the mixing of the blood during slavery and beyond, make a new form of monster; having both ancient and contemporary blood, and make it nearly impossible to unravel the ancient bloodline throughout the color spectrum of races specifically in America; spanning from black to white. Thus, the use of the black man and the black woman are only contextually the greatest symbols representing the ancient people. The trait (rooted in oneness disconnection) is inherent in all races. Few are aware of it within themselves but the masses of people will not ever and or cannot dismantle its harmful destructive discord. However, keep in mind the most capable beings to overcome sustained suffering are of the bloodline who survived the middle passage of slavery and beyond in the western hemisphere with an emphasis on blacks in America. Keyword on the term suffering. Slaves were at the mercy of their masters and overseers, in many ways this dynamic has not changed. Tangent thought each race or group capitalizes on suffering imagery displayed in movies and other media but none of their bloodlines suffered the middle passage of slavery. Contrived images or experiences of suffering to mimic that of the ancient ones does not count although the movie or media logic is that it does. On the flip side, going back to slavery, any terrifying activity that could be thought about was most likely done and inflicted on the slaves, often while shackled or constrained from escaping. Horrific events occurred; beating, torturing, castrating, cutting off hands, feet, tongues and other body parts, being eating alive, boiled alive in hot water and oil, whole bodies roasted over fire and eating like bar-be-que, starved, treated worse than animals, eating the worst left over pieces of food, burnt, poisoned, branded, raping of women, children and men in front of the family by male and female perpetrators usually by another race (which contributed to dismantling typical gender roles and magnifying various areas of gender identity), as well as making parents breed with children and visa versa, hence the term “Mother Fucker” (an untrustworthy environment), tearing families apart. Imagine the extreme shame, physical and psychological trauma from being so humiliated, accused of wrong doing when there was none, cheated on, degraded, violated, victimized and the masses of people confined to these inhumane conditions were so powerless and unable to do anything about it. See Goodbye uncle Tom! “Warning Graphic Content” for a theatrical peak into some imagery of the slave experience. They were “miraculously” resilient. Historians share accounts where people were amazed about how black people’s bodies quickly recovered from the horrifically, terrible trauma of being crammed in the boats for so long crossing the seas and the tortures of slavery. The elites know the black blood line is the most significant symbol of suffering. Referrence Bobby Hemmitt in 400 years of lynching and Without Sanctuary photos and video. Although the suffering symbolage stands true this banner is denied the victims and their bloodline, snatched and given to their pathological oppressors. The elite also know that this blood line is literally connected to the precursor of every culture, language, race, country and continent around the entire world. In the beginning was blackness. From the blackness further evolution, transmutation, or scientific contrivance has occurred. Although the movie series of Hostel (specifically Hostel 3) was and is extremely gruesome and difficult to watch it focuses on contemporary suffering and torture for the thrill and pleasure of the perpetrators and the fright of the victims. It is jam packed with religious and occult symbols. Through this movie series it is fascinating to observe the oneness disconnection in its extreme workings. But watch this movie series after reading through this entire text. Once you can piece together the symbols it is less frightening to watch because one begins to realize a mythological story is being told. Tangent thought; ode to Ludacris’s song “How Low can you go” which is a phrase most likely unknown to the author that genius-lly captures the essence of the ancient beings thrill ride in this life in the midst of all the various unlimited forms of experience and suffering which contributes to creating a new God form essence on this planet and in the universe.  The “Lower” one has gone the greater the change and opening up to deeper realms of experience.

There are underlining messages in movies that are outrageous and confusing to many. However, they are based on the perspective of the elites who see life in a much broader since then the masses of people on the planet do. They have the ability and power to share the story’s given to them by the mass from the elite’s perspective and frame of reference. It is subtlety slipped in to the plot to where the masses have very little idea that it is present. Universal truths are open to the elite.  Thus, the universe evolved and created its most unique expression in terms of a human or a person. In the universal state, more telepathic and the most “recent” state, more empathetic in the form of humanity through feeling, suffering, expressing, and creating on a micro and macro level.  Allude to Jesus coming to earth to experience the infirmities of the flesh and what it feels like to be human. This developed within him a profound love and respect for humanity. The ruling authority is in the business of fulfilling prophecy. In “considering the opposites” vilifying the victims whom are the progenitors of the prophecy and trying to stand in their stead as the true fulfillers of prophecy. How is this done? By documenting or presenting via news, media, TV shows, movies and films a barrage of instances of suffering and allowing the elite to experience life unfiltered through fun, happiness, evoking sadness and crying, emotional sensations, ecstasy, sex, anger, rage, revenge and even murder or sacrifice unhindered, to a degree; all of which are elements in developing humanity. The elite must be allowed to have full access to all these polarities for optimal mental and physical stimulation. Thus, experiencing all that life has to offer is encouraged. But on the flip side, for their worldwide subjects experiencing all life is hindered by rules, laws, policies, stigmas, dogmas, cultural morals (can also be known as religions). It is the ability to project worldwide images of suffering shown to the masses in epic movies and various media channels that encode the masses with the belief that entitles the elite to the birthright of the Gods and an obligation to rule and be superior over the masses. However, prophecy said this will be the case. The “fool” the ones most deeply rooted in oneness disconnection (also considered the least experienced or rather having the least historical time chart) will rule in the last days. Regardless of the 2017 movie story line or plot in The Boss Baby film, the symbolic Boss Baby is the born leader of this dispensation. All other cultures have had their chance to lead; now is the Boss Baby’s turn? Why a baby? Because it is symbolically the newest entity created amongst the races. And why a “born leader”? Because leading is in its nature (meaning DNA make up). In the presence of other races it eases into and eventually takes on the leadership roles. One does not have to know how to build at first, just lead others who know how to do it, learn from them and then do it one’s self later on. It possesses a unique genius imagination to build it better; continuous ongoing improvement.

