The Darkside & the Underworlds Dr Alim Bey

The Darkside & the Underworlds Dr Alim Bey

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Goetic Evocation

Goetic Evocations: Theory and practice behind conjurations

The Origin of Satan by Elaine Pagels
From the religious historian whose The Gnostic Gospels won both the National Book Award and the National Book Critics Circle Award comes a dramatic interpretation of Satan and his role on the Christian tradition. With magisterial learning and the elan of a born storyteller, Pagels turns Satan’s story into an audacious exploration of Christianity’s shadow side, in which the gospel of love gives way to irrational hatreds that continue to haunt Christians and non-Christians alike.
GodDevilSatanBobby HemmittDr Alim Bey – Citi Hampton

The Devil: Perceptions of Evil from Antiquity to Primitive Christianity Hardcover – October, 1977
by Jeffrey Burton Russell
This lively and learned book traces the history of the concept of evil from its beginnings in ancient times to the period of the New Testament. A remarkable work of synthesis, it draws upon a vast number of sources in addressing a major historical and philosophical problem over a broad span of time and in a number of diverse cultures, East and West. Jeffrey Burton Russell probes the roots of the idea of evil, treats the development of the idea in the Ancient Near East, and then examines the concept of the Devil as it was formed in late Judaism and early Christianity. Generously illustrated with fifty black-and-white photographs, this book will appeal to a wide range of readers, from specialists in religion, theology, sociology, history, psychology, anthropology, and philosophy to anyone with an interest in the demonic, the supernatural, and the question of good and evil.

Source Bobby Hemmitt (The Prophet)
https://www.youtube.com/results?search_query=Bobby+Hemmitt+%28The+Prophet%29
Warfare and Physical Reality
https://www.youtube.com/watch?v=p8EmpK-E7rM&t=1867s
http://siriustimes.com/estore/395-bobby-hemmitt

The Origin of Satan Hardcover – May 30, 1995
From the religious historian whose The Gnostic Gospels won both the National Book Award and the National Book Critics Circle Award comes a dramatic interpretation of Satan and his role on the Christian tradition. With magisterial learning and the elan of a born storyteller, Pagels turns Satan’s story into an audacious exploration of Christianity’s shadow side, in which the gospel of love gives way to irrational hatreds that continue to haunt Christians and non-Christians alike.

Deterrence 2000
The President of the United States must deal with an international military crisis while confined to a Colorado diner during a freak snowstorm

 

Lara Croft: Tomb Raider 2001
Video game adventurer Lara Croft comes to life in a movie where she races against time and villains to recover powerful ancient artifacts.
The film opens with Lara Croft (Angelina Jolie) in an Egyptian tomb, seeking a diamond at one end of a chamber. As she approaches she is attacked by a large robot. After an intense chase and battle, she disables it by ripping out its motivational circuits. She takes the diamond, which is revealed to be a memory card labeled “Lara’s Party Mix”, and inserts it into a laptop computer inside the robot, whereupon it plays music. Now it is revealed that the scene took place in a practice arena in her home, and that her assistant Bryce (Noah Taylor) programmed the robot, SIMON, to challenge her in combat.

It is the day of the first phase of a planetary alignment, culminating in a solar eclipse, which (in the film) happens once every 5,000 years. In Venice, the Illuminati search for a key to rejoin halves of “the triangle”, which must be done by the final phase of the alignment. Mr. Powell (Iain Glen), an Illuminati member, makes assurances that they are almost ready, but in reality he has no idea where to find the key.

Lara’s butler, James “Hilly” Hillary (Chris Barrie), tries to interest her in several projects; but she ignores them. May 15, as Hilly is aware, is the day that Lara’s father disappeared many years earlier. She has not recovered from his loss.

Later that night, Lara has a dream reminding her what her father said about the alignment and an object linked to it called the Triangle of Light. Waking, she is aware of a clock ticking. Searching for it, she discovers a secret chamber under the staircase with a carriage clock that had spontaneously begun ticking. Bryce probes it and discovers a strange device hidden inside the clock.

Since the device resembles a clock, Lara consults a clock expert friend of her father’s, Mr. Wilson (Leslie Phillips). She believes it is connected to the “Triangle of Light”, but Wilson disavows knowledge of the clock or the Triangle. Lara encounters Alex West (Daniel Craig), a fellow tomb raider with unscrupulous methods. They are attracted to each other, but Croft cannot abide his for-profit attitude. That night, Lara is contacted by Wilson, who tells her that he gave her name to a man named Manfred Powell in regards of the clock. In reality, Wilson is also a member of the Illuminati.

The next day, Lara sees Powell in his home, and shows him photographs of the clock. Later, while discussing it with Bryce, she points out that Powell was lying about his knowledge. That night, as Lara does a bungee ballet, armed commandos invade the house and steal the clock despite her attempts to fend them off.

The next morning, Lara receives a letter from her father, arranged to arrive after the beginning of the alignment, where he explains that the clock is the key to retrieve two halves of the mystic Triangle of Light, which is revealed to be an object of phenomenal destructive power that granted its wielder power over time and space. He says that it was made from a metal found in a meteor crater made by a meteor that had fallen to earth during a previous alignment. Initially housed in a city built in the meteor crater by those who worshiped the object, misuse of the Triangle’s power destroyed the city and so it was split into two halves; one was hidden in a tomb in Cambodia, the other half in the ruined city itself, in modern-day Siberia. Her father urges her to find and destroy both halves before the Illuminati can find it.

In Cambodia, West figures out part of the puzzle on how to retrieve the triangle half, but Lara manages to successfully grab the piece. Before everyone can leave, the liquid metal which came out with the piece brings the statues in the temple to life and attacks the team killing some members. Lara is left to fight off and destroy a huge six-armed guardian statue which is the last one to come to life. She successfully defeats it and leaves the temple by diving through a waterfall. She then travels to a Buddhist town where a young monk welcomes her. After a worship service, an aged monk who is the leader there gives Lara some tea and as they converse, he tells her that he knew her father before.

She and Powell arrange to meet in Venice, since each of them has what the other needs to finish the Triangle. Powell proposes a partnership to find the Triangle, and informs Lara that her father was a member of the Illuminati, which she vehemently denies. Though hesitant at first, she, along with Bryce, meets with Powell for the trip to Siberia. Inside the tomb, there is a giant model of the solar system, which activates as the alignment nears completion. Lara retrieves the last half of the Triangle, but when Powell tries to complete it, the halves will not fuse. He realizes that Lara knows the solution to the puzzle, and kills West in order to persuade her to complete the Triangle to save both West’s life and her father’s. Lara reluctantly complies, and they then struggle for control of the Triangle, with Lara prevailing.

Lara then finds herself in a strange alternate existence facing her father Lord Richard Croft (Jon Voight). He explains that it is a “crossing” of time and space, and urges her to destroy the Triangle instead of using it to save his life. She leaves her father and returns to the chamber, where time is slowly running backwards from the point where Powell killed West. Croft takes the knife he threw into West’s chest and reverses it, then destroys the Triangle, which returns time to its normal flow and directs the knife into Powell’s shoulder. The chamber begins to self-destruct, Everyone turns to leave, but Powell tells Croft that he killed her father and retrieved his pocket watch with a picture of Lara’s mother inside. Lara and Powell engage in a hand-to-hand fight. Lara kills him, retrieves it, and escapes as the chamber crumbles.

At the mansion, Hilly and Bryce are shocked to see Lara wearing a dress. She goes into the garden to her father’s memorial, then returns inside, where Bryce has a reprogrammed SIMON, ready to challenge Lara once again. Hillary reveals a silver tray holding Lara’s pistols, which she takes with a smile.

