The Darkside & the Underworlds Dr Alim Bey

The Darkside & the Underworlds Dr Alim Bey

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GANTZ:O Movie

GANTZ:O Movie Currently trending on Netflix; in Japanese language. But doesn’t matter I can’t understand what the characters because it is a Super Fantastic visual movie. {Just found out you can put on English subtitles on Netflix. The English diologe is off/inaccurate just read the subtles} I can’t find the DVD on Amazon. All I found was this poster…GANTZ is not the same…GANTZ:O It is trending on Netflix right now. Catch it now before the window ends.

Watch it on a big screen. Has super fine detail. Regardless of the constant barrage of derogatory symbolism representing the ancient race (with black people representing the greatest symbol) this movie is Highly entertaining.

As said before in Movies, TV Shows, Commercials interpreted…  all the races on the planet have their own mythology of their battle with the ancient blood line…”The black blood line is most significant symbol and is literally connected to the precursor of every culture, language, race, country and continent around the entire world. In the beginning was blackness. Each mythology from every culture, language, race, country and continent attacks this blood line…Attack on the Titian’s…Suppression tactics are similar around the world most notably through various forms of cinematography…It is the flushing out, purging out, rooting out of this bloodline in ad nauseum repetition around the world throughout mythology and constant images of derogatoriness.” It is interesting to note Chang for his candid view of the black race…can you blame him he is speaking the truth. The visuals and cinematography 100% top notch. It is a Key movie to understanding the Dark Side (Darkside) application. Basically a monsteraztion of ancient energies and DNA. What connects the monsters is melanin. The hardest thing is to switch the roles of protagonists and villains. But this is what has to be done to make sense of the movie. All the nations of the planet are individually waging an innate war against their own ancient melanated energies using technology. Another way of looking at “The Purge” Movie Trilogy and also the movie Tron. The technology gets more advanced the deeper they go into the ancient past. Ancient masculine and feminine energies…In GANTZ:O there are monster head characters rolling around chasing after the protagonists…Some heads are Gigantic and and others are the size of a man. They get faster when they are trying to advance against the protagonists. Note inside the head are probably highly active pineal glads. They are not calcified. The more active the stronger the entity. This is a threat. There is a climactic scene where the oversexuallized monster grows into a giant and kills one of the fiercest warriors.

The black woman depicted as a “monster” generally has characteristics of a highly sexuallized nature note the movie The Purge, Election Year…Trying to stop the Goddess Ishtar deity energy from rising up. The intention is to vilify it and suppress her Kundalini manifestation. We have to remember that sexual kundalini energy is bad and it might be shunned or punished. What better way to get the point across then to infuse her character with monster like characteristics.

They were teleported to death scenes/war zones from the room by the large black dot machine.

Note first sound we hear from the Black dot in the room is a song about patriotism to the native country Japan. Once the song ends it speaks with a male and a female voice simultaneously (like a voice of many waters; KJV Bible 1:14) to share the warriors mission and/or objective.

Note the first warrior to be killed by getting is head blown off in a spiteful act of sport by the smallest most headstrong warrior (a foreshadowing of how the warriors would kill many of the monsters in the movie), is the one in the room that was the biggest, strongest, most aggressive, wearing a purple sweater (Purple color; stemming from ancient bloodline with black “hair like lambs wool …and… a voice of many waters (deep voice)” The moment he showed authority he was destroyed, executed and taken down before his confidence solidified…

Note the warriors exp-skeleton suite is black, protective, flexible, like skin armor. It changes form to protect against compression,  attack or impact. It also allows the warriors to be stronger, faster, jump higher. It also has blue lights on it at various points on the body.

Note the monsters head seen or detected like pin points on a map on a visual screen (when they are killed the pin point instantly goes away) connected to their are like in the Predator Movie with Arnold Schwarzenegger, are a devil zombie with horns holding a staff with whipping strands connected to it, fox head , turtle, bird, zombies, mythological creatures, blob tumor head, monster with eyes all over it’s body, etc…the last zombie to be killed by a warrior stabbing it in the head just before the plot pauses and all the zombie are dead in the danger so is something like a cross between a small warthog Chihuahua dog like head that heaves like a donkey or Zebra and speaks the same language of the warriors.

Note there is a sect or greater majority of the warriors that are extremely arrogant and drunken debauchery like reveling in their monster killing spree and pleasure in the hunt of the next monster. The first monster seen in a reverse scenario easily and swiftly killing the many warriors at once is a very fast snake monster with scorpion hands as swords and a head of an eagle zombie with long straight grey hair symbolizing the old American Civil powers or Kundalini energy ancient ones or stemming from the ancient blood line. To destroy this beast required the strongest hand gun devised which harnesses gravitational energy to crush the monster, splattering them into of blood (the snake to is got sliced off because it was out of the kill zone and was left flapping & thrashing around, symbolic the remnants of Kundalini energy left to fizzle out of energy; also note the point of view shot of the pool of blood and the scrapped body parts where and imagine of the extremely fast highly technologically advanced battle wheel slowly and unworriedly and victoriously rolls across the pool of blood to a cheering zone) almost instantaneously when the enter the kill range of the super gun. Scene jumps to the black dot in the middle of the room, almost as a prior memory of the old man and protagonist where he recalls and interprets another part of the mission/objective.  The super gun foreshadowing of the power of that powerful limited in quantity gun is later used at the end, most climatic part of the movie to represent the saving grace that catches the most powerful monster at unawares, killing it and saving the day…However after killing the Snake monster zombie beast the plot of movie pauses the killing spree to have a celebratory cheer among the arrogant warrior sect.

