Psychic Self-Defense Dion Fortune

Psychic Self-Defense Dion Fortune
– MoonChild Aleister Crowley

Dion Fortune Psychic Self-Defense is mentioned in the middle of the video below.

Buy DVD at http://siriustimes.com/estore/395-bobby-hemmitt

Psychic Self-Defense Dion Fortune

Psychic Self-Defense: The Classic Instruction Manual for Protecting Yourself Against Paranormal Attack Paperback – August 1, 2011 by Dion Fortune (Author)

Dion Fortune says in chapter VII. The Pathology of Non-Human Contacts “Non-Human is like a pet animal, not a fellow-creature. That, frankly, is the only possible ground upon which they can be approached. If we expect no more of them than we should a pet bird, if we manage them as we should manage a kitten, we have got as near to the solution of the problem as we are ever likely to get….”

After finding herself the subject of a powerful psychic attack in the 1930’s, famed British occultist Dion Fortune wrote this detailed instruction manual on protecting oneself from paranormal attack. This classic psychic self-defense guide explains how to understand the signs of a psychic attack, vampirism, hauntings, and methods of defense.

Everything you need to know about the methods, motives, and physical aspects of a psychic attack and how to overcome it is here, along with a look at the role psychic elements play in mental illness and how to recognize them.

This is one of the best guides to detection and defense against psychic attack from one of the leading occult writers of the 20th century.

Episode 013 – Robert Bruce – Practical Psychic Self Defense (Part 1)

Freemasonry and Satanism, book review 14 pt 1, Psychic Self Defence by Dion Fortune

Practical Psychic Self-Defense

The Machinery of the Mind by Dion Fortune

Dion Fortune – Biography

Cosmic Trigger I: Final Secret of the Illuminati Robert Anton Wilson

Maybe Logic The Lives & Ideas of Robert Anton Wilson (Full Documentary)

The Solar System [Paperback] Arthur E. Powell (Author)

By Arthur E. Powell The Solar System [Paperback]

Atlantis and Lemuria [Paperback] Rudolf Steiner (Author)

Lost Civilizations Lost Continents Atlantis Egypt Lemuria Mu Mayan Calendar

Frank Joseph, Lemuria, Atlantis & Humans 20 Million Year Timeline

Occult Audiobook – The Story of Atlantis and Lemuria (The Mystic History of Human Evolution

MoonChild by Aleister Crowley

This is a novel by Crowley about a magical war between a white lodge ( led by Iff ) and a black lodge ( led by Douglas ) over an unborn child, the “moonchild” of the title, with the action moving between London, Paris and a villa in Naples. It was written in 1917 in New Orleans.

Aleister CrowleyArthur E. PowellBobby Hemmitt
Bobby Hemmitt DVDDion Fortune
Mysteries of the Universes SPsychic Self-Defense – Robert Anton WilsonRudolf SteinerBobby Hemmitt Book List

Moonchild by Aleister Crowley (Book Reading, British English Female Voice)

Moonchild Paperback – December 1, 1970 by Aleister Crowley (Author)

This is a novel by Crowley about a magical war between a white lodge ( led by Iff ) and a black lodge ( led by Douglas ) over an unborn child, the “moonchild” of the title, with the action moving between London, Paris and a villa in Naples. It was written in 1917 in New Orleans.

Moonchild is a novel written by the British occultist Aleister Crowley in 1917. Its plot involves a magical war between a group of white magicians, led by Simon Iff, and a group of black magicians over an unborn child. It was first published by Mandrake Press in 1929 and its recent edition is published by Weiser.

In this work, numerous acquaintances of Crowley appear as thinly disguised fictional characters. Crowley portrays MacGregor Mathers as the primary villain, including him as a character named SRMD, using the abbreviation of Mathers’ magical name. Arthur Edward Waite appears as a villain named Arthwaite, and the unseen head of the Inner Circle of which SRMD was a member, “A.B.” is theosophist Annie Besant. Among Crowley’s friends and allies Allen Bennett appears as Mahatera Phang, the dancer Isadora Duncan appears as Lavinia King, and her companion Mary D’Este (who helped Cowley write his magnum opus “Magick: Book 4″under her magical name ‘Soror Virakam’) appears as Lisa la Giuffria. Cyril Grey is Crowley himself, while Simon Iff is either an idealized version of an older and wiser Crowley or his friend Allen Bennett.

A year or so before the beginning of World War I, a young woman named Lisa la Giuffria is seduced by a white magician, Cyril Grey, and persuaded into helping him in a magical battle with a black magician and his black lodge. Grey is attempting to save and improve the human race and condition by impregnating the girl with the soul of an ethereal being — the moonchild. To achieve this, she will have to be kept in a secluded environment, and many preparatory magical rituals will be carried out. The black magician Douglas is bent on destroying Grey’s plan. However, Grey’s ultimate motives may not be what they appear. The moonchild rituals are carried out in southern Italy, but the occult organizations are based in Paris and England. At the end of the book, the war breaks out, and the white magicians support the Allies, while the black magicians support the Central Powers.