Epoch
A top-secret weapons specialist must unravel the secret behind a towering alien structure that appears suddenly, hovering above the earth.
Four billion years ago, before life had developed on Earth, a cosmic object fell in the seas of our planet. In modern times in the mountains of Bhutan, a huge artifact makes its way to the surface, producing a powerful electromagnetic pulse causing worldwide blackouts.

Alarmed by the electromagnetic phenomenon and under request of the government of Bhutan, the American NSA launches a military and scientific reconnaissance operation on site, led by Dr. K.C. Czaban (Stephanie Niznik) with the technical assistance of terminally ill engineer Mason Rand (David Keith), picked up on the Mexican border in time for the mission. The team finds the artifact suspended in the air and object of veneration from the natives, who call it the Torus and consider it a gift from the gods with extraordinary healing properties.

The US team enters the Torus, but an air strike by the Chinese Army against the artifact prompts an unexpected response from the object, which destroys two Chinese military planes and kidnaps a US soldier. Unsuccessful diplomatic negotiations escalate the tension in the area between Chinese and US armed forces, while inside the Torus the scientific team goes to the core of the huge machine. They discover how ancient the artifact is and speculate it could have been the spark of life on Earth, as well as the cause of multiple extinctions in the course of the eras. Fomented by NSA agent Allen Lysander (Ryan O’Neal), conflict explodes between the troops of the two factions and the Torus reacts, blanketing the planet with a thick cloud cover, evidently starting the process for a new mass extinction.

By Presidential order, the US soldiers plant a nuclear bomb inside the Torus to destroy it, and Czaban and Rand unsuccessfully try to deactivate the device to keep it from detonating. However, the Torus absorbs the blast and, seemingly satisfied by the extreme sacrifice attempted by the two scientists, ceases its actions, sheds its external shell and, in the form of an energy sphere, leaves Earth. Four months later, Rand, now cured after his exposure to Torus, receives from Czaban the news that she is pregnant, despite being sterile before their encounter with the alien artifact.

Wishmaster 1997
An evil genie, the Djinn (Andrew Divoff), escapes from an ancient statue and wreaks havoc in this horror film from director Robert Kurtzman.

Wishmaster is a 1997 American horror film directed by Robert Kurtzman. The film was executive produced by Wes Craven, and is the only film of the Wishmaster series with his name attached. The plot of concerns a djinn, a wish-granting, evil genie entity who is released from a jewel and seeks to capture the soul of the woman who discovered him, thereby opening a portal and freeing his fellow djinn to inhabit the earth.

A narrator (Angus Scrimm) explains that when “God breathed life into the universe…the light gave birth to Angels…the earth gave birth to man..the fire gave birth to the djinn, creatures condemned to dwell in the void between the worlds.” If a person wakes a djinn, that person will receive three wishes but the third wish will free legions of djinn on Earth. In 1127, the djinn (Andrew Divoff) asks a Persian emperor to make his second wish. When the emperor wishes to see wonders, the djinn uses his powers to torture and mutilate people in the palace. The emperor is horrified, but the djinn tells him to use his third wish to set things right. Before the emperor can make his third wish, Zoroaster (Ari Barak), a sorcerer, explains the consequences of the third wish and reveals a fire opal, which pulls the djinn inside and traps him.

In present-day America, Raymond Beaumont (Robert Englund) supervises workers lowering a box containing an antique statue of Ahura Mazda onto a ship. The worker (Joseph Pilato) who is operating the crane is drunk and drops the box, killing Beaumont’s assistant (Ted Raimi) and destroying the statue. A dockworker steals the fire opal from the rubble and pawns it. Eventually the jewel reaches Regal Auctioneers, where Nick Merritt (Chris Lemmon) instructs appraiser Alexandra “Alex” Amberson (Tammy Lauren) to examine it, which wakes the djinn. Alex sees something inside the jewel and leaves it with her close friend and colleague, Josh Aickman (Tony Crane), to analyze. As he is collecting data, the gem explodes, destroying the lab and releasing the djinn. Josh is killed, upon his wish for relief from his physical pain.

Alex tracks the gem to the statue which she tracks to Beaumont, who sends Alex to visit Wendy Derleth (Jenny O’Hara), a folklore professor, who explains the history of the gem and the djinn. Later, Alex learns that the djinn needs to power the gem with human souls and then grant her three wishes before he can open the gateway to release the djinn on Earth. Meanwhile, the djinn takes the form of a dead man and uses the name Nathaniel Demerest. He grants wishes in exchange for souls while he searches for Alex. Each time the djinn grants a wish, Alex sees troubling visions. She consults Derleth, but realizes that she is talking to the djinn, who has killed Derleth and taken her form. The djinn confronts Alex and offers her three wishes, as well an extra “test” wish; she orders the djinn to kill itself. He shoots himself in the head with a gun but his wound heals instantly, revealing the djinn as an immortal. Using the first of the official three wishes, Alex wishes to know her opponent, the djinn. He teleports her to his world within the gem which terrifies her. She wishes herself back to her apartment, alone.

The Djinn had been threatening Alex’s sister, Shannon (Wendy Benson), so Alex hurries to a party Beaumont invited them to earlier. The djinn follows, again disguised as Nathaniel Demerest. When Beaumont wishes his party would be unforgettable, the djinn causes artwork to kill the guests. Eventually the djinn corners the sisters and attempts to scare Alex into making her third wish. Alex wishes the crane operator, Mickey Torelli, had not been drunk at work, undoing the events that followed and trapping the djinn in the fire opal again.

The now sober crane operator lowers the crate with no problems. Alex visits Josh—now alive again—who notices that Alex seems pleased with herself, though she does not explain why. Inside the jewel on the statue of Ahura Mazda—now in Beaumont’s private collection—the djinn waits on a throne, waiting to be released.

Guardian 2004
With a spate of violence that rocks the inner city, L.A.P.D. and ex-Marine John Kross investigates its cause: a new drug called Chaos. With help from his partner Carpenter, they delve into the mystery, only to discover a link between the drug and a terrifying supernatural power unleashed during the gulf war, witnessed by Kross twelve years ago. Now, Kross must race against time to stop the destruction, battle his own demons and come to grips with his destiny as he discovers that his reality has been mapped by a power much greater than himself.

Myths from Mesopotamia: Creation, the Flood, Gilgamesh, and Others (Oxford World’s Classics) Revised ed. Edition
by Stephanie Dalley
The ancient civilization of Mesopotamia thrived between the rivers Tigris and Euphrates over 4,000 years ago. The myths collected here, originally written in cuneiform on clay tablets, include parallels with the biblical stories of the Creation and the Flood, and the famous Epic of Gilgamesh, the tale of a man of great strength, whose heroic quest for immortality is dashed through one moment of weakness.

Recent developments in Akkadian grammar and lexicography mean that this new translation–complete with notes, a glossary of deities, place-names, and key terms, and illustrations of the mythical monsters featured in the text–will replace all other versions.

About the Series: For over 100 years Oxford World’s Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford’s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Polaria: The Gift of the White Stone Paperback – September, 1996
by W. H. Muller
A study on the Tradition of the Hidden Pole underlying all myth and religion. A first-time, revealing investigation into the coded works of H.P. Lovecraft (America’s “secret alchemist”) and traditional Alchemy, Polaria is an exploration of the meaning behind meanings, a Book of Origins beginning where others end. It is a guide leading one out of the labyrinth of existence and the limitations of Space-Time. In true esoteric fashion, Polaria serves as a beacon to the spiritual depths of life.

