GANTZ:O Movie

GANTZ:O Movie Currently trending on Netflix; in Japanese language. But doesn’t matter I can’t understand what the characters because it is a Super Fantastic visual movie. {Just found out you can put on English subtitles on Netflix. The English diologe is off/inaccurate just read the subtles} I can’t find the DVD on Amazon. All I found was this poster…GANTZ is not the same…GANTZ:O It is trending on Netflix right now. Catch it now before the window ends.

Watch it on a big screen. Has super fine detail. Regardless of the constant barrage of derogatory symbolism representing the ancient race (with black people representing the greatest symbol) this movie is Highly entertaining.

As said before in Movies, TV Shows, Commercials interpreted…  all the races on the planet have their own mythology of their battle with the ancient blood line…”The black blood line is most significant symbol and is literally connected to the precursor of every culture, language, race, country and continent around the entire world. In the beginning was blackness. Each mythology from every culture, language, race, country and continent attacks this blood line…Attack on the Titian’s…Suppression tactics are similar around the world most notably through various forms of cinematography…It is the flushing out, purging out, rooting out of this bloodline in ad nauseum repetition around the world throughout mythology and constant images of derogatoriness.” It is interesting to note Chang for his candid view of the black race…can you blame him he is speaking the truth. The visuals and cinematography 100% top notch. It is a Key movie to understanding the Dark Side (Darkside) application. Basically a monsteraztion of ancient energies and DNA. What connects the monsters is melanin. The hardest thing is to switch the roles of protagonists and villains. But this is what has to be done to make sense of the movie. All the nations of the planet are individually waging an innate war against their own ancient melanated energies using technology. Another way of looking at “The Purge” Movie Trilogy and also the movie Tron. The technology gets more advanced the deeper they go into the ancient past. Ancient masculine and feminine energies…In GANTZ:O there are monster head characters rolling around chasing after the protagonists…Some heads are Gigantic and and others are the size of a man. They get faster when they are trying to advance against the protagonists. Note inside the head are probably highly active pineal glads. They are not calcified. The more active the stronger the entity. This is a threat. There is a climactic scene where the oversexuallized monster grows into a giant and kills one of the fiercest warriors.

The black woman depicted as a “monster” generally has characteristics of a highly sexuallized nature note the movie The Purge, Election Year…Trying to stop the Goddess Ishtar deity energy from rising up. The intention is to vilify it and suppress her Kundalini manifestation. We have to remember that sexual kundalini energy is bad and it might be shunned or punished. What better way to get the point across then to infuse her character with monster like characteristics.

They were teleported to death scenes/war zones from the room by the large black dot machine.

Note first sound we hear from the Black dot in the room is a song about patriotism to the native country Japan. Once the song ends it speaks with a male and a female voice simultaneously (like a voice of many waters; KJV Bible 1:14) to share the warriors mission and/or objective.

Note the first warrior to be killed by getting is head blown off in a spiteful act of sport by the smallest most headstrong warrior (a foreshadowing of how the warriors would kill many of the monsters in the movie), is the one in the room that was the biggest, strongest, most aggressive, wearing a purple sweater (Purple color; stemming from ancient bloodline with black “hair like lambs wool …and… a voice of many waters (deep voice)” The moment he showed authority he was destroyed, executed and taken down before his confidence solidified…

Note the warriors exp-skeleton suite is black, protective, flexible, like skin armor. It changes form to protect against compression,  attack or impact. It also allows the warriors to be stronger, faster, jump higher. It also has blue lights on it at various points on the body.

Note the monsters head seen or detected like pin points on a map on a visual screen (when they are killed the pin point instantly goes away) connected to their are like in the Predator Movie with Arnold Schwarzenegger, are a devil zombie with horns holding a staff with whipping strands connected to it, fox head , turtle, bird, zombies, mythological creatures, blob tumor head, monster with eyes all over it’s body, etc…the last zombie to be killed by a warrior stabbing it in the head just before the plot pauses and all the zombie are dead in the danger so is something like a cross between a small warthog Chihuahua dog like head that heaves like a donkey or Zebra and speaks the same language of the warriors.

Note there is a sect or greater majority of the warriors that are extremely arrogant and drunken debauchery like reveling in their monster killing spree and pleasure in the hunt of the next monster. The first monster seen in a reverse scenario easily and swiftly killing the many warriors at once is a very fast snake monster with scorpion hands as swords and a head of an eagle zombie with long straight grey hair symbolizing the old American Civil powers or Kundalini energy ancient ones or stemming from the ancient blood line. To destroy this beast required the strongest hand gun devised which harnesses gravitational energy to crush the monster, splattering them into of blood (the snake to is got sliced off because it was out of the kill zone and was left flapping & thrashing around, symbolic the remnants of Kundalini energy left to fizzle out of energy; also note the point of view shot of the pool of blood and the scrapped body parts where and imagine of the extremely fast highly technologically advanced battle wheel slowly and unworriedly and victoriously rolls across the pool of blood to a cheering zone) almost instantaneously when the enter the kill range of the super gun. Scene jumps to the black dot in the middle of the room, almost as a prior memory of the old man and protagonist where he recalls and interprets another part of the mission/objective.  The super gun foreshadowing of the power of that powerful limited in quantity gun is later used at the end, most climatic part of the movie to represent the saving grace that catches the most powerful monster at unawares, killing it and saving the day…However after killing the Snake monster zombie beast the plot of movie pauses the killing spree to have a celebratory cheer among the arrogant warrior sect.

The male protagonist is tall and attractive yet, unwilling to face reality, reactive not battle at first; eases into intentional battle mode and operate out of extreme polarizing chivalry. This quality couple with his naivety makes from great suspense, shock, awe and drama as he ends up into all kinds of danger. Accompanied with him is a grandfather/father like warrior confidant who helps to easy him into the mindset of a warrior and ease away moral boundaries keeping the protagonist warrior from seeing the mission/objective clearly. He with with the protagonist until the old man shields the protagonist from being killed toward the end of the movie before the most power monster beast takes the old man’s life; triggering in the protagonist his expression of rage and vengeance to blindly confront the beast that has the capability to kill him with a flick of the finger.

The movie is still at a pause in danger as the old man, beautiful lady warrior talk about working together as a team and sticking together. The woman grabs him from darting off into a chivalrous reaction that could have gotten him kill to soon in the plot preventing him from following the crowd. At first he resist her with his ego but then calms down and listens to her after he looks into her eyes and is smitten with her feminine care. The old man gives maybe like some coin chip money to the protagonist to call is son later on in the film, give to maybe his family if he does not make it through the battle. The protagonist walks out of scene and a lady character leaning against a vehicle quietly hiding and listen in attack mode is visually introduced in a flash point of view scene shot.