Pineal Gland – Is referred to in movies and other media as magic wand (Harry Potter wands

and Will Smith 2017 movie “Bright”, staff (staff of Tahuti, Caduces), sword (Optimus Primes’ sword flares up like a flame or gun and Vultrons sword in the shape of a flame, as well as Star wars Jedi lightsaber different colors are different forms of Pineal Gland activation and how it manifest certain energies in the world) Tangent thought (“Hot like fire, Im gonna take you higher, you can’t resist, kiss, kiss, kiss….” [making the connection to spark the flame of pineal activation]…Aaliyah’s Hot Like Fire song. “Come on babe light my fire” Lauryn Hill’s Superstar Song.

Also consider Celion Dion’s song “Back to life” a song written by Cia, an alternative perspective, it sounds like it’s about the third eye or pineal gland awakening – The last key factor to consider in fulfilling prophecy is exercising the pineal gland and stimulating greater mental and physical functions is the intention of the elite as well as to do this in a race against time before the Gods wake up, while simultaneously trying to keep them asleep, whomever they might be in various economic forms and locations within the planet, hampering their pineal activity through poisons and various forms of moral dogma restrictions. The God like energy would be that portrayed as the most powerful or terrifying supervillains.

However, because many of the glands are calcified and no matter what type of stimulation an individual encounters, it will not cause the pineal gland to awaken. However, technology (which is outside the body) is a tool that mimics pineal activation. The pineal gland is a biological tool, connected to all the sensory perceptions of the body, possessing the ability to be connected universally and to cross into other dimensions. So in place of the gland, technology is used to help spirits cross dimension in order to operate and control dimensional time travel, rewrite history or change destiny as depicted in The Legends of Tomorrow 2017 TV Series. Regardless of how Vandal Savage appears in the TV series he represents a Moore or rather a symbolic black man (whom possess within his DNA or semen the ability to annihilate all races from the planet. He is the greatest natural threat. He is the symbolic sabbatic goat or the Satan. The Sufis – Idries Shah page 245 and 255 – Baphomet equals Black male and/or Black Female). Yes, it is far-fetched but if you watch every DC cartoon or show that has Vandal Savage in it sometimes he is a very light skinned black person, with Moorish clothing and a black man as his voice. Movies will often choose an actor who is white but begins to have black persons features but yet is still not black to play the role of a black person whom symbolically stems from the ancient bloodline.