The male protagonist is tall and attractive yet, unwilling to face reality, reactive not battle at first; eases into intentional battle mode and operate out of extreme polarizing chivalry. This quality couple with his naivety makes from great suspense, shock, awe and drama as he ends up into all kinds of danger. Accompanied with him is a grandfather/father like warrior confidant who helps to easy him into the mindset of a warrior and ease away moral boundaries keeping the protagonist warrior from seeing the mission/objective clearly. He with with the protagonist until the old man shields the protagonist from being killed toward the end of the movie before the most power monster beast takes the old man’s life; triggering in the protagonist his expression of rage and vengeance to blindly confront the beast that has the capability to kill him with a flick of the finger.

The movie is still at a pause in danger as the old man, beautiful lady warrior talk about working together as a team and sticking together. The woman grabs him from darting off into a chivalrous reaction that could have gotten him kill to soon in the plot preventing him from following the crowd. At first he resist her with his ego but then calms down and listens to her after he looks into her eyes and is smitten with her feminine care. The old man gives maybe like some coin chip money to the protagonist to call is son later on in the film, give to maybe his family if he does not make it through the battle. The protagonist walks out of scene and a lady character leaning against a vehicle quietly hiding and listen in attack mode is visually introduced in a flash point of view scene shot.

The smallest spiteful most calm inquisitive character (whom has no blood on his body, clothes are pristine as if he had been sitting & peacefully quietly watching the other characters battle the monsters, who is not wearing a black exo-skeleton suite (at first site, it is just underneath his regular close) but a grey jacket with Black collar and brown pants who kills the guy with lambs hair wearing the purple shirt at the beginning of the movie in the mission receiving room) uses a technology only he has to go invisible to be undetected by the monsters. He can be heard and felt but not seen jumping on the three taxi’s as he scurries away in the opposite direction of the danger just in time before is about to come into the the vicinity of the protagonist and his group of warriors.

A rolling head in the middle of a wheel engulfed in flames of fire is next to be seen

scene count down timer on black dot before next portal occurs.

scene point of view shot on the horned devil monster head dead, mouth open and tongue hanging out of the mouth like a dead dog, on ground four spikes in the open third eye (one of the spikes is nailed into the eye lid with the spike continuing to the third eye; the arrogant warriors whom are having a peace time break at an outside restaurant toss two more spikes at the third eye making it a total of six spikes stabbed in the eye; They are also watching from a slight distance a monster chasing a civilian run for his life gets corner as is bashed in the head with a huge concrete hammer like object by the monster; once it is done demolishing the civilian to death the most arrogant comrades of the group blast the monster with his supergun to kill in after it has served its purpose of provided a sense of gory entertainment for their viewing pleasure) with the group of the other three…the four eyes below the open third eye are closed… the 6th eye on the top of the head is slightly open however it is rolling back concealing our view of the pupal. Once the warrior takes the last spike in his hand and throws it at the light above to turn it off the scene quickly shifts to his comrades who are enjoying the lunch break with him. Not much time later blood is splattered on the wall near them signifying the who was just sitting up on the table spiking out the light just got his head spiked through and never saw it coming. We see the shock, awe, lethargic steers as the comrade was just killed some how. The scene doesn’t let the view see how it was done. We just here the sound of some type of extremely fast object moving and getting louder then blood splattering and the comrades facial expressions. The next scene shows a white winged horned bull head monster with red skin and hawk feet flying up and away to a perched up on a side green lighted inverted teer structured build top (upside down pyramid) background aligned off to the bottom side corner of the screen and slightly lower than a smaller old male frail monster entity with no wings where and oversized jacket crossing his arms while simultaneously hiding his hands in the large sleeves (seemingly a leading entity that is in a dominant position on the screen. The point of view shot shifts from showing the two entities to just showing the smaller more frail monster taking the highers visual position on his own individual perch. They seem to work together but have different powers. Note this is a Japanese film and the only black actor, Chris Jai Alex (even though it only list one character on IMDb I recognize his voice in three characters) also check him out here and here, who we don’t see is voice-overing for Three film characters; The guy wearing the purple sweater who was killed at the beginning of the film and the extremely fast and strong flying bull monster character and the super warrior who comes at the nick of time to save the day later on in the film.

The protagonist makes phone call to his son on a green pay phone conveniently on the sidewalk where the slaughter just took place. There is a cut monster arm blood arm on top of the bloody pay phone here steers at as he waits for the dial tone to connect with his son. His son picks up and says something like Dad where are you. The Protagonist is verklempt and is unable to respond right away out of deep sigh of relief that his son seems ok and safe from danger. It is clear he deeply loves his son. The son is safely in the home watching the murder mayhem happening on news. They have a conversation. The Protagonist say’s something like, paraphrasing, “I’m ok and I am fighting in the war. Be safe and I’ll see you soon” as his father makes a promise he is unsure he will not be able to keep. The boy maybe says “I love you, good by.”