The smallest spiteful most calm inquisitive character (whom has no blood on his body, clothes are pristine as if he had been sitting & peacefully quietly watching the other characters battle the monsters, who is not wearing a black exo-skeleton suite (at first site, it is just underneath his regular close) but a grey jacket with Black collar and brown pants who kills the guy with lambs hair wearing the purple shirt at the beginning of the movie in the mission receiving room) uses a technology only he has to go invisible to be undetected by the monsters. He can be heard and felt but not seen jumping on the three taxi’s as he scurries away in the opposite direction of the danger just in time before is about to come into the the vicinity of the protagonist and his group of warriors.

A rolling head in the middle of a wheel engulfed in flames of fire is next to be seen

scene count down timer on black dot before next portal occurs.

scene point of view shot on the horned devil monster head dead, mouth open and tongue hanging out of the mouth like a dead dog, on ground four spikes in the open third eye (one of the spikes is nailed into the eye lid with the spike continuing to the third eye; the arrogant warriors whom are having a peace time break at an outside restaurant toss two more spikes at the third eye making it a total of six spikes stabbed in the eye; They are also watching from a slight distance a monster chasing a civilian run for his life gets corner as is bashed in the head with a huge concrete hammer like object by the monster; once it is done demolishing the civilian to death the most arrogant comrades of the group blast the monster with his supergun to kill in after it has served its purpose of provided a sense of gory entertainment for their viewing pleasure) with the group of the other three…the four eyes below the open third eye are closed… the 6th eye on the top of the head is slightly open however it is rolling back concealing our view of the pupal. Once the warrior takes the last spike in his hand and throws it at the light above to turn it off the scene quickly shifts to his comrades who are enjoying the lunch break with him. Not much time later blood is splattered on the wall near them signifying the who was just sitting up on the table spiking out the light just got his head spiked through and never saw it coming. We see the shock, awe, lethargic steers as the comrade was just killed some how. The scene doesn’t let the view see how it was done. We just here the sound of some type of extremely fast object moving and getting louder then blood splattering and the comrades facial expressions. The next scene shows a white winged horned bull head monster with red skin and hawk feet flying up and away to a perched up on a side green lighted inverted teer structured build top (upside down pyramid) background aligned off to the bottom side corner of the screen and slightly lower than a smaller old male frail monster entity with no wings where and oversized jacket crossing his arms while simultaneously hiding his hands in the large sleeves (seemingly a leading entity that is in a dominant position on the screen. The point of view shot shifts from showing the two entities to just showing the smaller more frail monster taking the highers visual position on his own individual perch. They seem to work together but have different powers. Note this is a Japanese film and the only black actor, Chris Jai Alex (even though it only list one character on IMDb I recognize his voice in three characters) also check him out here and here, who we don’t see is voice-overing for Three film characters; The guy wearing the purple sweater who was killed at the beginning of the film and the extremely fast and strong flying bull monster character and the super warrior who comes at the nick of time to save the day later on in the film.

The protagonist makes phone call to his son on a green pay phone conveniently on the sidewalk where the slaughter just took place. There is a cut monster arm blood arm on top of the bloody pay phone here steers at as he waits for the dial tone to connect with his son. His son picks up and says something like Dad where are you. The Protagonist is verklempt and is unable to respond right away out of deep sigh of relief that his son seems ok and safe from danger. It is clear he deeply loves his son. The son is safely in the home watching the murder mayhem happening on news. They have a conversation. The Protagonist say’s something like, paraphrasing, “I’m ok and I am fighting in the war. Be safe and I’ll see you soon” as his father makes a promise he is unsure he will not be able to keep. The boy maybe says “I love you, good by.”

As soon as he hangs up the phone here comes another monster scene and the adrenaline is pumping once again as to the side of him down the street a monster just rounded a corner chasing a husband, wife and child. The protagonist quickly runs to the corner of a building out of the view of the monster and battles within himself whether to remain hidden and out of sight from the monster. He peaks back around the corner to see whats happening. It looks like the civilians are about to loose the fight and as the protagonist is about to flea the situation there is a scream which cause him to pause from fleeing. Then he turns back around to see how he can distract the monster and save the family from being eaten.

He runs toward the monster with his regular sized gun shoot off multiple shots towards the Monsters Gigantic head. But shots miss hitting the monster because the protagonist is not in the gun fire range zone. He has to get closer to the monster for it to work. The monster recognizes the sound of the gun making multiple clicks and turns around. We see a large cyclops head zombie monster with one large eye and disproportionate tiny buff arms and an unusual body lower half in the shape of a one legged beast propped up by a knee. The gun locks up while the monster’s arm extends and stretches out it hand and successfully slaps the gun out the protagonists hand. The family is free and runs off leaving him along to battle the beast. The gun fly out underneath the monster to the other side. The monster charges. The protagonist fights back with a one two punch to jaw. To his surprise the black faintly reptilian structured skin exo-skeleton skin suite (note the Superman Movie Man of Steel reptilian skin like suite) charged up and change to a muscle strength shape while he reached for to knock the monster in the jaw with a mighty blow that throws the monster off balance.The Protagonist sees the gun and figures his only alternative is to run toward the monster and jump over it. He proceeds and makes the jump and the exo-skeleton miraculously helps him jump clear over the monster but as gravity is in effect he unfortunately comes down chin first on an electrical wire that spans from one building to another then landing on his back. He regains his bearing and gets up to go after the gun which is near by. Simultaneously the monster is coming to as well and reaches out and grabs him while the protagonist grabs the gun. The monster grabs him back in put him in his mouth to try to eat him. While he is in the mouth of the monster he manages to point the gun at the monsters head, triggering the fire to the big cyclops eye in the center of its head causing it and the head to explode. This danger scene ends.

Up walks the lady that was hiding quietly against the car while the protagonist and the old man spoke. She says something maybe to congratulate him on his victory. He is startle by her abrupt presence. She tries to greet him by reaching out her hand to shake his. He denies the gesture. She is a seemingly ditsy character who seems to never stop talking and neither her constant self talk. Slightly annoying character to watch and listen to. The talk, he walks away, she follows annoyingly.

Next danger seen is with a older couple and a child. The old man tries to protect himself against the beast by a broom. No this is an even bigger beast. It has reptilian green skin, gorilla type torsoe, muscular arms, large two front bottom overgrown teeth that stick out of it mouth, a long extendable alien like tongue that has search and seek capabilities grabbing man by rapping it around his body and proceeding to lift him toward his mouth to eat him. The old man is easy prey. The protagonist shoots the monster in the shoulder in the nick of time. Next is a profile point of view shot of the beast. It reveals that the beast is an overgrown Fez Monkey (symbolic Moorish a derogatory symbolic representation of a black male).