The Black Goddess and the Unseen Real: Our Uncommon Senses and Their Common Sense Jun 1988
by Peter Redgrove
In this work, the author shows how we are surrounded by invisibles; forces which animals know but humans have come to ignore or only participate in unconsciously. These forces include electricity, magnetism and the deeper reaches of touch, smell, taste and sound.

Dictionary of Ancient Deities Jul 19, 2001
by Patricia Turner and Charles Russell Coulter
Nothing reveals more about a civilization than the gods and goddesses it worshipped. For thousands of years humans have fashioned stories about divine beings to explain their most mysterious, terrifying, and exalted experiences. Today the names of many of these deities have fallen into obscurity. The Dictionary of Ancient Deities brings these gods and goddesses back to light.

Here, in one superbly written volume, is every known divine being throughout recorded history, from Athena and Brahma to the evil demon king Ngworekara of the African Fan people and the Babylonian dream messenger Zaqar. With over 10,000 entries, The Dictionary of Ancient Deities is the most comprehensive reference of its kind, covering not only gods and goddesses, but also spirits, places, festivals, sacred texts and objects, heroes, monsters, demigods, and the plethora of fantastic mythical beasts that have populated the human imagination from time immemorial. The encyclopedia also includes many deities often missing from standard collections, notably from Inuit, Native American, and African cultures. Alphabetically arranged entries provide the name of each deity (with alternate spellings), followed by the tribe or culture that worshipped the deity. Most importantly, the entries–whether brief descriptions or longer essays–offer lucid and engaging explanations of the origins and functions of the god or goddess.

With a comprehensive index and an extensive bibliography, The Dictionary of Ancient Deities is the best choice for anyone intrigued by the rich pantheon of divine beings that have mirrored the human psyche and shaped our earliest civilizations.

Encyclopedia of Ancient Deities 2 vol set Reprint Edition
by Charles Russell Coulter
Throughout history, humans have pondered the question of their existence. In nearly every society, part of the answer has included some form of god or goddess. For the Mayans, one such deity was Ajtzak, who tried to create humans from wood; for the Yorubas of Africa, Shango controlled the thunder and lightning. The Chinese of the Shang dynasty era worshipped Shang Ti. Evil deities were also part of the answer, as in the case of the Kuvera, the Hindu chief of evil in the Vedic period, and Tu, the Persian or Islamic demon of fatal accidents. All of the known ancient gods, many heretofore obscure or known only from mythological literature, are included in this exhaustive reference work. The focus is on their origins, histories, and functions. The people who believed in each deity are identified, along with alternate names or spellings both old and modern. The descriptions that follow are of the functions, origins and physical nature of the deities. Extensive cross references are provided for alternate spellings and names.

The Rotting Goddess: The Origin of the Witch in Classical Antiquity Feb 1, 1998
by Jacob Rabinowitz
Witchcraft in antiquity, and particularly the Goddess Hekate, has never been seriously studied, but sidelined as an variety of magic, or as a purely literary phenomenon, or as identical to the much-later Salemists. Here, then, is the first complete and comprehensive study of the topic from the time of Homer to the Greek Magical Papyri (800 bc400 ad), examining the slow stages by which Hekate was demonized and the mythology of the evil witch arose, and how it was not until hundreds of years later that the actual practice of witchcraft developed.

Outside the Circles of Time Nov 20, 1980 | Import
by Kenneth Grant
Outside the Circles of Time is the fifth volume in the series of Grant’s Typhonian Trilogies. This is a work that covers an extremely wide area and exposes – to quote from the jacket of the 1980 edition – “a network more complex than was ever imagined: a network not unlike H.P. Lovecraft’s dark vision of sinister forces lurking at the rim of the universe”. Outside the Circles of Time explores a complex of such ideas, from Blavatsky’s Secret Doctrine, Crowley’s The Book of the Law, Lovecraft’s Necronomicon, and Frater Achad’s researches. It also explores the work of Soror Andahadna, a contemporary Priestess of Maat whose work has parallels with that of Frater Achad some decades previously when he announced the inauguration of the Aeon of Maat in 1948. On the more orthodox premise that each Aeon lasts 2,000 years, we are at the beginning of the Aeon of Horus, so the Aeon of Maat might appear a long way off yet. However, the following passage from Outside the Circles of Time puts the matter in a different light:

“Myths and legends are of the past, but Maat should not be thought of in terms of past or future aeons. Maat is present now for those who, knowing the ‘sacred alignments’ and the ‘Gateway of Inbetweenness’, experience the Word ever coming, ever emaning, from the Mouth, in the ever new and ever present forms that are continually being generated from the mystical Atu or House of Maat, the Ma-atu . . .”

Kundalini energyMetaphysics and MythologyReligious Commentary and OpionTags

GANTZ:O Movie

GANTZ:O Movie Currently trending on Netflix; in Japanese language. But doesn’t matter I can’t understand what the characters because it is a Super Fantastic visual movie. {Just found out you can put on English subtitles on Netflix. The English diologe is off/inaccurate just read the subtles} I can’t find the DVD on Amazon. All I found was this poster…GANTZ is not the same…GANTZ:O It is trending on Netflix right now. Catch it now before the window ends.

Watch it on a big screen. Has super fine detail. Regardless of the constant barrage of derogatory symbolism representing the ancient race (with black people representing the greatest symbol) this movie is Highly entertaining.

As said before in Movies, TV Shows, Commercials interpreted…  all the races on the planet have their own mythology of their battle with the ancient blood line…”The black blood line is most significant symbol and is literally connected to the precursor of every culture, language, race, country and continent around the entire world. In the beginning was blackness. Each mythology from every culture, language, race, country and continent attacks this blood line…Attack on the Titian’s…Suppression tactics are similar around the world most notably through various forms of cinematography…It is the flushing out, purging out, rooting out of this bloodline in ad nauseum repetition around the world throughout mythology and constant images of derogatoriness.” It is interesting to note Chang for his candid view of the black race…can you blame him he is speaking the truth. The visuals and cinematography 100% top notch. It is a Key movie to understanding the Dark Side (Darkside) application. Basically a monsteraztion of ancient energies and DNA. What connects the monsters is melanin. The hardest thing is to switch the roles of protagonists and villains. But this is what has to be done to make sense of the movie. All the nations of the planet are individually waging an innate war against their own ancient melanated energies using technology. Another way of looking at “The Purge” Movie Trilogy and also the movie Tron. The technology gets more advanced the deeper they go into the ancient past. Ancient masculine and feminine energies…In GANTZ:O there are monster head characters rolling around chasing after the protagonists…Some heads are Gigantic and and others are the size of a man. They get faster when they are trying to advance against the protagonists. Note inside the head are probably highly active pineal glads. They are not calcified. The more active the stronger the entity. This is a threat. There is a climactic scene where the oversexuallized monster grows into a giant and kills one of the fiercest warriors.

The black woman depicted as a “monster” generally has characteristics of a highly sexuallized nature note the movie The Purge, Election Year…Trying to stop the Goddess Ishtar deity energy from rising up. The intention is to vilify it and suppress her Kundalini manifestation. We have to remember that sexual kundalini energy is bad and it might be shunned or punished. What better way to get the point across then to infuse her character with monster like characteristics.

They were teleported to death scenes/war zones from the room by the large black dot machine.

Note first sound we hear from the Black dot in the room is a song about patriotism to the native country Japan. Once the song ends it speaks with a male and a female voice simultaneously (like a voice of many waters; KJV Bible 1:14) to share the warriors mission and/or objective.