As soon as he hangs up the phone here comes another monster scene and the adrenaline is pumping once again as to the side of him down the street a monster just rounded a corner chasing a husband, wife and child. The protagonist quickly runs to the corner of a building out of the view of the monster and battles within himself whether to remain hidden and out of sight from the monster. He peaks back around the corner to see whats happening. It looks like the civilians are about to loose the fight and as the protagonist is about to flea the situation there is a scream which cause him to pause from fleeing. Then he turns back around to see how he can distract the monster and save the family from being eaten.

He runs toward the monster with his regular sized gun shoot off multiple shots towards the Monsters Gigantic head. But shots miss hitting the monster because the protagonist is not in the gun fire range zone. He has to get closer to the monster for it to work. The monster recognizes the sound of the gun making multiple clicks and turns around. We see a large cyclops head zombie monster with one large eye and disproportionate tiny buff arms and an unusual body lower half in the shape of a one legged beast propped up by a knee. The gun locks up while the monster’s arm extends and stretches out it hand and successfully slaps the gun out the protagonists hand. The family is free and runs off leaving him along to battle the beast. The gun fly out underneath the monster to the other side. The monster charges. The protagonist fights back with a one two punch to jaw. To his surprise the black faintly reptilian structured skin exo-skeleton skin suite (note the Superman Movie Man of Steel reptilian skin like suite) charged up and change to a muscle strength shape while he reached for to knock the monster in the jaw with a mighty blow that throws the monster off balance.The Protagonist sees the gun and figures his only alternative is to run toward the monster and jump over it. He proceeds and makes the jump and the exo-skeleton miraculously helps him jump clear over the monster but as gravity is in effect he unfortunately comes down chin first on an electrical wire that spans from one building to another then landing on his back. He regains his bearing and gets up to go after the gun which is near by. Simultaneously the monster is coming to as well and reaches out and grabs him while the protagonist grabs the gun. The monster grabs him back in put him in his mouth to try to eat him. While he is in the mouth of the monster he manages to point the gun at the monsters head, triggering the fire to the big cyclops eye in the center of its head causing it and the head to explode. This danger scene ends.

Up walks the lady that was hiding quietly against the car while the protagonist and the old man spoke. She says something maybe to congratulate him on his victory. He is startle by her abrupt presence. She tries to greet him by reaching out her hand to shake his. He denies the gesture. She is a seemingly ditsy character who seems to never stop talking and neither her constant self talk. Slightly annoying character to watch and listen to. The talk, he walks away, she follows annoyingly.

Next danger seen is with a older couple and a child. The old man tries to protect himself against the beast by a broom. No this is an even bigger beast. It has reptilian green skin, gorilla type torsoe, muscular arms, large two front bottom overgrown teeth that stick out of it mouth, a long extendable alien like tongue that has search and seek capabilities grabbing man by rapping it around his body and proceeding to lift him toward his mouth to eat him. The old man is easy prey. The protagonist shoots the monster in the shoulder in the nick of time. Next is a profile point of view shot of the beast. It reveals that the beast is an overgrown Fez Monkey (symbolic Moorish a derogatory symbolic representation of a black male).

The monster lets out a loud frighten roar and the protagonist and the ditsy lady ready to strike. It charges while both their guns are pointed at it. They are too far and out of the blast range. The monster approaches. She gets frazzled within herself and walks away talking herself into a fantasy as if to forget the battle and danger is raging behind her. She is unreliable. As she walks away the protagonist goes in to help the family. he shoots but his gun is too small to do any damage. She walks back to the scene to witness the commotion distracting the protagonist from protecting himself while observing and being shocked at her inability to take action to shoot the beast while it is in range. He barely misses the beasts sharp tale that almost sliced his body in two. The beast reaches for the its tale and slams him the wall. As the gun falls out his hands and to the ground the beast steps on the gun and lets out a gut wrenching laugh celebration for the victory of dismantling the protagonist ability to shoot at it. It reaches for the ditsy lady and grabs her to put her in its back. It stores people in its back like certain frogs who store their baby’s in their back. He takes the broom from the old man and spares it into the eye of the beast rendering it distract from the pain. As he grabs her gun which feel on the ground the tale of the beast reach back and slap the protagonist into a light pull. He gets Fez Monkey and runs toward the beast jumps over it shooting it with a rope machine around the head. It uses teleportation to extract out a head portion of the head killing the beast. He pulls out the ditsy lady and people from its back.

The protagonist and the ditsy lady leave the scene. They come upon a scene where they seen come of their fellow fierce warrior fighting valiantly and succeeding of the monsters slaughtering them with ease.

Then it turns into a scene like the movie Pacific Rim. A Super Gigantic horned bull headed monster beast gets out of the water. Man’s super Gigantic technologically advanced machine vs an ancient male bull beast. Fighting against each other demolishing the city as the fight.

Next scene we another closer look at the flying zombie monster with red skin. It is male. It is all an over grown Fez Monkey (symbolic Moorish a derogatory symbolic representation of a black male), signified by the hat on his head. Plus he grown of the Fez Monkey attire like the Incredible Hulk. He is also wearing large juju bean around his neck.

