Fullmetal Alchemist: Brotherhood

Fullmetal Alchemist: Brotherhood

Volume 1 Product Description Amazing secrets and startling facts are exposed for the first time in the Fullmetal Alchemist: Brotherhood OVA Collection, a new assortment of stories set in never-before-seen corners of the FMA universe. Join Ed and Al as they chase rumors of successful human transmutation into a web of shocking family drama and lies. Sneak a glance at hidden sides of Winry and Hawkeye’s personalities. Survive the frigid north with a young Izumi Curtis as she fights to gain a deeper understanding of alchemy. Explore the legendary friendship shared by Mustang and Hughes and watch them grow from military school rivals into hardened brothers transformed by the horrors of the Ishvalan War. You thought you knew the whole story. You thought all the tales were told. The Fullmetal Alchemist: Brotherhood OVA Collection offers proof: You were wrong.
Amazon.com The four brief OVA adventures in this collection suggest short stories that explore the pasts of the main characters from the popular Fullmetal Alchemist continuity. In “The Blind Alchemist,” Edward and Alphonse Elric pursue Judau, an alchemist serving a wealthy family, following a rumor that he successfully performed human transmutation. The melancholy tone of this episode recalls the Elrics’ visit to Liore and their grisly encounter with Shou Tucker, the “Sewing Life” alchemist. Episode three recounts the student days of the Elrics’ teacher, Izumi-sensei. She was every bit as formidable as a teenager as she is as an adult: a bear carcass served as an introduction to her soft-spoken future husband. In “Yet Another Man’s Battlefield,” cadets Roy Mustang and Maes Hughes forge the deep friendship that will become a key element in the later narrative. The “Comic Theater” mini-episodes offer the animated equivalent of the four-panel cartoons Hiromu Arakawa put at the end of her manga collections. The slapstick antics involving simply drawn versions of the familiar characters suggest a blooper reel from a live-action film. (Rated TV 14: violence, grotesque imagery) –Charles Solomon
(1. The Blind Alchemist, 2. Simple People, 3. Chronicle of the Teacher, 4. Yet Another Man’s Battlefield)
Volume 2 Product Description In the shadows beneath Central, the Elrics encounter Father, the creator of the Homunculi. His face is familiar – as is the new face of Greed – but his alchemy is unlike anything the brothers have ever seen. As Father’s dark plot takes shape, Ed and Al brave the frigid north to meet the top officer of the fortress Briggs: General Olivier Armstrong. With icy nerve and burning intensity, she commands the hardest soldiers in the land. When you witness her leading the warriors of Briggs in battle against the unstoppable, rampaging Sloth, you’ll know – the stakes are higher than ever in Fullmetal Alchemist: Brotherhood Collection 2.
Amazon.comThe tone of Fullmetal Alchemist: Brotherhood darkens as it continues. In flashback sequences, viewers learn the origins of both Hohenheim and his doppelgänger, the “father” of the Homunculi. Hohenheim was once the slave of an alchemist in Cselkcess, who created the first Homunculus. When the King of Cselkcess’s attempt to achieve immortality backfired, Hohenheim became a human Philosopher’s Stone and the Homunculus created a body for itself that was a duplicate of his. Decades later, Father plans to activate a transmutation circle that stretches across the entire country of Amestris, killing untold thousands of unsuspecting humans to create a gigantic Philosopher’s Stone–and activate the Mannequin Army, a corps of zombies animated by the Stone’s power. Director Yasuhiro Irie and his artists pull out all the stops in the appropriately dramatic and moving conclusion. The Elric brothers and their allies–Von Hohenheim, Roy Mustang, Scar, Izumi, the Armstrongs, May Chang, and Ling Yao–strive to thwart the machinations of Father and his remaining minions: Pride, Wrath, Sloth, Envy, and the zombie army. The climactic battles are as wrenching as they are spectacular, with flashy CG effects that rival Hideaki Anno’s new Evangelion films. But the emotional impact overshadows the visuals, as each of the main characters must rise to face a dire challenge. Edward and Alphonse discover how much they’re willing to sacrifice for each other. Mustang destroys Envy, avenging Colonel Hughes, but Ed and Lieutenant Hawkeye make him realize that his anger threatens to destroy him. The initial Fullmetal Alchemist series, which was completed before manga artist Hiromu Arakawa had envisioned her story’s outcome, ended with the setup for the feature The Conqueror of Shambala (2005). Brotherhood, which follows the original manga so closely that much of the dialogue is taken verbatim, reaches a much more satisfying and definitive conclusion. Saying good-bye to two of the most beloved characters in anime history might be the price viewers pay for an appropriate ending to their story–and an example of “equivalent exchange.” But the adventures of Edward and Alphonse Elric continue, beginning with the feature Fullmetal Alchemist: The Sacred Star of Milos (2011). (Rated TV 14: violence, grotesque imagery, brief nudity, tobacco and alcohol use) –Charles Solomon
(34. Ice Queen, 35. The Shape of This Country, 36. Family Portrait, 37. The First Homunculus, 38. Conflict at Baschool, 39. Daydream, 40. Homunculus (The Dwarf in the Flask), 41. The Abyss, 42. Signs of a Counteroffensive, 43. Bite of the Ant, 44. Reviving at Full Throttle, 45. The Promised Day, 46. Looming Shadow, 47. Emissary of Darkness, 48. The Oath in the Tunnel, 49. Filial Affection, 50. Upheaval in Central, 51. The Immortal Legion, 52. Combined Strength, 53. Flame of Vengeance, 54. Beyond the Inferno, 55. The Adults’ Way of Life, 56. The Return of the Fuhrer, 57. Eternal Leave, 58. Sacrifices, 59. Lost Light, 60. Eye of Heaven, Gateway of Earth, 61. He Who Would Swallow God, 62. A Fierce Counterattack, 63. The Other Side of the Gateway, 64. Journey’s End)


Death Note Box Set (Vol. 1-12) Paperback
The entire Death Note manga story arc is now available in a box set for the first time! This custom box set includes all 12 books from the Death Note series, the information How To Read “Death Note 13” and exclusive Death Note premium gifts! The high gloss printed box set also comes with a recessed handle and velcro closure. The box set is 10% off the total retail price of 13 volumes of Death Note! This is a perfect gift for either yourself or anyone not yet exposed to the amazing intrigue of this Obha / Obata masterpiece.Light Yagami is an ace student with great prospects – and he’s bored out of his mind. But all that changes when he finds the Death Note, a notebook dropped by a rogue Shinigami death god. Any human whose name is written in the notebook dies, and now Light has vowed to use the power of the Death Note to rid the world of evil. But when criminals begin dropping dead, the authorities send the legendary detective L to track down the killer. With L hot on his heels, will Light lose sight of his noble goal…or his life?Light tests the boundaries of the Death Note‘s powers as L and the police begin to close in. Luckily Light’s father is the head of the Japanese National Police Agency and leaves vital information about the case lying around the house. With access to his father’s files, Light can keep one step ahead of the authorities. But who is the strange man following him, and how can Light guard against enemies whose names he doesn’t know?
Death Note: Omega Edition – Limited Edition (Blu-ray) Light Yagami is a genius high school student who is about to learn about life through a book of death. When a bored shinigami, God of Death, named Ryuk drops a black notepad called a Death Note, Light receives power over life and death with the stroke of a pen. Determined to use this dark gift for the best, Light sets out to rid the world of evil… namely the people he believes to be evil. Should anyone hold such power? The consequences of Light’s actions will set the world ablaze.

Movies, TV Shows, Commercials interpreted…

How to Interpret Movies – Interpreting Films

Movies, TV Shows, Commercials and Books that reach the masses of people on the planet tend to carry continuous ongoing themes and symbols at ad nauseam repetition. Most people are confused by the story’s, choice of characters and plot lines and for the most part just see them as great sources of entertainment. Why are these forms of media so imperatively important that Millions of dollars are spent every year to produce them?

Before interpreting one will need a broader context of understanding. But at the root “Why” is the start of the process. It is important to ask “Why” to each thing that is perceived in being ones’ current reality, until it takes you further back in history, deeper in space and time to where you never realized how far you have gone. “Why” is a key. Why is this? Why is that? “Why” helps one to step out of conditioning, in order to start recognizing the conditions. You don’t just stop at the contemporary past. You go further, wider and deeper. Why do we have these general social structures? Why do people interact with each other the way they do? Why does the world operate as it does through economics, education, entertainment, labor, law, politics, sex, war and religion? Why do we have religion? Can one find more answers in religion? Why is there racism, discrimination, sexism and so on? Why do movies often portray one thing but the opposite exists in reality?

Somewhere within the list of names and subjects towards the top of this page the preceding information was gathered. Many “Why” questions were answered. Please Stop Now? Warning ahead. Strap on your seat belts. The proceeding information is going to get outrageous. Can you handle it? Ready? Set. Go! Unique beings are in control of every major structure on the planet also known as the 9 areas of activity by Neely Fuller (also see Dr. Frances Cress Welsing (Neely’s counterpart) and Mark Passio for Occult Symbols Interpreted). These unique beings carry within them an innate pathology (rooted in oneness disconnection as explained by Young Pharaoh) that governs their leadership, use of media channels, story lines and plot lines. The pathology projected through various forms of media are confusing to many and the viewer tends to find little connection to them.. Below you can see some keys to make sense of the madness and begin to see yourself in the Movies, TV shows, Commercials, advertisements, books and recognize the subtle messages they share on a continual basis. In Frank Herberts Dune 1984 movie whom Dan Winter (who shares a peak into Galactic History) and Bobby Hemmitt (who uncovers hidden knowledge) among several others claim Dune is more accurate than the Bible in describing history and the state of the world in the past and present. The Baron Vladimir Harkonnen played by Kenneth McMillan is the uncle to Feyd-Rautha Harkonnen (10174 AG – 10193 AG) is one of the antagonists of Dune. Feyd played by Sting (British born) was the younger nephew (Modern day Britain) of Baron Vladimir Harkonnen of House Harkonnen The orange haired Baron has horrible skin and black color finger nails and toe nails, unpredictable, does not adhere to typical moral standards and exhibits extreme gluttony. Feyd-Rautha Harkonnen was nominated by Baron Vladimir as the “Na-Baron” – heir to House Harkonnen. The Baron favored the young Feyd-Rautha over Feyd’s older brother “The Beast” Glossu Rabban played by actor Paul Smith (of America ethnicity), Count of Lankiveil. Feyd was both intelligent and charismatic, and was dedicated to the Harkonnen culture of sadism and cruelty, though potentially only due to his upbringing. 1:49:19 minutes into the movie Baron says to Feyd “And when we have crushed these people enough, I’ll send you Feyd” (Contemporary, New age and evolved (Britian). Also visually likeable yet still carrying the seed of deceit to maintain the subversive leadership and oppression of the people). Who are the people he is symbolically referring to and what is the manner in which the Great villain Baron will send Feyd? Dune is a great movie to apply the keys of interpretation through symbolism and mythology some of which is mentioned within this contextual jump start. Note: Dialects or accents equal nations or cultures. Also actors are selected with strategic intent. The nationality or what nation an actor is born into may also be very important to why the actor is chosen for the role.

Melanin – Most movies that reach the masses have symbolism with references to melanin in some way. It is often referred to as ancient essence, spice, shadow, cinder, soot (from a match or a fire), ever moving ever changing essence, transforium (in the Transformer movie series), vibranium (in the movies Avengers, Captain America, and the Black Panther), an intelligent dark essence, darkness in the blood, chaos in the blood and hundreds of many other phrases and names. A battle to control or harness the power of chaos. It carries great fascination but it is still a threat. Fear based images and cautionary images are often used to describe it. There are numerous, extremely important and phenomenally profitable uses for melanin; The Melatonin Miracle, Nature’s Age-Reversing, Disease-Fighting, Sex-Enhancing Hormone by M.D.’s Walter Piepaoli and William Regelson with Carol Colman. Also see Kaiju Remedies from Pacific Rim movie. And see Dr Jewel Pookrum (Melanology). As well as Top 10 facts about melanin. Melanin extraction as exemplified in the movies The Dark Crystal and Dune. The famous Avengers characters Captain America’s shield is made from vibranium (hence a vibrating, ever moving substance). In the movie Avengers Age of Ultron the on screen character Helen Chung says “The vibranium atoms aren’t just compatible with the tissue cells, they are binding them. And Shield never thought to…” Ultron interrupts her and interjects “The most versatile substance on the planet. And their using it to make a Frisbees (aka Captain American’s shield; using melanin to not only bind with tissues but also to bind with metals to enhance their strength capacity) The Black Panther’s black skin suit is also made out of vibranium (aka, code word melanin). Also see how Transformium is also connected to a melanin reference in Transformers Age of Extinction.

Kundalini – Kundalini references symbols such as the snake, reptile clothing and/or accessories, rhythm, dancing, creativity, surge of energy, octopus, electricity, lightning, thunder, unpredictability and many more. Kundalini manifests itself in many unlimited forms and it is a threat. The protagonists and antagonists will usually be fascinated by it and/or some symbolic melanin representation form. They will fight to acquire it, figure out how to harness its power, control it or fight against it or suppress the many forms it arises from. It is also possible for each one of the scenarios to be present in the interior film…seemingly like a world wind of confusion for the viewer…what is the feeling impression the viewer is receiving from the film at the exact moment symbols, dialect and dialogue are present? This is critical. It happens through the presentation of symbols, slight gestures, point of view shots, where the eyes focus on simultaneously to what is happening in the background and foreground scene, and vice versa while the screen play dialogue is shared. Actors are selected for specific reasons, scenes, looks, dialect, personality and Idiosyncrasies. Translate this also to the seemingly miscellaneous actor that crosses the foreground and background almost in a blur simultaneously to dialogue, scene shifts or climactic moments. Pay attention to their racial skin color, hair color, clothing and what they are doing. Also pay attention to objects in the background and foreground, their color, texture, name, wording and signage. The presentation of confusion persists because scenes are jumping from one to another so fast that it is often hard to keep up with what is happening and shown down to the finest details. But keep your eyes on the prize, focus on the patterns that occur consistently throughout most films and movies containing black actors. Note what is happening in the background is just as important as the foreground. For instance, one scene showing a black male in the group of other races in the background, the subsequent scene general shows a black female. Then sometimes they are shown together again or separate and/or apart from each other on different sides of the same scene. It weaves in and out on repeat through the entire film and movie but it is done so slight that it is often easily missed. In cases with no black actors are in the films foreground or background, default to the black, orange hair color or darkest hair color. It is almost like the weaving of symbolic Kundalini energy (yen and yang) throughout the film.

Heroes – The protagonists and the antagonist are often referred to as heroes. Heroes are often presented as creations either by science, some freak accident or trauma. They do the phenomenal work of suppressing kundalini on behalf of the greater ruling populus. The heroes are the great, strong, clever, resourceful and fearless characters that are connected to the ancient blood line yet control and suppress the manifestation of the ancient blood line within themselves and others…Superman unchained could destroy the world so he must be kept in check (via encoding like a robot or slave) by the Justice League, thus the “always serve and protect” mantra is continually repeated, encoded in the viewer and shared. Superman was once portrayed as very positive trust worthy character but is now portrayed as an untrustworthy and almost villianistic, rageful, unpredictable, alien character where the world has turned against him branding him as an outsider that must be kept in his place, locked up or restrained in order to exploit him for his strength and talents. Also reference the movie Bicentennial Man , iRobot among several other movies that will be added here later. For more information about demi-human programing visit Humans Season 1, HumanSimulacra.pdf  source montalk.net, Simulacra and simulation PDF by B Conrad Williams source www.bconradwilliams.com and The Simulacra by Philip K. Dick.