Before the original Gods went to “sleep” and reincarnated losing memory of the past and semblance of cultural identity’s they created/orchestrated cultures to house and retain ancient information and knowledge of the past and prophecies foretelling the future. The Gods are scattered and hidden within cultural fragments around the world within the form of races we see today. The darkest skinned people amongst each cultural are hit hardest with the greatest attack, whom symbolically represent the greatest symbol of ancient representation. Yes, this is based on skin color. The bloodline most connected to the most ancient of people on the planet within each culture are that of a dark skinned bloodline. This is not referring to African people specifically on the African continent in particular whom from a contemporary perspective are consider the same as the new age races and cultures. The terms “Black” or “African American” are the newest age classifications whom are most connected to middle passage drama and possess the greatest DNA connection to all races. Each mythology from every culture, language, race, country and continent attacks this blood line…Attack on the Titan’s; suppression tactics are similar around the world; for instance, racism in China explained by Dr Umar Johnson. Neely fuller Jr describes the general tragic arrangement as Tacky, Trashy and Terroristic which is a matrix system designed to degenerate people of color and also it is set up not to be anything out side of pre-listed three categories of people interaction (click link and scroll down to the Tacky Trashy Terroristic subject). It is the flushing out, purging out, rooting out of this bloodline in ad nauseum repetition around the world throughout mythology, movies and various media channels. Why did the Gods create this process? Maybe to intention a new being through generational alchemy (Bobby Hemmitt speaks of this concept) or a new form of the God essence in the universe. Bobby Hemmitt speaks ‘Explains the DarkSide Energy’ “We have to go all the way back to the beginning of this prior to the earth aspect because this did not just start this the world that we know. This started in the heavens. It started in the origin. It started in the primordial abyss of the womb where you would actually have a renegade or a tyrant that would be a tyrant of a universal primordial family breaking away and trying to create a universe of its own outside of the original source. Botches the job that never the less creates a simulation of the original source which can only be acted out as a series of illusions to support this debauchery and the ultimate deterioration of misfortune is that the very essence of light particles or souls that is in the primordial world of the original source would eventually get trapped in this cosmic abortion that was set up by this tyrant and would have to be a part of this tyrannical creation for years to eventually clean this shit up, that would make the original source greater than the original source was that would have a flaw in it to even create a tyrant that would break away from the original source. And it would never fall again. So, in so many words we are only talking about creation sifting out flaws of its own essence, to make a great and perfected product. In other words, in the beginning there was no perfection. That’s why they call it Chaos. That was the scientific element. The other element is you have the great mother. She had a son (Adolabroth), an abortion who did not stay in long enough to form to maturity that jumps ship. Comes out and creates its own child like world. Like a child would do. A child’s world is going to be different than an adults’ world. The adults’ world is going to be more fortified and more to the essence. And the essence. But the child’s world is going to be a play play world or an illusionary world. Well whatever this particular person, but will later on be called God by the very parents that it would later on trap in this world. It’s like a cancer in the original body, a cancer though benign in the beginning, malignant in the end. And then set up a series of creations, within the context of creation, and in the context of a man and woman a life that was started in this counterfeit creation would set up a series of events and struggles to get back to the original source. The rest is history.” Bobby Hemmitt later on speaks “It is the flaw of the chaos that makes this illusionary universe. It is the spark. It is the sparks of intelligence, or what we call the shards of the chaos that will bring light and diffuse the flaw. Basically, it’s the flaw. And this creation that we find ourselves trapped in is nothing but a cosmic turning of diffusing the flaw. Or the flaw burning itself out. The flaw disintegrating. It’s almost like a science experiment to test it out. To find out what the problem really is, to get rid of the problem. Or it’s like a cleaning crew coming in to a vial and filthy situation gone bad and start to clean up. But the source and the origin of the vial and filthy creation is in a struggle. And every time they wipe up something the source dirties it back up. It’s this cosmic struggle. Meanwhile the source, because it goes there first. Not being the first in creation but the first to come in this environment and create the problem. But by it being the first there the time is running out on it because the ones behind them are little behind to clean it up, but they got a little more energy because they did not spend that energy by getting there first. So it’s a catch up thing that has to happen. But ultimately, we catch up. Also consider ancient prophecies or mythology such as in Let the Stone tell the tale. Note the architects intention-ed the innate pathology that exists within every culture to be in opposition to the symbolic ancient ones. It is inescapable from their DNA, physical composition, vibrational receptivity, thought processes and or pathology. “Cultural sensitivity can be systematically masked” to seem undetectable via training but beware it is deeply ingrained in the essence of the beings DNA. Governed by an entities make up, there is no escaping the inner workings. This inner operation spans all ethnic color lines and is rooted in oneness disconnection, Thus peeling back the surface, “against the ancient ones” and “projected superiority” over the ancient ones based on the color lines is unfortunately ever present. Yet on the flip side it is fortunate for the “sleep Gods”…Toast to evolution and suffering. Tangently, on their quest for true connectedness with this earthly/natural plain, unfortunately will never be fully realized. Also, the quest for true cultural reciprocated understanding will always be the wantingness for the carrot dangled at the end of a stick; never achieving fulfillment. It keeps life propelling forward creating new imaginings of the present and future. Subtle forms of people interaction are shown in films at ad naseum repetition. Note the films symbolically represent real life people interactions with exquisite detail. They never waver from “against…” or “projected superiority” based on color in their portrayed behavior. Look for them. Look for the pattern. It is always there. Regardless of the constant barrage of derogatory symbolism representing the ancient race (with black people from America representing the greatest symbol) in movies they are Highly entertaining and packed with a lot of information about that blood lines past and present with acute details of past and present day chaos and implosion behaviors of the “sleep Gods” as they putrefy beyond recognition, cohesiveness, sense of self, culture and identity.

As said before in The Great Wall (2017) Movie all the races on the planet have their own mythology of their battle with the ancient blood line of whom are repeatedly represented as a natural threat verses a technological threat, and also as insignificant, place holders and people that don’t really matter to the world. Bobby Hemmitt further says “Black people looked apon as not being human, not being competent or adequate”. Dr Na’im Akbar explains in excellent detail the black psychosis; the craze that baffles the world and all cultures. In essence, what is asked and projected is “what is wrong with these crazy people. They have lost their minds. Their behavior is destroying themselves, filled with emotions and little logic. How are they surviving the chaos.” It is also interesting to note Chang for his candid spot on view of the black people in particular.

Asian Interviewer: “Can you address their concerns Mr.Chang?”

CHANG: “The concerns of Black people? Yes I can. The fact is, that we all live under a system of White Supremacy. We Asian people look back at our long history of conflict with the European. We observe their strategies and develop our own, in response and in kind. There is no need for loud mass movements on our part, because we intend to overtake them in time, through action and personal sacrifice”.

Asian INTERVIEWER: “And the Black man?”