Cosmic Trigger I: Final Secret of the Illuminati (Volume 1) Paperback – February 23, 2016 by Robert Anton Wilson (Author)

The great modern classic of a brilliant rebel’s personal exploration into the nature of consciousness
Featuring a New Introduction by John Higgs
“Cosmic Trigger deals with a process of deliberately induced brain change. This process is called “initiation” or “vision quest” in many traditional societies and can loosely be considered some dangerous variety of self-psychotherapy in modern terminology. I do not recommend it for everybody . . . briefly, the main thing I learned in my experiments is that “reality” is always plural and mutable.” – Robert Anton Wilson from the Preface
The Robert Anton Wilson Trust Authorized Hilaritas Press Edition

Cosmic Trigger I: The Final Secret of The Illuminati is the first book in the Cosmic Trigger series, first published in 1977 and the first of a three-volume autobiographical and philosophical work by Robert Anton Wilson. It has a foreword by Timothy Leary, which he wrote in the summer of 1977. The first volume was published without numbering, as the second volume did not appear for nearly 15 years.

Wilson is perhaps best known as the co-author of the award-winning science fiction work, The Illuminatus! Trilogy. Cosmic Trigger revisits many of the themes from that earlier work in a more autobiographical fashion. After publishing the first volume of Cosmic Trigger, Wilson wrote two sequels, Cosmic Trigger II: Down to Earth (1991) and Cosmic Trigger III: My Life After Death (1995), the title of the first book retroactively changing to reflect this.

Cosmic Trigger I deals with Wilson’s experiences during a time in which he put himself through a process of “self-induced brain change” as well as vignettes of his earlier life. The main discovery of this process—which, he tells us, is known in certain traditions as Chapel perilous—is that “reality” (although a noun in most Indo-European language systems, and therefore commonly conceptualized as being a definite, unchanging “‘thing”) is mutable and subjective to the observer.

Wilson employs several models for his experiences, such as the interstellar ESP connection, during which time Wilson enters what he refers to as a ‘reality tunnel’, in which he claims to communicate telepathically with extraterrestrials residing in the Sirius star system. Wilson states (reference needed) however, that this belief system does not necessarily have any objective truth, which highlights his main point: that all such models—whether spiritual or scientific—are just that: models, or maps, of the world, and they should not be confused with an objective, permanent reality. Throughout the book, he makes references to specific paranormal personal and group experiences, yet he does not allow himself to become convinced of their reality apart from his perception of them. He calls this approach “model agnosticism”.

As the title suggests, the book also deals with the Bavarian Illuminati conspiracy (which Wilson neither rejects as utterly false, nor embraces as true, in keeping with his theme) and other related intrigues. The work also touches on a wide range of other subjects, from Timothy Leary’s thoughts on brain circuits, JFK’s assassination, through to Sufism and numerous occult practices.

By Arthur E. Powell The Solar System [Paperback] Paperback – June 16, 1963

Up to the present, no one book has appeared covering the hole of this vast ground, describing both the field of evolution and the streams of life which evolve in it as the ages roll by. The present volume is an attempt to fill this need. Partial Contents: Globes; Schemes of evolution; Solar system; Solar Logos; Life streams; Degrees of attainment; Races and sub-races; Involution and evolution; Manus; Moon chain; The Earth and all its chains; Root races; Lemuria; Civilization of Atlantis; City of the bridge; Aryan sub-race; Life on Mars and Mercury.

Atlantis and Lemuria Paperback – June 24, 2002 by Rudolf Steiner (Author) 

There was a time when a continent called Atlantis still lay between Europe and America. This portion of the world’s surface was at one time land; this land now forms the bottom of the Atlantic Ocean. Plato alluded to the last remaining remnant of that lost continent when he sopke of the Island of Poseidon. Countless publications are dedicated to proving that Atlantis existed and attempt to discover the location of the Lost Continent. Here, accepting the existence of Atlantis, the author pontificates on the spiritual condition of soul attempts to indicate the inner nature of the conditions under which they lived. An interesting discourse on the evolution of the Atlantean and Leumurian race as revealed by the Akashic records.

The Morning of the Magicians (Mysteries of the Universe S.) [Paperback] by Louis Pauwels Jacques Berqier. A classic of radical literature, this revolutionary study has challenged conventional knowledge and assumptions for decades, offering unique perspectives on everything from alchemy, politics, history, and supernatural phenomena to magic, Nazi occultism, and mankind’s place in the universe. Drawing from the work of Charles Fort and Carl Jung, among others, the authors explore the importance of history and its varied perceptions and propose new ways of interpreting reality. Through these visionary ideals, they assert that mankind can ultimately achieve cosmic interconnectedness.

Metaphysics and MythologyPeople interactionsTags

GANTZ:O Movie

GANTZ:O Movie Currently trending on Netflix; in Japanese language. But doesn’t matter I can’t understand what the characters because it is a Super Fantastic visual movie. {Just found out you can put on English subtitles on Netflix. The English diologe is off/inaccurate just read the subtles} I can’t find the DVD on Amazon. All I found was this poster…GANTZ is not the same…GANTZ:O It is trending on Netflix right now. Catch it now before the window ends.

Watch it on a big screen. Has super fine detail. Regardless of the constant barrage of derogatory symbolism representing the ancient race (with black people representing the greatest symbol) this movie is Highly entertaining.