The monster lets out a loud frighten roar and the protagonist and the ditsy lady ready to strike. It charges while both their guns are pointed at it. They are too far and out of the blast range. The monster approaches. She gets frazzled within herself and walks away talking herself into a fantasy as if to forget the battle and danger is raging behind her. She is unreliable. As she walks away the protagonist goes in to help the family. he shoots but his gun is too small to do any damage. She walks back to the scene to witness the commotion distracting the protagonist from protecting himself while observing and being shocked at her inability to take action to shoot the beast while it is in range. He barely misses the beasts sharp tale that almost sliced his body in two. The beast reaches for the its tale and slams him the wall. As the gun falls out his hands and to the ground the beast steps on the gun and lets out a gut wrenching laugh celebration for the victory of dismantling the protagonist ability to shoot at it. It reaches for the ditsy lady and grabs her to put her in its back. It stores people in its back like certain frogs who store their baby’s in their back. He takes the broom from the old man and spares it into the eye of the beast rendering it distract from the pain. As he grabs her gun which feel on the ground the tale of the beast reach back and slap the protagonist into a light pull. He gets Fez Monkey and runs toward the beast jumps over it shooting it with a rope machine around the head. It uses teleportation to extract out a head portion of the head killing the beast. He pulls out the ditsy lady and people from its back.

The protagonist and the ditsy lady leave the scene. They come upon a scene where they seen come of their fellow fierce warrior fighting valiantly and succeeding of the monsters slaughtering them with ease.

Then it turns into a scene like the movie Pacific Rim. A Super Gigantic horned bull headed monster beast gets out of the water. Man’s super Gigantic technologically advanced machine vs an ancient male bull beast. Fighting against each other demolishing the city as the fight.

Next scene we another closer look at the flying zombie monster with red skin. It is male. It is all an over grown Fez Monkey (symbolic Moorish a derogatory symbolic representation of a black male), signified by the hat on his head. Plus he grown of the Fez Monkey attire like the Incredible Hulk. He is also wearing large juju bean around his neck.

It is more inquisitive and smart than the other zombies. It stands like a monkey or a gorilla. They are pumping thousands of rounds of firearms at it but nothing seems to be slowing it doing. It is crushing, slicing and eating the patrol officers. They are no match for its strength and speed. It breaks through their binding technology with no problem…a big shock and surprise to the warriors. Now the other fierce warriors arrive on the scene to see what they can do. It also survived the gravitational smashing machine supergun with multiple attempts to subdue it. Although the gravity machine demolished its wings so it can no longer fly, its body mass only decreased and took the form a human body and it is rising from the pull of blood…utter shock, amazement and looks of fear on the warriors faces. It resisted the gravity machine all together grabbing the warrior that has made multiple attempts to shoot it in the face…thrashing the body of the warrior back and forth on the ground just as in the Avengers Movie where the Incredible hulk thrashes Loki video. However while the monster has the warrior in his hand and is nearly squeezing him to death with the left hand the warrior pulls out a small gun and blows off the warriors right arm…then blows the monsters head off. The warrior die and the monster both die. However with a closer inspection the small gun seems to cause coagulation of the blood (also known as clotting) is the process by which blood changes from a liquid to a gel, forming a blood clot. It potentially results in homeostasis, the cessation of blood loss from a damaged vessel. Although the heart is still pumping the entity blood pathways explodes from the inside because there is no where left for the blood to go.

Then the same old man looking monster that was perched on the build with the flying monster in another scene appears walking down the street toward the death scene of the red monster. It is singing mumbling grunting some type of tune as it approaches still with its hands in the green oversized jacket, arms crossed, sandals on feet. A fierce warrior charges the being to slice it with its sword. The monster gets sliced into four pieces. Each piece regenerates itself with lightning speed in mid air (slightly laughing) before four duplicated monster land feet first on the ground regaining composer as if nothing happened while still approaching the dead red headless monster. The four monsters then conjoin back to one.

Point of view shot to old man monsters face reveals that it has reptilian cell structure skin.

One of the most fascinating things about this movie is in the next scenes. The fierce warrior tries to prevent the monster from getting to the dead red headless one. The warrior lunges forward and tries to slice the monster with his blade again however this time the monster does not let him hit/get it no matter how hard the warrior tries and how fast the warrior is. The acrobatics are phenomenal on both sides. The monster seems to be having fun with the warriors sword. Bobbing back and forth like a monkey anticipating the warriors next move. Although the monster is shifted or distracted away from the dead red headless monster it makes its way back over to it standing at the board just outside the pull of blood. The warrior is utter exhausted. He charges up his exo-skeleton to run and manages to grab to monster bear hugging its head and torso. His hand is over its eye peaking out through his fingers. The monsters eye morphs in a woman’s nipple then grows bigger into a woman’s breast. Then the beast quickly grow around the warrior engulfing him in many naked and connected woman’s bodies moaning and groaning in a group fucking orgasmic ecstasy around the warrior. He disappears in her many bodies as she grew into a large gigantic woman kneeling down on the ground with her hands over her face as if she is crying, weeping. She stands up and brings her hands toward an away from her mouth and is back to moaning then she stops. Out pops the head of the fierce warrior into her hands then it fall out to the ground.

 

Skipping ahead. At one point of the movie where the protagonist is getting beat down by a super monster black ooze drips out of the the exo-skeleton signifying that this was powered by melanin.

The talk with the super monster God. In front of the protagonist holding the ripped off dead head of the fiercest super warrior (who was played by the only black actor in a Japanese film) (note there is a subtle connection between the war against the sleepers and the awake; using the sleepers to fight against the awakened ones; the sleepers despises the awakened beings. And symbolically become the greatest super warriors against the awake) in its hand and holding its index figure out pointing to the protagonists’ forehead/3rd eye symbolic position and holds it in this position as if to say it is giving the protagonist a chance to have a change of heart or else he will be killed. In essence the God wanted to find one person who truly believed in him by this gesture of sparing the protagonists’ life. This compassionate moment becomes the Gods downfall because it was so concerned about sparing the protagonist life that it neglected to pay attention the ensuing danger around him. This sympathetic gesture may have been intended to convert the protagonist from an enemy to an ally. However, the innate hatred of Gods wins out. When indeed the protagonist never trusts or believes in the Monster/God. He is only trying to find a way through the dialogue to spare his life…you can’t convert one’s nature…It is as it is…for instance a dog or an animal will always be so…(Dion Fortune + S2 reference: says in chapter VII. The Pathology of Non-Human Contacts “Non-Human is like a pet animal, not a fellow-creature. That, frankly, is the only possible ground upon which they can be approached. If we expect no more of them than we should a pet bird, if we manage them as we should manage a kitten, we have got as near to the solution of the problem as we are ever likely to get….”) no matter the constant training and affection will not steer them down the path to becoming human.