CHANG: “He does not count into our situation. He is simply here. We do not hate the Black man. We just love the Asian man most. Real love–not cliche. We want to see Asian man happy, so we employ him. We eat together. We spend time with each other. We want his kids to be educated, so we invest in our own schools that offer our children the technical abilities to change the world’s power structure in our favor. We want to see the Asian man safe, so we purchase and organize our own communities. We want him to remain Asian, so we reduce the outside influence of others ideologies and cultures. While he fought to sniff behind the White man, the Black man has had the opportunity and every right in the world to do the same, but he chooses to indict people like me for not hiring him over my own brothers. For me to do this would be foolish and that would not be Asian love. In contrast, the Black man will fight for the right to be up under everyone else other than other Black people who he should feel the most love for. If our indifference to their situation make us racist, then what would you call the Black man’s indifference to his own situation?” source: www.FarrahGray.com

..can you blame him. He is speaking the truth. Blacks are considered untrustworthy, insignificant in many social and economic structures, wayward (difficult to work with, control or predict because of unusual or perverse, inappropriate destructive behavior), obstinate, backwards and many other negative connotations. This evaluation holds a lot of truth based on the putrefaction theory of the soul (putrefaction in the biological sense is the process of decay or rotting in a body or other organic matter, not only the body but of the mind matrix system and also of the soul.) Like fermenting grapes to produce wine. The older it is the more potent and the most change has occurred from its original form. In other words, very ancient souls decay and the Ka or essence, DNA, experiences, traumas, memories, past life reincarnations is pasted down from generation to generation to the present, since the beginning of time. The older the soul the most transmutation has occurred from the original souls. Genetic Reincarnation. “Everybody is a compilation of all the DNA that ever existed and the line that you are from the time you broke away from the thing you call the divine. And you didn’t break away from it, you, your just another expression of the aspect of its essence, having the particular experience that you are. We are the best of our ancestor’s genes, we are the latest tech version and the highest tech model. Until we give our children that same thing.” ~ Professor James Smalls. However, going back to Chang Blacks do not have the same opportunity. Black people have to work symbolically “ten times harder than everybody else to get in the same situation that a white person would get with a snap of the figure” reference video on Mr. Chang page.

Movies do present the two general categories of symbolic “blackness” which operate “against” each other, the sleepers and the awake. You can’t tell them apart by racial color; only by their actions. One projection of the sleepers is the fight or distrust between one black person and another black character, undermining one another. Arguing and bickering back and forth or engaging in behavior that is inappropriate, unstable and not productive.  On the other hand, there are varying degrees of awakedness. The awakened could be the side that is portrayed as the villains or the antagonists. It takes thinking in opposites to uncover these gems; looking at what is portrayed as bad and configuring it to be good. The sleepers and the awake in movies are often referred to as “Girl(s), Boy(s), Baby(s), kid(s) (a kid is another name for a young goat; remember the sabbotic goat reference mentioned earlier), young man, young woman, sweet heart, honey, honey bunch, and sweetie” and many other names and phrases that imply less than adult (When the same phrases are flipped back on to the ruling classes offense taken). These names are used by the ruling cultures and the “subordinate” even amongst themselves, jokingly, romantically and platonically. Symbolically never reaching true adulthood, forever subject to infancy (my crib; my home) or adolescence (my girl friend, my boy friend); “When I grow up” continues on into adulthood and death. On one hand, the symbolic projection is somewhat true there is always a subtle master slave relationship where the masters are the caretakers or providers giving the slaves the things it needs to survive, due to the mal distribution and allocation of resources and wealth (Dr Claud Anderson POWERNOMICS). The sleepers and the awake as symbolically represented in the epic Claymore animated series. However, note the awakened ones are symbolically represented as bad horrific monsters with innate uncanny abilities and powers. Sleepers abide generally in base levels of consciousness (elemental spirits highly connected to the earth plane, materialistic satisfaction). Note black Americans amalgamated and putrefied into having no cultural identity, loosing sense of self and in many ways are shiftless and unstable in character and emotions due to the middle passage, slavery, Jim Crow laws, discrimination and racism; this leaves a nature that is highly impressionable by the dominant cultural stimulus) who represent the masses of people aka “negas” (contemporarily carrying a subordinate and derogatory connotation by in the past “negas” represented “God”) around the planet and the awake have varying levels of greater consciousness who are more connected to dimensions…this concept is somewhat unclear and confusing. The black Green lantern character John Stewart in the animation cartoon series wearing the ring is only limited in his creation ability and power by his imagination and or connecting to other dimensions. The villains do anything and try anything to break his attention in order to dismantle the power of the ring (pineal gland illumination; thus the ability to tap into other dimensions) Also check out the movies The Ring 2002 Horror Film (Fear of the ring and ability to predict Future death)

and The Lord of the Rings (control of the rings) of which both talk about different aspects of fascination about the ring (Pineal gland). In the trailer below note the emphasis on the “one ring” as opposed to the concept of many. This is the intended projection to the audience.