As said before in Movies, TV Shows, Commercials interpreted…  all the races on the planet have their own mythology of their battle with the ancient blood line…”The black blood line is most significant symbol and is literally connected to the precursor of every culture, language, race, country and continent around the entire world. In the beginning was blackness. Each mythology from every culture, language, race, country and continent attacks this blood line…Attack on the Titian’s…Suppression tactics are similar around the world most notably through various forms of cinematography…It is the flushing out, purging out, rooting out of this bloodline in ad nauseum repetition around the world throughout mythology and constant images of derogatoriness.” It is interesting to note Chang for his candid view of the black race…can you blame him he is speaking the truth. The visuals and cinematography 100% top notch. It is a Key movie to understanding the Dark Side (Darkside) application. Basically a monsteraztion of ancient energies and DNA. What connects the monsters is melanin. The hardest thing is to switch the roles of protagonists and villains. But this is what has to be done to make sense of the movie. All the nations of the planet are individually waging an innate war against their own ancient melanated energies using technology. Another way of looking at “The Purge” Movie Trilogy and also the movie Tron. The technology gets more advanced the deeper they go into the ancient past. Ancient masculine and feminine energies…In GANTZ:O there are monster head characters rolling around chasing after the protagonists…Some heads are Gigantic and and others are the size of a man. They get faster when they are trying to advance against the protagonists. Note inside the head are probably highly active pineal glads. They are not calcified. The more active the stronger the entity. This is a threat. There is a climactic scene where the oversexuallized monster grows into a giant and kills one of the fiercest warriors.

The black woman depicted as a “monster” generally has characteristics of a highly sexuallized nature note the movie The Purge, Election Year…Trying to stop the Goddess Ishtar deity energy from rising up. The intention is to vilify it and suppress her Kundalini manifestation. We have to remember that sexual kundalini energy is bad and it might be shunned or punished. What better way to get the point across then to infuse her character with monster like characteristics.

They were teleported to death scenes/war zones from the room by the large black dot machine.

Note first sound we hear from the Black dot in the room is a song about patriotism to the native country Japan. Once the song ends it speaks with a male and a female voice simultaneously (like a voice of many waters; KJV Bible 1:14) to share the warriors mission and/or objective.

Note the first warrior to be killed by getting is head blown off in a spiteful act of sport by the smallest most headstrong warrior (a foreshadowing of how the warriors would kill many of the monsters in the movie), is the one in the room that was the biggest, strongest, most aggressive, wearing a purple sweater (Purple color; stemming from ancient bloodline with black “hair like lambs wool …and… a voice of many waters (deep voice)” The moment he showed authority he was destroyed, executed and taken down before his confidence solidified…

Note the warriors exp-skeleton suite is black, protective, flexible, like skin armor. It changes form to protect against compression,  attack or impact. It also allows the warriors to be stronger, faster, jump higher. It also has blue lights on it at various points on the body.

Note the monsters head seen or detected like pin points on a map on a visual screen (when they are killed the pin point instantly goes away) connected to their are like in the Predator Movie with Arnold Schwarzenegger, are a devil zombie with horns holding a staff with whipping strands connected to it, fox head , turtle, bird, zombies, mythological creatures, blob tumor head, monster with eyes all over it’s body, etc…the last zombie to be killed by a warrior stabbing it in the head just before the plot pauses and all the zombie are dead in the danger so is something like a cross between a small warthog Chihuahua dog like head that heaves like a donkey or Zebra and speaks the same language of the warriors.

Note there is a sect or greater majority of the warriors that are extremely arrogant and drunken debauchery like reveling in their monster killing spree and pleasure in the hunt of the next monster. The first monster seen in a reverse scenario easily and swiftly killing the many warriors at once is a very fast snake monster with scorpion hands as swords and a head of an eagle zombie with long straight grey hair symbolizing the old American Civil powers or Kundalini energy ancient ones or stemming from the ancient blood line. To destroy this beast required the strongest hand gun devised which harnesses gravitational energy to crush the monster, splattering them into of blood (the snake to is got sliced off because it was out of the kill zone and was left flapping & thrashing around, symbolic the remnants of Kundalini energy left to fizzle out of energy; also note the point of view shot of the pool of blood and the scrapped body parts where and imagine of the extremely fast highly technologically advanced battle wheel slowly and unworriedly and victoriously rolls across the pool of blood to a cheering zone) almost instantaneously when the enter the kill range of the super gun. Scene jumps to the black dot in the middle of the room, almost as a prior memory of the old man and protagonist where he recalls and interprets another part of the mission/objective.  The super gun foreshadowing of the power of that powerful limited in quantity gun is later used at the end, most climatic part of the movie to represent the saving grace that catches the most powerful monster at unawares, killing it and saving the day…However after killing the Snake monster zombie beast the plot of movie pauses the killing spree to have a celebratory cheer among the arrogant warrior sect.