In view of the monster/God and the protagonist dialogue, the protagonist drops his gun realizing it is a loosing battle to fight and quickly says “Wait”…”Let me ask you” “Why are we…”Killing each other?”

The monster responds to his question indirectly.
Monster/God: Do you feel like your’re in God’s presence?
The protagonist: God?
Monster/God: God is the absolute power.
The protagonist: Your God?
scene pause
The protagonist: Are you? (responding as if the Monster/God is obligated to give him a response; projected superiority interjection)

The monster/God: This world has many (Gods). I’m merely one of them. There is no defying that fact?

Remember throughout the whole dialogue the monsters finger is still against the protagonist forehead/3rd eye symbolic position.

However immediately after the monster speaks the last line the ditsy lady warrior (whom just pledged her romantic commitment to the protagonist)

blast the arm of the monster that was pointing at the forehead of the protagonist, therefore dismantling/evaporating the monsters ideology before it sets in/transmits solidification in the viewers mind. She has claimed the protagonist, not the monster. She will fight tooth and nail to defend that honor. The monster says “I see” meaning that it understands that monsters (Gods) should not trust people. And proceeds to shoot laser beams out of its eye (ode to Superman eye beams) and tries to destroy the city and the remaining warriors.

Tangent thought; at the center of each eye is a black hole or a portal. The eye looks similar to the Milky Way Galaxy. There is also a light beam that goes through the center of black hole and out the other side. In the article “Scientists Unravel Secrets of Monster Black Hole at Center of Milky Way” What is the analysis behind the Superman eye beams anyway? The projection of the lying entity that always thinks and projects in opposites says to itself about descendants of the ancient bloodline that focused attention destroys also “Don’t look me in the eyes” this act is offensive; but flipping the pathology 180 degrees one can deduce that focused attention creates. Perhaps creating the sensation to feel or experience compassion or oneness. The innate encoding robotically says to itself whenever it comes into the presence of the symbolic ancient blood line “must break attention, must do whatever I can to break attention, I must follow where, what or who their eyes are focusing on and break that attention, the descendants of the ancient blood line must always focus their attention on me, I will be their source and their stimulant, they must not create, or I must control their ability to create so I always end up possessing the essence of their creations but quickly destroy the creator of it, so I can absolve myself of guilt because I don’t want them or anyone to know that I stole it from them, fore I am the true creator.”

Tangent thought again: blacks in slavery got the “Be seen and not heard” beat into to them and encoded in their minds by their masters. Subsequently “You should never look a white man in his/her eyes; This is an offense. It is a sign of disrespect. It is construed as challenging or bucking up against perceived authority. So instead keep your eyes low or look to the ground when you encounter them. One must present the impression of being subtle, abased, insecure and inferior.”

The movie industry launched a worldwide massive campaign against the descendants of the ancient blood line (specifically the symbolic black male) in Superman vs. Batman: Dawn of Justice Movie. Note the in the logo the Superman’s “S” is swallowed up by the Batman symbol. Meaning the “S” is smaller and centralized within the Batman symbol. Both Superman’s and Iron man’s hair historically dark in color. Both Batman’s dark aubur hair color is symbolic to white American elite status. The butler is British (father figure, guider, supporter, confidant, buddy, moral or conscious authority to Batman). Superman black hair is symbolic to the ancient blood line. Superman and Batman’s love interests have either orange or black hair. Batman is a white man whom participates in all knowledge, dark arts and the occult. Superman represents the symbolic black man whom participates in morality and whom as alien lineage. In the beginning of the film Justice League Full Movie 2017 Joker boldly and confidently toys with Superman as he is a gullible child whom will not tap into his ultimate power and whom could easily kill the Joker. By the way the Joker character looks very similar to black person in history if one replaces the white skin with black skin; see Goodbye uncle Tom! “Warning Graphic Content” around 1:11 minutes into the movie. If true the Joker is the “Gentleman” who advertised the slaves for sale and made sure they were ready for auctioning so master would get the highest price for the sale. With so many tricks up his sleeve and innovative ways to market and advertise masters products all while shuckin and jivin, Joker seems like a fitting name. The Joker wears a top hat, Victorian-era attire (The era when the slave trade made the nation rich and wealthly beyond imagination). On some images of Joker there will be reptilian closing.

If Superman gets fed up and ensues with anger, rage and suffering he busts through moral code that binds his actions. It is the projection of moral limitations that keep his power shackled. The love interests represent the symbolic black women. Batman has unlimited wealth, power and the greatest access to surveillance of the world. Note Superman’s “False God” theme. Input the black man and the projected theme is the black man is a False God. Then flip it 180 degrees, they are saying the symbolic black man is a God …interesting … Thus follow the hair color to get to the real message they are trying to share. This “God” theme is repeated in The Purge movie imagery. A black male teen is wearing a mask with “God” written across the forehead. This same image was used in a lot of commercials and billboards across cities and towns. Another repeated image is a black teen wearing a mask with an up side down cross on it at the symbolic 3rd eye position; points to the symbol of the symbolic black man/3rd eye awakening as an/the anti-christ

Black DotDark Goddess RisingDark MatterDark side energy
Darkside energyDragonkundalini
MelaninPineal glandsRise of Dark MatterSatan
The Darkside EnergyThe Black DotGANTZ:O Movie
Claymore EpisodesPacific RimChangFez Monkey
– Superman Movie Man of SteelDNANon Human
DNA TransformationExpansion of the DNA KingdomHumans
The Original GodsGodCode of the Gods
Human ArtificialLarvalAutomaton