Ancient people are often referred to as goons, goblins, demons, monsters, monkeys, gorillas, reptilians, lizard people, crocodiles, snakes, goats, deers, bears, witches and thousands of many other names and phrases. The movies or media generally expresses them as untactful (lacking tact), unstable, unreliable, flighty, aggressive, narrow mindedness, over sexualized, over flirtatious, happen stance place holders, long winded and even possessing no capacity to provide relevant input relating to solving a problem in a plot and a very long list of other negative connotations to think about a person who stems symbolically from the ancient blood line. It also should be made clear that the mixing of the blood during slavery and beyond, make a new form of monster; having both ancient and contemporary blood, and make it nearly impossible to unravel the ancient bloodline throughout the color spectrum of races specifically in America; spanning from black to white. Thus, the use of the black man and the black woman are only contextually the greatest symbols representing the ancient people. The trait (rooted in oneness disconnection) is inherent in all races. Few are aware of it within themselves but the masses of people will not ever and or cannot dismantle its harmful destructive discord. However, keep in mind the most capable beings to overcome sustained suffering are of the bloodline who survived the middle passage of slavery and beyond in the western hemisphere with an emphasis on blacks in America. Keyword on the term suffering. Slaves were at the mercy of their masters and overseers, in many ways this dynamic has not changed. Tangent thought each race or group capitalizes on suffering imagery displayed in movies and other media but none of their bloodlines suffered the middle passage of slavery. Contrived images or experiences of suffering to mimic that of the ancient ones does not count although the movie or media logic is that it does. On the flip side, going back to slavery, any terrifying activity that could be thought about was most likely done and inflicted on the slaves, often while shackled or constrained from escaping. Horrific events occurred; beating, torturing, castrating, cutting off hands, feet, tongues and other body parts, being eating alive, boiled alive in hot water and oil, whole bodies roasted over fire and eating like bar-be-que, starved, treated worse than animals, eating the worst left over pieces of food, burnt, poisoned, branded, raping of women, children and men in front of the family by male and female perpetrators usually by another race (which contributed to dismantling typical gender roles and magnifying various areas of gender identity), as well as making parents breed with children and visa versa, hence the term “Mother Fucker” (an untrustworthy environment), tearing families apart. Imagine the extreme shame, physical and psychological trauma from being so humiliated, accused of wrong doing when there was none, cheated on, degraded, violated, victimized and the masses of people confined to these inhumane conditions were so powerless and unable to do anything about it. See Goodbye uncle Tom! “Warning Graphic Content” for a theatrical peak into some imagery of the slave experience. They were “miraculously” resilient. Historians share accounts where people were amazed about how black people’s bodies quickly recovered from the horrifically, terrible trauma of being crammed in the boats for so long crossing the seas and the tortures of slavery. The elites know the black blood line is the most significant symbol of suffering. Although the suffering symbolage stands true this banner is denied the victims and their bloodline, snatched and given to their pathological oppressors. The elite also know that this blood line is literally connected to the precursor of every culture, language, race, country and continent around the entire world. In the beginning was blackness. From the blackness further evolution, transmutation, or scientific contrivance has occurred. Although the movie series of Hostel (specifically Hostel 3) was and is extremely gruesome and difficult to watch it focuses on contemporary suffering and torture for the thrill and pleasure of the perpetrators and the fright of the victims. It is jam packed with religious and occult symbols. Through this movie series it is fascinating to observe the oneness disconnection in its extreme workings. But watch this movie series after reading through this entire text. Once you can piece together the symbols it is less frightening to watch because one begins to realize a mythological story is being told. Tangent thought; ode to Ludacris’s song “How Low can you go” which is a phrase most likely unknown to the author that genius-lly captures the essence of the ancient beings thrill ride in this life in the midst of all the various unlimited forms of experience and suffering which contributes to creating a new God form essence on this planet and in the universe.  The “Lower” one has gone the greater the change and opening up to deeper realms of experience.

There are underlining messages in movies that are outrageous and confusing to many. However, they are based on the perspective of the elites who see life in a much broader since then the masses of people on the planet do. They have the ability and power to share the story’s given to them by the mass from the elite’s perspective and frame of reference. It is subtlety slipped in to the plot to where the masses have very little idea that it is present. Universal truths are open to the elite.  Thus, the universe evolved and created its most unique expression in terms of a human or a person. In the universal state, more telepathic and the most “recent” state, more empathetic in the form of humanity through feeling, suffering, expressing, and creating on a micro and macro level.  Allude to Jesus coming to earth to experience the infirmities of the flesh and what it feels like to be human. This developed within him a profound love and respect for humanity. The ruling authority is in the business of fulfilling prophecy. In “considering the opposites” vilifying the victims whom are the progenitors of the prophecy and trying to stand in their stead as the true fulfillers of prophecy. How is this done? By documenting or presenting via news, media, TV shows, movies and films a barrage of instances of suffering and allowing the elite to experience life unfiltered through fun, happiness, evoking sadness and crying, emotional sensations, ecstasy, sex, anger, rage, revenge and even murder or sacrifice unhindered, to a degree; all of which are elements in developing humanity. The elite must be allowed to have full access to all these polarities for optimal mental and physical stimulation. Thus, experiencing all that life has to offer is encouraged. But on the flip side, for their worldwide subjects experiencing all life is hindered by rules, laws, policies, stigmas, dogmas, cultural morals (can also be known as religions). It is the ability to project worldwide images of suffering shown to the masses in epic movies and various media channels that encode the masses with the belief that entitles the elite to the birthright of the Gods and an obligation to rule and be superior over the masses. However, prophecy said this will be the case. The “fool” the ones most deeply rooted in oneness disconnection (also considered the least experienced or rather having the least historical time chart) will rule in the last days. Regardless of the 2017 movie story line or plot in The Boss Baby film, the symbolic Boss Baby is the born leader of this dispensation. All other cultures have had their chance to lead; now is the Boss Baby’s turn? Why a baby? Because it is symbolically the newest entity created amongst the races. And why a “born leader”? Because leading is in its nature (meaning DNA make up). In the presence of other races it eases into and eventually takes on the leadership roles. One does not have to know how to build at first, just lead others who know how to do it, learn from them and then do it one’s self later on. It possesses a unique genius imagination to build it better; continuous ongoing improvement.

Pineal Gland – Is referred to in movies and other media as magic wand (Harry Potter wands and Will Smith 2017 movie “Bright”, staff (staff of Tahuti, Caduces), sword (Optimus Primes’ sword flares up like a flame or gun and Vultrons sword in the shape of a flame, as well as Star wars Jedi lightsaber different colors are different forms of Pineal Gland activation and how it manifest certain energies in the world) Tangent thought (“Hot like fire, Im gonna take you higher, you can’t resist, kiss, kiss, kiss….” [making the connection to spark the flame of pineal activation]…Aaliyah’s Hot Like Fire song. “Come on babe light my fire” Lauryn Hill’s Superstar Song. Also consider Celion Dion’s song “Back to life” a song written by Cia, an alternative perspective, it sounds like it’s about the third eye or pineal gland awakening – The last key factor to consider in fulfilling prophecy is exercising the pineal gland and stimulating greater mental and physical functions is the intention of the elite as well as to do this in a race against time before the Gods wake up, while simultaneously trying to keep them asleep, whomever they might be in various economic forms and locations within the planet, hampering their pineal activity through poisons and various forms of moral dogma restrictions. The God like energy would be that portrayed as the most powerful or terrifying supervillains. However, because many of the glands are calcified and no matter what type of stimulation an individual encounters, it will not cause the pineal gland to awaken. However, technology (which is outside the body) is a tool that mimics pineal activation. The pineal gland is a biological tool, connected to all the sensory perceptions of the body, possessing the ability to be connected universally and to cross into other dimensions. So in place of the gland, technology is used to help spirits cross dimension in order to operate and control dimensional time travel, rewrite history or change destiny as depicted in The Legends of Tomorrow 2017 TV Series. Regardless of how Vandal Savage appears in the TV series he represents a Moore or rather a symbolic black man (whom possess within his DNA or semen to annihilate all races from the planet. He is the greatest natural threat. He is the symbolic sabbatic goat or the Satan). Yes, it is far-fetched but if you watch every DC cartoon or show that has Vandal Savage in it sometimes he is a very light skinned black person, with Moorish clothing and a black man as his voice. Movies will often choose an actor is white but begins to have black persons features but yet is still not black to play the role of a symbolic person.

Before the original Gods went to “sleep” and reincarnated losing memory of the past and semblance of cultural identity’s they created/orchestrated cultures to house and retain ancient information and knowledge of the past and prophecies foretelling the future. The Gods are scattered and hidden within cultural fragments around the world in the form of races we see today. The darkest skinned people amongst each cultural are hit hardest with the greatest attack, whom symbolically represent the greatest symbol of ancient representation. Yes, this is based on skin color. The bloodline most connected to the most ancient of people on the planet within each culture are that of a dark skinned bloodline. This is not referring to African people in particular whom from a contemporary perspective are consider the same as the new age races and cultures. The terms “Black” or “African American” are the newest age classifications whom are most connected to middle passage drama and possess the greatest DNA connection to all races. Each mythology from every culture, language, race, country and continent attacks this blood line…Attack on the Titian’s; suppression tactics are similar around the world; for instance racism in China explained by Dr Umar Johnson. It is the flushing out, purging out, rooting out of this bloodline in ad nauseum repetition around the world throughout mythology, movies and various media channels. Why did the Gods create this process? Maybe to intention a new being through generational alchemy or a new form of the God essence in the universe. However, who knows? maybe that question is solved by going back to ancient prophecies or mythology…Let the Stone tell the tale… Note the architects intention-ed the innate pathology that exists within every culture to be in opposition to the ancient ones. It is inescapable from their DNA, physical composition, vibrational receptivity, thought processes and or pathology. “Cultural sensitivity can be systematically masked” to seem undetectable via training but beware it is deeply ingrained in the essence of the beings DNA. Governed by an entities make up, there is no escaping the inner workings. This inner operation spans all ethnic color lines and is rooted in oneness disconnection, Thus peeling back the surface, “against the ancient ones” and “projected superiority” over the ancient ones based on the color lines is unfortunately ever present. Yet on the flip side it is fortunate for the “sleep Gods”…Toast to evolution and suffering. Tangently, on their quest for true connectedness with this earthly/natural plan, unfortunately will never be fully realized. Also, the quest for true cultural reciprocated understanding will always be the wantingness for the carrot dangled at the end of a stick; never achieving fulfillment. It keeps life propelling forward creating new imaginings of the present and future. Subtle forms of people interaction are shown in films at ad naseum repetition. Note the films symbolically represent real life people interactions with exquisite detail. They never waver from “against…” or “projected superiority” based on color in their portrayed behavior. Look for them. Look for the pattern. It is always there. Regardless of the constant barrage of derogatory symbolism representing the ancient race (with black people from America representing the greatest symbol) in movies they are Highly entertaining and packed with a lot of information about that blood lines past and present with acute details of past and present day chaos and implosion behaviors of the “sleep Gods” as they putrefy beyond recognition, cohesiveness, sense of self, culture and identity. As said before in The Great Wall (2017) Movie all the races on the planet have their own mythology of their battle with the ancient blood line of whom are repeatedly represented a natural threat verses a technological threat, and also as insignificant, place holders and people that don’t really matter to the world. Dr Na’im Akbar explains in excellent detail the black psychosis; the craze that baffles the world and all cultures. In essence, what is asked and projected is “what is wrong with these crazy people. They have lost their minds. Their behavior is destroying themselves, filled with emotions and little logic. How are they surviving the chaos.” It is also interesting to note Chang for his candid spot on view of the black people in particular.

Asian Interviewer: “Can you address their concerns Mr.Chang?”

CHANG: “The concerns of Black people? Yes I can. The fact is, that we all live under a system of White Supremacy. We Asian people look back at our long history of conflict with the European. We observe their strategies and develop our own, in response and in kind. There is no need for loud mass movements on our part, because we intend to overtake them in time, through action and personal sacrifice”.

Asian INTERVIEWER: “And the Black man?”

CHANG: “He does not count into our situation. He is simply here. We do not hate the Black man. We just love the Asian man most. Real love–not cliche. We want to see Asian man happy, so we employ him. We eat together. We spend time with each other. We want his kids to be educated, so we invest in our own schools that offer our children the technical abilities to change the world’s power structure in our favor. We want to see the Asian man safe, so we purchase and organize our own communities. We want him to remain Asian, so we reduce the outside influence of others ideologies and cultures. While he fought to sniff behind the White man, the Black man has had the opportunity and every right in the world to do the same, but he chooses to indict people like me for not hiring him over my own brothers. For me to do this would be foolish and that would not be Asian love. In contrast, the Black man will fight for the right to be up under everyone else other than other Black people who he should feel the most love for. If our indifference to their situation make us racist, then what would you call the Black man’s indifference to his own situation?” source: www.FarrahGray.com

..can you blame him. He is speaking the truth. Blacks are considered untrustworthy, insignificant in many social and economic structures, wayward (difficult to work with, control or predict because of unusual or perverse, inappropriate destructive behavior), obstinate, backwards and many other negative connotations. This evaluation holds a lot of truth based on the putrefaction theory of the soul (putrefaction in the biological sense is the process of decay or rotting in a body or other organic matter, not only the body but of the mind matrix system and also of the soul.) Like fermenting grapes to produce wine. The older it is the more potent and the most change has occurred from its original form. In other words, very ancient souls decay and the Ka or essence, DNA, experiences, traumas, memories, past life reincarnations is pasted down from generation to generation to the present, since the beginning of time. The older the soul the most transmutation has occurred from the original souls. Genetic Reincarnation. “Everybody is a compilation of all the DNA that ever existed and the line that you are from the time you broke away from the thing you call the divine. And you didn’t break away from it, you, your just another expression of the aspect of its essence, having the particular experience that you are. We are the best of our ancestor’s genes, we are the latest tech version and the highest tech model. Until we give our children that same thing.” ~ Professor James Smalls. However, going back to Chang Blacks do not have the same opportunity. Black people have to work symbolically “ten times harder than everybody else to get in the same situation that a white person would get with a snap of the figure” reference video on Mr. Chang page.