The male protagonist is tall and attractive yet, unwilling to face reality, reactive not battle at first; eases into intentional battle mode and operate out of extreme polarizing chivalry. This quality couple with his naivety makes from great suspense, shock, awe and drama as he ends up into all kinds of danger. Accompanied with him is a grandfather/father like warrior confidant who helps to easy him into the mindset of a warrior and ease away moral boundaries keeping the protagonist warrior from seeing the mission/objective clearly. He with with the protagonist until the old man shields the protagonist from being killed toward the end of the movie before the most power monster beast takes the old man’s life; triggering in the protagonist his expression of rage and vengeance to blindly confront the beast that has the capability to kill him with a flick of the finger.

The movie is still at a pause in danger as the old man, beautiful lady warrior talk about working together as a team and sticking together. The woman grabs him from darting off into a chivalrous reaction that could have gotten him kill to soon in the plot preventing him from following the crowd. At first he resist her with his ego but then calms down and listens to her after he looks into her eyes and is smitten with her feminine care. The old man gives maybe like some coin chip money to the protagonist to call is son later on in the film, give to maybe his family if he does not make it through the battle. The protagonist walks out of scene and a lady character leaning against a vehicle quietly hiding and listen in attack mode is visually introduced in a flash point of view scene shot.

The smallest spiteful most calm inquisitive character (whom has no blood on his body, clothes are pristine as if he had been sitting & peacefully quietly watching the other characters battle the monsters, who is not wearing a black exo-skeleton suite (at first site, it is just underneath his regular close) but a grey jacket with Black collar and brown pants who kills the guy with lambs hair wearing the purple shirt at the beginning of the movie in the mission receiving room) uses a technology only he has to go invisible to be undetected by the monsters. He can be heard and felt but not seen jumping on the three taxi’s as he scurries away in the opposite direction of the danger just in time before is about to come into the the vicinity of the protagonist and his group of warriors.

A rolling head in the middle of a wheel engulfed in flames of fire is next to be seen

scene count down timer on black dot before next portal occurs.

scene point of view shot on the horned devil monster head dead, mouth open and tongue hanging out of the mouth like a dead dog, on ground four spikes in the open third eye (one of the spikes is nailed into the eye lid with the spike continuing to the third eye; the arrogant warriors whom are having a peace time break at an outside restaurant toss two more spikes at the third eye making it a total of six spikes stabbed in the eye; They are also watching from a slight distance a monster chasing a civilian run for his life gets corner as is bashed in the head with a huge concrete hammer like object by the monster; once it is done demolishing the civilian to death the most arrogant comrades of the group blast the monster with his supergun to kill in after it has served its purpose of provided a sense of gory entertainment for their viewing pleasure) with the group of the other three…the four eyes below the open third eye are closed… the 6th eye on the top of the head is slightly open however it is rolling back concealing our view of the pupal. Once the warrior takes the last spike in his hand and throws it at the light above to turn it off the scene quickly shifts to his comrades who are enjoying the lunch break with him. Not much time later blood is splattered on the wall near them signifying the who was just sitting up on the table spiking out the light just got his head spiked through and never saw it coming. We see the shock, awe, lethargic steers as the comrade was just killed some how. The scene doesn’t let the view see how it was done. We just here the sound of some type of extremely fast object moving and getting louder then blood splattering and the comrades facial expressions. The next scene shows a white winged horned bull head monster with red skin and hawk feet flying up and away to a perched up on a side green lighted inverted teer structured build top (upside down pyramid) background aligned off to the bottom side corner of the screen and slightly lower than a smaller old male frail monster entity with no wings where and oversized jacket crossing his arms while simultaneously hiding his hands in the large sleeves (seemingly a leading entity that is in a dominant position on the screen. The point of view shot shifts from showing the two entities to just showing the smaller more frail monster taking the highers visual position on his own individual perch. They seem to work together but have different powers. Note this is a Japanese film and the only black actor, Chris Jai Alex (even though it only list one character on IMDb I recognize his voice in three characters) also check him out here and here, who we don’t see is voice-overing for Three film characters; The guy wearing the purple sweater who was killed at the beginning of the film and the extremely fast and strong flying bull monster character and the super warrior who comes at the nick of time to save the day later on in the film.

The protagonist makes phone call to his son on a green pay phone conveniently on the sidewalk where the slaughter just took place. There is a cut monster arm blood arm on top of the bloody pay phone here steers at as he waits for the dial tone to connect with his son. His son picks up and says something like Dad where are you. The Protagonist is verklempt and is unable to respond right away out of deep sigh of relief that his son seems ok and safe from danger. It is clear he deeply loves his son. The son is safely in the home watching the murder mayhem happening on news. They have a conversation. The Protagonist say’s something like, paraphrasing, “I’m ok and I am fighting in the war. Be safe and I’ll see you soon” as his father makes a promise he is unsure he will not be able to keep. The boy maybe says “I love you, good by.”

As soon as he hangs up the phone here comes another monster scene and the adrenaline is pumping once again as to the side of him down the street a monster just rounded a corner chasing a husband, wife and child. The protagonist quickly runs to the corner of a building out of the view of the monster and battles within himself whether to remain hidden and out of sight from the monster. He peaks back around the corner to see whats happening. It looks like the civilians are about to loose the fight and as the protagonist is about to flea the situation there is a scream which cause him to pause from fleeing. Then he turns back around to see how he can distract the monster and save the family from being eaten.