Note the first warrior to be killed by getting is head blown off in a spiteful act of sport by the smallest most headstrong warrior (a foreshadowing of how the warriors would kill many of the monsters in the movie), is the one in the room that was the biggest, strongest, most aggressive, wearing a purple sweater (Purple color; stemming from ancient bloodline with black “hair like lambs wool …and… a voice of many waters (deep voice)” The moment he showed authority he was destroyed, executed and taken down before his confidence solidified…

Note the warriors exp-skeleton suite is black, protective, flexible, like skin armor. It changes form to protect against compression,  attack or impact. It also allows the warriors to be stronger, faster, jump higher. It also has blue lights on it at various points on the body.

Note the monsters head seen or detected like pin points on a map on a visual screen (when they are killed the pin point instantly goes away) connected to their are like in the Predator Movie with Arnold Schwarzenegger, are a devil zombie with horns holding a staff with whipping strands connected to it, fox head , turtle, bird, zombies, mythological creatures, blob tumor head, monster with eyes all over it’s body, etc…the last zombie to be killed by a warrior stabbing it in the head just before the plot pauses and all the zombie are dead in the danger so is something like a cross between a small warthog Chihuahua dog like head that heaves like a donkey or Zebra and speaks the same language of the warriors.

Note there is a sect or greater majority of the warriors that are extremely arrogant and drunken debauchery like reveling in their monster killing spree and pleasure in the hunt of the next monster. The first monster seen in a reverse scenario easily and swiftly killing the many warriors at once is a very fast snake monster with scorpion hands as swords and a head of an eagle zombie with long straight grey hair symbolizing the old American Civil powers or Kundalini energy ancient ones or stemming from the ancient blood line. To destroy this beast required the strongest hand gun devised which harnesses gravitational energy to crush the monster, splattering them into of blood (the snake to is got sliced off because it was out of the kill zone and was left flapping & thrashing around, symbolic the remnants of Kundalini energy left to fizzle out of energy; also note the point of view shot of the pool of blood and the scrapped body parts where and imagine of the extremely fast highly technologically advanced battle wheel slowly and unworriedly and victoriously rolls across the pool of blood to a cheering zone) almost instantaneously when the enter the kill range of the super gun. Scene jumps to the black dot in the middle of the room, almost as a prior memory of the old man and protagonist where he recalls and interprets another part of the mission/objective.  The super gun foreshadowing of the power of that powerful limited in quantity gun is later used at the end, most climatic part of the movie to represent the saving grace that catches the most powerful monster at unawares, killing it and saving the day…However after killing the Snake monster zombie beast the plot of movie pauses the killing spree to have a celebratory cheer among the arrogant warrior sect.

The male protagonist is tall and attractive yet, unwilling to face reality, reactive not battle at first; eases into intentional battle mode and operate out of extreme polarizing chivalry. This quality couple with his naivety makes from great suspense, shock, awe and drama as he ends up into all kinds of danger. Accompanied with him is a grandfather/father like warrior confidant who helps to easy him into the mindset of a warrior and ease away moral boundaries keeping the protagonist warrior from seeing the mission/objective clearly. He with with the protagonist until the old man shields the protagonist from being killed toward the end of the movie before the most power monster beast takes the old man’s life; triggering in the protagonist his expression of rage and vengeance to blindly confront the beast that has the capability to kill him with a flick of the finger.

The movie is still at a pause in danger as the old man, beautiful lady warrior talk about working together as a team and sticking together. The woman grabs him from darting off into a chivalrous reaction that could have gotten him kill to soon in the plot preventing him from following the crowd. At first he resist her with his ego but then calms down and listens to her after he looks into her eyes and is smitten with her feminine care. The old man gives maybe like some coin chip money to the protagonist to call is son later on in the film, give to maybe his family if he does not make it through the battle. The protagonist walks out of scene and a lady character leaning against a vehicle quietly hiding and listen in attack mode is visually introduced in a flash point of view scene shot.

The smallest spiteful most calm inquisitive character (whom has no blood on his body, clothes are pristine as if he had been sitting & peacefully quietly watching the other characters battle the monsters, who is not wearing a black exo-skeleton suite (at first site, it is just underneath his regular close) but a grey jacket with Black collar and brown pants who kills the guy with lambs hair wearing the purple shirt at the beginning of the movie in the mission receiving room) uses a technology only he has to go invisible to be undetected by the monsters. He can be heard and felt but not seen jumping on the three taxi’s as he scurries away in the opposite direction of the danger just in time before is about to come into the the vicinity of the protagonist and his group of warriors.

A rolling head in the middle of a wheel engulfed in flames of fire is next to be seen

scene count down timer on black dot before next portal occurs.

scene point of view shot on the horned devil monster head dead, mouth open and tongue hanging out of the mouth like a dead dog, on ground four spikes in the open third eye (one of the spikes is nailed into the eye lid with the spike continuing to the third eye; the arrogant warriors whom are having a peace time break at an outside restaurant toss two more spikes at the third eye making it a total of six spikes stabbed in the eye; They are also watching from a slight distance a monster chasing a civilian run for his life gets corner as is bashed in the head with a huge concrete hammer like object by the monster; once it is done demolishing the civilian to death the most arrogant comrades of the group blast the monster with his supergun to kill in after it has served its purpose of provided a sense of gory entertainment for their viewing pleasure) with the group of the other three…the four eyes below the open third eye are closed… the 6th eye on the top of the head is slightly open however it is rolling back concealing our view of the pupal. Once the warrior takes the last spike in his hand and throws it at the light above to turn it off the scene quickly shifts to his comrades who are enjoying the lunch break with him. Not much time later blood is splattered on the wall near them signifying the who was just sitting up on the table spiking out the light just got his head spiked through and never saw it coming. We see the shock, awe, lethargic steers as the comrade was just killed some how. The scene doesn’t let the view see how it was done. We just here the sound of some type of extremely fast object moving and getting louder then blood splattering and the comrades facial expressions. The next scene shows a white winged horned bull head monster with red skin and hawk feet flying up and away to a perched up on a side green lighted inverted teer structured build top (upside down pyramid) background aligned off to the bottom side corner of the screen and slightly lower than a smaller old male frail monster entity with no wings where and oversized jacket crossing his arms while simultaneously hiding his hands in the large sleeves (seemingly a leading entity that is in a dominant position on the screen. The point of view shot shifts from showing the two entities to just showing the smaller more frail monster taking the highers visual position on his own individual perch. They seem to work together but have different powers. Note this is a Japanese film and the only black actor, Chris Jai Alex (even though it only list one character on IMDb I recognize his voice in three characters) also check him out here and here, who we don’t see is voice-overing for Three film characters; The guy wearing the purple sweater who was killed at the beginning of the film and the extremely fast and strong flying bull monster character and the super warrior who comes at the nick of time to save the day later on in the film.

The protagonist makes phone call to his son on a green pay phone conveniently on the sidewalk where the slaughter just took place. There is a cut monster arm blood arm on top of the bloody pay phone here steers at as he waits for the dial tone to connect with his son. His son picks up and says something like Dad where are you. The Protagonist is verklempt and is unable to respond right away out of deep sigh of relief that his son seems ok and safe from danger. It is clear he deeply loves his son. The son is safely in the home watching the murder mayhem happening on news. They have a conversation. The Protagonist say’s something like, paraphrasing, “I’m ok and I am fighting in the war. Be safe and I’ll see you soon” as his father makes a promise he is unsure he will not be able to keep. The boy maybe says “I love you, good by.”