Movies do present the two general categories of symbolic “blackness” which operate “against” each other, the sleepers and the awake. You can’t tell them apart by racial color; only by their actions. One projection of the sleepers is the fight or distrust between one black person and another black character, undermining one another. Arguing and bickering back and forth or engaging in behavior that is inappropriate, unstable and not productive.  On the other hand, there are varying degrees of awakedness. The awakened could be the side that is portrayed as the villains or the antagonists. It takes thinking in opposites to uncover these gems; looking at what is portrayed as bad and configuring it to be good. The sleepers and the awake in movies are often referred to as “Girl(s), Boy(s), Baby(s), kid(s) (a kid is another name for a young goat; remember the sabbotic goat reference mentioned earlier), young man, young woman, sweet heart, honey, honey bunch, and sweetie” and many other names and phrases that imply less than adult (When the same phrases are flipped back on to the ruling classes offense taken). These names are used by the ruling cultures and the “subordinate” even amongst themselves, jokingly, romantically and platonically. Symbolically never reaching true adulthood, forever subject to infancy (my crib; my home) or adolescence (my girl friend, my boy friend); “When I grow up” continues on into adulthood and death. On one hand, the symbolic projection is somewhat true there is always a subtle master slave relationship where the masters are the caretakers or providers giving the slaves the things it needs to survive, due to the mal distribution and allocation of resources and wealth (Dr Claud Anderson POWERNOMICS). The sleepers and the awake as symbolically represented in the epic Claymore animated series. However, note the awakened ones are symbolically represented as bad horrific monsters with innate uncanny abilities and powers. Sleepers abide generally in base levels of consciousness (elemental spirits highly connected to the earth plane, materialistic satisfaction). Note black Americans amalgamated and putrefied into having no cultural identity, loosing sense of self and in many ways are shiftless and unstable in character and emotions due to the middle passage, slavery, Jim Crow laws, discrimination and racism; this leaves a nature that is highly impressionable by the dominant cultural stimulus) who represent the masses of people aka “negas” (contemporarily carrying a subordinate and derogatory connotation by in the past “negas” represented “God”) around the planet and the awake have varying levels of greater consciousness who are more connected to dimensions…this concept is somewhat unclear and confusing. The black Green lantern character John Stewart in the animation cartoon series wearing the ring is only limited in his creation ability and power by his imagination and or connecting to other dimensions. The villains do anything and try anything to break his attention in order to dismantle the power of the ring (pineal gland illumination; thus the ability to tap into other dimensions) Also check out the movies The Ring 2002 Horror Film (Fear of the ring) and The Lord of the Rings (control of the rings) of which both talk about different aspects of fascination about the ring (Pineal gland). In the Lord of the Rings the future of civilization rests in the fate of the One Ring, which has been lost for centuries. Powerful forces are unrelenting in their search for it. But fate has placed it in the hands of a young Hobbit (ode to Boss Baby) named Frodo Baggins (Elijah Wood), who inherits the Ring and steps into legend. A daunting task lies ahead for Frodo when he becomes the Ringbearer – to destroy the One Ring (considering the opposites and the movie Gantz:o allude to many “rings”; not just one) in the fires of Mount Doom where it was forged…Being dimensionally connected allows the use of universal forces to create some of the most impactful and long lasting experiences for mankind “How did they do that dance, create that invention, come up with that music, sing that song, etc and so on (Historical black inventors in particular), things that are completely amazing and mind boggling that gives an anchor for the rest of the world to follow along or “culture vulture” from, take possession of, replicate and enhance”…may be purported as coming from “another dimension” (as if to suggest “Alien” or “stemming from another world” but really it seems to be of this dimension…the one experienced every day. Could it just be simply tapping into the overwhelming unlimited potential that exists in each person; myth? Lie? Cliché? Does each person on the planet possess unlimited potential? Maybe that is the threat. The intention to suppress so hopefully nothing comes out or arises that is depicted as being greater than the ruling populous. But on the flipped side the use of suffering to contrive new inventions or new ways of existing on the planet. Or considering predestination the past and present may have been intentioned to be this way. And suppression was and is used for a tool of change, advancement, reconfiguration, small pockets of immense energy escape through the cracks of pressure; emerging some of the most talented and or legendary thinkers, doers and entertainers in history. Who knows?…we will see as time carries on whether an exact answer arises…

Today in movies, ethnic appearance, hair color, clothing color and combinations of the three are very significant to represent the spread of racial stereotypes in movies and other media. Very often  one will notice a person who is something like a melungeon (Abraham Lincoln was one; Tri-racial describes populations thought to be for example of mixed European, African and Native American ancestry) signifying that there is something else darker mixed with in the DNA/blood line that causes the actor look “off-white” with slight negroid resemblance features but yet still has not crossed the thresh hold of being black and is a person whom can classify and probably most likely does classify themselves as white. Actor Rami Malek’s ethnicity is 87.5% Egyptian and 12.5% Greek, has a popular television role in Mr. Robot. Actor Ron Perlman is of jewish decent (i.e off-white) who seems to resemble a black slave joker salesman who markets the products of the master or he also can resemble or symbolize a moore through his attire and his unique black eye sun glasses in the Pacific Rim movie. Not too long ago “Blackface” was used in films, theatrical events, commercials and other forms of media. Check out this scene from an Indian film where some of the actors are in Blackface in movie Aayirathil Oruvan. Blackface is a form of theatrical makeup used predominantly by non-black performers to represent a black person. The practice gained popularity during the 19th century and contributed to the spread of racial stereotypes such as the “happy-go-lucky darky on the plantation” or the “dandified coon“. (1) ….Stereotypes embodied in the stock characters of blackface minstrels not only played a significant role in cementing and proliferating racist images, attitudes, and perceptions worldwide, but also in popularizing black culture. (7) In some quarters, the caricatures that were the legacy of blackface persist to the present day and are a cause of ongoing controversy. Another view is that “blackface is a form of cross-dressing in which one puts on the insignias of a sex, class, or race that stands in opposition to one’s own.” (8) Nowadays the same thing is accomplished using a white person character actor with deep dark brown/nearly black color to black hair generally denotes a symbolic ancient black person either with an American or British accent. Secondly a white person with red hair (orange hair color) generally denotes a half breed sub par from white and could also denote a symbolic black person or person stemming or tainted with the ancient bloodline in some circumstances. If two protagonist characters or two antagonist characters are male and female or male to male or female to female, one having black hair and the other having orange hair or one having blonde hair and the other having black hair, they will generally express a love hate relationship throughout the movie plot. They will bicker back and forth, weave in and out of arguments. Possibly flirt back and forth. Or long to be with each other as their ideal mate if only the circumstances were right (ode to Superman and Lois Lane, Batman and Cat Woman. One may be able to think of other character combinations). Genuine complete romance amongst male to female characters with the pre-described hair color combinations will never be accomplished or solidified during the plot of the show. These two characters are often in juxtaposition to two white characters who may be romantically involved (have reached true romance during the plot of the show), have a stable family structure and other positively noted relationship features. The hair color of one actor will be either a blonde with another actor whom has auburn hair color or two auburn color white character actors together with either an American or British accent. Dialects equal nations or bloodlines. An American is often depicted as a “dirty blond”, black or brunette hair color which is not quite blond still in the elite class but “tainted” due to the unique mixing of races in the Americas. America is beholden to Britain. Britain being the father and the Americas being the wayward, beast, extremely arrogant son (child) and or confidant, friend, buddy,  brother or sister. Actors with the British accent tend to carry any hair color. Remember we mentioned the movie Dune in the beginning. The Baron would represent the ancient being/s that created the various cultures to use them for his ultimate desire to rule and dominate cultures, the planet, and its resources. However this idea once again feeds in to the “Consider the opposite” where really the elites have the desire and intention to rule and dominate cultures and resources but yet tell the world they are the victims who need everyone’s help to fight against the fictional character Baron(s) around the planet; unfolding it this way the elites would seem like pathological liars…

Point of view shots to a black hand in a generally white film or media generally coupled with a scene of trying to do or accomplish something…the nature to do (be commander and chief or in a place of authority, power and influence), accomplish and thrive as portrayed in the symbolic ancient people is a no no…if you try you must fail, if you try to take authority your authority must be usurped quickly, undermined, snatched away before any confidence is solidified. It typically happens during a climactic part of the film to really give the greatest impact of suppressionary encoding in the viewer who will hopefully be of the ancient lineage to further the sleepness and further the divided between cultures and male and female energies (suppression of kundalini). Point of view shots with a black person in the middle of the background or passing through the background during a conversation between two white protagonists should be watched critically. What is the dialogue saying at the precise time a black person walks past? Eye direction is also key. Where is the protagonist and antagonist looking at the exact time a black actor “passes through” or conversation, or a specific word or phrase is spoken? The black person character actor is generally oblivious to what is happening during the foreground conversation but they may be within the point of view shot anyhow simultaneously to conversation ensuing in the foreground is becoming extremely intense. Note an unconscious feeling impression is solidified in the viewer at that exact point in time of an intense of climactic scene. Also note what that feeling is and you can uncover the underlining plot line when typically, the next face or image you’ll see immediately following a climactic scene is a black face (black male or black female) or symbolic black representation image. This is repeated with ad naseum repetition amongst major movies, films and commercials. A point of view shot to the slightest resemblance of freckles on a protagonist is intentionally shown on a white person and it denotes half breed or sub par white person and could also symbolically denote a black person in some circumstances.

In a movie during group conversations when one black person is among the other group members who generally are white or a mix of races, the dialogue will show in most cases that the black person whom may play a supporting (not a significant role) is the one that “accidentally”, “unintentionally” or rather “intuitionally” steers the conversation to the best idea or plan of action in the plot. The other characters catch on but not at first. The first reaction is a dismissal. If no black person is present default to the black-haired character or the orange-haired character. Also note the idea shared by the “black actor” is initially and quickly sloughed off as insignificant but then the group conversation steers right back to that idea, expounds upon it and the leader of the group ends up being the one who indirectly claims it as his or her own and gives the direction to the rest of the group so they can go forth and overcome the threat or obstacle presented in the movie or film. This is hard to describe; these scenes can be confusing because the scenes and the dialogue are happening so quickly plus it is an intense time where everyone in the movie is needing to solve the problem in the plot to get to the next step in the film. Regardless of the conversation concept these sequences are on repeat in nearly every film who possesses the basic scenarios described in this paragraph.

The black woman depicted as a “monster” generally has characteristics of a highly sexuallized nature (uses her feminine wiles to get what she wants and manipulate outcomes) and imposing character; make the connection to cat woman in the black suit or with black hair; also note the movie The Purge, Election Year ( the DVD can be found at the bottom of the Gantz:o page)…Trying to stop the Goddess Ishtar deity energy from rising up and confusing the nature of that energy. The intention is to vilify it and suppress her kundalini manifestation. This is also done with the black male character actors as well. We have to remember that sexual kundalini energy is bad and it must be shunned, suppressed and/or punished. What better way to get the point across then to infuse his or her character with monster like characteristics. As just mentioned this same tactic is often done with black male actors. Juxtapositionally it holds one of the greatest symbols of fascination steering us to view a black woman, orange haired woman or symbolic woman of the ancient bloodline as a harlot, monster or outcast (someone who should be shunned). Check out Salem TV Series – Tituba aka Salem witch trials. This maybe should have been mentioned earlier but is still has a connection to Tituba and other actors; The concept is a subtle yet forceful push to “Make America British Again.” Note the British hand of power in the movie industry. Paying British actors to act as Americans. Ashley Madekw is a British black actress with a British accent but in this film or TV series carries an American accent.

The “monster” is also depicted as a cyborg (half man half robot. This cyborg link takes one to the depiction of a black man) and juxtapositionally Frankenstein (a man once dead created out of various body parts put back together and electronically raised from the dead. This would be connected to the yaukoo story or the creation of the white man. However the character film used to symbolically represent the beastly black male – then God’s who are or once were sleep/dead and made up of many forms, types or pieces of DNA. See the American Gods TV series on starz), Wonder Woman (made/formed/fashioned out of clay brought to life by thunder bolts of Zeus), Superman (an alien trying to live and operate as a human) and many other mythological symbols and characters. Regarding cyborg, there is a light on his forehead (3rd eye, pineal gland which is a portal to other dimensions, he is considered one the smartest Avengers, contrary to the movies you will need to watch of the cartoon animation films or series with cyborg in it to understand that he often comes up with the best ideas or is one of the key components in the plan to defeat the films antagonist(s)), a light in his chest area also considered the heart chakra (symbolic feeling center), a light near or above his loins or root chakra (where the soul resides, the little Sun within the body; the body being the HUGE avatar (1 & 2) juxtaposed to the tiny speck of light consciousness one inhabits the body through; animating the body with the personality and idiosyncrasies. Bobby Hemmitt talks more about this.

It is hard to describe and phrase properly but “Consider the Opposites” is a key concept. Maybe it is easier to understand the concept in the form of lies. As Bobby Hemmitt would say “the enemy doesn’t just lie some of the time; The enemy lies all the time” in the form of opposites. As mentioned before try considering some of the antagonist attributes as good instead of what the movie is trying to portray as bad. Often movies will project fear based emotional references to steer the viewer to be afraid of a particular subject. For instance the Freddie Krueger premise is to don’t go into a deep sleep or he will come after you and terrorize you in your dreams…must do whatever it takes to stay awake. This fear based theme is also repeated in movie “The Invasion“. Note the pineal gland is generally most active in deep sleep thus the greater potential for astral travel and crossing into other dimensions.

Please watch the movie Gantz:o. Below is an excerpt from the page.

The talk with the super monster God. In front of the protagonist holding the ripped off dead head of the fiercest super warrior (who was played by the only black actor in a Japanese film) (note there is a subtle connection between the war against the sleepers and the awake; using the sleepers to fight against the awakened ones; the sleepers despises the awakened beings. And symbolically become the greatest super warriors against the awake) in its hand and holding its index figure out pointing to the protagonists’ forehead/3rd eye symbolic position and holds it in this position as if to say it is giving the protagonist a chance to have a change of heart or else he will be killed. In essence, the God wanted to find one person who truly believed in him by this gesture of sparing the protagonists’ life. This compassionate moment becomes the Gods downfall because it was so concerned about sparing the protagonist life that it neglected to pay attention the ensuing danger around him. This sympathetic gesture may have been intended to convert the protagonist from an enemy to an ally. However, the innate hatred of Gods wins out. When indeed the protagonist never trusts or believes in the Monster/God. He is only trying to find a way through the dialogue to spare his life…you can’t convert one’s nature…It is as it is…for instance a dog or an animal will always be so…(Dion fortune reference: says in chapter VII. The Pathology of Non-Human Contacts “Non-Human is like a pet animal, not a fellow-creature. That, frankly, is the only possible ground upon which they can be approached. If we expect no more of them than we should a pet bird, if we manage them as we should manage a kitten, we have got as near to the solution of the problem as we are ever likely to get….”) no matter the constant training and affection will not steer them down the path to becoming human.

In view of the dialogue the protagonist drops his gun realizing it is a losing battle to fight and quickly says “Wait”…”Let me ask you” “Why are we…”Killing each other?”

The monster responds to his question indirectly.
Monster/God: Do you feel like your’re in God’s presence?

The protagonist: God?

Monster/God: God is the absolute power.

The protagonist: Your God?
scene pause
The protagonist: Are you? (responding as if the Monster/God is obligated to give him a response; projected superiority interjection)

The monster/God: This world has many (Gods). I’m merely one of them. There is no defying that fact?

Remember throughout the whole dialogue the monsters finger is still against the protagonist forehead/3rd eye symbolic position. However immediately after the monster speaks the last line the ditsy lady warrior (whom just pledged her romantic commitment to the protagonist) blast the arm of the monster that was pointing at the forehead of the protagonist, therefore dismantling/evaporating the monsters ideology before it sets in/transmits solidification in the viewers mind. She has claimed the protagonist, not the monster. She will fight tooth and nail to defend that honor. The monster says “I see” meaning that it understands that monsters (Gods) should not trust people. And proceeds to shoot laser beams out of its eye (ode to Superman eye beams) and tries to destroy the city and the remaining warriors.

Tangent thought; at the center of each eye is a black hole or a portal. The eye looks similar to the Milky Way Galaxy. There is also a light beam that goes through the center of a black hole and out the other side. In the article “Scientists Unravel Secrets of Monster Black Hole at Center of Milky Way” What is the analysis behind the Superman eye beams anyway? The projection of the lying entity that always thinks and projects in opposites says to itself about descendants of the ancient bloodline that focused attention destroys also “Don’t look me in the eyes” this act is offensive; but flipping the pathology 180 degrees one can deduce that focused attention creates. Perhaps creating the sensation to feel or experience compassion or oneness. The innate encoding robotically says to itself whenever it comes into the presence of the symbolic ancient blood line “must break attention, must do whatever I can to break attention, I must follow where, what or who their eyes are focusing on and break that attention, the descendants of the ancient blood line must always focus their attention on me, I will be their source and their stimulant, they must not create, or I must control their ability to create so I always end up possessing the essence of their creations but quickly destroy the creator of it, so I can absolve myself of guilt because I don’t want them or anyone to know that I stole it from them, fore I am the true creator.”