It is more inquisitive and smart than the other zombies. It stands like a monkey or a gorilla. They are pumping thousands of rounds of firearms at it but nothing seems to be slowing it doing. It is crushing, slicing and eating the patrol officers. They are no match for its strength and speed. It breaks through their binding technology with no problem…a big shock and surprise to the warriors. Now the other fierce warriors arrive on the scene to see what they can do. It also survived the gravitational smashing machine supergun with multiple attempts to subdue it. Although the gravity machine demolished its wings so it can no longer fly, its body mass only decreased and took the form a human body and it is rising from the pull of blood…utter shock, amazement and looks of fear on the warriors faces. It resisted the gravity machine all together grabbing the warrior that has made multiple attempts to shoot it in the face…thrashing the body of the warrior back and forth on the ground just as in the Avengers Movie where the Incredible hulk thrashes Loki video. However while the monster has the warrior in his hand and is nearly squeezing him to death with the left hand the warrior pulls out a small gun and blows off the warriors right arm…then blows the monsters head off. The warrior die and the monster both die. However with a closer inspection the small gun seems to cause coagulation of the blood (also known as clotting) is the process by which blood changes from a liquid to a gel, forming a blood clot. It potentially results in homeostasis, the cessation of blood loss from a damaged vessel. Although the heart is still pumping the entity blood pathways explodes from the inside because there is no where left for the blood to go.

Then the same old man looking monster that was perched on the build with the flying monster in another scene appears walking down the street toward the death scene of the red monster. It is singing mumbling grunting some type of tune as it approaches still with its hands in the green oversized jacket, arms crossed, sandals on feet. A fierce warrior charges the being to slice it with its sword. The monster gets sliced into four pieces. Each piece regenerates itself with lightning speed in mid air (slightly laughing) before four duplicated monster land feet first on the ground regaining composer as if nothing happened while still approaching the dead red headless monster. The four monsters then conjoin back to one.

Point of view shot to old man monsters face reveals that it has reptilian cell structure skin.

One of the most fascinating things about this movie is in the next scenes. The fierce warrior tries to prevent the monster from getting to the dead red headless one. The warrior lunges forward and tries to slice the monster with his blade again however this time the monster does not let him hit/get it no matter how hard the warrior tries and how fast the warrior is. The acrobatics are phenomenal on both sides. The monster seems to be having fun with the warriors sword. Bobbing back and forth like a monkey anticipating the warriors next move. Although the monster is shifted or distracted away from the dead red headless monster it makes its way back over to it standing at the board just outside the pull of blood. The warrior is utter exhausted. He charges up his exo-skeleton to run and manages to grab to monster bear hugging its head and torso. His hand is over its eye peaking out through his fingers. The monsters eye morphs in a woman’s nipple then grows bigger into a woman’s breast. Then the beast quickly grow around the warrior engulfing him in many naked and connected woman’s bodies moaning and groaning in a group fucking orgasmic ecstasy around the warrior. He disappears in her many bodies as she grew into a large gigantic woman kneeling down on the ground with her hands over her face as if she is crying, weeping. She stands up and brings her hands toward an away from her mouth and is back to moaning then she stops. Out pops the head of the fierce warrior into her hands then it fall out to the ground.

 

Skipping ahead. At one point of the movie where the protagonist is getting beat down by a super monster black ooze drips out of the the exo-skeleton signifying that this was powered by melanin.

The talk with the super monster God. In front of the protagonist holding the ripped off dead head of the fiercest super warrior (who was played by the only black actor in a Japanese film) (note there is a subtle connection between the war against the sleepers and the awake; using the sleepers to fight against the awakened ones; the sleepers despises the awakened beings. And symbolically become the greatest super warriors against the awake) in its hand and holding its index figure out pointing to the protagonists’ forehead/3rd eye symbolic position and holds it in this position as if to say it is giving the protagonist a chance to have a change of heart or else he will be killed. In essence the God wanted to find one person who truly believed in him by this gesture of sparing the protagonists’ life. This compassionate moment becomes the Gods downfall because it was so concerned about sparing the protagonist life that it neglected to pay attention the ensuing danger around him. This sympathetic gesture may have been intended to convert the protagonist from an enemy to an ally. However, the innate hatred of Gods wins out. When indeed the protagonist never trusts or believes in the Monster/God. He is only trying to find a way through the dialogue to spare his life…you can’t convert one’s nature…It is as it is…for instance a dog or an animal will always be so…(Dion Fortune + S2 reference: says in chapter VII. The Pathology of Non-Human Contacts “Non-Human is like a pet animal, not a fellow-creature. That, frankly, is the only possible ground upon which they can be approached. If we expect no more of them than we should a pet bird, if we manage them as we should manage a kitten, we have got as near to the solution of the problem as we are ever likely to get….”) no matter the constant training and affection will not steer them down the path to becoming human.

In view of the monster/God and the protagonist dialogue, the protagonist drops his gun realizing it is a loosing battle to fight and quickly says “Wait”…”Let me ask you” “Why are we…”Killing each other?”