In the Lord of the Rings the future of civilization rests in the fate of the One Ring, which has been lost for centuries. Powerful forces are unrelenting in their search for it. But fate has placed it in the hands of a young Hobbit (ode to Boss Baby) named Frodo Baggins (Elijah Wood), who inherits the Ring and steps into legend. A daunting task lies ahead for Frodo when he becomes the Ringbearer – to destroy the One Ring (considering the opposites and the movie Gantz:o allude to many “rings” or “Shards”; not just one) in the fires of Mount Doom where it was forged…Being dimensionally connected allows the use of universal forces to create some of the most impactful and long lasting experiences for mankind “How did they do that dance, create that invention, come up with that music, sing that song, etc and so on (Historical black inventors in particular), things that are completely amazing and mind boggling that gives an anchor for the rest of the world to follow along or “culture vulture” from, take possession of, replicate and enhance”…may be purported as coming from “another dimension” (as if to suggest “Alien” or “stemming from another world” but really it seems to be of this dimension…the one experienced every day. Could it just be simply tapping into the overwhelming unlimited potential that exists in each person; myth? Lie? Cliché? Does each person on the planet possess unlimited potential? Maybe that is the threat. The intention to suppress so hopefully nothing comes out or arises that is depicted as being greater than the ruling populous. But on the flipped side the use of suffering to contrive new inventions or new ways of existing on the planet. Or considering predestination the past and present may have been intentioned to be this way. And suppression was and is used for a tool of change, advancement, reconfiguration, small pockets of immense energy escape through the cracks of pressure; emerging some of the most talented and or legendary thinkers, doers and entertainers in history. Who knows?…we will see as time carries on whether an exact answer arises…

Racial ambiguity – Today in movies, ethnic appearance, hair color, clothing color and combinations of the three are very significant to represent the spread of racial stereotypes in movies and other media. Very often  one will notice a person who is something like a melungeon or “of ambiguous ethnicity”, can’t tell if they are black or white (i.e. Vin Diesel or Abraham Liconln was one, part “black”; Tri-racial describes populations thought to be for example of mixed European, African and Native American ancestry) signifying that there is something else darker mixed with in the DNA/blood line that causes the actor to look “off-white” or sub-par white, with slight negroid resemblance features but yet still has not crossed the biological thresh hold of being considered  of “black” ethnicity but yet are not considered or classified as “black”. They symbolically represent the ancient bloodline or Heroes of the movies, film or media. Due to these features, they will denote a symbolic black male or black female. Actor Rami Malek’s ethnicity is 87.5% Egyptian and 12.5% Greek, has a popular television role in Mr. Robot. Actor Ron Perlman is of jewish decent (i.e off-white) who seems to resemble a black slave joker salesman who markets the products of the master or he also can resemble or symbolize a moore through his attire and his unique black eye sun glasses in the Pacific Rim movie. Actor Michelle Rodriguez in the Fast and Furious movie fits this criterion as well.  She is of Puerto Rican decent who classifies herself as Hispanic.

Blackface – Not too long ago “Blackface” was used in films, theatrical events, commercials and other forms of media. Check out this scene from an Indian film where some of the actors are in Blackface in movie Aayirathil Oruvan.

Blackface is a form of theatrical makeup used predominantly by non-black performers to represent a black person. The practice gained popularity during the 19th century and contributed to the spread of racial stereotypes such as the “happy-go-lucky darky on the plantation” or the “dandified coon“. (1) ….Stereotypes embodied in the stock characters of blackface minstrels not only played a significant role in cementing and proliferating racist images, attitudes, and perceptions worldwide, but also in popularizing black culture. (7) In some quarters, the caricatures that were the legacy of blackface persist to the present day and are a cause of ongoing controversy. Another view is that “blackface is a form of cross-dressing in which one puts on the insignias of a sex, class, or race that stands in opposition to one’s own.” (8) Nowadays the same thing is accomplished using a white person character actor with deep dark brown/nearly black color to black hair generally denotes a symbolic ancient black person either with an American or British accent. Secondly a white person with red hair (orange hair color) generally denotes a half breed sub par from white and could also denote a symbolic black person or person stemming or tainted with the ancient bloodline in some circumstances. If two protagonist characters or two antagonist characters are male and female or male to male or female to female, one having black hair and the other having orange hair or one having blonde hair and the other having black hair, they will generally express a love hate relationship throughout the movie plot. They will bicker back and forth, weave in and out of arguments. Possibly flirt back and forth. Or long to be with each other as their ideal mate if only the circumstances were right (ode to Superman and Lois Lane, Batman and Cat Woman. One may be able to think of other character combinations). Genuine complete romance amongst male to female characters with the pre-described hair color combinations will never be accomplished or solidified during the plot of the show. These two characters are often in juxtaposition to two white characters who may be romantically involved (have reached true romance during the plot of the show), have a stable family structure and other positively noted relationship features. The hair color of one actor will be either a blonde with another actor whom has auburn hair color or two auburn color white character actors together with either an American or British accent. Dialects equal nations or bloodlines. An American is often depicted as a “dirty blond”, black or brunette hair color which is not quite blond still in the elite class but “tainted” due to the unique mixing of races in the Americas. America is beholden to Britain. Britain being the father and the Americas being the wayward, beast, extremely arrogant son (child) and or confidant, friend, buddy,  brother or sister. Actors with the British accent tend to carry any hair color. Remember we mentioned the movie Dune in the beginning.