Tangent thought again: blacks in slavery got the “Be seen and not heard” beat into to them and encoded in their minds by their masters. Subsequently “You should never look a white man in his/her eyes; This is an offense. It is a sign of disrespect. It is construed as challenging or bucking up against perceived authority. So instead keep your eyes low or look to the ground when you encounter them. One must present the impression of being subtle, abased, insecure and inferior.”

The movie industry launched a worldwide massive campaign against the descendants of the ancient blood line (specifically the symbolic black male) in Superman vs. Batman: Dawn of Justice Movie. Note that in the logo the Superman’s “S” is swallowed up by the Batman symbol. Meaning the “S” is smaller and centralized within the Batman symbol. Both Superman’s and Iron man’s hair is historically dark in color. Both Batman’s dark aubur hair color and Superman’s historically black-hair color are symbolic to black male  yet they carry a white American elite status. The butler is British (father figure, guider, supporter, confidant, buddy, moral or conscious authority to Batman. It may be outrageous to allege that Alfred had some to do with orchestrating the death of batman’s parent’s. The least character to consider as a villain is often the most villianistic and twists the story line into a major shock). Superman black hair is symbolic to the ancient blood line. Superman and Batman’s love interests have either orange or black hair. Batman is a white man whom participates in all knowledge, dark arts and the occult. Superman represents the symbolic black man whom participates in morality and whom has alien lineage. In the beginning of the film Justice League Full Movie 2017 Joker boldly and confidently toys with Superman as he is a gullible child whom will not tap into his ultimate power and whom could easily kill the Joker. By the way the Joker character looks very similar to black person in history if one replaces the white skin with black skin; see Goodbye uncle Tom! “Warning Graphic Content” around 1:11 minutes into the movie. If true the Joker is the “Gentleman” who advertised the slaves for sale and made sure they were ready for auctioning so master would get the highest price for the sale. With so many tricks up his sleeve and innovative ways to market and advertise masters’ products all while shuckin and jivin, Joker seems like a fitting name. The Joker wears a top hat, Victorian-era attire (The era when the slave trade made the nation rich and wealthy beyond imagination). On some images of Joker there will be reptilian clothing.

If Superman gets fed up and ensues with anger, rage and suffering he busts through moral code that binds his actions. It is the projection of moral limitations that keep his power shackled. The love interests represent the symbolic black women. Batman has unlimited wealth, power and the greatest access to surveillance of the world. Note Superman’s “False God” theme. Input the black man and the projected theme is the black man is a False God. Then flip it 180 degrees, they are saying the symbolic black man is a God …interesting … Thus, follow the hair color to get to the real message they are trying to share. This “God” theme is repeated in The Purge movie imagery. A black male teen is wearing a mask with “God” written across the forehead. This same image was used in a lot of commercials and billboards across cities and towns. Another repeated image is a black teen wearing a mask with an upside down cross on it at the symbolic 3rd eye position; points to the symbol of the symbolic black man/3rd eye awakening as an/the anti-christ

This is an idea section that will continually be updated and tweaked for better clarity. stay tuned.
Fun MoviesKundaliniMelaninMelanin and MythMovies
The Invasion Adolabrath – Adolabroth – Adolebroth Maafa21
Bobby HemmittNeely Fuller Neely & Frances  – Dr Claud Anderson
Eckhart Tolle Dion Fortune Mark Passio – Citi Hampton
– Alexyss K Tylor – Dr Alim Bey – Dan Winter – Dan Winters
– Yahweh – Yahweh Yaldabaoth – Yahweh-Yaldabaoth
Yaldabaoth – Melatonin – Melatonin Miracle
– No Apology Necessary










Restoring Centripetal Forces – Dan Winter

Implosion: Secret Science of Ecstasy and Immortality

The Secret Science of Ecstasy and Immortality
Science of Bliss and Ecstasy- with Spiritual Hygiene as Science
Intro is for Young People Seeking Spiritual Experience
Takes the serious science of what bliss is,
and develops that into an earnest hygiene.
First part of the book is focus on young people.
Includes Sacred Geometry and Geometric Origin of Language
http://www.youtube.com/watch?v=3d3o77ufbYs

https://www.youtube.com/user/lophi618
Promethean Reach
http://www.prometheanreach.com/

http://www.goldenmean.info
http://www.fractalfield.com

Dan WinterDan WintersFractal CompressionGoldenmean
KundaliniKundalini ScienceSacred Science

Fractal Conjugate Space & Time: Cause of Negentropy, Gravity and Perception: Conjuring Life: “The Fractal Shape of TIME” Geometric Origins of Biologic Negentropy

Undoubtedly the most radical breakthrough hypothesis since the dawn of science:
That ONE single golden ratio phase conjugating caduceus implosive self-organizing frequency cascade precisely tuned to Planck time/length (Fractal Space and Time)- is the cause of
– gravity
– all negentropy and life force (and coincidence: as charge coupling by charge rotation called ‘time’)
– vacuum coherence / zero point energy
– perception
– the core concept of all spirituality: a selectively pervasive universal living field effect which communicates survival-using lawful wave mechanics- literally the collective mind.
Includes the specific frequencies (optic/magnetic/electric conjugate pump wave) then to repair:
– gravity (and therefore atmosphere),
– life force (rejuvenaton / bioactive healing fields),
– perception (attention deficit for example), and
– negentropy (all wave systems which need to emerge from Chaos- for example: Gaia).
All the calculations in this book- are original discoveries of Dan Winter. They show – hydrogen dimensions, schumann frequencies, photosynthesis frequencies, sacral cranial frequencies, earth orbit time, venus orbit time- (the brainwave frequencies of bliss, the frequencies PRIORE used to heal) these and MANY other dimensional fundamentals of self organized systems – ALL turn out to have ONE newly discovered incredibly fundamental (and negentropic) thing in common. They all are significantly if not exactly integer golden ratio exponents of planck time/length. There is an attractive gravity to this… Being phase conjugate by golden ratio to the key signature of the vacuum IS negentropy… and LIFE!
Dear Physicist: if you don’t agree that golden ratio phase conjugation causes gravity- then what is YOUR explanation for why golden ratio multiples of Planck predict hydrogen structure??

EartHeart (Dan Winter Collection)

https://www.youtube.com/user/lophi618

EarthHeart: New Emerald Tablets of THOTH- Origin of Meaning, Sacred Geometry and Spiritual Physics- Classic Illustrated from Dan Winter goldenmean.info

Implosion’s GRAND ATTRACTOR

https://www.youtube.com/user/lophi618

Original Book on IMPLOSION: Science- Symmetry – Psychology
The practice of FUSION-based on Golden Ratio / fractal – recursion
(phase conjugation). from Dan Winter – more at goldenmean.info

Dan WinterFractal CompressionKundalini Science
Geometric Origin of LanguageSacred Science
Golden MeanGoldenmeanImmortalKundalini
Science of Bliss and EcstasySpiritual Hygiene

Biologic Architecture Sustaining Life Energy – Dan Winter

Biology is a natural science concerned with the study of life and living organisms, including their structure, function, growth, evolution, distribution, identification and taxonomy. Modern biology is a vast and eclectic field, composed of many branches and subdisciplines. However, despite the broad scope of biology, there are certain general and unifying concepts within it that govern all study and research, consolidating it into single, coherent field. In general, biology recognizes the cell as the basic unit of life, genes as the basic unit of heredity, and evolution as the engine that propels the synthesis and creation of new species. It is also understood today that all the organisms survive by consuming and transforming energy and by regulating their internal environment to maintain a stable and vital condition known as homeostasis.

Dan Winter – Biologic Architecture Sustaining Life Energy 1 of 6

THE SECRET OF THE DARK STARS Paperback – 2013
by
ANTON PARKS (Author)“The Secret of the Dark Stars is a rare book, a strange, extraordinary, timeless, fascinating book. We find in the same book the richness of a novel, a historical and above all spiritual coherence that can make sense of the world surrounding us; it is a challenge. A small miracle! If the presentation of the book reminds us of an epic narrative of science-fiction, and certainly, this book has a real epic ‘breath of wind’, The Secret of the Dark Stars examines the reality of our most distant past, the oldest civilization that gave birth to today’s society, all to make sense of our present. The work of Anton Parks remains totally original, immersing the reader in a ceaseless ballet of questions and answers, playing with the roots of our most fundamental myths, the decoding of ancient and modern languages as part of an epic saga. Fiction or reality? It is up to the reader to decide. Anton Parks describes the functioning of the power struggles between the so-called “Gods” of the Egyptian and Sumerian pantheon by expanding the picture into a huge galactic bestiary, a highly complex and fascinating battle between multiple extraterrestrial civilizations whose identity is coded.” Alain Gossens (Karma One) – Karmapolis.be, October, 2005 “The work of Parks remains unclassifiable and raises essential questions: what was happening on Earth before the coming of Man? What preceded and caused the advent of human civilizations? The author of the Secret of the Stars Dark fascinates thousands of readers around the world with his epic stories about the origin of human civilization. Parks just possibly restores to us our true genesis, the one which appears in the Sumerian texts, which, as a clairvoyant, he deciphers in a straightforward manner. Hang on, this is genuine Parks!” Nexus France, No. 43-44, Spring-Summer 2006

Anton Parks EDEN The Truth about our origins. In 1872, the first translation of the Babylonian version of the Flood found in Nineveh appeared in print. Ever since then Assyriologists have been waiting to find and translate the original texts on the Garden of Eden and the Original Sin. Although it was believed that these documents had to exist on clay tablets, they proved impossible to find-until today. Between 1885 and 1900, archaeologists from the University of Pennsylvania excavated extensively at the site of Nippur (Niffer), in the heartland of ancient Mesopotamia. A great many Sumerian texts were found, including a dozen tablets containing the sources of the Book of Genesis and the origins of humanity. Yet no one seems to have taken much notice! Having taken over the unsatisfying translations of his predecessors, Anton Parks worked intensively during thousands of hours on this material to finally restore the original quintessence of these invaluable documents, in order to expose it to us in this fascinating book. In EDEN, you will see that the first chapters of the Book of Genesis present only a greatly edited version of what was inscribed on these ancient tablets. The Garden of Eden, the Serpent, and the Fall of Man are presented here in a completely new light, proving that these episodes were altered to the point of incomprehensibility in the course of later rewriting. Our civilization today is about to penetrate the Secret that has been kept out of the hands of the “profane” at the cost of great sacrifice. Among the treasures to be found in this world, there is only one that holds all of the great mysteries: the true story of Creation and of the origins of God and Evil. In our age of revelations, it seems of the essence to reconsider the facts that led to the founding of the three great religions of the Book: Judaism, Christianity, and Islam. The truths revealed in EDEN are not only earth-shattering, they take us to the very roots of Western civilization!

The Ascension Mysteries: Revealing the Cosmic Battle Between Good and Evil Hardcover– August 30, 2016 by David Wilcock (Author)
New York Times bestselling author David Wilcock has become one of the leading writers exploring ancient mysteries and new science. With his latest book, The Ascension Mysteries, David will take readers on a surprising and enthralling journey through the history of the universe, exploring the great cosmic battle surrounding our own ascension.David Wilcock’s previous New York Times bestsellers, The Source Field Investigations and The Synchronicity Key, used cutting-edge alternative science to reveal oft-hidden truths about our universe. In The Ascension Mysteries, David takes us on a gripping personal journey that describes the secret cosmic battle between positive and negative happening every day, hidden in both the traumas of our own lives and the world’s headlines.Through his contact with a positive higher intelligence behind the UFO phenomenon, groundbreaking scientific information, and data from high-ranking government whistle-blowers, David reveals that the earth is now on the front lines of a battle that has been raging between positive and negative extraterrestrials for hundreds of thousands of years. The Ascension Mysteries explores the towering personal obstacles David overcame to unlock the great secrets of our universe and looks ahead to what this battle means for each of us personally. By unifying ancient texts from a variety of religions with scientific data and insider testimony, David presents a stunning conclusion—that Earth is on the verge of a massive cosmic event that will transform matter, energy, consciousness, and biological life as we now know it and will utterly defeat the great villains of our time.

ET Origins of DNA by Dan Winter (FULL)

http://www.youtube.com/watch?v=aWLNyF9H_wg
Galactic Origins
http://www.goldenmean.info/implosionmovies/calgary06.html
see goldenmean.info/tools for more DVD’s
Stewart Swerdlow
http://www.youtube.com/user/stewartswerdlow/videos?sort=p&shelf_index=1&view=0
The Prism of Lyra: An Exploration of Human Galactic Heritage
The Spiral Calendar and Its Effect on Financial Markets and Human Events
by author Christopher Carolan

 

Esoteric Kundalini Science – ET History | Dan Winter

http://www.youtube.com/watch?v=qbqVjhtGPaw  Kundalini

OVERVIEW OF GALACTIC HISTORY
http://www.bibliotecapleyades.net/sumer_anunnaki/reptiles/reptiles16.htm

GALACTIC HISTORY
The Old Universe/Old Empire/
Mind Eaters/DNA
By Stewart Swerdlow
from “As Ye Sow, So Shall Ye Reap”
OVERVIEW OF GALACTIC HISTORY

http://www.2012.com.au/Galactic_History.html

Dan WinterDNA HistoryET Origins –  Kundalini
ET Origins Of DNAGalactic HistoryReptilians

Anunnaki Human DNA 2

Ancient Astronauts Theory Anunnaki Nephilim Ancient Aliens Hidden Secrets Full Documentary

https://www.youtube.com/watch?v=qUnIESjxT2g
Overview
Ancient astronauts proponents suggest that aliens came to Earth and profoundly affected the development of human civilization by manipulating the DNA of prehistoric hominids, citing evidence as found in this ancient Mesopotamian cylinder seal as proof of advanced technological influencesProponents of the ancient astronaut hypotheses often maintain that humans are either descendants or creations of extraterrestrial beings who landed on Earth thousands of years ago. An associated idea is that much of human knowledge, religion, and culture came from extraterrestrial visitors in ancient times, in that ancient astronauts acted as a “mother culture”. Ancient astronaut proponents also believe that travelers from outer space, referred to as “astronauts” (or “spacemen”) built many of the structures on Earth (such as Egyptian pyramids and the Moai stone heads of Easter Island) or aided humans in building them.
Ancient astronauts hypothesis of creationProponents argue that the evidence for ancient astronauts comes from documentary gaps in historical and archaeological records, and they also maintain that absent or incomplete explanations of historical or archaeological data point to the existence of ancient astronauts. The evidence is argued to include archaeological artifacts that they deem anachronistic, or beyond the accepted technical capabilities of the historical cultures with which they are associated. These are sometimes referred to as “out-of-place artifacts”; and include artwork and legends which are interpreted in a modern sense as depicting extraterrestrial contact or technologies.Legitimate academics have responded that gaps in contemporary knowledge of the past need not demonstrate that such speculative ancient astronaut ideas are a necessary conclusion to draw.Thomas Gold, a professor of astronomy, suggested a “garbage theory” for the origin of life, proposing that life on Earth might have spread from a pile of waste products accidentally dumped on Earth long ago by extraterrestrials.
Artist rendering of the suspect FOXP2 protein
The genetic argumentAncient astronaut creation theorists believe that language is a gift from the gods. Hypothesis proponents argue that the Forkhead box protein P2 (FOXP2) gene, which research shows to be linked with language, is of extraterrestrial origin. The hypothesis contends extraterrestrials are responsible for giving mankind the ability to communicate, use tools, manipulate fire, socially organize and interact symbolically with one another. The ancient astronaut creation hypothesis further argues the possibility that all life on Earth is of extraterrestrial origin.
Genetic research and brain evolutionIn 2004, researchers at the Howard Hughes Medical Institute, at the University of Chicago, Illinois, conducted a study and found human genes that control the size and complexity of the brain have undergone rapid evolution in humans, and that mammals and other non-human primates had not evolved in this manner. Ancient astronaut creation theorists believe that this evolution is the result of extraterrestrial beings manipulating the DNA of early hominids as well as natural selection.
Hypothesis origins and proponents
A physiologically manipulated Nazca skull (housed at the Museo Regional de Ica in Peru). AAC theorists claim the culturally-based practice came about in as a societal attempt to emulate the bone structure of ancient alien visitors to earth.