He runs toward the monster with his regular sized gun shoot off multiple shots towards the Monsters Gigantic head. But shots miss hitting the monster because the protagonist is not in the gun fire range zone. He has to get closer to the monster for it to work. The monster recognizes the sound of the gun making multiple clicks and turns around. We see a large cyclops head zombie monster with one large eye and disproportionate tiny buff arms and an unusual body lower half in the shape of a one legged beast propped up by a knee. The gun locks up while the monster’s arm extends and stretches out it hand and successfully slaps the gun out the protagonists hand. The family is free and runs off leaving him along to battle the beast. The gun fly out underneath the monster to the other side. The monster charges. The protagonist fights back with a one two punch to jaw. To his surprise the black faintly reptilian structured skin exo-skeleton skin suite (note the Superman Movie Man of Steel reptilian skin like suite) charged up and change to a muscle strength shape while he reached for to knock the monster in the jaw with a mighty blow that throws the monster off balance.The Protagonist sees the gun and figures his only alternative is to run toward the monster and jump over it. He proceeds and makes the jump and the exo-skeleton miraculously helps him jump clear over the monster but as gravity is in effect he unfortunately comes down chin first on an electrical wire that spans from one building to another then landing on his back. He regains his bearing and gets up to go after the gun which is near by. Simultaneously the monster is coming to as well and reaches out and grabs him while the protagonist grabs the gun. The monster grabs him back in put him in his mouth to try to eat him. While he is in the mouth of the monster he manages to point the gun at the monsters head, triggering the fire to the big cyclops eye in the center of its head causing it and the head to explode. This danger scene ends.

Up walks the lady that was hiding quietly against the car while the protagonist and the old man spoke. She says something maybe to congratulate him on his victory. He is startle by her abrupt presence. She tries to greet him by reaching out her hand to shake his. He denies the gesture. She is a seemingly ditsy character who seems to never stop talking and neither her constant self talk. Slightly annoying character to watch and listen to. The talk, he walks away, she follows annoyingly.

Next danger seen is with a older couple and a child. The old man tries to protect himself against the beast by a broom. No this is an even bigger beast. It has reptilian green skin, gorilla type torsoe, muscular arms, large two front bottom overgrown teeth that stick out of it mouth, a long extendable alien like tongue that has search and seek capabilities grabbing man by rapping it around his body and proceeding to lift him toward his mouth to eat him. The old man is easy prey. The protagonist shoots the monster in the shoulder in the nick of time. Next is a profile point of view shot of the beast. It reveals that the beast is an overgrown Fez Monkey (symbolic Moorish a derogatory symbolic representation of a black male).

The monster lets out a loud frighten roar and the protagonist and the ditsy lady ready to strike. It charges while both their guns are pointed at it. They are too far and out of the blast range. The monster approaches. She gets frazzled within herself and walks away talking herself into a fantasy as if to forget the battle and danger is raging behind her. She is unreliable. As she walks away the protagonist goes in to help the family. he shoots but his gun is too small to do any damage. She walks back to the scene to witness the commotion distracting the protagonist from protecting himself while observing and being shocked at her inability to take action to shoot the beast while it is in range. He barely misses the beasts sharp tale that almost sliced his body in two. The beast reaches for the its tale and slams him the wall. As the gun falls out his hands and to the ground the beast steps on the gun and lets out a gut wrenching laugh celebration for the victory of dismantling the protagonist ability to shoot at it. It reaches for the ditsy lady and grabs her to put her in its back. It stores people in its back like certain frogs who store their baby’s in their back. He takes the broom from the old man and spares it into the eye of the beast rendering it distract from the pain. As he grabs her gun which feel on the ground the tale of the beast reach back and slap the protagonist into a light pull. He gets Fez Monkey and runs toward the beast jumps over it shooting it with a rope machine around the head. It uses teleportation to extract out a head portion of the head killing the beast. He pulls out the ditsy lady and people from its back.

The protagonist and the ditsy lady leave the scene. They come upon a scene where they seen come of their fellow fierce warrior fighting valiantly and succeeding of the monsters slaughtering them with ease.

Then it turns into a scene like the movie Pacific Rim. A Super Gigantic horned bull headed monster beast gets out of the water. Man’s super Gigantic technologically advanced machine vs an ancient male bull beast. Fighting against each other demolishing the city as the fight.

Next scene we another closer look at the flying zombie monster with red skin. It is male. It is all an over grown Fez Monkey (symbolic Moorish a derogatory symbolic representation of a black male), signified by the hat on his head. Plus he grown of the Fez Monkey attire like the Incredible Hulk. He is also wearing large juju bean around his neck.