The Pathology of an Automaton

Came across the word automaton through listening to Bobby Hemmitt. Although I don’t really know what it all means but it sounds like a good choice word when describing the proceeding subject. When encountering an automaton beware because it’s character changes at a whim. It is an interesting being that tends to play the opposites shifting and changing its thought forms and behavior back and forth creating a path of confusion for less clever beings to follow their move, guidance, direction or leadership…hard to pin down a direct answer or response…hovers around “neutral” right when you turn your back figuratively speaking they go in for the move with malicious intent. When confronted they are excellent liars and will speak an untruth eye ball to eye ball without blinking, admittedly defending a truthful disposition…”I am telling the truth, honestly!!! You’ve got to believe me.” Note that the act of speak lies are a normal speech pattern…and guess what, they are right…they are only speaking their truth. Like a Chihuahua dog it is generally a smaller being, more fragile being for instance in comparison to a pit bull. Its unyielding assertiveness and aggression can frighten away a larger opponent as it enters it’s fit of rage. It operates in a stance of dominance even though it is not. It has been very successful in moving to claim more and more space on the planet, simply by being curious about the space that others inhabit. The act of creeping in, disregarding moral boundaries, seemingly with an innocent intent, is how it victimizes its subjects. It jokingly projects the “Curious George” syndrome on others when that really is it’s mode of operation. It wants what another has. It has a guilt deficiency. When it does “wrong” it justifies itself as being right. When it victimizes others it believe it has been victimized and the actions that produced the injustice are justified. Key, it supposes itself to be human even though it is not. On top of that it believes the human is the automaton or robot when in fact that is what it really is. Movies, TV shows and commercials are packed full of these concepts, symbolism and subtle messages. In order to decipher the messages shown one must learn to be crafty looking at things in opposites to discover codes of truth and character intent. When it sees or encounters individuals with strength it projects on them weakness, believing the masculinity they see is really feminine and visa versa. When it sees life, harmony and balance it kills it, then tries to reconstruct it so with the intent to make life, harmony and balance be a product created by themselves…the product is a synthetic version of the original. Anything out of their control is frightening to them…free will of less clever beings must be harnessed, suppressed and controlled. It enjoys leading and managing less clever beings. At its core it unapologetically resist work and play is more so the norm. The cleverness or genius is found in its simplicity; it finds the shortest path from point A to point B. It crafts a system to get there. Not too much thought went into it. It runs with the pack. A genius with group economics principles with their own kind. Who needs feelings; what are those anyways when logic rules the day. It rules its subjects with morality, erecting boundaries and specific modes of operations. Moral boundaries and laws are just temporary place holders and can be removed at anytime. In juxtaposition to morality, Everything and every experience in the universe is available to them psychologically and physically. This key gives them the advantage in world leadership affairs because there subjects are bound by their culture and other moral bench marks.

With all this being said there is still a beautiful purpose for this entity in the earth realm. And its efforts in a since must be respected…but that does not mean one should not be cautious of it. Because it is symbolically vampires-tic by nature; absorbing from the great populous to learn how to survive the earth plane.

To find out more about some basic attributes and idiosyncrasies of an automaton check out Bicentennial Man play by Robin Williams. Also note it repeats a common theme “it must always serve and protect ‘humans’. “….Superheros, Superman “Superman to the rescue!!!!”, The Avengers; Thor wanted to stay here on earth to serve and protect…

Dion Fortune says in chapter VII. The Pathology of Non-Human Contacts “Non-Human is like a pet animal, not a fellow-creature. That, frankly, is the only possible ground upon which they can be approached. If we expect no more of them than we should a pet bird, if we manage them as we should manage a kitten, we have got as near to the solution of the problem as we are ever likely to get….”

The Great Old ones can be confused for automatons because they are subject to the same programing or social engineering tactics. For the Great Old ones are consciously asleep and operate as automatons. Pacification and indirect suppression are tools helping them to stay sleep. They can endure intense amounts of suffering. However suffering is the key that triggers the awakening. However no knows the combination to that key. It is a Great mystery.

Some Automatons are born with a bit of ancient DNA biological technology inside…They express more human like tendencies…the feeling center is more amped…generally shunned from participation with the whole. Solution?….blank slate tecnology Defined
what is mind control, really? electronic implant tech. how to teach esoterocism or complex subjects. whats wrong with you and everybody else. http://www.youtube.com/watch?v=AnwZuAdOnB8
This tecnology has been used to torture immortal beings with electronic flows, no time limit, It has been used to “erase the beingness” of immortal beings and this can be done slowly as a kind of torture. In fighting off a machine one eventually goes into apathy THEN they go to work on you. This is beyond words like terrifying. The idea is to get the idea across that it is better to obey than be a rebel. This torture is what’s behind peoples disinterest in to conspiracy theories. “They” can reprogram you to be one of them virtually overnight

Instead of denying the Human nature Steven Pinker urges for the embracing of it.
The Blank Slate: The Modern Denial of Human Nature

Our conceptions of human nature affect every aspect of our lives, from the way we raise our children to the political movements we embrace. Yet just as science is bringing us into a golden age of understanding human nature, many people are hostile to the very idea. They fear that discoveries about innate patterns of thinking and feeling may be used to justify inequality, to subvert social change, to dissolve personal responsibility, and to strip life of meaning and purpose.

In The Blank Slate, Steven Pinker, bestselling author of The Language Instinct and How the Mind Works, explores the idea of human nature and its moral, emotional, and political colorings. He shows how many intellectuals have denied the existence of human nature by embracing three linked dogmas: the Blank Slate (the mind has no innate traits), the Noble Savage (people are born good and corrupted by society), and the Ghost in the Machine (each of us has a soul that makes choices free from biology). Each dogma carries a moral burden, so their defenders have engaged in desperate tactics to discredit the scientists who are now challenging them.

Pinker injects calm and rationality into these debates by showing that equality, progress, responsibility, and purpose have nothing to fear from discoveries about a rich human nature. He disarms even the most menacing threats with clear thinking, common sense, and pertinent facts from science and history. Despite its popularity among intellectuals during much of the twentieth century, he argues, the doctrine of the Blank Slate may have done more harm than good. It denies our common humanity and our individual preferences, replaces hardheaded analyses of social problems with feel-good slogans, and distorts our understanding of government, violence, parenting, and the arts.

Pinker shows that an acknowledgment of human nature that is grounded in science and common sense, far from being dangerous, can complement insights about the human condition made by millennia of artists and philosophers. All this is done in the style that earned his previous books many prizes and worldwide acclaim: wit, lucidity, and insight into matters ~Steven Pinker

– Bobby Hemmitt – Bicentennial Man – Dion Fortune
blank slate techonologyPeople idiosyncrasies

Chaos Code, the Dracula Particle

Dracula

The story is told in epistolary format, as a series of letters, diary entries, newspaper articles, and ships’ log entries, whose narrators are the novel’s protagonists, and occasionally supplemented with newspaper clippings relating events not directly witnessed. The events portrayed in the novel take place chronologically and largely in England and Transylvania during the 1890s and all transpire within the same year between the 3rd of May and the 6th of November. A short note is located at the end of the final chapter written 7 years after the events outlined in the novel.