The Baron would represent the ancient being/s that created the various cultures to use them for his ultimate desire to rule and dominate cultures, the planet, and its resources. However this idea once again feeds in to the “Consider the opposite” where really the elites have the desire and intention to rule and dominate cultures and resources but yet tell the world they are the victims who need everyone’s help to fight against the fictional character Baron(s) around the planet; unfolding it this way the elites would seem like pathological liars…

Point of view shots to a black hand in a generally white film or media generally coupled with a scene of trying to do or accomplish something…the nature to do (be commander and chief or in a place of authority, power and influence), accomplish and thrive as portrayed in the symbolic ancient people is a no no…if you try you must fail, if you try to take authority your authority must be usurped quickly, undermined, snatched away before any confidence is solidified. It typically happens during a climactic part of the film to really give the greatest impact of suppressionary encoding in the viewer who will hopefully be of the ancient lineage to further the sleepness and further the divided between cultures and male and female energies (suppression of kundalini). Point of view shots with a black person in the middle of the background or passing through the background during a conversation between two white protagonists should be watched critically. What is the dialogue saying at the precise time a black person walks past? Eye direction is also key. Where is the protagonist and antagonist looking at the exact time a black actor “passes through” or conversation, or a specific word or phrase is spoken? The black person character actor is generally oblivious to what is happening during the foreground conversation but they may be within the point of view shot anyhow simultaneously to conversation ensuing in the foreground is becoming extremely intense. Note an unconscious feeling impression is solidified in the viewer at that exact point in time of an intense of climactic scene. Also note what that feeling is and you can uncover the underlining plot line when typically, the next face or image you’ll see immediately following a climactic scene is a black face (black male or black female) or symbolic black representation image. This is repeated with ad naseum repetition amongst major movies, films and commercials. A point of view shot to the slightest resemblance of freckles on a protagonist is intentionally shown on a white person and it denotes half breed or sub par white person and could also symbolically denote a black person in some circumstances.

In a movie during group conversations when one black person is among the other group members who generally are white or a mix of races, the dialogue will show in most cases that the black person whom may play a supporting (not a significant role) is the one that “accidentally”, “unintentionally” or rather “intuitionally” steers the conversation to the best idea or plan of action in the plot. The other characters catch on but not at first. The first reaction is a dismissal. If no black person is present default to the black-haired character or the orange-haired character. Also note the idea shared by the “black actor” is initially and quickly sloughed off as insignificant but then the group conversation steers right back to that idea, expounds upon it and the leader of the group ends up being the one who indirectly claims it as his or her own and gives the direction to the rest of the group so they can go forth and overcome the threat or obstacle presented in the movie or film. This is hard to describe; these scenes can be confusing because the scenes and the dialogue are happening so quickly plus it is an intense time where everyone in the movie is needing to solve the problem in the plot to get to the next step in the film. Regardless of the conversation concept these sequences are on repeat in nearly every film who possesses the basic scenarios described in this paragraph.

The black woman depicted as a “monster” generally has characteristics of a highly sexuallized nature (uses her feminine wiles to get what she wants and manipulate outcomes) and imposing character; make the connection to cat woman in the black suit or with black hair; also note the movie The Purge, Election Year ( the DVD can be found at the bottom of the Gantz:o page)

Trying to stop the Goddess Ishtar deity energy from rising up and confusing the nature of that energy. The intention is to vilify it and suppress her kundalini manifestation. This is also done with the black male character actors as well. We have to remember that sexual kundalini energy is bad and it must be shunned, suppressed and/or punished. What better way to get the point across then to infuse his or her character with monster like characteristics. As just mentioned this same tactic is often done with black male actors. Juxtapositionally it holds one of the greatest symbols of fascination steering us to view a black woman, orange haired woman or symbolic woman of the ancient bloodline as a harlot, monster or outcast (someone who should be shunned). Check out Salem TV Series – Tituba aka Salem witch trials. This maybe should have been mentioned earlier but is still has a connection to Tituba and other actors; The concept is a subtle yet forceful push to “Make America British Again.” Note the British hand of power in the movie industry. Paying British actors to act as Americans. Ashley Madekw is a British black actress with a British accent but in this film or TV series carries an American accent.

The “monster” is also depicted as a cyborg (half man half robot. This cyborg link takes one to the depiction of a black man) and juxtapositionally Frankenstein (a man once dead created out of various body parts put back together and electronically raised from the dead. This would be connected to the yaukoo story or the creation of the white man. However the character film used to symbolically represent the beastly black male – then God’s who are or once were sleep/dead and made up of many forms, types or pieces of DNA. See the American Gods TV series on starz), Wonder Woman (made/formed/fashioned out of clay brought to life by thunder bolts of Zeus), Superman (an alien trying to live and operate as a human) and many other mythological symbols and characters. Regarding cyborg, there is a light on his forehead (3rd eye, pineal gland which is a portal to other dimensions, he is considered one the smartest Avengers, contrary to the movies you will need to watch of the cartoon animation films or series with cyborg in it to understand that he often comes up with the best ideas or is one of the key components in the plan to defeat the films antagonist(s)), a light in his chest area also considered the heart chakra (symbolic feeling center), a light near or above his loins or root chakra (where the soul resides, the little Sun within the body; the body being the HUGE avatar (1 & 2) juxtaposed to the tiny speck of light consciousness one inhabits the body through; animating the body with the personality and idiosyncrasies. Bobby Hemmitt talks more about this.