It is more inquisitive and smart than the other zombies. It stands like a monkey or a gorilla. They are pumping thousands of rounds of firearms at it but nothing seems to be slowing it doing. It is crushing, slicing and eating the patrol officers. They are no match for its strength and speed. It breaks through their binding technology with no problem…a big shock and surprise to the warriors. Now the other fierce warriors arrive on the scene to see what they can do. It also survived the gravitational smashing machine supergun with multiple attempts to subdue it. Although the gravity machine demolished its wings so it can no longer fly, its body mass only decreased and took the form a human body and it is rising from the pull of blood…utter shock, amazement and looks of fear on the warriors faces. It resisted the gravity machine all together grabbing the warrior that has made multiple attempts to shoot it in the face…thrashing the body of the warrior back and forth on the ground just as in the Avengers Movie where the Incredible hulk thrashes Loki video. However while the monster has the warrior in his hand and is nearly squeezing him to death with the left hand the warrior pulls out a small gun and blows off the warriors right arm…then blows the monsters head off. The warrior die and the monster both die. However with a closer inspection the small gun seems to cause coagulation of the blood (also known as clotting) is the process by which blood changes from a liquid to a gel, forming a blood clot. It potentially results in homeostasis, the cessation of blood loss from a damaged vessel. Although the heart is still pumping the entity blood pathways explodes from the inside because there is no where left for the blood to go.

Then the same old man looking monster that was perched on the build with the flying monster in another scene appears walking down the street toward the death scene of the red monster. It is singing mumbling grunting some type of tune as it approaches still with its hands in the green oversized jacket, arms crossed, sandals on feet. A fierce warrior charges the being to slice it with its sword. The monster gets sliced into four pieces. Each piece regenerates itself with lightning speed in mid air (slightly laughing) before four duplicated monster land feet first on the ground regaining composer as if nothing happened while still approaching the dead red headless monster. The four monsters then conjoin back to one.

Point of view shot to old man monsters face reveals that it has reptilian cell structure skin.

One of the most fascinating things about this movie is in the next scenes. The fierce warrior tries to prevent the monster from getting to the dead red headless one. The warrior lunges forward and tries to slice the monster with his blade again however this time the monster does not let him hit/get it no matter how hard the warrior tries and how fast the warrior is. The acrobatics are phenomenal on both sides. The monster seems to be having fun with the warriors sword. Bobbing back and forth like a monkey anticipating the warriors next move. Although the monster is shifted or distracted away from the dead red headless monster it makes its way back over to it standing at the board just outside the pull of blood. The warrior is utter exhausted. He charges up his exo-skeleton to run and manages to grab to monster bear hugging its head and torso. His hand is over its eye peaking out through his fingers. The monsters eye morphs in a woman’s nipple then grows bigger into a woman’s breast. Then the beast quickly grow around the warrior engulfing him in many naked and connected woman’s bodies moaning and groaning in a group fucking orgasmic ecstasy around the warrior. He disappears in her many bodies as she grew into a large gigantic woman kneeling down on the ground with her hands over her face as if she is crying, weeping. She stands up and brings her hands toward an away from her mouth and is back to moaning then she stops. Out pops the head of the fierce warrior into her hands then it fall out to the ground.

 

Skipping ahead. At one point of the movie where the protagonist is getting beat down by a super monster black ooze drips out of the the exo-skeleton signifying that this was powered by melanin.

The talk with the super monster God. In front of the protagonist holding the ripped off dead head of the fiercest super warrior (who was played by the only black actor in a Japanese film) (note there is a subtle connection between the war against the sleepers and the awake; using the sleepers to fight against the awakened ones; the sleepers despises the awakened beings. And symbolically become the greatest super warriors against the awake) in its hand and holding its index figure out pointing to the protagonists’ forehead/3rd eye symbolic position and holds it in this position as if to say it is giving the protagonist a chance to have a change of heart or else he will be killed. In essence the God wanted to find one person who truly believed in him by this gesture of sparing the protagonists’ life. This compassionate moment becomes the Gods downfall because it was so concerned about sparing the protagonist life that it neglected to pay attention the ensuing danger around him. This sympathetic gesture may have been intended to convert the protagonist from an enemy to an ally. However, the innate hatred of Gods wins out. When indeed the protagonist never trusts or believes in the Monster/God. He is only trying to find a way through the dialogue to spare his life…you can’t convert one’s nature…It is as it is…for instance a dog or an animal will always be so…(Dion Fortune + S2 reference: says in chapter VII. The Pathology of Non-Human Contacts “Non-Human is like a pet animal, not a fellow-creature. That, frankly, is the only possible ground upon which they can be approached. If we expect no more of them than we should a pet bird, if we manage them as we should manage a kitten, we have got as near to the solution of the problem as we are ever likely to get….”) no matter the constant training and affection will not steer them down the path to becoming human.

In view of the monster/God and the protagonist dialogue, the protagonist drops his gun realizing it is a loosing battle to fight and quickly says “Wait”…”Let me ask you” “Why are we…”Killing each other?”

The monster responds to his question indirectly.
Monster/God: Do you feel like your’re in God’s presence?
The protagonist: God?
Monster/God: God is the absolute power.
The protagonist: Your God?
scene pause
The protagonist: Are you? (responding as if the Monster/God is obligated to give him a response; projected superiority interjection)

The monster/God: This world has many (Gods). I’m merely one of them. There is no defying that fact?

Remember throughout the whole dialogue the monsters finger is still against the protagonist forehead/3rd eye symbolic position.