As soon as he hangs up the phone here comes another monster scene and the adrenaline is pumping once again as to the side of him down the street a monster just rounded a corner chasing a husband, wife and child. The protagonist quickly runs to the corner of a building out of the view of the monster and battles within himself whether to remain hidden and out of sight from the monster. He peaks back around the corner to see whats happening. It looks like the civilians are about to loose the fight and as the protagonist is about to flea the situation there is a scream which cause him to pause from fleeing. Then he turns back around to see how he can distract the monster and save the family from being eaten.

He runs toward the monster with his regular sized gun shoot off multiple shots towards the Monsters Gigantic head. But shots miss hitting the monster because the protagonist is not in the gun fire range zone. He has to get closer to the monster for it to work. The monster recognizes the sound of the gun making multiple clicks and turns around. We see a large cyclops head zombie monster with one large eye and disproportionate tiny buff arms and an unusual body lower half in the shape of a one legged beast propped up by a knee. The gun locks up while the monster’s arm extends and stretches out it hand and successfully slaps the gun out the protagonists hand. The family is free and runs off leaving him along to battle the beast. The gun fly out underneath the monster to the other side. The monster charges. The protagonist fights back with a one two punch to jaw. To his surprise the black faintly reptilian structured skin exo-skeleton skin suite (note the Superman Movie Man of Steel reptilian skin like suite) charged up and change to a muscle strength shape while he reached for to knock the monster in the jaw with a mighty blow that throws the monster off balance.The Protagonist sees the gun and figures his only alternative is to run toward the monster and jump over it. He proceeds and makes the jump and the exo-skeleton miraculously helps him jump clear over the monster but as gravity is in effect he unfortunately comes down chin first on an electrical wire that spans from one building to another then landing on his back. He regains his bearing and gets up to go after the gun which is near by. Simultaneously the monster is coming to as well and reaches out and grabs him while the protagonist grabs the gun. The monster grabs him back in put him in his mouth to try to eat him. While he is in the mouth of the monster he manages to point the gun at the monsters head, triggering the fire to the big cyclops eye in the center of its head causing it and the head to explode. This danger scene ends.

Up walks the lady that was hiding quietly against the car while the protagonist and the old man spoke. She says something maybe to congratulate him on his victory. He is startle by her abrupt presence. She tries to greet him by reaching out her hand to shake his. He denies the gesture. She is a seemingly ditsy character who seems to never stop talking and neither her constant self talk. Slightly annoying character to watch and listen to. The talk, he walks away, she follows annoyingly.

Next danger seen is with a older couple and a child. The old man tries to protect himself against the beast by a broom. No this is an even bigger beast. It has reptilian green skin, gorilla type torsoe, muscular arms, large two front bottom overgrown teeth that stick out of it mouth, a long extendable alien like tongue that has search and seek capabilities grabbing man by rapping it around his body and proceeding to lift him toward his mouth to eat him. The old man is easy prey. The protagonist shoots the monster in the shoulder in the nick of time. Next is a profile point of view shot of the beast. It reveals that the beast is an overgrown Fez Monkey (symbolic Moorish a derogatory symbolic representation of a black male).

The monster lets out a loud frighten roar and the protagonist and the ditsy lady ready to strike. It charges while both their guns are pointed at it. They are too far and out of the blast range. The monster approaches. She gets frazzled within herself and walks away talking herself into a fantasy as if to forget the battle and danger is raging behind her. She is unreliable. As she walks away the protagonist goes in to help the family. he shoots but his gun is too small to do any damage. She walks back to the scene to witness the commotion distracting the protagonist from protecting himself while observing and being shocked at her inability to take action to shoot the beast while it is in range. He barely misses the beasts sharp tale that almost sliced his body in two. The beast reaches for the its tale and slams him the wall. As the gun falls out his hands and to the ground the beast steps on the gun and lets out a gut wrenching laugh celebration for the victory of dismantling the protagonist ability to shoot at it. It reaches for the ditsy lady and grabs her to put her in its back. It stores people in its back like certain frogs who store their baby’s in their back. He takes the broom from the old man and spares it into the eye of the beast rendering it distract from the pain. As he grabs her gun which feel on the ground the tale of the beast reach back and slap the protagonist into a light pull. He gets Fez Monkey and runs toward the beast jumps over it shooting it with a rope machine around the head. It uses teleportation to extract out a head portion of the head killing the beast. He pulls out the ditsy lady and people from its back.

The protagonist and the ditsy lady leave the scene. They come upon a scene where they seen come of their fellow fierce warrior fighting valiantly and succeeding of the monsters slaughtering them with ease.

Then it turns into a scene like the movie Pacific Rim. A Super Gigantic horned bull headed monster beast gets out of the water. Man’s super Gigantic technologically advanced machine vs an ancient male bull beast. Fighting against each other demolishing the city as the fight.

Next scene we another closer look at the flying zombie monster with red skin. It is male. It is all an over grown Fez Monkey (symbolic Moorish a derogatory symbolic representation of a black male), signified by the hat on his head. Plus he grown of the Fez Monkey attire like the Incredible Hulk. He is also wearing large juju bean around his neck.

It is more inquisitive and smart than the other zombies. It stands like a monkey or a gorilla. They are pumping thousands of rounds of firearms at it but nothing seems to be slowing it doing. It is crushing, slicing and eating the patrol officers. They are no match for its strength and speed. It breaks through their binding technology with no problem…a big shock and surprise to the warriors. Now the other fierce warriors arrive on the scene to see what they can do. It also survived the gravitational smashing machine supergun with multiple attempts to subdue it. Although the gravity machine demolished its wings so it can no longer fly, its body mass only decreased and took the form a human body and it is rising from the pull of blood…utter shock, amazement and looks of fear on the warriors faces. It resisted the gravity machine all together grabbing the warrior that has made multiple attempts to shoot it in the face…thrashing the body of the warrior back and forth on the ground just as in the Avengers Movie where the Incredible hulk thrashes Loki video. However while the monster has the warrior in his hand and is nearly squeezing him to death with the left hand the warrior pulls out a small gun and blows off the warriors right arm…then blows the monsters head off. The warrior die and the monster both die. However with a closer inspection the small gun seems to cause coagulation of the blood (also known as clotting) is the process by which blood changes from a liquid to a gel, forming a blood clot. It potentially results in homeostasis, the cessation of blood loss from a damaged vessel. Although the heart is still pumping the entity blood pathways explodes from the inside because there is no where left for the blood to go.

Then the same old man looking monster that was perched on the build with the flying monster in another scene appears walking down the street toward the death scene of the red monster. It is singing mumbling grunting some type of tune as it approaches still with its hands in the green oversized jacket, arms crossed, sandals on feet. A fierce warrior charges the being to slice it with its sword. The monster gets sliced into four pieces. Each piece regenerates itself with lightning speed in mid air (slightly laughing) before four duplicated monster land feet first on the ground regaining composer as if nothing happened while still approaching the dead red headless monster. The four monsters then conjoin back to one.

Point of view shot to old man monsters face reveals that it has reptilian cell structure skin.

One of the most fascinating things about this movie is in the next scenes. The fierce warrior tries to prevent the monster from getting to the dead red headless one. The warrior lunges forward and tries to slice the monster with his blade again however this time the monster does not let him hit/get it no matter how hard the warrior tries and how fast the warrior is. The acrobatics are phenomenal on both sides. The monster seems to be having fun with the warriors sword. Bobbing back and forth like a monkey anticipating the warriors next move. Although the monster is shifted or distracted away from the dead red headless monster it makes its way back over to it standing at the board just outside the pull of blood. The warrior is utter exhausted. He charges up his exo-skeleton to run and manages to grab to monster bear hugging its head and torso. His hand is over its eye peaking out through his fingers. The monsters eye morphs in a woman’s nipple then grows bigger into a woman’s breast. Then the beast quickly grow around the warrior engulfing him in many naked and connected woman’s bodies moaning and groaning in a group fucking orgasmic ecstasy around the warrior. He disappears in her many bodies as she grew into a large gigantic woman kneeling down on the ground with her hands over her face as if she is crying, weeping. She stands up and brings her hands toward an away from her mouth and is back to moaning then she stops. Out pops the head of the fierce warrior into her hands then it fall out to the ground.