It is hard to describe and phrase properly but “Consider the Opposites” is a key concept. Maybe it is easier to understand the concept in the form of lies. As Bobby Hemmitt would say “the enemy doesn’t just lie some of the time; The enemy lies all the time” in the form of opposites. As mentioned before try considering some of the antagonist attributes as good instead of what the movie is trying to portray as bad. Often movies will project fear based emotional references to steer the viewer to be afraid of a particular subject. For instance the Freddie Krueger premise is to don’t go into a deep sleep or he will come after you and terrorize you in your dreams…must do whatever it takes to stay awake. This fear based theme is also repeated in movie “The Invasion“. Note the pineal gland is generally most active in deep sleep thus the greater potential for astral travel and crossing into other dimensions.

Please watch the movie Gantz:o. Below is an excerpt from the page.

The talk with the super monster God. In front of the protagonist holding the ripped off dead head of the fiercest super warrior (who was played by the only black actor in a Japanese film) (note there is a subtle connection between the war against the sleepers and the awake; using the sleepers to fight against the awakened ones; the sleepers despises the awakened beings. And symbolically become the greatest super warriors against the awake) in its hand and holding its index figure out pointing to the protagonists’ forehead/3rd eye symbolic position and holds it in this position as if to say it is giving the protagonist a chance to have a change of heart or else he will be killed. In essence, the God wanted to find one person who truly believed in him by this gesture of sparing the protagonists’ life. This compassionate moment becomes the Gods downfall because it was so concerned about sparing the protagonist life that it neglected to pay attention the ensuing danger around him. This sympathetic gesture may have been intended to convert the protagonist from an enemy to an ally. However, the innate hatred of Gods wins out. When indeed the protagonist never trusts or believes in the Monster/God. He is only trying to find a way through the dialogue to spare his life…you can’t convert one’s nature…It is as it is…for instance a dog or an animal will always be so…(Dion fortune reference: says in chapter VII. The Pathology of Non-Human Contacts “Non-Human is like a pet animal, not a fellow-creature. That, frankly, is the only possible ground upon which they can be approached. If we expect no more of them than we should a pet bird, if we manage them as we should manage a kitten, we have got as near to the solution of the problem as we are ever likely to get….”) no matter the constant training and affection will not steer them down the path to becoming human.

The Pathology of an Automaton

In view of the dialogue the protagonist drops his gun realizing it is a losing battle to fight and quickly says “Wait”…”Let me ask you” “Why are we…”Killing each other?”

The monster responds to his question indirectly.
Monster/God: Do you feel like your’re in God’s presence?

The protagonist: God?

Monster/God: God is the absolute power.

The protagonist: Your God?
scene pause
The protagonist: Are you? (responding as if the Monster/God is obligated to give him a response; projected superiority interjection)

The monster/God: This world has many (Gods). I’m merely one of them. There is no defying that fact?

Remember throughout the whole dialogue the monsters finger is still against the protagonist forehead/3rd eye symbolic position.

However immediately after the monster speaks the last line the ditsy lady warrior (whom just pledged her romantic commitment to the protagonist)

blast the arm of the monster that was pointing at the forehead of the protagonist, therefore dismantling/evaporating the monsters ideology before it sets in/transmits solidification in the viewers mind. She has claimed the protagonist, not the monster. She will fight tooth and nail to defend that honor. The monster says “I see” meaning that it understands that monsters (Gods) should not trust people. And proceeds to shoot laser beams out of its eye (ode to Superman eye beams) and tries to destroy the city and the remaining warriors.

Tangent thought; at the center of each eye is a black hole or a portal. The eye looks similar to the Milky Way Galaxy. There is also a light beam that goes through the center of a black hole and out the other side. In the article “Scientists Unravel Secrets of Monster Black Hole at Center of Milky Way” What is the analysis behind the Superman eye beams anyway? The projection of the lying entity that always thinks and projects in opposites says to itself about descendants of the ancient bloodline that focused attention destroys also “Don’t look me in the eyes” this act is offensive; but flipping the pathology 180 degrees one can deduce that focused attention creates. Perhaps creating the sensation to feel or experience compassion or oneness. The innate encoding robotically says to itself whenever it comes into the presence of the symbolic ancient blood line “must break attention, must do whatever I can to break attention, I must follow where, what or who their eyes are focusing on and break that attention, the descendants of the ancient blood line must always focus their attention on me, I will be their source and their stimulant, they must not create, or I must control their ability to create so I always end up possessing the essence of their creations but quickly destroy the creator of it, so I can absolve myself of guilt because I don’t want them or anyone to know that I stole it from them, fore I am the true creator.”

Tangent thought again: blacks in slavery got the “Be seen and not heard” beat into to them and encoded in their minds by their masters. Subsequently “You should never look a white man in his/her eyes; This is an offense. It is a sign of disrespect. It is construed as challenging or bucking up against perceived authority. So instead keep your eyes low or look to the ground when you encounter them. One must present the impression of being subtle, abased, insecure and inferior.”