Paleocontact or “ancient astronaut” narratives first appeared in the early science fiction of the late 19th to early 20th century. The idea was proposed in earnest by Harold T. Wilkins in 1954; it received some consideration as a serious hypothesis during the 1960s; and has been mostly confined to the field of pseudoscience and pop culture since the 1970s. Ancient astronauts appear as a feature of UFO religions (beginning in 1967), with the Scientologist ‘Scripture”, and followed by Raelism (1974), and others.[citation needed]
Alfred Russel Wallace
This section contains information of unclear or questionable importance or relevance to the article’s subject matter. Please help improve this article by clarifying or removing superfluous information.

The AAC hypothesis challenges Charles Darwin’s theory of natural selection. Proponents of the hypothesis cite the research and theory developed by one of Darwin’s contemporaries, Alfred Russel Wallace, as at least partial basis for their beliefs. According to the ancient astronaut theorist, Craig Stanford, the theory of evolution by natural selection is inaccurate because Darwin had no means to gain a clear understanding of the amount of time that had passed since early hominids had started to walk upright, began the use of tools, and developed language.

Wallace believed that an unseen creative spirit had interceded three times on planet Earth. First, to create life from inorganic matter; second, to create conscio

Did Enki give humans knowledge against the Anunnaki law?

Alien Propaganda
http://www.youtube.com/watch?NR=1&v=HkRAxC70-to&feature=endscreen
Who built the structure in Baalbek in Lebanon? Did Enki defy the Anunnaki law by teaching humans technology? And what is the link behind Noah and various other stories of worldly floods that were all created at the same time… and is there proof?

The Anunnaki of Nibiru: Mankind’s Forgotten Creators, Enslavers, Saviors, and Hidden Architects of the New World Order 1st Edition by Gerald R. Clark (Author). Many historical and scriptural findings not included in the Canonical Bible, have now come to light. Access to texts such as the Lost Book of Enoch, the Nag Hamadi Gospels, and the Book of Jubilees, among others is now widely available and, when synthesized and correlated with existing documents like the Bible and Qu’ran, merits rethinking Western civilization’s origins and intent.

Prepare yourself for a profound belief-challenging journey through ancient Persia, Sumer, Greece, and Atlantis; from Rome to the United States, HQ of the New Atlantis. This book is not like any other in the field: expect the winged-warrior aerial perspective of an Army Attack helicopter pilot, the BS filter of an Electrical Engineer, a Western Medicine-challenging Structural Integrator, and Southern California didgeridoo player all at the same time. Energy and matter, sound entrainment, slave control design methods using the electromagnetic spectrum, eternal life, gravity, and DMT are addressed herein.

U.S. public school history ignores the Sumerians, although they are credited with all aspects of modern civilization, influencing both Egypt and Greece alike. Television series produced by the History Channel, like the “Ancient Aliens” Series is assisting the masses in waking up to the fact that the Anunnaki were not a myth, having left physical documents and artifacts backing up their claims to have created mankind, described in highly sophisticated language, as recorded by Atrahasis.

It was in South Africa, where the idea was spawned to create a primitive worker, namely mankind, to operate the gold mines, provide temple building manpower, and generally serve every whim the Ancient Astronauts from Nibiru conceived of. Many of the Niburians, referenced in the Biblical Genesis as the Elohim, known to the Sumerians as the Anunnaki, were enthroned as Gods in Mesopotamia.

Perhaps it is fitting for Westerners to look into the religious and historical origins for the kings and demigods of Sumer, the first culture to provide evidence of the cuneiform script language, complete with no antecedent. Not only were mundane records, detailed as they were, kept on clay tablets, tens of thousands of which survive to this day, but the history and direct experience accounts of some of the famed inhabitants, like king Gilgamesh of Uruk, introduce us to “Those who from Heaven to Earth Came.”

The Anunnaki astronauts hailed from a planet, Nibiru, in our own solar system, whose apogee resides in a 3,600 retrograde elliptical orbit beyond Pluto. According to their records, likely using spectroscopy as scientists do today, they located gold on planet Earth. Due to a failing atmosphere on Nibiru, Anu their king, dispatched his preeminent scientist and first-born son, Enki, on a space mission to Earth to recover enough gold that could be ionized in a layer of their atmosphere, as a solar radiation shield

Anunnaki gold mines in Africa have been found and carbon dated. Mining operations were occurring at the exact time and location that the “Genetic Eve Study” indicates: Womankind’s genetic origins are undeniably linked to Enki’s gold mining operation. Egyptian Queen Sheba’s mines ring a bell? Michael Tellinger followed the Sumerian account to Africa, locating many of the mines, homes and temples used by the primitive workers and gods, our true ancestors.

Additional source material and limited genealogy tables are included in the Bibliography and Appendix for the reader to explore. More exhaustive ones are available by contacting the author. Now consider your place in the unfolding New World Order. Will you choose the Enlilites or Enkiites to affiliate with, or do you have a choice? Enjoy this intellectual read, it is mind-bending, pineal-gland stimulating, and worth it! Available as Hardback, Audio Book, and Kindle Now!

The Anunnaki Chronicles: A Zecharia Sitchin Reader Kindle Edition by Zecharia Sitchin (Author), Janet Sitchin (Editor). 

An insider’s look into the decades of research behind Zecharia Sitchin’s books as well as an in-depth overview of his theories and discoveries

• Includes carefully selected chapters from the Earth Chronicles series as well as never-before-published letters, articles, and lectures

• Each piece includes an introduction, offering context and insight into Sitchin’s passionate work and revealing the man behind the theories

• Explains the genesis of The 12th Planet, the Anunnaki influences on the Sumerian civilization, the orbit of Nibiru, the prehistory of the Americas, the extraterrestrial origins of modern man, and much more

What if the tales from the Old Testament and other ancient writings, such as those from Sumer, Babylon, Egypt, and Greece, were not myths or allegory but accounts of actual historical events? Known for his ability to read and interpret ancient Sumerian and Akkadian clay tablets, Zecharia Sitchin (1920-2010) took the words of our most ancient ancestors as fact and, through decades of meticulous research, showed that they revealed a coherent narrative about the true origins of humanity and civilization. Drawing both widespread interest and criticism, his Earth Chronicles series of books, beginning with The 12th Planet, detailed how humanity arose after the arrival of the Anunnaki (“those who from Heaven to Earth came”), alien “gods” who created modern man in their own image and imparted gifts of civilizing knowledge.

Providing an insider’s look into the decades of research behind Zecharia Sitchin’s complete works as well as an in-depth overview of his theories, this collection includes carefully selected chapters from the Earth Chronicles series as well as never-before-published letters, articles, and lectures. We learn about the genesis of The 12th Planet in “The Book as a Story,” the Sumerians and their Anunnaki influences in “The Sudden Civilization,” the orbit of Nibiru in “UFOs, Pyramids, and the 12th Planet,” the prehistory of the Americas in “Cities Lost and Found,” the extraterrestrial origins of modern man in “The Cosmic Connection–DNA,” and much more. We get to read never-before-published lectures, culled from Sitchin’s decades of presentations, as well as the article that spurred the writing of There Were Giants Upon the Earth.

Each piece includes an introduction by Sitchin’s niece, offering context and insight into Sitchin’s passionate work. These introductions reveal the man behind the theories, a world traveler known for his scholarship, dry humor, and precisely chosen words. If his theories are true, as Sitchin wholeheartedly believed, then this collection presents some of the most important knowledge we have of our origins and future.

• Explains the genetic engineering of humanity by an Anunnaki scientist Ninmah

• Shows how the concepts of sin and the inferiority of women arose from Enlil’s will to keep humanity underdeveloped, clashing with Enki’s and Ninmah’s plan to make us equal in intelligence

• Reveals how humanity’s long history of conflict was shaped by the battle between Enki and his brother Enlil

Further developing the revolutionary work of Zecharia Sitchin, Chris Hardy shows that the “gods” of ancient myth, visitors from the planet Nibiru, created us using their own “divine” DNA–first through DNA extraction from their own ribs’ marrow and later by direct relations with early human females. Drawing upon multiple sacred texts, Hardy details the genetic engineering of humanity by Anunnaki scientist Ninmah, with the help of Enki and Hermes. She reveals how Ninmah’s first female human creation, Tiamat/Eve, contained more alien DNA than the earlier male one, Adamu, and how the biblical Noah represents the perfection of her work.

Examining the war between Anunnaki brothers Enki and Enlil, Hardy reveals how the concepts of sin and the inferiority of women were born out of Enlil’s attempts to enslave and then wipe out humanity, repeatedly thwarted by Enki and Ninmah. The author further explains how the sacred sexuality taught to humans–still seen in Tantric practice–became suppressed millennia later by the patriarchal concept of original sin and how innocent Eve took the blame for the expulsion from Eden and fall from Grace.

Showing that the god who created us was not the same god who expelled us from Eden, Hardy explains that there will be no apocalypse because the Good/Evil duality has never truly existed–it has been only enemy gods fighting and implicating humanity in the wake of their own competition for power. With a full psychological understanding of how the ancient “gods” have shaped humanity’s ongoing history of conflict, we can move beyond the framework of “(my) Good versus (your) Evil” imposed by Enlil and begin to steer our own planetary destiny.

Heather offers a clear picture of the connection between human origins and the Anunnaki of Sumerian mythology. She goes beyond theories of paleo-contact to elucidate the real connections between our history and our future. Will the Anunnaki return? What is Nibiru? What did Isaac Newton and other key figures of the scientific revolution know about the date of their return? Can we stop the destruction, or are we on a collision course with destiny? Find out in, The Anunnaki Connection. Available March 1st! Pre-order on Amazon to lock in the lowest sale price.

Fractality – Key to the Universe – Dan Winter – Structure of life

Dan Winter Conference in Melbourne
– Fractality is the Key to the Universe
– Golden Mean

http://www.youtube.com/watch?v=qGYkJgOS2e0&NR=1&feature=endscreen

Esoteric Kundalini Science & ET History | Dan Winter 2:49:23

http://www.youtube.com/watch?v=qbqVjhtGPaw  Kundalini

Dan Winters structure of life

Dan Winters structure of life part1
http://www.youtube.com/watch?v=tKaKvpumpKQ
Dan Winters structure of life part2
http://www.youtube.com/watch?v=ZR1_NXZpPHs
Dan Winters structure of life part3
http://www.youtube.com/watch?v=0gnYU5mUtaM
Dan Winters structure of life part4
http://www.youtube.com/watch?v=DAeqLB9iZSU
Dan Winters structure of life part5
http://www.youtube.com/watch?v=wiKk8Nmqw1I
Dan Winters structure of life part6
http://www.youtube.com/watch?v=hXFHuY8t8bs
Dan Winters structure of life part7
http://www.youtube.com/watch?v=_7sPaEv6LZI
Dan Winters structure of life part8
http://www.youtube.com/watch?v=ZzR4ZoScwbQ
Dan Winters structure of life part9
http://www.youtube.com/watch?v=KtsJsfwSu44

ET Origins of DNA by Dan Winter (FULL)

http://www.youtube.com/watch?v=aWLNyF9H_wg

Dan Winters (The Science of Death)

http://www.youtube.com/watch?v=PvJtFtaj_ps

The EggX Files & Bliss Practice | Dan Winter 1:57:03

http://www.youtube.com/watch?v=u1SC0ceLHRU

Dan Winter – Life-Force Design and Sacred Geometry in Architecture

http://www.youtube.com/watch?NR=1&v=VBnj_iQvhSI&feature=endscreen

Dan Winter The Wind on which Love Travels

Dan Winter The Wind on which Love Travels, 1/12
http://www.youtube.com/watch?NR=1&v=Ekl1m9B5a-s&feature=endscreen
Dan Winter The Wind on which Love Travels, 2/12
http://www.youtube.com/watch?v=qPHnJrLALPQ
Dan Winter The Wind on which Love Travels, 3/12
http://www.youtube.com/watch?v=F7f2_k62594
Dan Winter The Wind on which Love Travels, 4/12
http://www.youtube.com/watch?v=cXYqkgvevrw
Dan Winter The Wind on which Love Travels, 5/12
http://www.youtube.com/watch?v=14ShkXE4SlI
Dan Winter The Wind on which Love Travels, 6/12
http://www.youtube.com/watch?v=Wp2H5aHuG6I
Dan Winter The Wind on which Love Travels, 7/12
http://www.youtube.com/watch?v=ngVRsu3uS5g
Dan Winter The Wind on which Love Travels, 8/12
http://www.youtube.com/watch?v=hfPMTZIK_iU
Dan Winter The Wind on which Love Travels, 9/12
http://www.youtube.com/watch?v=VbHOQQopsmY
Dan Winter The Wind on which Love Travels, 10/12
http://www.youtube.com/watch?v=IEvGaQGyhrY
Dan Winter The Wind on which Love Travels, 11/12
http://www.youtube.com/watch?v=c1HZamfjeJ4
Dan Winter The Wind on which Love Travels, 12/12
http://www.youtube.com/watch?v=tnkbQAU4U2E

Dan Winters, The Purpose of DNA and Danger of Implantation

Dan Winters, The Purpose of DNA and Danger of Implantation 5/12
http://www.youtube.com/watch?v=E7DvzAyPoZ8
Dan Winters, The Purpose of DNA and Danger of Implantation 6/12
http://www.youtube.com/watch?v=6BicP4M6FWk
Dan Winters, The Purpose of DNA and Danger of Implantation 7/12
http://www.youtube.com/watch?v=sy8y1YQ4-kA
Dan Winters, The Purpose of DNA and Danger of Implantation 8/12
http://www.youtube.com/watch?v=o3Fz7HiKLJk
Dan Winters, The Purpose of DNA and Danger of Implantation 9/12
http://www.youtube.com/watch?v=OMzz7mkNdds
Dan Winters, The Purpose of DNA and Danger of Implantation 10/12
http://www.youtube.com/watch?v=Uxuq_U16haE
Dan Winters, The Purpose of DNA and Danger of Implantation 11/12
http://www.youtube.com/watch?v=XxVffkypTOU
Dan Winters, The Purpose of DNA and Danger of Implantation 12/12
http://www.youtube.com/watch?v=2RQXZLmFWHs

Dan Winter’s lecture – Alchemy, Fractal Compression, Plasma Fusion

    1. Dan Winter’s lecture – Feb 14, 2011 (1/8) – YouTube
      ► 16:51► 16:51
      www.youtube.com/watch?v=GJTOGAmRHcI
      Mar 6, 2011 – Uploaded by hinomiya66
      Alchemy, Fractal Compression, Plasma Fusion-The Geometry of Human Group Mind ONENESS Experience 
    2. Dan Winter’s lecture – Feb 14, 2011 (2/8) – YouTube
      ► 18:25► 18:25
      www.youtube.com/watch?v=MIidMtk-mCg
      Mar 6, 2011 – Uploaded by hinomiya66
      This video is a response to Dan Winter’s lecture – Feb 14, 2011(1/8) · Thumbnail Dan Winter’s 
    3. Dan Winter’s lecture – Feb 14, 2011 (3/8) – YouTube
      ► 18:25► 18:25
      www.youtube.com/watch?v=sKqphLZ15cA
      Mar 6, 2011 – Uploaded by hinomiya66
      14:27. Watch Later Dan Winter’s lecture – Feb 14, 2011 (4/8)by hinomiya662,522 views; Dan Winter’s 
    4. Dan Winter’s lecture – Feb 14, 2011 (4/8) – YouTube
      ► 14:27► 14:27
      www.youtube.com/watch?v=PTOA-pucKCI
      Mar 6, 2011 – Uploaded by hinomiya66
      Dan Winter’s lecture – Feb 14, 2011 (1/8)by hinomiya668,079 views;
      Dan Winter – Real Fractal 
    5. Dan Winter’s lecture – Feb 14, 2011 (5/8) – YouTube
      ► 18:24► 18:24
      www.youtube.com/watch?v=CKJtJphIwtc
      Mar 6, 2011 – Uploaded by hinomiya66
      This video is a response to Dan Winter’s lecture – Feb 14, 2011(4/8) …. lecture – Feb 14, 2011 (1 
  1. Dan Winter’s lecture – Feb 14, 2011 (6/8) – YouTube
  2. ► 18:25► 18:25
    www.youtube.com/watch?v=odZweRT9GDc
    Mar 6, 2011 – Uploaded by hinomiya66
    Dan Winter’s lecture – Feb 14, 2011 (1/8)by hinomiya668,079 views;
    Dan Winter – Sacred Science …
  3. Dan Winter’s lecture – Feb 14, 2011 (7/8) – YouTube
    ► 18:25► 18:25
    www.youtube.com/watch?v=c4wV4ZVY5FU
    Mar 6, 2011 – Uploaded by hinomiya66
    This video is a response to Dan Winter’s lecture – Feb 14, 2011(6/8) …. lecture – Feb 14, 2011 (1 
  4. Dan Winter’s Lecture – Feb 14, 2011 (8, 8) – YouTube

Powder (Full Movie) (1995)
http://www.youtube.com/watch?v=QHh1108IRGU

Dan Winter – Sacred Science of Carrying Memory Through Death

Theme of Lecture – Science and Ancients

How to Interpret Movies

Interpreting Films – Amazing Thought blog references Movies!!!, TV Shows, Commercials, Books and Video and Audio lectures for information relating to general social structures, people interactions, metaphysical theories, history, contemporary hot topics, religious commentary and Metaphysical Theory.