The tale begins with Jonathan Harker, a newly qualified English solicitor, visiting Count Dracula in the Carpathian Mountains on the border of Transylvania, Bukovina, and Moldavia, to provide legal support for a real estate transaction overseen by Harker’s employer, Mr Peter Hawkins of Exeter. At first enticed by Dracula’s gracious manners, Harker soon realizes that he is Dracula’s prisoner. Wandering the Count’s castle against Dracula’s admonition, Harker encounters three female vampires, called “the sisters”, from whom he is rescued by Dracula. After the preparations are made, Dracula leaves Transylvania and abandons Harker to the sisters. Harker barely escapes from the castle with his life.

Not long afterward, a Russian ship, the Demeter, having weighed anchor at Varna, runs aground on the shores of Whitby in the east coast of England. The captain’s log narrates the gradual disappearance of the entire crew, until the captain alone remained, himself bound to the helm to maintain course. An animal resembling “a large dog” is seen leaping ashore. The ship’s cargo is described as silver sand and 50 boxes of “mould”, or earth, from Transylvania. It is later learned that Dracula successfully purchased multiple estates under the alias ‘Count De Ville’ throughout London and devised to distribute the 50 boxes to each of them utilizing transportation services as well as moving them himself. He does this to secure for himself “lairs” and the 50 boxes of earth would be used as his graves which would grant safety and rest during times of feeding and replenishing his strength.

Soon Dracula is indirectly shown to be stalking Lucy Westenra, who is holidaying in Whitby. As time passes she begins to suffer from episodes of sleepwalking and dementia, as witnessed by her friend Mina Murray, the fiancée of Jonathan Harker. Lucy receives three marriage proposals from Dr. John Seward, Quincey Morris, and Arthur Holmwood (the son of Lord Godalming who later obtains the title himself). Lucy accepts Holmwood’s proposal while turning down Seward and Morris, but all remain friends. Dracula communicates with Seward’s patient Renfield, an insane man who wishes to consume insects, spiders, birds, and rats to absorb their “life force”. Renfield is able to detect Dracula’s presence and supplies clues accordingly.

When Lucy begins to waste away suspiciously, Seward invites his old teacher, Abraham Van Helsing, who immediately determines the true cause of Lucy’s condition. He refuses to disclose it but diagnoses her with acute blood-loss. Helsing prescribes numerous blood transfusions to which Dr. Seward, Helsing, Quincey and Arthur all contribute over time. Helsing also prescribes flowers to be placed throughout her room and weaves a necklace of withered Garlic Blossoms for her to wear as well. She however continues to waste away – appearing to lose blood every night. While both doctors are absent, Lucy and her mother are attacked by a wolf; Mrs. Westenra, who has a heart condition, dies of fright. Van Helsing attempts to protect her with garlic but fate thwarts him each night, whether Lucy’s mother removes the garlic from her room, or Lucy herself does so in her restless sleep. The doctors have found two small puncture marks about her neck, which Dr. Seward is at a loss to understand. After Lucy dies, Helsing places a golden crucifix over her mouth, ostensibly to delay or prevent Lucy’s vampiric conversion. Fate conspires against him again when Helsing finds the crucifix in the possession of one of the servants who stole it off Lucy’s corpse.

Following Lucy’s death and burial, the newspapers report children being stalked in the night by a “bloofer lady” (i.e., “beautiful lady”). Van Helsing, knowing Lucy has become a vampire, confides in Seward, Lord Godalming, and Morris. The suitors and Van Helsing track her down and, after a confrontation with her, stake her heart, behead her, and fill her mouth with garlic. Around the same time, Jonathan Harker arrives from Budapest, where Mina marries him after his escape, and he and Mina join the campaign against Dracula.

The vampire hunters stay at Dr. Seward’s residence, holding nightly meetings and providing reports based on each of their various tasks. Mina discovers that each of their journals and letters collectively contain clues to which they can track him down. She tasks herself with collecting them, researching newspaper clippings, fitting the most relevant entries into chronological order and typing out copies to distribute to each of the party which they are to study. Jonathan Harker tracks down the shipments of boxed graves and the estates which Dracula has purchased in order to store them. Van Helsing conducts research along with Dr. Seward to analyze the behaviour of their patient Renfield who they learn is directly influenced by Dracula. They also research historical events, folklore, and superstitions from various cultures to understand Dracula’s powers and weaknesses. Van Helsing also establishes a criminal profile on Dracula in order to better understand his actions and predict his movements. Arthur Holmwood’s fortune assists in funding the entire operation and expenses. As they learn the various properties Dracula had purchased, the male protagonists team up to raid each property and are several times confronted by Dracula. As they discover each of the boxed graves scattered throughout London, they pry them open to place and seal wafers of sacramental bread within. This act renders the boxes of earth completely useless to Dracula as he is unable to open, enter or further transport them.

After Dracula learns of the group’s plot against him, he attacks Mina on three occasions, and feeds Mina his own blood to control her. This curses Mina with vampirism and changes her but does not completely turn her into a vampire. Van Helsing attempts to bless Mina through prayer and by placing a wafer of sacrament against her forehead, although it burns her upon contact leaving a wretched scar. Under this curse, Mina oscillates from consciousness to a semi-trance during which she perceives Dracula’s surroundings and actions. Van Helsing is able to use hypnotism at the hour of dawn and put her into this trance to further track his movements. Mina, afraid of Dracula’s link with her, urges the team not to tell her their plans out of fear that Dracula will be listening. After the protagonists discover and sterilize 49 boxes found throughout his lairs in London, they learn that Dracula has fled with the missing 50th box back to his castle in Transylvania. They pursue him under the guidance of Mina. They split up into teams once they reach Europe; Van Helsing and Mina team up to locate the castle of Dracula while the others attempt to ambush the boat Dracula is using to reach his home. Van Helsing raids the castle and destroys the vampire “sisters”. Upon discovering Dracula being transported by Gypsies, Harker shears Dracula through the throat with a kukri while the mortally wounded Quincey stabs the Count in the heart with a Bowie knife. Dracula crumbles to dust, and Mina is freed from her curse of vampirism.

The book closes with a note left by Jonathan Harker seven years after the events of the novel, detailing his married life with Mina and the birth of their son, whom they name after all four members of the party, but address as “Quincey”. Quincey is depicted sitting on the knee of Van Helsing as they recount their adventure.

“Dracula’s Guest”

Main article: Dracula’s Guest

The short story “Dracula’s Guest” was posthumously published in 1914, two years after Stoker’s death. It was, according to most contemporary critics, the deleted first (or second) chapter from the original manuscript and the one which gave the volume its name, but which the original publishers deemed unnecessary to the overall story.