The monster responds to his question indirectly.
Monster/God: Do you feel like your’re in God’s presence?
The protagonist: God?
Monster/God: God is the absolute power.
The protagonist: Your God?
scene pause
The protagonist: Are you? (responding as if the Monster/God is obligated to give him a response; projected superiority interjection)

The monster/God: This world has many (Gods). I’m merely one of them. There is no defying that fact?

Remember throughout the whole dialogue the monsters finger is still against the protagonist forehead/3rd eye symbolic position.

However immediately after the monster speaks the last line the ditsy lady warrior (whom just pledged her romantic commitment to the protagonist)

blast the arm of the monster that was pointing at the forehead of the protagonist, therefore dismantling/evaporating the monsters ideology before it sets in/transmits solidification in the viewers mind. She has claimed the protagonist, not the monster. She will fight tooth and nail to defend that honor. The monster says “I see” meaning that it understands that monsters (Gods) should not trust people. And proceeds to shoot laser beams out of its eye (ode to Superman eye beams) and tries to destroy the city and the remaining warriors.

Tangent thought; at the center of each eye is a black hole or a portal. The eye looks similar to the Milky Way Galaxy. There is also a light beam that goes through the center of black hole and out the other side. In the article “Scientists Unravel Secrets of Monster Black Hole at Center of Milky Way” What is the analysis behind the Superman eye beams anyway? The projection of the lying entity that always thinks and projects in opposites says to itself about descendants of the ancient bloodline that focused attention destroys also “Don’t look me in the eyes” this act is offensive; but flipping the pathology 180 degrees one can deduce that focused attention creates. Perhaps creating the sensation to feel or experience compassion or oneness. The innate encoding robotically says to itself whenever it comes into the presence of the symbolic ancient blood line “must break attention, must do whatever I can to break attention, I must follow where, what or who their eyes are focusing on and break that attention, the descendants of the ancient blood line must always focus their attention on me, I will be their source and their stimulant, they must not create, or I must control their ability to create so I always end up possessing the essence of their creations but quickly destroy the creator of it, so I can absolve myself of guilt because I don’t want them or anyone to know that I stole it from them, fore I am the true creator.”

Tangent thought again: blacks in slavery got the “Be seen and not heard” beat into to them and encoded in their minds by their masters. Subsequently “You should never look a white man in his/her eyes; This is an offense. It is a sign of disrespect. It is construed as challenging or bucking up against perceived authority. So instead keep your eyes low or look to the ground when you encounter them. One must present the impression of being subtle, abased, insecure and inferior.”

The movie industry launched a worldwide massive campaign against the descendants of the ancient blood line (specifically the symbolic black male) in Superman vs. Batman: Dawn of Justice Movie. Note the in the logo the Superman’s “S” is swallowed up by the Batman symbol. Meaning the “S” is smaller and centralized within the Batman symbol. Both Superman’s and Iron man’s hair historically dark in color. Both Batman’s dark aubur hair color is symbolic to white American elite status. The butler is British (father figure, guider, supporter, confidant, buddy, moral or conscious authority to Batman). Superman black hair is symbolic to the ancient blood line. Superman and Batman’s love interests have either orange or black hair. Batman is a white man whom participates in all knowledge, dark arts and the occult. Superman represents the symbolic black man whom participates in morality and whom as alien lineage. In the beginning of the film Justice League Full Movie 2017 Joker boldly and confidently toys with Superman as he is a gullible child whom will not tap into his ultimate power and whom could easily kill the Joker. By the way the Joker character looks very similar to black person in history if one replaces the white skin with black skin; see Goodbye uncle Tom! “Warning Graphic Content” around 1:11 minutes into the movie. If true the Joker is the “Gentleman” who advertised the slaves for sale and made sure they were ready for auctioning so master would get the highest price for the sale. With so many tricks up his sleeve and innovative ways to market and advertise masters products all while shuckin and jivin, Joker seems like a fitting name. The Joker wears a top hat, Victorian-era attire (The era when the slave trade made the nation rich and wealthly beyond imagination). On some images of Joker there will be reptilian closing.

If Superman gets fed up and ensues with anger, rage and suffering he busts through moral code that binds his actions. It is the projection of moral limitations that keep his power shackled. The love interests represent the symbolic black women. Batman has unlimited wealth, power and the greatest access to surveillance of the world. Note Superman’s “False God” theme. Input the black man and the projected theme is the black man is a False God. Then flip it 180 degrees, they are saying the symbolic black man is a God …interesting … Thus follow the hair color to get to the real message they are trying to share. This “God” theme is repeated in The Purge movie imagery. A black male teen is wearing a mask with “God” written across the forehead. This same image was used in a lot of commercials and billboards across cities and towns. Another repeated image is a black teen wearing a mask with an up side down cross on it at the symbolic 3rd eye position; points to the symbol of the symbolic black man/3rd eye awakening as an/the anti-christ

Black DotDark Goddess RisingDark MatterDark side energy
Darkside energyDragonkundalini
MelaninPineal glandsRise of Dark MatterSatan
The Darkside EnergyThe Black DotGANTZ:O Movie
Claymore EpisodesPacific RimChangFez Monkey
– Superman Movie Man of SteelDNANon Human
DNA TransformationExpansion of the DNA KingdomHumans
The Original GodsGodCode of the Gods
Human ArtificialLarvalAutomaton

Claymore Episodes Manga Series

Claymore (manga)
Episode 1 (Eng Dub) FULL

Plot /Setting

The series is set on a fictional medieval island where humans are plagued by Yoma , humanoid shape-shifters that feed on humans. A mysterious group, known as The Organization, creates human-Yoma hybrids to kill Yoma for a fee. These female warriors wear armored uniforms. The public refer to them as “Claymores,” alluding to their Claymore swords, or “Silver-eyed Witches,” due to their silver eyes.