Below the list of names and subjects is How to Interpret Movies. The list below has provided a contextual jump start basis which helps to interpret life, Movies, TV Shows, Commercials, Books and Lectures in a new way. Many more names can be added to this list…However the is no endorsement any person listed on this site whom may share there own opinions. The list begins the basic context for the information presented in this blog:


People interactions and General Social Structures
Neely & Frances (The identity of Suppression)
Neely Fuller Talktainment Radio
Neely Fuller (9 Areas of Activity)
Isis Papers (Society, subtle Symbols)
Eckhart Tolle (People pain-bodies)
Paul Mooney (People Observation in Society)
Professor Griff (Hip Hop Mind Control)
Jawanza Kunjufu (Conspiracy to Destroy)

People interactions and economics
Dr Claud Anderson (POWERNOMICS)
Dr. Umar Johnson (Empowerment)
Phil Valentine (Empowerment Community)
Cornel West (Philosopher)
Basil Davidson (Africa Magnificent Cake)

Science Theory
Dan Winter (ET Galactic History)
Dan Winter’s (Fractality, Goldenmean)
Dr Jewel Pookrum (Melanology)
Henrietta Lacks (Immortal Cells Medical Industry)
Karl Pribram (Holographic Universe)
Lloyd Strayhorn (Numerology)
Michael Palmer (Medical Dramas)
Christopher Carolan (Financial Market Cycles)
Carl Munck (The Pyramid Code)
Young Pharaoh (Melanin Science)
Long Island medium (After Death communications)
Dr Tim Morrow (Heal Thyself)


Metaphysics, Historical & Religious Commentary
Eckhart Tolle (Consciousness, Presence)
Dion Fortune (Automaton)
John Henrik Clarke (Historian)
Mark Passio (Occult Symbols Interpreted)
Bobby Hemmitt (Video & Book list)
Dr Alim Bey (Ritual purpose)
Juanita Bynum (Gospel)
Eugene Adams (Prophecy foretold)
Henry Baker (Black Inventors List)
Ivan Van Sertima (Ancient History)
Marcus Rediker (Slave Ship Experience)
Naazir Ra (Hidden Power University)
Na’im Akbar (Negro Psychosis)
Phil Valentine (Metaphysics)
Robert Anton Wilson (Final Secret Illuminati)
Basil Davidson (Africa Magnificent Cake)
Earl W. Carter (No Apology Necessary)
Dr Cindy Trimm (Kingdom Living)

Kundalini energy
Young Pharaoh (Kundalini Explained)
Citi Hampton (Kundalini Explained)
Alexyss K Tylor (Vagina Power, Penis Power)
Bobby Hemmitt (The Serpent People)
Dr Alim Bey (chakra, Flow, Energy)
Juanita Bynum (Gospel)
Arthur E. Powell (The Astral Body)
Aleister Crowley (Illuminati Ideas Rituals)
C Freeman El (I Self Law Master)


How to Interpret Movies – Interpreting Films

Movies, TV Shows, Commercials and Books that reach the masses of people on the planet tend to carry continuous ongoing themes and symbols at ad nauseam repetition. Most people are confused by the story’s, choice of characters and plot lines and for the most part just see them as great sources of entertainment. Why are these forms of media so imperatively important that Millions of dollars are spent every year to produce them?

Before interpreting one will need a broader context of understanding. But at the root “Why” is the start of the process. It is important to ask “Why” to each thing that is perceived in being ones’ current reality, until it takes you further back in history, deeper in space and time to where you never realized how far you have gone. “Why” is a key. Why is this? Why is that? “Why” helps one to step out of conditioning, in order to start recognizing the conditions. You don’t just stop at the contemporary past. You go further, wider and deeper. Why do we have these general social structures? Why do people interact with each other the way they do? Why does the world operate as it does through economics, education, entertainment, labor, law, politics, sex, war and religion? Why do we have religion? Can one find more answers in religion? Why is there racism, discrimination, sexism and so on? Why do movies often portray one thing but the opposite exists in reality?

Somewhere within the list of names and subjects towards the top of this page the preceding information was gathered. Many “Why” questions were answered. Please Stop Now? Warning ahead. Strap on your seat belts. The proceeding information is going to get outrageous. Can you handle it? Ready? Set. Go! Unique beings are in control of every major structure on the planet also known as the 9 areas of activity by Neely Fuller (also see Dr. Frances Cress Welsing (Neely’s counterpart) and Mark Passio for Occult Symbols Interpreted). These unique beings carry within them an innate pathology (rooted in oneness disconnection as explained by Young Pharaoh) that governs their leadership, use of media channels, story lines and plot lines. The pathology projected through various forms of media are confusing to many and the viewer tends to find little connection to them.. Below you can see some keys to make sense of the madness and begin to see yourself in the Movies, TV shows, Commercials, advertisements, books and recognize the subtle messages they share on a continual basis. In Frank Herberts Dune 1984 movie whom Dan Winter (who shares a peak into Galactic History) and Bobby Hemmitt (who uncovers hidden knowledge) among several others claim Dune is more accurate than the Bible in describing history and the state of the world in the past and present. The Baron Vladimir Harkonnen played by Kenneth McMillan is the uncle to Feyd-Rautha Harkonnen (10174 AG – 10193 AG) is one of the antagonists of Dune. Feyd played by Sting (British born) was the younger nephew (Modern day Britain) of Baron Vladimir Harkonnen of House Harkonnen The orange haired Baron has horrible skin and black color finger nails and toe nails, unpredictable, does not adhere to typical moral standards and exhibits extreme gluttony. Feyd-Rautha Harkonnen was nominated by Baron Vladimir as the “Na-Baron” – heir to House Harkonnen. The Baron favored the young Feyd-Rautha over Feyd’s older brother “The Beast” Glossu Rabban played by actor Paul Smith (of America ethnicity), Count of Lankiveil. Feyd was both intelligent and charismatic, and was dedicated to the Harkonnen culture of sadism and cruelty, though potentially only due to his upbringing. 1:49:19 minutes into the movie Baron says to Feyd “And when we have crushed these people enough, I’ll send you Feyd” (Contemporary, New age and evolved (Britian). Also visually likeable yet still carrying the seed of deceit to maintain the subversive leadership and oppression of the people). Who are the people he is symbolically referring to and what is the manner in which the Great villain Baron will send Feyd? Dune is a great movie to apply the keys of interpretation through symbolism and mythology some of which is mentioned within this contextual jump start. Note: Dialects or accents equal nations or cultures. Also actors are selected with strategic intent. The nationality or what nation an actor is born into may also be very important to why the actor is chosen for the role.

Melanin – Most movies that reach the masses have symbolism with references to melanin in some way. It is often referred to as ancient essence, spice, shadow, cinder, soot (from a match or a fire), ever moving ever changing essence, transforium (in the Transformer movie series), vibranium (in the movies Avengers, Captain America, and the Black Panther), an intelligent dark essence, darkness in the blood, chaos in the blood and hundreds of many other phrases and names. A battle to control or harness the power of chaos. It carries great fascination but it is still a threat. Fear based images and cautionary images are often used to describe it. There are numerous, extremely important and phenomenally profitable uses for melanin; The Melatonin Miracle, Nature’s Age-Reversing, Disease-Fighting, Sex-Enhancing Hormone by M.D.’s Walter Piepaoli and William Regelson with Carol Colman. Also see Kaiju Remedies from Pacific Rim movie. And see Dr Jewel Pookrum (Melanology). As well as Top 10 facts about melanin. Melanin extraction as exemplified in the movies The Dark Crystal and Dune. The famous Avengers characters Captain America’s shield is made from vibranium (hence a vibrating, ever moving substance). In the movie Avengers Age of Ultron the on screen character Helen Chung says “The vibranium atoms aren’t just compatible with the tissue cells, they are binding them. And Shield never thought to…” Ultron interrupts her and interjects “The most versatile substance on the planet. And their using it to make a Frisbees (aka Captain American’s shield; using melanin to not only bind with tissues but also to bind with metals to enhance their strength capacity) The Black Panther’s black skin suit is also made out of vibranium (aka, code word melanin). Also see how Transformium is also connected to a melanin reference in Transformers Age of Extinction.

Kundalini – Kundalini references symbols such as the snake, reptile clothing and/or accessories, rhythm, dancing, creativity, surge of energy, octopus, electricity, lightning, thunder, unpredictability and many more. Kundalini manifests itself in many unlimited forms and it is a threat. The protagonists and antagonists will usually be fascinated by it and/or some symbolic melanin representation form. They will fight to acquire it, figure out how to harness its power, control it or fight against it or suppress the many forms it arises from. It is also possible for each one of the scenarios to be present in the interior film…seemingly like a world wind of confusion for the viewer…what is the feeling impression the viewer is receiving from the film at the exact moment symbols, dialect and dialogue are present? This is critical. It happens through the presentation of symbols, slight gestures, point of view shots, where the eyes focus on simultaneously to what is happening in the background and foreground scene, and vice versa while the screen play dialogue is shared. Actors are selected for specific reasons, scenes, looks, dialect, personality and Idiosyncrasies. Translate this also to the seemingly miscellaneous actor that crosses the foreground and background almost in a blur simultaneously to dialogue, scene shifts or climactic moments. Pay attention to their racial skin color, hair color, clothing and what they are doing. Also pay attention to objects in the background and foreground, their color, texture, name, wording and signage. The presentation of confusion persists because scenes are jumping from one to another so fast that it is often hard to keep up with what is happening and shown down to the finest details. But keep your eyes on the prize, focus on the patterns that occur consistently throughout most films and movies containing black actors. Note what is happening in the background is just as important as the foreground. For instance, one scene showing a black male in the group of other races in the background, the subsequent scene general shows a black female. Then sometimes they are shown together again or separate and/or apart from each other on different sides of the same scene. It weaves in and out on repeat through the entire film and movie but it is done so slight that it is often easily missed. In cases with no black actors are in the films foreground or background, default to the black, orange hair color or darkest hair color. It is almost like the weaving of symbolic Kundalini energy (yen and yang) throughout the film.

Heroes – The protagonists and the antagonist are often referred to as heroes. Heroes are often presented as creations either by science, some freak accident or trauma. They do the phenomenal work of suppressing kundalini on behalf of the greater ruling populus. The heroes are the great, strong, clever, resourceful and fearless characters that are connected to the ancient blood line yet control and suppress the manifestation of the ancient blood line within themselves and others…Superman unchained could destroy the world so he must be kept in check (via encoding like a robot or slave) by the Justice League, thus the “always serve and protect” mantra is continually repeated, encoded in the viewer and shared. Superman was once portrayed as very positive trust worthy character but is now portrayed as an untrustworthy and almost villianistic, rageful, unpredictable, alien character where the world has turned against him branding him as an outsider that must be kept in his place, locked up or restrained in order to exploit him for his strength and talents. Also reference the movie Bicentennial Man , iRobot among several other movies that will be added here later. For more information about demi-human programing visit Humans Season 1, HumanSimulacra.pdf  source montalk.net, Simulacra and simulation PDF by B Conrad Williams source www.bconradwilliams.com and The Simulacra by Philip K. Dick.

Ancient people are often referred to as goons, goblins, demons, monsters, monkeys, gorillas, reptilians, lizard people, crocodiles, snakes, goats, deers, bears, witches and thousands of many other names and phrases. The movies or media generally expresses them as untactful (lacking tact), unstable, unreliable, flighty, aggressive, narrow mindedness, over sexualized, over flirtatious, happen stance place holders, long winded and even possessing no capacity to provide relevant input relating to solving a problem in a plot and a very long list of other negative connotations to think about a person who stems symbolically from the ancient blood line. It also should be made clear that the mixing of the blood during slavery and beyond, make a new form of monster; having both ancient and contemporary blood, and make it nearly impossible to unravel the ancient bloodline throughout the color spectrum of races specifically in America; spanning from black to white. Thus, the use of the black man and the black woman are only contextually the greatest symbols representing the ancient people. The trait (rooted in oneness disconnection) is inherent in all races. Few are aware of it within themselves but the masses of people will not ever and or cannot dismantle its harmful destructive discord. However, keep in mind the most capable beings to overcome sustained suffering are of the bloodline who survived the middle passage of slavery and beyond in the western hemisphere with an emphasis on blacks in America. Keyword on the term suffering. Slaves were at the mercy of their masters and overseers, in many ways this dynamic has not changed. Tangent thought each race or group capitalizes on suffering imagery displayed in movies and other media but none of their bloodlines suffered the middle passage of slavery. Contrived images or experiences of suffering to mimic that of the ancient ones does not count although the movie or media logic is that it does. On the flip side, going back to slavery, any terrifying activity that could be thought about was most likely done and inflicted on the slaves, often while shackled or constrained from escaping. Horrific events occurred; beating, torturing, castrating, cutting off hands, feet, tongues and other body parts, being eating alive, boiled alive in hot water and oil, whole bodies roasted over fire and eating like bar-be-que, starved, treated worse than animals, eating the worst left over pieces of food, burnt, poisoned, branded, raping of women, children and men in front of the family by male and female perpetrators usually by another race (which contributed to dismantling typical gender roles and magnifying various areas of gender identity), as well as making parents breed with children and visa versa, hence the term “Mother Fucker” (an untrustworthy environment), tearing families apart. Imagine the extreme shame, physical and psychological trauma from being so humiliated, accused of wrong doing when there was none, cheated on, degraded, violated, victimized and the masses of people confined to these inhumane conditions were so powerless and unable to do anything about it. See Goodbye uncle Tom! “Warning Graphic Content” for a theatrical peak into some imagery of the slave experience. They were “miraculously” resilient. Historians share accounts where people were amazed about how black people’s bodies quickly recovered from the horrifically, terrible trauma of being crammed in the boats for so long crossing the seas and the tortures of slavery. The elites know the black blood line is the most significant symbol of suffering. Although the suffering symbolage stands true this banner is denied the victims and their bloodline, snatched and given to their pathological oppressors. The elite also know that this blood line is literally connected to the precursor of every culture, language, race, country and continent around the entire world. In the beginning was blackness. From the blackness further evolution, transmutation, or scientific contrivance has occurred. Although the movie series of Hostel (specifically Hostel 3) was and is extremely gruesome and difficult to watch it focuses on contemporary suffering and torture for the thrill and pleasure of the perpetrators and the fright of the victims. It is jam packed with religious and occult symbols. Through this movie series it is fascinating to observe the oneness disconnection in its extreme workings. But watch this movie series after reading through this entire text. Once you can piece together the symbols it is less frightening to watch because one begins to realize a mythological story is being told. Tangent thought; ode to Ludacris’s song “How Low can you go” which is a phrase most likely unknown to the author that genius-lly captures the essence of the ancient beings thrill ride in this life in the midst of all the various unlimited forms of experience and suffering which contributes to creating a new God form essence on this planet and in the universe.  The “Lower” one has gone the greater the change and opening up to deeper realms of experience.