The movie industry launched a worldwide massive campaign against the descendants of the ancient blood line (specifically the symbolic black male) in Superman vs. Batman: Dawn of Justice Movie. Note that in the logo the Superman’s “S” is swallowed up by the Batman symbol. Meaning the “S” is smaller and centralized within the Batman symbol. Both Superman’s and Iron man’s hair is historically dark in color. Both Batman’s dark aubur hair color and Superman’s historically black-hair color are symbolic to black male  yet they carry a white American elite status. The butler is British (father figure, guider, supporter, confidant, buddy, moral or conscious authority to Batman. It may be outrageous to allege that Alfred had some to do with orchestrating the death of batman’s parent’s. The least character to consider as a villain is often the most villianistic and twists the story line into a major shock). Superman black hair is symbolic to the ancient blood line. Superman and Batman’s love interests have either orange or black hair. Batman is a white man whom participates in all knowledge, dark arts and the occult. Superman represents the symbolic black man whom participates in morality and whom has alien lineage. In the beginning of the film Justice League Full Movie 2017 Joker boldly and confidently toys with Superman as he is a gullible child whom will not tap into his ultimate power and whom could easily kill the Joker. By the way the Joker character looks very similar to black person in history if one replaces the white skin with black skin; see Goodbye uncle Tom! “Warning Graphic Content” around 1:11 minutes into the movie. If true the Joker is the “Gentleman” who advertised the slaves for sale and made sure they were ready for auctioning so master would get the highest price for the sale. With so many tricks up his sleeve and innovative ways to market and advertise masters’ products all while shuckin and jivin, Joker seems like a fitting name. The Joker wears a top hat, Victorian-era attire (The era when the slave trade made the nation rich and wealthy beyond imagination). On some images of Joker there will be reptilian clothing.

If Superman gets fed up and ensues with anger, rage and suffering he busts through moral code that binds his actions. It is the projection of moral limitations that keep his power shackled. The love interests represent the symbolic black women. Batman has unlimited wealth, power and the greatest access to surveillance of the world.

Note Superman’s “False God” theme. Note the use of a Black African women to head rant on  the dis-ease with supperman; projecting him as untrustworthy and potentially murderous.

Input the black man and the projected theme is the black man is a False God. Then flip it 180 degrees, they are saying the symbolic black man is a God

…interesting … Thus, follow the hair color to get to the real message they are trying to share. This “God” theme is repeated in The Purge movie imagery. A black male teen is wearing a mask with “God” written across the forehead. This same image was used in a lot of commercials and billboards across cities and towns. Another repeated image is a black teen wearing a mask with an upside down cross on it at the symbolic 3rd eye position; points to the symbol of the symbolic black man/3rd eye awakening as an/the anti-christ

The middle east phenomenon. The attack on the middle east talked about in the news is generally an attack on the symbolic and literal portal near or in the same position as ones’ root chakra where a soul comes through from “the other side” to populate and or animate the human body. Think of movie Avatar were the beings have to be in a sleep state to transfer and project their Ka, essence or consciousness to another body. Or in an altered state of consciousness such as in the movie Pacific Rim. The middle east “Wars” and constant bombings, and seemingly never-ending flare ups or uprisings are symbolic speech the elite use in main stream media to talk amongst themselves to share information in plain sight yet at the bafflement of minorities and people “not in the known”. The threat is too many souls coming through to this planet. A war to suppress the number of soul manifestations on to the planet. The symbolic war is to stave off the number of souls coming to this planet. A soul is like a Jedi in the Animated Star Wars Clone Wars movie and book. A human possessing a soul generally do not know they are symbolically a thousand times more powerful than an average person whom does not possess a soul. There will always be a media rage on the middle east conflict as long as the threat ensues. The soul is essentially a speck of light at the root chakra within the body. It is a portion of the sun seen in the sky, which this sun in relation to the earth is furthermore a portion from the largest star Sirius at the center of the galaxy. The suns are balls of consciousness constantly emitting codes of information scientists are always on the hunt to decipher. The very tiny speck of light at the root chakra is a flame that never stops burning just as the suns in the sky never stop burning until the time a person dies. Sometimes the soul connection to the body is not broken causing spirits to be trapped in this realm whom have not made the successful transition to the “other side” (see Young Pharaoh description from more detail on this subject. Scroll down to the bottom of the Frighteners post to watch Young Pharaoh video topic on Mummification and After Death practices).

List of Interpreted Movies films and other media
The Importance of Milk
movie Gantz:o
– The Invasion – Sweat is a healing agent
Salem TV Series – Tituba
Marvel’s Iron Fist
Melanin Reference – Transformium – Transformers Age of Extinction Movie 2014
The Great Wall (2017) Movie
The Pathology of an Automaton
People idiosyncrasies in movies and real life

This is an idea section that will continually be updated and tweaked for better clarity. stay tuned.
Fun MoviesKundaliniMelaninMelanin and MythMovies
The Invasion Adolabrath – Adolabroth – Adolebroth Maafa21
Bobby HemmittNeely Fuller Jr Neely & Frances  – Dr Claud Anderson
Eckhart Tolle Dion Fortune Mark Passio – Citi Hampton
– Alexyss K Tylor – Dr Alim Bey – Dan Winter – Dan Winters
– Yahweh – Yahweh Yaldabaoth – Yahweh-Yaldabaoth
Yaldabaoth – Melatonin – Melatonin Miracle
– No Apology Necessary











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