Yoma and Claymore warriors alike are powered by a demonic energy, Yoki, which allows shape-shifting and extreme strength. When warriors use too much Yoki, they “awaken,” becoming a super-Yoma called an Awakened Being. The act of awakening is likened to the feeling of sexual climax, so while both male and female warriors existed in the past only the women proved to be successful warriors and so the creation of male Claymores stopped altogether.

The island world is divided into 47 districts, with one warrior assigned to each. Claymore warriors No. 1 through 47 are ranked on their baseline Yoki potential, strength, agility, intelligence, sensing and leadership. A warrior’s rank rises and falls according to the warrior’s strength in relation to other warriors. It is unclear whether the warriors strength comes from training/experience or if the potential lies within the warriors themselves.

In addition to all having different names, most warriors (usually high in rank) further their individuality by possessing a unique sword technique, fighting style, or yoki ability. The sword techniques are unique to the Claymores: yoma and awakened beings do not fight with swords and a normal human body could not perform them. Examples of sword techniques are: twisting the arm around and thrusting for a drill-like strike, unsheathing and re-sheathing the sword faster than the eye can see, or vibrating the sword so quickly the enemy cannot tell where the blade is coming from. A few fighting styles include: stretching the arm, fighting with two blades, and releasing a burst of yoki for a momentary burst of speed. For yoki ability, there are several Claymores who can sense yoki over vast distances and very accurately in close quarters. This appears to be, while not offensive, a very rare and valuable ability and the Claymores in the Organization with this ability are usually highly ranked. In addition, there are four Claymores that have offensive techniques that are yoki based. The first is Galatea’s ability to control her opponents yoki for brief periods during battle, usually to cause the enemy’s attack to miss. The second is Teresa’s: her ability to sense yoki is so strong that she can sense it moving around her opponents body and can therefore sense how and when her enemy would attack next, a technique later copied by Clare. The third ability is that of Raftela who is able to manipulate the vision and movements of other Claymores. She is employed as an anti-training warrior.

http://www.youtube.com/watch?v=adcWUBzrb6A

Claymore Season 1 Episode 1

Relation to Medieval Europe

The setting of Claymore has close ties to medieval Europe, but contains key differences as well. One of the biggest references to medieval times in the series is the holy city of Rabona, which contains a magnificent cathedral resembling the historical Chartres Cathedral, a paragon of the Gothic architecture of medieval France. On a side note, the humans of Claymore look and dress like their counterparts in the past. Further connections with medieval times can be seen in the title of the series. The warriors called Claymores all wield claymores, which is a type of medieval two-handed longsword. This sword has become famous as a symbol of the dangers of European life only a few centuries ago, when such massive swords were wielded to protect nations, homes, and cultures. Thus, the use of claymores in the anime series serves as another reference to the dark medieval period, where death was common, and could come from anywhere.

The Black Death, or the bubonic plague, was a truly terrifying epidemic. One could never be sure where the next outbreak would occur—one’s own loved ones might be the cause of your infection and eventual death. In Claymore, the threat of the Yoma epitomizes this terrible anxiety. Unseen, undetectable monsters that hunger for human flesh—the Yoma truly represent the deepest fears of human beings. The harsh reality of life in medieval Europe is reflected in the fictional detail of the Organization’s greediness. It charges exorbitant fees to send Claymores to eradicate Yoma, which many villages cannot afford to pay. Much like in medieval times, the poor of Claymore often must face the prospect of a gruesome death without any outside assistance.

The eponymous half-human, half-Yoma warriors of the series also have their basis in medieval superstitions. Known as “Silver-Eyed Witches”, they are viewed with suspicion and fear by most humans, which parallels medieval notions of the supernatural. In the Middle Ages, the persecution of witchcraft was a widespread phenomenon, since magic, particularly black magic, was associated with the devil. Most of those accused of being a witch were women, and they were indiscriminately hanged or burned at the stake.

Story arcs

Main article: List of Claymore characters

The first arc introduces the protagonist of the series: No. 47, Clare, who saves a young boy, Raki, from a Yoma. The next arc flashes back to the time of Teresa, warrior No. 1 of her era. And the young girl she saves from Yoma—Clare. The arc ends with their tragic encounter with Priscilla.

Flashing forward to Clare’s time, the Slashers arc introduces Miria (No. 6), Deneve (No. 15), Helen (No. 22) and Galatea (No. 3). The Gravestones arc introduces Ophelia (No. 4). The Witch’s Maw arc introduces Jean (No. 9), Riful and Dauf. The Northern Campaign arc introduces Flora (No. 8), Undine (No. 11), Isley and Rigaldo. Raki and Priscilla reappear here.