“Dracula’s Guest” follows an unnamed Englishman traveller as he wanders around Munich before leaving for Transylvania. It is Walpurgis Night and the young Englishman foolishly leaves his hotel, in spite of the coachman’s warnings, and wanders through a dense forest alone. Along the way, he feels that he is being watched by a tall and thin stranger (possibly Count Dracula).

The short story climaxes in an old graveyard, where the Englishman encounters a sleeping female vampire called Countess Dolingen in a marble tomb with a large iron stake driven into it. This malevolent and beautiful vampire awakens from her marble bier to conjure a snowstorm before being struck by lightning and returning to her eternal prison. However, the Englishman’s troubles are not quite over, as he is dragged away by an unseen force and rendered unconscious. He awakens to find a “gigantic” wolf lying on his chest and licking at his throat; however, the wolf merely keeps him warm and protects him until help arrives.

When the Englishman is finally taken back to his hotel, a telegram awaits him from his expectant host Dracula, with a warning about “dangers from snow and wolves and night”.

Deleted ending

A small section was removed from a draft of the final chapter, in which Dracula’s castle falls apart as he dies, hiding the fact that vampires were ever there.

As we looked there came a terrible convulsion of the earth so that we seemed to rock to and fro and fell to our knees. At the same moment with a roar which seemed to shake the very heavens the whole castle and the rock and even the hill on which it stood seemed to rise into the air and scatter in fragments while a mighty cloud of black and yellow smoke volume on volume in rolling grandeur was shot upwards with inconceivable rapidity.

Then there was a stillness in nature as the echoes of that thunderous report seemed to come as with the hollow boom of a thunder-clap – the long reverberating roll which seems as though the floors of heaven shook. Then down in a mighty ruin falling whence they rose came the fragments that had been tossed skywards in the cataclysm.

From where we stood it seemed as though the one fierce volcano burst had satisfied the need of nature and that the castle and the structure of the hill had sunk again into the void. We were so appalled with the suddenness and the grandeur that we forgot to think of ourselves.

— Deleted excerpt from the original Dracula manuscript

BOBBY HEMMITT – Chaos Code,the Dracula Particle

https://www.youtube.com/results?search_query=BOBBY+HEMMITT+-+Chaos+Code%2Cthe+Dracula+Particle
– Bobby HemmittChaos BeingsDraculaDracula Particle

Thunder Dog In The Motor City – Pt 1 Of 5 – Bobby Hemmitt

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Bobby Hemmitt Thunder Dog In The Motor City

They Live Full Movie

https://www.youtube.com/results?search_query=They+Live+Full+Movie


They Live
is a 1988 American satirical science fiction horror film written and directed by John Carpenter. The film stars Roddy Piper, Keith David, and Meg Foster. It follows an unnamed drifter (referred to as “John Nada” in the film’s credits) who discovers the ruling class are in fact aliens concealing their appearance and manipulating people to spend money, breed, and accept the status quo with subliminal messages in mass media.

Drifter “John Nada” (Roddy Piper) finds construction work in Los Angeles and befriends fellow construction worker Frank Armitage (Keith David), who leads him to a local shantytown soup kitchen. There, Nada encounters strange activity around the church: a blind preacher (Raymond St. Jacques) loudly chastising others to wake up, a police helicopter hovers overhead, and a drifter (George Buck Flower) complains that his TV signal is continually interrupted by a man warning everyone about those in power. Nada discovers the nearby church is a front. The choir heard outside is an audio recording and the building is filled with scientific equipment and cardboard boxes. Nada finds a box hidden in the wall, but flees when the preacher notices him. That night, the police attack and bulldoze the shantytown. Nada returns in the morning to find the church empty, but with the hidden boxes still in the wall. He takes one of the boxes and in an alley, he opens the box and finds it filled with sunglasses. Taking a pair, he hides the box in a garbage can.

Nada quickly discovers the sunglasses have unique properties: they reduce the colors of the world around him to black and white and allow him to see that media and advertising hide omnipresent subliminal commands to obey, consume, reproduce, and conform. They also make clear that many people in positions of wealth and power are actually humanoid aliens with skull-like faces.

In a grocery store, Nada confronts an alien woman who then speaks into her wristwatch, notifying others about him. Two alien police officers try to apprehend Nada, but he kills them and takes their guns. He goes on a shooting spree, killing several aliens that he encounters in a nearby bank. He sees one vanish using its wristwatch. Nada escapes, destroying a small, flying saucer-like alien surveillance drone and taking a Cable 54 assistant director named Holly Thompson (Meg Foster) hostage. At her luxurious hill-top home, Nada tries to convince her of the truth. He also begins suffering migraine headaches as a result of using the glasses. Holly finds his story absurd, and catching him unaware, knocks him through a window and calls the police. Nada tumbles down a steep hillside and escapes, leaving his sunglasses behind.

Now a fugitive, Nada returns to the alley where he finds the garbage can that held the other glasses is empty. However, he retrieves the box from a nearby garbage truck. Frank meets Nada, who is now a wanted fugitive, to give him his paycheck. Though Nada tells his story, Frank does not believe him and tells Nada he wants nothing further to do with him. Nada engages in an extended street fight with Frank, trying to force him to put on a pair of sunglasses. Finally after gaining the upper hand, Nada places the glasses on Frank who now understands. The two rent a hotel room to discuss their predicament. Gilbert (Peter Jason), a member of the shantytown, discovers them and notifies them about a secret meeting with other activists.

At the meeting, Nada and Frank are given special contact lenses to replace their sunglasses. They learn from the bearded man’s broadcast that the aliens control Earth as their third world, depleting its resources and causing global warming before moving on to other planets. The aliens use a subliminal signal broadcast into people’s brains to camouflage themselves. Destroying its source will allow everyone on Earth to see their true form. Frank is given a stolen alien wristwatch which functions as a communications and teleportation device. Holly arrives joining the cause before apologizing to Nada. However, the police suddenly attack the meeting, killing everyone while Nada and Frank manage to fight their way out. After being cornered in an alley, Frank accidentally opens a temporary portal by throwing the watch, through which the two jump into a network of underground passages.

The two find the aliens in a grand hall celebrating with their elite human collaborators. The same homeless drifter that Nada and Frank met earlier appears as a collaborator and believes the two to be collaborators as well. He takes them on a tour of the passages, revealed to link the alien society including a space travel port. A further passage leads to the basement of the Cable 54 station, the source of the aliens’ signal. The two then launch an attack, killing many alien soldiers. Nada and Frank fight their way through the building to find the broadcaster on the roof before meeting Holly and taking her along. As Nada climbs up a staircase to the signal broadcaster disguised as a satellite dish, Holly suddenly shoots and kills Frank off-screen, finally revealing herself to also be a human collaborator.