However immediately after the monster speaks the last line the ditsy lady warrior (whom just pledged her romantic commitment to the protagonist)

blast the arm of the monster that was pointing at the forehead of the protagonist, therefore dismantling/evaporating the monsters ideology before it sets in/transmits solidification in the viewers mind. She has claimed the protagonist, not the monster. She will fight tooth and nail to defend that honor.

The monster says “I see” meaning that it understands that monsters (Gods) should not trust people. And proceeds to shoot laser beams out of its eye (ode to Superman eye beams) and tries to destroy the city and the remaining warriors.

Tangent thought; at the center of each eye is a black hole or a portal. The eye looks similar to the Milky Way Galaxy. There is also a light beam that goes through the center of black hole and out the other side. In the article “Scientists Unravel Secrets of Monster Black Hole at Center of Milky Way” What is the analysis behind the Superman eye beams anyway? The projection of the lying entity that always thinks and projects in opposites says to itself about descendants of the ancient bloodline that focused attention destroys also “Don’t look me in the eyes” this act is offensive; but flipping the pathology 180 degrees one can deduce that focused attention creates. Perhaps creating the sensation to feel or experience compassion or oneness. The innate encoding robotically says to itself whenever it comes into the presence of the symbolic ancient blood line “must break attention, must do whatever I can to break attention, I must follow where, what or who their eyes are focusing on and break that attention, the descendants of the ancient blood line must always focus their attention on me, I will be their source and their stimulant, they must not create, or I must control their ability to create so I always end up possessing the essence of their creations but quickly destroy the creator of it, so I can absolve myself of guilt because I don’t want them or anyone to know that I stole it from them, fore I am the true creator.”

Tangent thought again: blacks in slavery got the “Be seen and not heard” beat into to them and encoded in their minds by their masters. Subsequently “You should never look a white man in his/her eyes; This is an offense. It is a sign of disrespect. It is construed as challenging or bucking up against perceived authority. So instead keep your eyes low or look to the ground when you encounter them. One must present the impression of being subtle, abased, insecure and inferior.”

The movie industry launched a worldwide massive campaign against the descendants of the ancient blood line (specifically the symbolic black male) in Superman vs. Batman: Dawn of Justice Movie. Note the in the logo the Superman’s “S” is swallowed up by the Batman symbol. Meaning the “S” is smaller and centralized within the Batman symbol. Both Superman’s and Iron man’s hair historically dark in color. Both Batman’s dark aubur hair color is symbolic to white American elite status. The butler is British (father figure, guider, supporter, confidant, buddy, moral or conscious authority to Batman). Superman black hair is symbolic to the ancient blood line. Superman and Batman’s love interests have either orange or black hair. Batman is a white man whom participates in all knowledge, dark arts and the occult. Superman represents the symbolic black man whom participates in morality and whom as alien lineage. In the beginning of the film Justice League Full Movie 2017 Joker boldly and confidently toys with Superman as he is a gullible child whom will not tap into his ultimate power and whom could easily kill the Joker. By the way the Joker character looks very similar to black person in history if one replaces the white skin with black skin; see Goodbye uncle Tom! “Warning Graphic Content” around 1:11 minutes into the movie. If true the Joker is the “Gentleman” who advertised the slaves for sale and made sure they were ready for auctioning so master would get the highest price for the sale. With so many tricks up his sleeve and innovative ways to market and advertise masters products all while shuckin and jivin, Joker seems like a fitting name. The Joker wears a top hat, Victorian-era attire (The era when the slave trade made the nation rich and wealthly beyond imagination). On some images of Joker there will be reptilian closing.

If Superman gets fed up and ensues with anger, rage and suffering he busts through moral code that binds his actions. It is the projection of moral limitations that keep his power shackled. The love interests represent the symbolic black women. Batman has unlimited wealth, power and the greatest access to surveillance of the world. Note Superman’s “False God” theme. Input the black man and the projected theme is the black man is a False God. Then flip it 180 degrees, they are saying the symbolic black man is a God …interesting … Thus follow the hair color to get to the real message they are trying to share. This “God” theme is repeated in The Purge movie imagery. A black male teen is wearing a mask with “God” written across the forehead. This same image was used in a lot of commercials and billboards across cities and towns. Another repeated image is a black teen wearing a mask with an up side down cross on it at the symbolic 3rd eye position; points to the symbol of the symbolic black man/3rd eye awakening as an/the anti-christ

Kundalini energyMetaphysics and MythologyTags

Advanced Genetic Engineering Technology

https://www.youtube.com/results?search_query=blank+slate+tecnology+Defined

what is mind control, really? electronic implant tech. how to teach esoterocism or complex subjects. whats wrong with you and everybody else.

This tecnology has been used to torture immortal beings with electronic flows, no time limit, It has been used to “erase the beingness” of immortal beings and this can be done slowly as a kind of torture.in fighting off a machine one eventually goes into apathy THEN they go to work on you. This is beyond words like terrifying. The idea is to get the idea across that it is better to obey than be a rebel. This torture is what’s behind peoples disinterest in two conspiracy theories. “they” can reprogram you to be one of them virtually overnight

The Blank Slate: The Modern Denial of Human Nature

Bobby Hemmitt – Human Artificial II

The 6th Day movie – Advanced Genetic Engineering Technology

In this futuristic thriller spiked with intrigue, humor and high-voltage action, a ruthless power broker is using his advanced genetic-engineering technology to clone human beings for personal gain. When Adam Gibson (Arnold Schwarzenegger), an old-fashioned family man and decorated fighter pilot in what was known as the Rainforest War, comes home one night to discover that his life has been stolen by his clone, his perfect existence is erased. Plunged into a sinister world of murder, corruption and high-tech deception, he is torn from his family by thugs who have been sent to destroy him because they cloned the wrong man. Adam must not only save himself, but uncover who and what is behind the evil plot that entangles him in order to reclaim his family and his identity.