There are underlining messages in movies that are outrageous and confusing to many. However, they are based on the perspective of the elites who see life in a much broader since then the masses of people on the planet do. They have the ability and power to share the story’s given to them by the mass from the elite’s perspective and frame of reference. It is subtlety slipped in to the plot to where the masses have very little idea that it is present. Universal truths are open to the elite.  Thus, the universe evolved and created its most unique expression in terms of a human or a person. In the universal state, more telepathic and the most “recent” state, more empathetic in the form of humanity through feeling, suffering, expressing, and creating on a micro and macro level.  Allude to Jesus coming to earth to experience the infirmities of the flesh and what it feels like to be human. This developed within him a profound love and respect for humanity. The ruling authority is in the business of fulfilling prophecy. In “considering the opposites” vilifying the victims whom are the progenitors of the prophecy and trying to stand in their stead as the true fulfillers of prophecy. How is this done? By documenting or presenting via news, media, TV shows, movies and films a barrage of instances of suffering and allowing the elite to experience life unfiltered through fun, happiness, evoking sadness and crying, emotional sensations, ecstasy, sex, anger, rage, revenge and even murder or sacrifice unhindered, to a degree; all of which are elements in developing humanity. The elite must be allowed to have full access to all these polarities for optimal mental and physical stimulation. Thus, experiencing all that life has to offer is encouraged. But on the flip side, for their worldwide subjects experiencing all life is hindered by rules, laws, policies, stigmas, dogmas, cultural morals (can also be known as religions). It is the ability to project worldwide images of suffering shown to the masses in epic movies and various media channels that encode the masses with the belief that entitles the elite to the birthright of the Gods and an obligation to rule and be superior over the masses. However, prophecy said this will be the case. The “fool” the ones most deeply rooted in oneness disconnection (also considered the least experienced or rather having the least historical time chart) will rule in the last days. Regardless of the 2017 movie story line or plot in The Boss Baby film, the symbolic Boss Baby is the born leader of this dispensation. All other cultures have had their chance to lead; now is the Boss Baby’s turn? Why a baby? Because it is symbolically the newest entity created amongst the races. And why a “born leader”? Because leading is in its nature (meaning DNA make up). In the presence of other races it eases into and eventually takes on the leadership roles. One does not have to know how to build at first, just lead others who know how to do it, learn from them and then do it one’s self later on. It possesses a unique genius imagination to build it better; continuous ongoing improvement.

Pineal Gland – Is referred to in movies and other media as magic wand (Harry Potter wands and Will Smith 2017 movie “Bright”, staff (staff of Tahuti, Caduces), sword (Optimus Primes’ sword flares up like a flame or gun and Vultrons sword in the shape of a flame, as well as Star wars Jedi lightsaber different colors are different forms of Pineal Gland activation and how it manifest certain energies in the world) Tangent thought (“Hot like fire, Im gonna take you higher, you can’t resist, kiss, kiss, kiss….” [making the connection to spark the flame of pineal activation]…Aaliyah’s Hot Like Fire song. “Come on babe light my fire” Lauryn Hill’s Superstar Song. Also consider Celion Dion’s song “Back to life” a song written by Cia, an alternative perspective, it sounds like it’s about the third eye or pineal gland awakening – The last key factor to consider in fulfilling prophecy is exercising the pineal gland and stimulating greater mental and physical functions is the intention of the elite as well as to do this in a race against time before the Gods wake up, while simultaneously trying to keep them asleep, whomever they might be in various economic forms and locations within the planet, hampering their pineal activity through poisons and various forms of moral dogma restrictions. The God like energy would be that portrayed as the most powerful or terrifying supervillains. However, because many of the glands are calcified and no matter what type of stimulation an individual encounters, it will not cause the pineal gland to awaken. However, technology (which is outside the body) is a tool that mimics pineal activation. The pineal gland is a biological tool, connected to all the sensory perceptions of the body, possessing the ability to be connected universally and to cross into other dimensions. So in place of the gland, technology is used to help spirits cross dimension in order to operate and control dimensional time travel, rewrite history or change destiny as depicted in The Legends of Tomorrow 2017 TV Series. Regardless of how Vandal Savage appears in the TV series he represents a Moore or rather a symbolic black man (whom possess within his DNA or semen to annihilate all races from the planet. He is the greatest natural threat. He is the symbolic sabbatic goat or the Satan). Yes, it is far-fetched but if you watch every DC cartoon or show that has Vandal Savage in it sometimes he is a very light skinned black person, with Moorish clothing and a black man as his voice. Movies will often choose an actor is white but begins to have black persons features but yet is still not black to play the role of a symbolic person.

Before the original Gods went to “sleep” and reincarnated losing memory of the past and semblance of cultural identity’s they created/orchestrated cultures to house and retain ancient information and knowledge of the past and prophecies foretelling the future. The Gods are scattered and hidden within cultural fragments around the world in the form of races we see today. The darkest skinned people amongst each cultural are hit hardest with the greatest attack, whom symbolically represent the greatest symbol of ancient representation. Yes, this is based on skin color. The bloodline most connected to the most ancient of people on the planet within each culture are that of a dark skinned bloodline. This is not referring to African people in particular whom from a contemporary perspective are consider the same as the new age races and cultures. The terms “Black” or “African American” are the newest age classifications whom are most connected to middle passage drama and possess the greatest DNA connection to all races. Each mythology from every culture, language, race, country and continent attacks this blood line…Attack on the Titian’s; suppression tactics are similar around the world; for instance racism in China explained by Dr Umar Johnson. It is the flushing out, purging out, rooting out of this bloodline in ad nauseum repetition around the world throughout mythology, movies and various media channels. Why did the Gods create this process? Maybe to intention a new being through generational alchemy or a new form of the God essence in the universe. However, who knows? maybe that question is solved by going back to ancient prophecies or mythology…Let the Stone tell the tale… Note the architects intention-ed the innate pathology that exists within every culture to be in opposition to the ancient ones. It is inescapable from their DNA, physical composition, vibrational receptivity, thought processes and or pathology. “Cultural sensitivity can be systematically masked” to seem undetectable via training but beware it is deeply ingrained in the essence of the beings DNA. Governed by an entities make up, there is no escaping the inner workings. This inner operation spans all ethnic color lines and is rooted in oneness disconnection, Thus peeling back the surface, “against the ancient ones” and “projected superiority” over the ancient ones based on the color lines is unfortunately ever present. Yet on the flip side it is fortunate for the “sleep Gods”…Toast to evolution and suffering. Tangently, on their quest for true connectedness with this earthly/natural plan, unfortunately will never be fully realized. Also, the quest for true cultural reciprocated understanding will always be the wantingness for the carrot dangled at the end of a stick; never achieving fulfillment. It keeps life propelling forward creating new imaginings of the present and future. Subtle forms of people interaction are shown in films at ad naseum repetition. Note the films symbolically represent real life people interactions with exquisite detail. They never waver from “against…” or “projected superiority” based on color in their portrayed behavior. Look for them. Look for the pattern. It is always there. Regardless of the constant barrage of derogatory symbolism representing the ancient race (with black people from America representing the greatest symbol) in movies they are Highly entertaining and packed with a lot of information about that blood lines past and present with acute details of past and present day chaos and implosion behaviors of the “sleep Gods” as they putrefy beyond recognition, cohesiveness, sense of self, culture and identity. As said before in The Great Wall (2017) Movie all the races on the planet have their own mythology of their battle with the ancient blood line of whom are repeatedly represented a natural threat verses a technological threat, and also as insignificant, place holders and people that don’t really matter to the world. Dr Na’im Akbar explains in excellent detail the black psychosis; the craze that baffles the world and all cultures. In essence, what is asked and projected is “what is wrong with these crazy people. They have lost their minds. Their behavior is destroying themselves, filled with emotions and little logic. How are they surviving the chaos.” It is also interesting to note Chang for his candid spot on view of the black people in particular.

Asian Interviewer: “Can you address their concerns Mr.Chang?”

CHANG: “The concerns of Black people? Yes I can. The fact is, that we all live under a system of White Supremacy. We Asian people look back at our long history of conflict with the European. We observe their strategies and develop our own, in response and in kind. There is no need for loud mass movements on our part, because we intend to overtake them in time, through action and personal sacrifice”.

Asian INTERVIEWER: “And the Black man?”

CHANG: “He does not count into our situation. He is simply here. We do not hate the Black man. We just love the Asian man most. Real love–not cliche. We want to see Asian man happy, so we employ him. We eat together. We spend time with each other. We want his kids to be educated, so we invest in our own schools that offer our children the technical abilities to change the world’s power structure in our favor. We want to see the Asian man safe, so we purchase and organize our own communities. We want him to remain Asian, so we reduce the outside influence of others ideologies and cultures. While he fought to sniff behind the White man, the Black man has had the opportunity and every right in the world to do the same, but he chooses to indict people like me for not hiring him over my own brothers. For me to do this would be foolish and that would not be Asian love. In contrast, the Black man will fight for the right to be up under everyone else other than other Black people who he should feel the most love for. If our indifference to their situation make us racist, then what would you call the Black man’s indifference to his own situation?” source: www.FarrahGray.com

..can you blame him. He is speaking the truth. Blacks are considered untrustworthy, insignificant in many social and economic structures, wayward (difficult to work with, control or predict because of unusual or perverse, inappropriate destructive behavior), obstinate, backwards and many other negative connotations. This evaluation holds a lot of truth based on the putrefaction theory of the soul (putrefaction in the biological sense is the process of decay or rotting in a body or other organic matter, not only the body but of the mind matrix system and also of the soul.) Like fermenting grapes to produce wine. The older it is the more potent and the most change has occurred from its original form. In other words, very ancient souls decay and the Ka or essence, DNA, experiences, traumas, memories, past life reincarnations is pasted down from generation to generation to the present, since the beginning of time. The older the soul the most transmutation has occurred from the original souls. Genetic Reincarnation. “Everybody is a compilation of all the DNA that ever existed and the line that you are from the time you broke away from the thing you call the divine. And you didn’t break away from it, you, your just another expression of the aspect of its essence, having the particular experience that you are. We are the best of our ancestor’s genes, we are the latest tech version and the highest tech model. Until we give our children that same thing.” ~ Professor James Smalls. However, going back to Chang Blacks do not have the same opportunity. Black people have to work symbolically “ten times harder than everybody else to get in the same situation that a white person would get with a snap of the figure” reference video on Mr. Chang page.

Movies do present the two general categories of symbolic “blackness” which operate “against” each other, the sleepers and the awake. You can’t tell them apart by racial color; only by their actions. One projection of the sleepers is the fight or distrust between one black person and another black character, undermining one another. Arguing and bickering back and forth or engaging in behavior that is inappropriate, unstable and not productive.  On the other hand, there are varying degrees of awakedness. The awakened could be the side that is portrayed as the villains or the antagonists. It takes thinking in opposites to uncover these gems; looking at what is portrayed as bad and configuring it to be good. The sleepers and the awake in movies are often referred to as “Girl(s), Boy(s), Baby(s), kid(s) (a kid is another name for a young goat; remember the sabbotic goat reference mentioned earlier), young man, young woman, sweet heart, honey, honey bunch, and sweetie” and many other names and phrases that imply less than adult (When the same phrases are flipped back on to the ruling classes offense taken). These names are used by the ruling cultures and the “subordinate” even amongst themselves, jokingly, romantically and platonically. Symbolically never reaching true adulthood, forever subject to infancy (my crib; my home) or adolescence (my girl friend, my boy friend); “When I grow up” continues on into adulthood and death. On one hand, the symbolic projection is somewhat true there is always a subtle master slave relationship where the masters are the caretakers or providers giving the slaves the things it needs to survive, due to the mal distribution and allocation of resources and wealth (Dr Claud Anderson POWERNOMICS). The sleepers and the awake as symbolically represented in the epic Claymore animated series. However, note the awakened ones are symbolically represented as bad horrific monsters with innate uncanny abilities and powers. Sleepers abide generally in base levels of consciousness (elemental spirits highly connected to the earth plane, materialistic satisfaction). Note black Americans amalgamated and putrefied into having no cultural identity, loosing sense of self and in many ways are shiftless and unstable in character and emotions due to the middle passage, slavery, Jim Crow laws, discrimination and racism; this leaves a nature that is highly impressionable by the dominant cultural stimulus) who represent the masses of people aka “negas” (contemporarily carrying a subordinate and derogatory connotation by in the past “negas” represented “God”) around the planet and the awake have varying levels of greater consciousness who are more connected to dimensions…this concept is somewhat unclear and confusing. The black Green lantern character John Stewart in the animation cartoon series wearing the ring is only limited in his creation ability and power by his imagination and or connecting to other dimensions. The villains do anything and try anything to break his attention in order to dismantle the power of the ring (pineal gland illumination; thus the ability to tap into other dimensions) Also check out the movies The Ring 2002 Horror Film (Fear of the ring) and The Lord of the Rings (control of the rings) of which both talk about different aspects of fascination about the ring (Pineal gland). In the Lord of the Rings the future of civilization rests in the fate of the One Ring, which has been lost for centuries. Powerful forces are unrelenting in their search for it. But fate has placed it in the hands of a young Hobbit (ode to Boss Baby) named Frodo Baggins (Elijah Wood), who inherits the Ring and steps into legend. A daunting task lies ahead for Frodo when he becomes the Ringbearer – to destroy the One Ring (considering the opposites and the movie Gantz:o allude to many “rings”; not just one) in the fires of Mount Doom where it was forged…Being dimensionally connected allows the use of universal forces to create some of the most impactful and long lasting experiences for mankind “How did they do that dance, create that invention, come up with that music, sing that song, etc and so on (Historical black inventors in particular), things that are completely amazing and mind boggling that gives an anchor for the rest of the world to follow along or “culture vulture” from, take possession of, replicate and enhance”…may be purported as coming from “another dimension” (as if to suggest “Alien” or “stemming from another world” but really it seems to be of this dimension…the one experienced every day. Could it just be simply tapping into the overwhelming unlimited potential that exists in each person; myth? Lie? Cliché? Does each person on the planet possess unlimited potential? Maybe that is the threat. The intention to suppress so hopefully nothing comes out or arises that is depicted as being greater than the ruling populous. But on the flipped side the use of suffering to contrive new inventions or new ways of existing on the planet. Or considering predestination the past and present may have been intentioned to be this way. And suppression was and is used for a tool of change, advancement, reconfiguration, small pockets of immense energy escape through the cracks of pressure; emerging some of the most talented and or legendary thinkers, doers and entertainers in history. Who knows?…we will see as time carries on whether an exact answer arises…