 

Skipping ahead. At one point of the movie where the protagonist is getting beat down by a super monster black ooze drips out of the the exo-skeleton signifying that this was powered by melanin.

The talk with the super monster God. In front of the protagonist holding the ripped off dead head of the fiercest super warrior (who was played by the only black actor in a Japanese film) (note there is a subtle connection between the war against the sleepers and the awake; using the sleepers to fight against the awakened ones; the sleepers despises the awakened beings. And symbolically become the greatest super warriors against the awake) in its hand and holding its index figure out pointing to the protagonists’ forehead/3rd eye symbolic position and holds it in this position as if to say it is giving the protagonist a chance to have a change of heart or else he will be killed. In essence the God wanted to find one person who truly believed in him by this gesture of sparing the protagonists’ life. This compassionate moment becomes the Gods downfall because it was so concerned about sparing the protagonist life that it neglected to pay attention the ensuing danger around him. This sympathetic gesture may have been intended to convert the protagonist from an enemy to an ally. However, the innate hatred of Gods wins out. When indeed the protagonist never trusts or believes in the Monster/God. He is only trying to find a way through the dialogue to spare his life…you can’t convert one’s nature…It is as it is…for instance a dog or an animal will always be so…(Dion Fortune + S2 reference: says in chapter VII. The Pathology of Non-Human Contacts “Non-Human is like a pet animal, not a fellow-creature. That, frankly, is the only possible ground upon which they can be approached. If we expect no more of them than we should a pet bird, if we manage them as we should manage a kitten, we have got as near to the solution of the problem as we are ever likely to get….”) no matter the constant training and affection will not steer them down the path to becoming human.

In view of the monster/God and the protagonist dialogue, the protagonist drops his gun realizing it is a loosing battle to fight and quickly says “Wait”…”Let me ask you” “Why are we…”Killing each other?”

The monster responds to his question indirectly.
Monster/God: Do you feel like your’re in God’s presence?
The protagonist: God?
Monster/God: God is the absolute power.
The protagonist: Your God?
scene pause
The protagonist: Are you? (responding as if the Monster/God is obligated to give him a response; projected superiority interjection)

The monster/God: This world has many (Gods). I’m merely one of them. There is no defying that fact?

Remember throughout the whole dialogue the monsters finger is still against the protagonist forehead/3rd eye symbolic position.

However immediately after the monster speaks the last line the ditsy lady warrior (whom just pledged her romantic commitment to the protagonist)

blast the arm of the monster that was pointing at the forehead of the protagonist, therefore dismantling/evaporating the monsters ideology before it sets in/transmits solidification in the viewers mind. She has claimed the protagonist, not the monster. She will fight tooth and nail to defend that honor.

The monster says “I see” meaning that it understands that monsters (Gods) should not trust people. And proceeds to shoot laser beams out of its eye (ode to Superman eye beams) and tries to destroy the city and the remaining warriors.

Tangent thought; at the center of each eye is a black hole or a portal. The eye looks similar to the Milky Way Galaxy. There is also a light beam that goes through the center of black hole and out the other side. In the article “Scientists Unravel Secrets of Monster Black Hole at Center of Milky Way” What is the analysis behind the Superman eye beams anyway? The projection of the lying entity that always thinks and projects in opposites says to itself about descendants of the ancient bloodline that focused attention destroys also “Don’t look me in the eyes” this act is offensive; but flipping the pathology 180 degrees one can deduce that focused attention creates. Perhaps creating the sensation to feel or experience compassion or oneness. The innate encoding robotically says to itself whenever it comes into the presence of the symbolic ancient blood line “must break attention, must do whatever I can to break attention, I must follow where, what or who their eyes are focusing on and break that attention, the descendants of the ancient blood line must always focus their attention on me, I will be their source and their stimulant, they must not create, or I must control their ability to create so I always end up possessing the essence of their creations but quickly destroy the creator of it, so I can absolve myself of guilt because I don’t want them or anyone to know that I stole it from them, fore I am the true creator.”

Tangent thought again: blacks in slavery got the “Be seen and not heard” beat into to them and encoded in their minds by their masters. Subsequently “You should never look a white man in his/her eyes; This is an offense. It is a sign of disrespect. It is construed as challenging or bucking up against perceived authority. So instead keep your eyes low or look to the ground when you encounter them. One must present the impression of being subtle, abased, insecure and inferior.”

The movie industry launched a worldwide massive campaign against the descendants of the ancient blood line (specifically the symbolic black male) in Superman vs. Batman: Dawn of Justice Movie. Note the in the logo the Superman’s “S” is swallowed up by the Batman symbol. Meaning the “S” is smaller and centralized within the Batman symbol. Both Superman’s and Iron man’s hair historically dark in color. Both Batman’s dark aubur hair color is symbolic to white American elite status. The butler is British (father figure, guider, supporter, confidant, buddy, moral or conscious authority to Batman). Superman black hair is symbolic to the ancient blood line. Superman and Batman’s love interests have either orange or black hair. Batman is a white man whom participates in all knowledge, dark arts and the occult. Superman represents the symbolic black man whom participates in morality and whom as alien lineage. In the beginning of the film Justice League Full Movie 2017 Joker boldly and confidently toys with Superman as he is a gullible child whom will not tap into his ultimate power and whom could easily kill the Joker. By the way the Joker character looks very similar to black person in history if one replaces the white skin with black skin; see Goodbye uncle Tom! “Warning Graphic Content” around 1:11 minutes into the movie. If true the Joker is the “Gentleman” who advertised the slaves for sale and made sure they were ready for auctioning so master would get the highest price for the sale. With so many tricks up his sleeve and innovative ways to market and advertise masters products all while shuckin and jivin, Joker seems like a fitting name. The Joker wears a top hat, Victorian-era attire (The era when the slave trade made the nation rich and wealthly beyond imagination). On some images of Joker there will be reptilian closing.

If Superman gets fed up and ensues with anger, rage and suffering he busts through moral code that binds his actions. It is the projection of moral limitations that keep his power shackled. The love interests represent the symbolic black women. Batman has unlimited wealth, power and the greatest access to surveillance of the world. Note Superman’s “False God” theme. Input the black man and the projected theme is the black man is a False God. Then flip it 180 degrees, they are saying the symbolic black man is a God …interesting … Thus follow the hair color to get to the real message they are trying to share. This “God” theme is repeated in The Purge movie imagery. A black male teen is wearing a mask with “God” written across the forehead. This same image was used in a lot of commercials and billboards across cities and towns. Another repeated image is a black teen wearing a mask with an up side down cross on it at the symbolic 3rd eye position; points to the symbol of the symbolic black man/3rd eye awakening as an/the anti-christ