The 6th Day is a 2000 American science fiction action film directed by Roger Spottiswoode and starring Arnold Schwarzenegger, Tony Goldwyn, Michael Rapaport and Robert Duvall. In the film, a family man of the future is illegally cloned by accident as part of a vast conspiracy involving a shady billionaire businessman, and is thrust into a struggle to clear his name and protect his family from the conspirators who seek to keep the cloning a secret. The title refers to the Judeo-Christian Genesis creation narrative, where God created mankind on the sixth day.

https://www.youtube.com/results?search_query=The+6th+Day

In the year 2015, the cloning of animals and human organs has become routine. Cloning entire humans, however, is prohibited by what are known as “Sixth Day” laws. Billionaire Michael Drucker, owner of cloning corporation Replacement Technologies, hires charter pilot Adam Gibson and partner Hank Morgan for a ski trip. Due to Drucker’s prominence, the two must first undergo blood and eye tests to verify their aptitude. On the day of Drucker’s arrival, Adam finds that his family dog Oliver has died, and Hank offers to fly Drucker instead to allow Adam time to have the pet cloned. After visiting a “RePet” shop, he remains unconvinced but purchases an animatronic doll, a SimPal, named Cindy.

Adam returns home and discovers that not only has Oliver already been cloned, but a purported clone of himself is with his family, along with another SimPal Cindy. Replacement Technologies security agents Marshall, Talia, Vincent and Wiley arrive with the intention on killing Adam. Adam kills Talia and Wiley in the ensuing chase and escapes, but both are later cloned. Adam seeks refuge at Hank’s apartment after the police betray him to the agents. A while later, Tripp (whom Adam recognizes from the ski trip) kills Hank and is mortally injured by Adam. Revealed as a religious anti-cloning extremist, Tripp informs Adam that Hank was a clone, since he killed the original one on the mountaintop earlier that day, to be able to kill Drucker, who was also a clone, and there is now a new Drucker clone. Tripp then commits suicide to avoid being captured by Marshall and the others. The agents arrive again and Adam is able to disable Marshall and kill Talia again, and steals her thumb.

Adam sneaks into Replacement Technologies with Talia’s thumb and finds Dr. Griffin Weir, the scientist behind Drucker’s illegal human-cloning technology. Weir confirms Tripp’s story, adding that to resurrect Drucker, the incident had to be covered up and Adam was cloned because they mistakenly believed he had been killed. Weir explains that Drucker – who already died years before – could lose all of his assets if the revelation became public, since clones are devoid of all rights. Sympathetic with Adam’s plight, Weir gives him a memory disk (syncording) of the Drucker clone but warns him that Drucker may go after the other Adam instead, putting Adam’s family in danger. Weir also discovers that Drucker has been engineering cloned humans with fatal diseases as an insurance policy against betrayal. Upon finding out that his own wife was one such victim, Weir confronts Drucker and resigns. Drucker shoots him dead while promising to clone both him and his wife.

Drucker’s agents abduct the Gibson family and Adam comes face to face with his clone. The two reluctantly team up and devise a plan to destroy Drucker’s facility. While Adam wrecks the security system and gets himself captured, the clone sneaks in, plants a bomb and rescues his family. Drucker, however, tells Adam that he himself is the clone; the other Adam is the original one. Enraged, Adam fights off Drucker’s agents and Drucker is mortally wounded while Talia, Wiley, Vincent and Marshall are killed for the final time. Drucker manages to clone himself before he dies but the malfunctioning equipment causes the new Drucker to be incomplete. As the cloned Adam fights his way to the rooftop, he is rescued via helicopter by the real one as Drucker falls to his death before the facility explodes.

Now having a more moderate view of cloning, the real Adam arranges for his clone to move to Argentina to start a satellite office of their charter business. The clone’s existence is kept a secret, especially upon discovering that his DNA has no embedded illnesses, giving him a chance at a full life, since he was of no political value to Drucker. As a parting gift to the Gibson family, the clone gives them Hank’s RePet cat, Sadie. The real Adam gives the clone a flying send-off.

How to Interpret Movies – Interpreting Films

Watch THE 6TH DAY and hundreds of other free full-length streaming movies and TV shows on http://www.crackle.com
AutomatonBlank Slate TechnologyDenial of Human Nature
erase the beingnessEsoteric SciencesGenetic Engineering
Human ArtificialHumansImmigrant HumanHumans
Immigrant HumanImmortalreprogramingDemiurge
Synthetic HumansSynthetic LifeThe 6th Day
Genetic Engineering Technology

Metaphysics and MythologyScience TheoryTags