– Animated Series – Adolabroth
– Hates the prisoner but loves the jail house reference
– Claymore Episodes – Morality – GANTZ:O Movie
– Humans – Non Human – Kundalini

No. 6 Episode 1 English Dubbed
In a near future world after the last great war, most of mankind now lives in a handful of city states. There, for the privileged elite, life should be perfect. But for young Shion, the only thing perfect has been the nightmare his life has become since letting a strange boy called Rat spend the night in his apartment. Banished to the outskirts of the city and stripped of all privileges for helping the mysterious stranger who has since disappeared, Shion now finds himself in even worse danger as his inquiry into a new series of mysterious deaths results in his being arrested on suspicion of murder! But even as Shion is being sent to the city’s Correctional Institute, the long missing Rat reappears to rescue him! Now, on the run, the two young men have only one chance at survival: uncover the mysterious secrets that lie at the sinister heart of No. 6!
Tomoki Sakurai is a perverted teenage boy whose motto is “Peace and quiet are the best,” and often has dreams of meeting an angel. He finds it difficult to live in comfort when he has to put up with Sohara Mitsuki, his next-door neighbor with a killer karate chop; Eishiro Sugata, an eccentric pseudo-scientist bent on discovering the “New World”; and Mikako Satsukitane, their school’s sadistic student council president. One night, while he was witnessing a strange anomaly in the sky, a UMA (Unidentified Mysterious Animal) crash-landed nearby. Tomoki discovers that what fell from the sky is a winged female humanoid named Ikaros from an unknown world of Synapse, who soon declares herself to be Tomoki’s servant. From then on, more creatures known as “Angeloids” arrive; with this, he loses his peace and quiet, but at the same time finds pleasant things the Angeloids bring him, and fight the forces that fall upon Earth.

Death Note – Episode – English Dubbed – HQ

The plot of the series primarily revolves around high school student Light Yagami, who decides to rid the world of evil with the help of a supernatural notebook called a Death Note. This book causes the death of anyone whose name is written in it and is passed on to Light by the Shinigami Ryuk after he becomes bored within the Shinigami world.

Kaiju Remedies from Pacific Rim Movie

Black Market Body Parts Harvesting

The below website leads you back to the link above
www.Kaijuremedies.com Symbolic black market for body part harvesting for the purpose of repairing, healing and regenerating productive bodies.
The exploration of the Darkside energies.

Pacific Rim is a 2013 American science fiction monster film directed by Guillermo del Toro, and starring Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day, Burn Gorman, Robert Kazinsky, Max Martini, and Ron Perlman. The screenplay is by Travis Beacham and del Toro, with a story by Beacham.

The film is set in the future, when Earth is at war with the Kaiju, colossal monsters which have emerged from an interdimensional portal on the bottom of the Pacific Ocean. To combat the monsters, humanity unites to create the Jaegers, gigantic humanoid mechas each controlled by at least two pilots, whose minds are joined by a neural bridge. Focusing on the war’s later days, the story follows Raleigh Becket, a washed-up Jaeger pilot called out of retirement and teamed with rookie pilot Mako Mori as part of a last-ditch effort to defeat the Kaiju.

Principal photography began on November 14, 2011, in Toronto and lasted through April 2012. The film was produced by Legendary Pictures and distributed by Warner Bros.. It was released on July 12, 2013, including in 3D and IMAX 3D, receiving generally positive reviews; the visual effects, action sequences and the nostalgic style were highly praised. While it underperformed at the box office in the United States, it was highly successful in other markets. It earned a worldwide total of more than $411 million—$114 million in China alone, its largest market—becoming Del Toro’s most commercially successful film to date.

A sequel titled Pacific Rim: Uprising, directed by Steven S. DeKnight and produced by Del Toro, and with Kikuchi, Day, and Gorman reprising their roles, is scheduled for release on February 23, 2018.

In 2013, alien monsters called Kaiju emerge from an interdimensional portal called “The Breach” at the bottom of the Pacific Ocean. Over the course of 2 years, the kaiju wreak havoc upon coastal cities along the ring of fire, such as San Francisco, Sydney, Manila and Hong Kong. Humanity responds by constructing giant mecha called Jaegers, to combat the alien threat. Each Jaeger is co-piloted by two or more people, who share a mental link via a process called “Drifting” to share the mental stress of piloting the machine.

In 2020, Gipsy Danger, piloted by brothers Raleigh and Yancy Becket, defends Anchorage from a Kaiju named Knifehead. They leave their post, disobeying orders from Marshal Stacker Pentecost, in order to rescue a fishing boat, only for the Kaiju to ambush them, wrecking the Jaeger and killing Yancy. Raleigh manages to pilot Gipsy Danger alone, killing Knifehead, but quits the Jaeger Program. Several years later, the world governments decide to end funding for the continuous construction of Jaegers in favour of anti-Kaiju coastal walls, since Kaiju are appearing more frequently and Jaegers are being destroyed faster then they are built. The remaining Jaegers are relocated to Hong Kong under Pentecost’s command, who plans to destroy the Breach using a tactical nuclear weapon.