Kundalini energyMetaphysics and MythologyTags

The African Origins Of Christianity – Anthony Browder

The African Origins Of Christianity
– Part 1 – Anthony Browder

DVDS AND CDS BY ANTHONY T. BROWDER
http://ikg-info.com/ikg-store   The African Origins of Christianity IKG Founder Anthony Browder 
Anthony T. Browder is an author, publisher, cultural historian, artist, and an educational consultant. He is a graduate of Howard University’s College of Fine Arts and has lectured extensively throughout the United States, Africa, Caribbean, Mexico, Japan and Europe, on issues related to African and African American History and Culture. Mr. Browder is the founder and director of IKG Cultural Resources and has devoted 30 years researching ancient Egyptian history, science, philosophy and culture.He has traveled to Egypt 47 times since 1980 and is currently director of the ASA Restoration Project which is funding the excavation and restoration of the 25th dynasty tomb of Karakhamun in Luxor, Egypt. Browder is the first African American to fund and coordinate an archeological dig in Egypt and has lead five archeological missions to Egypt since 2009. Mr. Browder’s three decades of study have lead him to the conclusion that ancient Africans were the architects of civilization and developed the rudiments of what has become the scientific, religious, and philosophical backbone of mankind. It is from this framework that IKG has concentrated its research and disseminated its findings.Through IKG, Mr. Browder sponsors lectures, seminars, cultural field trips of Washington, D.C., publishes his research, and has conducted study tours to Egypt, West Africa, South Africa and Mexico since 1987.He is the author of six publications (including the best sellers, From the Browder File and Nile Valley Contributions to Civilization) and the co-author of four publications, including two written with his now 30 year-old daughter, Atlantis Tye.All of Mr. Browder’s publications are currently being used in classrooms around the world.“Tony” is an autodidact and describes himself a chronicler of facts and information relative to the positive portrayal of the worldwide African experience.

Who is this King of Glory by Alvin Boyd Kuhn

https://www.youtube.com/results?search_query=Who+is+this+King+of+Glory%C2%A0by%C2%A0Alvin+Boyd+Kuhn


No Apolgy Necessary by Rev Earl Carter

Volume 1 of Paul C. Boyd’s The African Origin Of Christianity
is a Biblical and historical account of the origin of Christianity and is based on research and analysis conducted over a number of years. Using Biblical and other sources Boyd sets out to provide an African world view perspective of the origin and development of Christianity and stresses the importance of the focus on Africa in the quest for knowledge about the development of world civilization and culture.

 

Yahweh – Jehovah – Yaldabaoth – Simulated Order

By http://www.GnosticWarrior.com – In this episode I have the pleasure of having Sevan Bomar on the Gnostic Warrior Radio Show and Podcast. Sevan has been considered a leader in the occult, esoteric and spiritual online movement for several years. He operates the very popular websites Resistance2010.com and AstralQuest.com.

Bobby Hemmitt Yahweh-Yaldabaoth

Yahweh is the Enemy!! Nothing is true, everything is permitted.
Yahweh Yaldabaoth
http://www.godlikeproductions.com/forum1/message1957150/pg1
The aetheric mind parasite called Yahweh or Yaldabaoth entered our galaxy 12000 years ago and caused great upheaval. It altered the density of the solar system, causing huge cataclysms on all the planets. Many planets who were previously able to sustain life, were now just desolate sterile rocks. Accounts of that can be found in its book, the Bible.

Because of its parasitic nature, Yahweh needed to reseed life-forms to leech off of. For that, it chose earth. It used the humanoid blueprint that is represented all over the universe – with a minor glitch. It implemented the R-Complex, or reptilian brain, to accumulate large amounts of human emotion, especially fear.

It then put in place a hierarchical structure of humanoids that controlled each other, so it would only have to control the highest layer (pyramid concept, where Yahweh is the eye in the pyramid). Since this time, humanity is ensnared in war after war, only to produce enough fear to satisfy Yahwehs energetic needs.

Yahweh created the differend religions (Judaism, Islam, Christianity) to ensure a constant conflict which feeds its lust for negative emotions. If it was an entity that lived off off positive emotions, the world would look much differend today. Also, this religious control structures keep us humans away from spiritual growth. It is literally a spiritual Big-Mac without any nutrients.

Yahweh is delusional and thinks it actually created the universe, when in reality it destroyed many many naturally evolved creatures.

The gnostics of all ages warned future generations of the Threat. Yahweh knew this and ordered its minions to hunt for the knowledge. This is why there are almost no antique books left and native tribes all over the world were hunted and killed.

Yahweh is cold, predictable, like a machine. It envys us for our ability to connect to the source of all being, which it wants to destroy. Some say, it has a reptilian appearance – but since it is interdimensional, that doesn’t really matter. It is the highest of the Archons and the Overlord of Earth.

Yahweh is also the reason why there is no physical contact to our space brothers. It destroys every living thing that comes close to us.

The Beyond Series is designed to give you the keys to breeching in to your own advanced intelligence which can factually be confirmed to exist. It is a great endeavor to bring advanced intelligence with so much opposition in the current construct, we ask that if this message has assisted you that you think of making a contribution to expanding it further by using the link below. Thank you http://spiritek.com/contributions/

Jehovah – Yaldabaoth – Simulated Order by John Lash

http://www.bibliotecapleyades.net/biblianazar/esp_biblianazar_jehovah07.htm
Assuming the arrogant pose of a solar deity, Yaldabaoth falsely believes himself to be the only god in the entire cosmos.Thus, for Gnostics, the identification of Yaldabaoth with Jehovah of the Old Testament, a deity who suffers from this very complex of cosmic egotism, is a foregone conclusion, prefigured in the Sophianic origin myth.Being blind, he cannot perceive the Pleroma (galactic core), nor does he recognize Sophia, the cosmic current that surged from the core and produced him in the first place.He becomes infatuated, bloated with grandiosity, causing Sophia to feel shame and want to hide him from the sight of the Pleromic Aeons.”She cast him away from her radiance, so that no one among the immortal ones might see him… She joined a luminous cloud with him, and placed a throne in the middle of the cloud.”(Apoc John BG 38, 1-10)The Aeon Sophia is that cosmic current whose impact organizes the dema and produces the Archons.This happens because She acts unilaterally in Her plunge from the galactic core, but Sophia does not unilaterally cause the birth of the Sun. This is a process continually occurring in the galactic limbs, due to the physics of the limb structure itself. In an action that might be compared to a mill wheel grinding stones, the galactic armature churns and refines elementary matter, constantly producing star-birth, the promise of new worlds of experience.The key to the unique status of our planetary system is the convergence of Sophia’s impact with the nebular expulsion of a newborn star. The material of the Archons is incorporated into that material vortex that forms around this star, and Sophia herself fixes the chief Archon centrally (“enthroned”) in the center of the proto-planetary disk (“luminous cloud”).Overseen by Yaldabaoththe Archons now proceed to fabricate the planetary system from the inorganic elements of which them themselves are composed. As they have no intentionality (ennoia) and no creative capacity (epinoia) of their own, they can only do this by imitation.The Apocryphon of John (II, 10, 24-25) describes how the Lord Archon “produced for himself cyclic worlds (orbiting bodies) from the luminous spark that still shines in the sky.” Thus, he draws upon the vortex power of the central star, the newborn Sun, to organize the matter swirling in the proto-planetary disk.Yaldabaoth originates nothing, however. He can only copy the model of the Pleroma, without even knowing that he does so:And he was amazed by his own arrogance, for he seemed to beget material powers (exousiai, “authorities”) out of his own solitary power, but after the patterns of the imperishable Aeons… And so there came to be a stereoma (“firmament”) corresponding to the cyclic formations of the Pleroma.
(II, 10, 26-28, and 12, 25)Gnostic teachings constantly emphasize that the Archons are imitators who cannot produce anything original, yet they arrogantly claim they can.The Lord Archon is called antimimon pneuma, “counterfeit spirit.” (Apoc John III, 36:17. The term occurs several times in different texts.) The cosmos he produces is described by the Coptic term hal, “simulation.” The vast planetary system of the Archons is a stereoma, a virtual reality projection in simulation of a higher dimensional pattern.