Today in movies, hair color, clothing color and combinations of the two are very significant to represent the spread of racial stereotypes in movies and other media. Not too long ago “Blackface” was used in films, theatrical events, commercials and other forms of media. Check out this scene from an Indian film where some of the actors are in Blackface in movie Aayirathil Oruvan. Blackface is a form of theatrical makeup used predominantly by non-black performers to represent a black person. The practice gained popularity during the 19th century and contributed to the spread of racial stereotypes such as the “happy-go-lucky darky on the plantation” or the “dandified coon“. (1) ….Stereotypes embodied in the stock characters of blackface minstrels not only played a significant role in cementing and proliferating racist images, attitudes, and perceptions worldwide, but also in popularizing black culture. (7) In some quarters, the caricatures that were the legacy of blackface persist to the present day and are a cause of ongoing controversy. Another view is that “blackface is a form of cross-dressing in which one puts on the insignias of a sex, class, or race that stands in opposition to one’s own.” (8) Nowadays the same thing is accomplished using a white person character actor with deep dark brown/nearly black color to black hair generally denotes a symbolic ancient black person either with an American or British accent. Secondly a white person with red hair (orange hair color) generally denotes a half breed sub par from white and could also denote a symbolic black person or person stemming or tainted with the ancient bloodline in some circumstances. If two protagonist characters or two antagonist characters are male and female or male to male or female to female, one having black hair and the other having orange hair or one having blonde hair and the other having black hair, they will generally express a love hate relationship throughout the movie plot. They will bicker back and forth, weave in and out of arguments. Possibly flirt back and forth. Or long to be with each other as their ideal mate if only the circumstances were right (ode to Superman and Lois Lane, Batman and Cat Woman. One may be able to think of other character combinations). Genuine complete romance amongst male to female characters with the pre-described hair color combinations will never be accomplished or solidified during the plot of the show. These two characters are often in juxtaposition to two white characters who may be romantically involved (have reached true romance during the plot of the show), have a stable family structure and other positively noted relationship features. The hair color of one actor will be either a blonde with another actor whom has auburn hair color or two auburn color white character actors together with either an American or British accent. Dialects equal nations or bloodlines. An American is often depicted as a “dirty blond”, black or brunette hair color which is not quite blond still in the elite class but “tainted” due to the unique mixing of races in the Americas. America is beholden to Britain. Britain being the father and the Americas being the wayward, beast, extremely arrogant son (child) and or confidant, friend, buddy,  brother or sister. Actors with the British accent tend to carry any hair color. Remember we mentioned the movie Dune in the beginning. The Baron would represent the ancient being/s that created the various cultures to use them for his ultimate desire to rule and dominate cultures, the planet, and its resources. However this idea once again feeds in to the “Consider the opposite” where really the elites have the desire and intention to rule and dominate cultures and resources but yet tell the world they are the victims who need everyone’s help to fight against the fictional character Baron(s) around the planet; unfolding it this way the elites would seem like pathological liars…

Point of view shots to a black hand in a generally white film or media generally coupled with a scene of trying to do or accomplish something…the nature to do (be commander and chief or in a place of authority, power and influence), accomplish and thrive as portrayed in the symbolic ancient people is a no no…if you try you must fail, if you try to take authority your authority must be usurped quickly, undermined, snatched away before any confidence is solidified. It typically happens during a climactic part of the film to really give the greatest impact of suppressionary encoding in the viewer who will hopefully be of the ancient lineage to further the sleepness and further the divided between cultures and male and female energies (suppression of kundalini). Point of view shots with a black person in the middle of the background or passing through the background during a conversation between two white protagonists should be watched critically. What is the dialogue saying at the precise time a black person walks past? Eye direction is also key. Where is the protagonist and antagonist looking at the exact time a black actor “passes through” or conversation, or a specific word or phrase is spoken? The black person character actor is generally oblivious to what is happening during the foreground conversation but they may be within the point of view shot anyhow simultaneously to conversation ensuing in the foreground is becoming extremely intense. Note an unconscious feeling impression is solidified in the viewer at that exact point in time of an intense of climactic scene. Also note what that feeling is and you can uncover the underlining plot line when typically, the next face or image you’ll see immediately following a climactic scene is a black face (black male or black female) or symbolic black representation image. This is repeated with ad naseum repetition amongst major movies, films and commercials. A point of view shot to the slightest resemblance of freckles on a protagonist is intentionally shown on a white person and it denotes half breed or sub par white person and could also symbolically denote a black person in some circumstances.

In a movie during group conversations when one black person is among the other group members who generally are white or a mix of races, the dialogue will show in most cases that the black person whom may play a supporting (not a significant role) is the one that “accidentally”, “unintentionally” or rather “intuitionally” steers the conversation to the best idea or plan of action in the plot. The other characters catch on but not at first. The first reaction is a dismissal. If no black person is present default to the black-haired character or the orange-haired character. Also note the idea shared by the “black actor” is initially and quickly sloughed off as insignificant but then the group conversation steers right back to that idea, expounds upon it and the leader of the group ends up being the one who indirectly claims it as his or her own and gives the direction to the rest of the group so they can go forth and overcome the threat or obstacle presented in the movie or film. This is hard to describe; these scenes can be confusing because the scenes and the dialogue are happening so quickly plus it is an intense time where everyone in the movie is needing to solve the problem in the plot to get to the next step in the film. Regardless of the conversation concept these sequences are on repeat in nearly every film who possesses the basic scenarios described in this paragraph.

The black woman depicted as a “monster” generally has characteristics of a highly sexuallized nature (uses her feminine wiles to get what she wants and manipulate outcomes) and imposing character; make the connection to cat woman in the black suit or with black hair; also note the movie The Purge, Election Year ( the DVD can be found at the bottom of the Gantz:o page)…Trying to stop the Goddess Ishtar deity energy from rising up and confusing the nature of that energy. The intention is to vilify it and suppress her kundalini manifestation. This is also done with the black male character actors as well. We have to remember that sexual kundalini energy is bad and it must be shunned, suppressed and/or punished. What better way to get the point across then to infuse his or her character with monster like characteristics. As just mentioned this same tactic is often done with black male actors. Juxtapositionally it holds one of the greatest symbols of fascination steering us to view a black woman, orange haired woman or symbolic woman of the ancient bloodline as a harlot, monster or outcast (someone who should be shunned). Check out Salem TV Series – Tituba aka Salem witch trials. This maybe should have been mentioned earlier but is still has a connection to Tituba and other actors; The concept is a subtle yet forceful push to “Make America British Again.” Note the British hand of power in the movie industry. Paying British actors to act as Americans. Ashley Madekw is a British black actress with a British accent but in this film or TV series carries an American accent.

The “monster” is also depicted as a cyborg (half man half robot. This cyborg link takes one to the depiction of a black man) and juxtapositionally Frankenstein (a man once dead created out of various body parts put back together and electronically raised from the dead. This would be connected to the yaukoo story or the creation of the white man. However the character film used to symbolically represent the beastly black male – then God’s who are or once were sleep/dead and made up of many forms, types or pieces of DNA. See the American Gods TV series on starz), Wonder Woman (made/formed/fashioned out of clay brought to life by thunder bolts of Zeus), Superman (an alien trying to live and operate as a human) and many other mythological symbols and characters. Regarding cyborg, there is a light on his forehead (3rd eye, pineal gland which is a portal to other dimensions, he is considered one the smartest Avengers, contrary to the movies you will need to watch of the cartoon animation films or series with cyborg in it to understand that he often comes up with the best ideas or is one of the key components in the plan to defeat the films antagonist(s)), a light in his chest area also considered the heart chakra (symbolic feeling center), a light near or above his loins or root chakra (where the soul resides, the little Sun within the body; the body being the HUGE avatar (1 & 2) juxtaposed to the tiny speck of light consciousness one inhabits the body through; animating the body with the personality and idiosyncrasies. Bobby Hemmitt talks more about this.

It is hard to describe and phrase properly but “Consider the Opposites” is a key concept. Maybe it is easier to understand the concept in the form of lies. As Bobby Hemmitt would say “the enemy doesn’t just lie some of the time; The enemy lies all the time” in the form of opposites. As mentioned before try considering some of the antagonist attributes as good instead of what the movie is trying to portray as bad. Often movies will project fear based emotional references to steer the viewer to be afraid of a particular subject. For instance the Freddie Krueger premise is to don’t go into a deep sleep or he will come after you and terrorize you in your dreams…must do whatever it takes to stay awake. This fear based theme is also repeated in movie “The Invasion“. Note the pineal gland is generally most active in deep sleep thus the greater potential for astral travel and crossing into other dimensions.

Please watch the movie Gantz:o. Below is an excerpt from the page.

The talk with the super monster God. In front of the protagonist holding the ripped off dead head of the fiercest super warrior (who was played by the only black actor in a Japanese film) (note there is a subtle connection between the war against the sleepers and the awake; using the sleepers to fight against the awakened ones; the sleepers despises the awakened beings. And symbolically become the greatest super warriors against the awake) in its hand and holding its index figure out pointing to the protagonists’ forehead/3rd eye symbolic position and holds it in this position as if to say it is giving the protagonist a chance to have a change of heart or else he will be killed. In essence, the God wanted to find one person who truly believed in him by this gesture of sparing the protagonists’ life. This compassionate moment becomes the Gods downfall because it was so concerned about sparing the protagonist life that it neglected to pay attention the ensuing danger around him. This sympathetic gesture may have been intended to convert the protagonist from an enemy to an ally. However, the innate hatred of Gods wins out. When indeed the protagonist never trusts or believes in the Monster/God. He is only trying to find a way through the dialogue to spare his life…you can’t convert one’s nature…It is as it is…for instance a dog or an animal will always be so…(Dion fortune reference: says in chapter VII. The Pathology of Non-Human Contacts “Non-Human is like a pet animal, not a fellow-creature. That, frankly, is the only possible ground upon which they can be approached. If we expect no more of them than we should a pet bird, if we manage them as we should manage a kitten, we have got as near to the solution of the problem as we are ever likely to get….”) no matter the constant training and affection will not steer them down the path to becoming human.

In view of the dialogue the protagonist drops his gun realizing it is a losing battle to fight and quickly says “Wait”…”Let me ask you” “Why are we…”Killing each other?”

The monster responds to his question indirectly.
Monster/God: Do you feel like your’re in God’s presence?

The protagonist: God?

Monster/God: God is the absolute power.

The protagonist: Your God?
scene pause
The protagonist: Are you? (responding as if the Monster/God is obligated to give him a response; projected superiority interjection)

The monster/God: This world has many (Gods). I’m merely one of them. There is no defying that fact?

Remember throughout the whole dialogue the monsters finger is still against the protagonist forehead/3rd eye symbolic position. However immediately after the monster speaks the last line the ditsy lady warrior (whom just pledged her romantic commitment to the protagonist) blast the arm of the monster that was pointing at the forehead of the protagonist, therefore dismantling/evaporating the monsters ideology before it sets in/transmits solidification in the viewers mind. She has claimed the protagonist, not the monster. She will fight tooth and nail to defend that honor. The monster says “I see” meaning that it understands that monsters (Gods) should not trust people. And proceeds to shoot laser beams out of its eye (ode to Superman eye beams) and tries to destroy the city and the remaining warriors.

Tangent thought; at the center of each eye is a black hole or a portal. The eye looks similar to the Milky Way Galaxy. There is also a light beam that goes through the center of a black hole and out the other side. In the article “Scientists Unravel Secrets of Monster Black Hole at Center of Milky Way” What is the analysis behind the Superman eye beams anyway? The projection of the lying entity that always thinks and projects in opposites says to itself about descendants of the ancient bloodline that focused attention destroys also “Don’t look me in the eyes” this act is offensive; but flipping the pathology 180 degrees one can deduce that focused attention creates. Perhaps creating the sensation to feel or experience compassion or oneness. The innate encoding robotically says to itself whenever it comes into the presence of the symbolic ancient blood line “must break attention, must do whatever I can to break attention, I must follow where, what or who their eyes are focusing on and break that attention, the descendants of the ancient blood line must always focus their attention on me, I will be their source and their stimulant, they must not create, or I must control their ability to create so I always end up possessing the essence of their creations but quickly destroy the creator of it, so I can absolve myself of guilt because I don’t want them or anyone to know that I stole it from them, fore I am the true creator.”

Tangent thought again: blacks in slavery got the “Be seen and not heard” beat into to them and encoded in their minds by their masters. Subsequently “You should never look a white man in his/her eyes; This is an offense. It is a sign of disrespect. It is construed as challenging or bucking up against perceived authority. So instead keep your eyes low or look to the ground when you encounter them. One must present the impression of being subtle, abased, insecure and inferior.”

The movie industry launched a worldwide massive campaign against the descendants of the ancient blood line (specifically the symbolic black male) in Superman vs. Batman: Dawn of Justice Movie. Note that in the logo the Superman’s “S” is swallowed up by the Batman symbol. Meaning the “S” is smaller and centralized within the Batman symbol. Both Superman’s and Iron man’s hair is historically dark in color. Both Batman’s dark aubur hair color and Superman’s historically black-hair color are symbolic to black male  yet they carry a white American elite status. The butler is British (father figure, guider, supporter, confidant, buddy, moral or conscious authority to Batman. It may be outrageous to allege that Alfred had some to do with orchestrating the death of batman’s parent’s. The least character to consider as a villain is often the most villianistic and twists the story line into a major shock). Superman black hair is symbolic to the ancient blood line. Superman and Batman’s love interests have either orange or black hair. Batman is a white man whom participates in all knowledge, dark arts and the occult. Superman represents the symbolic black man whom participates in morality and whom has alien lineage. In the beginning of the film Justice League Full Movie 2017 Joker boldly and confidently toys with Superman as he is a gullible child whom will not tap into his ultimate power and whom could easily kill the Joker. By the way the Joker character looks very similar to black person in history if one replaces the white skin with black skin; see Goodbye uncle Tom! “Warning Graphic Content” around 1:11 minutes into the movie. If true the Joker is the “Gentleman” who advertised the slaves for sale and made sure they were ready for auctioning so master would get the highest price for the sale. With so many tricks up his sleeve and innovative ways to market and advertise masters’ products all while shuckin and jivin, Joker seems like a fitting name. The Joker wears a top hat, Victorian-era attire (The era when the slave trade made the nation rich and wealthy beyond imagination). On some images of Joker there will be reptilian clothing.

If Superman gets fed up and ensues with anger, rage and suffering he busts through moral code that binds his actions. It is the projection of moral limitations that keep his power shackled. The love interests represent the symbolic black women. Batman has unlimited wealth, power and the greatest access to surveillance of the world. Note Superman’s “False God” theme. Input the black man and the projected theme is the black man is a False God. Then flip it 180 degrees, they are saying the symbolic black man is a God …interesting … Thus, follow the hair color to get to the real message they are trying to share. This “God” theme is repeated in The Purge movie imagery. A black male teen is wearing a mask with “God” written across the forehead. This same image was used in a lot of commercials and billboards across cities and towns. Another repeated image is a black teen wearing a mask with an upside down cross on it at the symbolic 3rd eye position; points to the symbol of the symbolic black man/3rd eye awakening as an/the anti-christ

This is an idea section that will continually be updated and tweaked for better clarity. stay tuned.
Fun MoviesKundaliniMelaninMelanin and MythMovies
The Invasion AdolabrathAdolabrothAdolebroth Maafa21
Bobby HemmittNeely Fuller Neely & FrancesDr Claud Anderson
Eckhart Tolle Dion Fortune Mark PassioCiti Hampton
Alexyss K Tylor Dr Alim BeyDan Winter Dan Winters
Yahweh Yahweh YaldabaothYahweh-Yaldabaoth
Yaldabaoth MelatoninMelatonin Miracle
No Apology Necessary