Pentecost tracks down Raleigh to a wall construction site to recruit him for the assault, though Raleigh still remains traumatised by Yancy’s death. Travelling to the Hong Kong base, the Shatterdome, Raleigh is introduced to Mako Mori, the director of the Jaeger’s restoration program and Pentecost’s adoptive daughter. Four Jaegers remain in operation – the refurbished Gipsy Danger, the Russian Cherno Alpha, Chinese Crimson Typhoon, and the Australian Striker Eureka that will carry the bomb, and piloted by father and son Herc and Chuck Hansen. To find a new co-pilot, Raleigh participates in tryouts, deciding Mako is “drift-compatible”. During their first test, Raleigh falls out of alignment reliving Yancy’s death, causing Mako to become lost in the memory of the Kaiju attack on Tokyo that orphaned her, nearly firing Gipsy’s energy cannon. When Pentecost relieves Mako of piloting duties, as a result of this incident, Raleigh reveals to him his reasons, that during the drift, he learned that Pentecost rescued Mako in the Tokyo attack, and that he is protecting her, due to her own vulnerabilities.

Pentecost consults Kaiju experts Newton Geiszler and Herman Gottlieb. Hermann claims the Breach will stabilise and the Kaiju will increase in number, but it will allow the assault to succeed, while Newton suggests attempting to drift with a Kaiju’s brain to learn more about them, but is dismissed by his colleagues. Newton attempts it regardless, discovering Kaiju are bioweapons grown by alien colonists. Pentecost instructs Newton to find black market dealer Hannibal Chau to obtain another Kaiju brain to drift with it. Newton realises the Kaiju hive mind gained access to his brain, since drifting is a two-way link, and two new Kaiju, Leatherback and Otachi, are sent simultaneously to find him.

All Jaegers save Gipsy Danger are dispatched to intervene. The Kaiju destroy Crimson Typhoon and Cherno Alpha and kill their pilots, while Leatherback paralyzes Striker Eureka with an EMP blast. Pentecost sends Gipsy Danger to help, the only Jaeger powered by a nuclear reactor while the others are digital. Gipsy kills Leatherback and Otachi shortly after during her search for Newton. Newton and Hannibal go to harvest Otachi’s secondary brain, discovering she is pregnant. The infant Kaiju bursts out, devours Hannibal, before choking on its own umbilical cord. Newton and Hermann drift with the infant’s brain, discovering the Breach only opens in the presence of a Kaiju’s DNA.

Pentecost reveals to Raleigh he has terminal cancer due to piloting a first-generation Jaeger which lacked radiation shielding. The last time he piloted a Jaeger was in the Tokyo attack, during which he was forced to kill the Kaiju alone, making him and Raleigh the only pilots who have piloted a Jaeger without a copilot (known as solo combat). Two new Kaiju, Raiju and Scunner, are detected guarding the Breach, prompting Gipsy and Striker, piloted by Pentecost and Chuck, to go ahead with the assault. Approaching the Breach, the Jaegers are attacked by the Kaiju, and a new “Category Five” Kaiju, Slattern, resulting in the death of Raiju and the injuries of Scunner and Slattern, but Striker is crippled. Learning the truth from Newton and Hermann, Pentecost and Chuck decide to detonate the bomb while Gipsy self-destructs its reactor to seal the Breach. After Striker’s bomb destroys Scunner and further injures Slattern, Gipsy slaughters the Kaiju, riding its corpse into the Breach. Raleigh removes Mako from Gipsy and manually sets Gipsy to self-destruct, escaping before it explodes and seals the Breach.

Raleigh and Mako’s escape pods surface in the Pacific Ocean, where both embrace as rescue helicopters arrive. In a mid-credits scene, Hannibal cuts his way out of the Kaiju infant.

DVDDVD PackDVDSFun MoviesPacific Rim Movie
GANTZ:O MovieClaymore Episodes
Dark MatterDark Side EnergyDarkside Energy
The Darkside EnergyMythology
Black MarketBlack Market Body PartsBody Part Harvesting

 








 

Chaos Vision In The Eye Of The Sphinx

Chaos Vision In The Eye Of The Sphinx Pt 1 Of 10 – Bobby Hemmitt

Chaos Vision In The Eye Of The Sphinx Pt 1 Of 10 – Bobby Hemmitt – adolabroth
https://www.youtube.com/results?search_query=Chaos+Vision+In+The+Eye+Of+The+Sphinx
Chaos Vision In The Eye Of The Sphinx Pt 2 Of 10 – Bobby Hemmitt – melanin
Chaos Vision In The Eye Of The Sphinx Pt 3 Of 10 – Bobby Hemmitt
Chaos Vision In The Eye Of The Sphinx Pt 4 Of 10 – Bobby Hemmitt
Chaos Vision In The Eye Of The Sphinx Pt 5 Of 10 – Bobby Hemmitt – adolabroth
Chaos Vision In The Eye Of The Sphinx Pt 6 Of 10 – Bobby Hemmitt
Chaos Vision In The Eye Of The Sphinx Pt 7 Of 10 – Bobby HemmittDVD Sirius times
http://siriustimes.com/AOSLecturers/AOS-bobbyhemmitt.html