Typically, the Archontic framework of the planetary system has been depicted by “armillary bands” that surround the Earth. (Illustration from A. CellariusHarmonia Macrocosma, 1660.) Taken in many esoteric systems (Hermetics and Rosicrucianism) as the preeminent image of cosmic harmony, the model of the planetary spheres reflects a mindless imitation of divine design, not the living reality of the cosmos.

Yaldabaoththe presumed all-mighty creator Godreally creates nothing; instead, he copies from “archetypal” patterns in the Pleroma. The planetary stereoma of his making is like a plastic copy of an abalone shell. Only someone who does not know the reality of the abalone shell, and what living miracle of nature is required to produce it, would accept the plastic substitution. Here again, the cosmic-noetic parallel applies: Archons simulate in the cosmos at large, and they also simulate in the human mind. This is a key indication of their effect, a clue to their subtle intrusion tactics.

The main cosmological texts in the Nag Hammadi Library (NHL), On the Origin of the WorldThe Hypostasis of the Archons, and The Apocryphon of John, are consistent in describing how the solar system arises as an inorganic simulation of the living pattern of the eternal Aeons. Here is further insight into “the generation of error.”

One might be excused (but just barely) for mistaking plastic for pearl, but it would be terrible ignorance indeed to be unaware that it takes an entire ocean and a living, symbiotic biosphere to produce a pearl. Yetsuch is the ignorance of the Archons that they cannot comprehend the living miracle of divine order, rooted in the Pleroma, even when they are imitating it.

The stereoma of the Archons is truly a grandiose accomplishment, rather like the many-roomed Venetian palace of a Mafia don afflicted with religious grandiosity and a militaristic sense of the command chain:

Now the prime parent (archigenetor), the master breeder of the Archons, since he commanded vast orbiting worlds, produced heavens for each of his offspring… beautiful dwellings, and in each heaven Yaldabaoth produced glorious decor, seven times excellent: thrones and mansions and temples, and also chariots and celestial virgins… consigning to each one its own heaven-like realm, and providing them with mighty armies of gods and commanders and messengers and overseers, in countless myriads, so that they might all serve and be served.

Are you interested in the most advanced spiritual knowledge available? Enroll in the Innerversity today and expand! http://innerversity.secretenergy.com/…

On the Origin of the World, 19.

Originally written for the Italian Enciclopedia del Novecento, this indispensable book is a concise, instructive introduction to polytheism, Greek mythology, the soul-spirit distinction, anima mundi, psychopathology, soul-making, imagination, therapeutic practice, and the writings of C. G. Jung, Henry Corbin, and Adolf Portmann in the formulation of the field of Archetypal Psychology.

Readers familiar with the archetypal psychology of C. G. Jung will recognize in this passage all the elements of the heaven archetype common to the mainstream religions:

  • heavenly mansions
  • celestial armies
  • cloud chariots
  • virgins on order
  • choirs of angels arranged with military precision

The stereoma is loaded with spiritual kitsch.

If anyone needs evidence of how the Archons can infect human imagination, here it is, seven times excellent.

Yaldabaoth

http://www.christian-reincarnation.com/YahAn.htm
Search Yaldabaoth on page to find out who the “Creator” really is. You’ll be shocked.

THE ARCHONS – YALDABAOTH AND THE DEMIURGE EXPLAINED

http://www.youtube.com/watch?v=UXuQzhL1Zto  yaldabaoth – demiurge

Citi Hampton shares. In this link https://youtu.be/m0CzgL1ZkUk (video shares most simplified explanation of adolabroth). They GREY VIDEO BELOW DOES WORK. CLICK THE PLAY BUTTON TO VIEW VIDEO.

Fantastic Four: World’s Greatest Heroes

Fantastic Four: World’s Greatest Heroes : Episode 1

World’s Greatest Heroes is not directly connected to any of the previous iterations of the Fantastic Four, telling its own version of the team’s origin and their encounters with their rogues gallery. Unlike its 1990’s predecessor, which consisted almost entirely of straight or modified reinterpretations of classic Fantastic Four comic book stories, World’s Greatest Heroes features mostly original stories, though elements from various comic iterations of the Fantastic Four were used in the series.

Official Playstation Greatness Awaits Trailer

Who are you not to be great?
You, the imagination of a brilliant child and the powers of an ancient god.
Who are you to be ordinary?
You, who can rescind life or raise the dead. [A building collapses in the background]
Who are you to be afraid?
You, who can serve as judge and jury while hoarding infinite lives.
Who are you to be a slave to the past?
You, who can travel time like the oceans and rewrite history with a single word.
Who are you to be anonymous?
You, whose name should be spoken with in reverent tones or in terrified whispers.
Who are you to deny greatness?
If you would deny it to yourself you deny it to the entire world.
And we will not be denied.
[Our “hero” leaps into battle.] fin

Chaos Vision In The Eye Of The Sphinx

Chaos Vision In The Eye Of The Sphinx Pt 1 Of 10 – Bobby Hemmitt

Chaos Vision In The Eye Of The Sphinx Pt 1 Of 10 – Bobby Hemmitt – adolabroth
https://www.youtube.com/results?search_query=Chaos+Vision+In+The+Eye+Of+The+Sphinx

Chaos Vision In The Eye Of The Sphinx Pt 2 Of 10 – Bobby Hemmitt – melanin
Chaos Vision In The Eye Of The Sphinx Pt 3 Of 10 – Bobby Hemmitt
Chaos Vision In The Eye Of The Sphinx Pt 4 Of 10 – Bobby Hemmitt
Chaos Vision In The Eye Of The Sphinx Pt 5 Of 10 – Bobby Hemmitt – adolabroth
Chaos Vision In The Eye Of The Sphinx Pt 6 Of 10 – Bobby Hemmitt
Chaos Vision In The Eye Of The Sphinx Pt 7 Of 10 – Bobby HemmittDVD Sirius times
http://siriustimes.com/AOSLecturers/AOS-bobbyhemmitt.html

The Truth About Alcohol: Etymology & Symbolism. Tape Worms Please Share!

Parasite – par·a·site – an organism that lives in or on another organism (its host) and benefits by deriving nutrients at the host’s expense. Why Detox. Full Body Parasite Cleanse

Sinister & Spiritual Reflections Pt 1 Of 4
– Bobby Hemmitt

https://www.youtube.com/results?search_query=sinister+%26+spiritual+reflections+illuminati

What if the God you serve is the Devil

https://www.youtube.com/results?search_query=what+if+god+was+the+devil+bobby+hemmitt

ANUBIS The Final Dimension of Melanin

The Avengers CIVIL WAR Movie DECODED: ALL ROADS LEAD TO WAKANDA – The Arch Degree

www.hollywooddecoded.com – Ktthearchdegree Youtube More from The Arch Degree – www.ktthearchdegree.com

Movies Decoded – The Arch Degree – Interpreting Films

Sinister ReflectionsSpiritual ReflectionsBobby Hemmitt
Bobby Hemmitt DVDBobby Hemmitt DVDS
Adam and EveAdolabrathAdolabrothAdolebroth
Bobby HemmittConsciousnessDark Matter
Dark Side EnergyDarkside EnergyDevilDr Alim Bey
Dr Jewel PookrumGodJesus ChristKundalini
MelaninMelanologySatanThe Darkside Energy
YahwehYahweh YaldabaothThe Underworld
YaldabaothArchonsThe “Creator”