Holly takes aim at Nada and persuades him to stop as an alien-manned police helicopter hovers overhead. Nada complies by dropping his weapon, but then retrieves a hidden pistol from his sleeve and kills her. He then shoots and destroys the broadcaster before being fatally wounded by the aliens in their helicopter. Before he dies, Nada gives them “the finger” as his last defiant gesture now that he scored the final victory over the aliens. With the signal destroyed, humans all over the world discover the aliens in their midst and the film suddenly ends.

The Satanic Rites Of Dracula – Starring Christopher Lee

http://www.youtube.com/watch?v=VkGiyhoQnrs

The Satanic Rites of Dracula is a 1973 film
Introduction

A Secret Service agent (Maurice O’Connell) barely escapes from an English country house, in which satanic rituals are celebrated. Before he dies of his wounds, he reveals to his superiors that four prominent members of society – a government minister, a peer, a general and a famous scientist – are involved in the cult, led by Chin Yang (Barbara Yu Ling). Photos of the four dignitaries taken by the agent are developed, and a fifth photo, apparently showing an empty doorway, is assumed to be a mistake. In order to avoid any reprisals by the minister, secret service official Colonel Mathews (Richard Vernon) calls in Scotland Yard’s Inspector Murray (Michael Coles) to work on the case independently. Murray (who had appeared in the preceding Dracula film) suggests consulting noted occult expert Professor Lorrimar Van Helsing (Peter Cushing).

At the House

The cult kidnaps the Secret Service secretary Jane (Valerie Van Ost), who is later bitten by Dracula (Christopher Lee). Murray, Secret Service agent Torrence (William Franklyn) and Van Helsing’s granddaughter Jessica (Joanna Lumley) arrive at the country house. They separate; Murray and Torrence investigate inside the house, where they meet Chin Yang. Jessica enters the house through the cellar, where she finds Jane chained to a wall; she is revealed to be a vampire. The ensuing commotion awakens other female vampires who are likewise imprisoned, but they attempt to feed on Jessica. The agents hear Jessica’s screams and come to her rescue. Murray kills Jane with a stake, and he escapes the grounds with Jessica and Torrence.

Van Helsing visits his scientist friend, Julian Keeley (Freddie Jones), whom he recognized among the four conspirators. The mentally unstable Keeley is involved in bacteriological research designed to create a virulent strain of the bubonic plague. Van Helsing is shot by a guard and passes out. When he revives, Keeley’s dead body hangs from the ceiling, and the plague bacillus is gone.

Keeley referred to the 23rd of the month, which Van Helsing discovers is the “Sabbath of the Undead”. Keeley’s research notes lead Van Helsing to the reclusive property developer D. D. Denham, who funded Keeley’s research. Van Helsing speculates that the fifth photo of an empty doorway may actually have been of Dracula, whose image cannot be captured; he suggests that Dracula wants to exact revenge on humanity. Van Helsing visits Denham in his headquarters (built on the church yard where Dracula died in the previous film) and discovers that he is actually Count Dracula. He tries to shoot Dracula with a silver bullet, but is beaten by the Count’s conspirators. Dracula decides that killing Van Helsing would be too simple and has him moved to the country house.

Jessica, Murray, Mathews and Torrence, while observing the country house, are attacked by snipers. Torrence and Mathews are killed, and Murray and Jessica are captured. Murray awakes in the cellar and escapes the clutches of Chin Yang, revealed to be a vampire herself. After staking her through the heart with a mallet, he destroys the other female vampires with clear running water from the fire sprinkler system.

Denouement

Dracula arrives at the house with Van Helsing. He announces to his henchmen that Jessica will be his consort, uncorrupted by the plague that his “four horsemen” – including Van Helsing – will carry out into the world. The conspirators, who had considered the plague a threat not to be used, begin to question their master. Dracula’s hypnotic command brings them back into his control. He commands John Porter (Richard Mathews) to break the vial, releasing the bacteria and immediately infecting the minister.

Murray overpowers a guard in the computer room. The guard’s metal baton smashes a computer panel causing an explosion that starts a fire and unlocks the ritual room. Two uninfected conspirators escape, Murray rescues Jessica, and the infected minister and the plague bacteria burn in the fire. Dracula attacks Van Helsing, but his prey escapes through a window into the woods. Van Helsing lures Dracula into a hawthorn bush where he is entangled. Van Helsing grabs a fence post and drives it through his heart. Dracula disintegrates into ash. Van Helsing retrieves Dracula’s ring from the ashes.

Dracula A.D. 1972 (1972)
http://cinemassacre.com/2011/10/14/14-dracula-a-d-1972/
Dracula A.D. 1972 pay to watch movie on Youtube
http://www.youtube.com/watch?v=AUu7bUIUGNU
DraculaSatanDevilThe Satanic Rites of Dracula
Christopher LeeHorror of DraculaDracula 1972

Dracula A.D. 1972 is a 1972 horror film, directed by Alan Gibson and produced by Hammer Film Productions. It was written by Don Houghton and stars Christopher Lee, Peter Cushing and Stephanie Beacham. Unlike earlier films in Hammer’s Dracula series, Dracula A.D. 1972 has (at the time of filming) a contemporary setting, in an attempt to update the Dracula story for modern audiences. Dracula is brought back to life in modern London and preys on a group of young party-goers, that includes the descendant of his nemesis, Van Helsing.

Prologue

In 1872, Count Dracula (Christopher Lee) and his nemesis Lawrence Van Helsing (Peter Cushing) battle on the top of a runaway coach. The carriage crashes and Dracula is partly impaled by one of the wheels. In the struggle, Van Helsing manages to fully push the wheel into the vampire’s chest, staking him. This done, Van Helsing collapses and dies from his own wounds. At that moment a follower of Dracula (Christopher Neame) arrives, collects Dracula’s remains and, a few days later, buries them near Van Helsing’s grave at St Bartolph’s Church.

Plot

One hundred years later, a new generation of Britons appear who move the tale along: in this case, a group of young hippies that includes Jessica Van Helsing (Stephanie Beacham), granddaughter of Lorrimer Van Helsing (Peter Cushing), an occult expert and descendant of Dracula’s old nemesis, and Johnny Alucard (Christopher Neame), who closely resembles the disciple of Dracula seen in 1872. Alucard persuades Jessica and the others to attend a black magic ceremony in the now abandoned, deconsecrated St Bartolph’s, where he performs a bloody ritual involving one of their group, Laura Bellows (Caroline Munro). Jessica and the others flee in horror, after which Dracula is resurrected and kills Laura.

Laura’s body is discovered, drained of blood, and a police investigation begins, headed by an Inspector Murray (Michael Coles). Murray suspects an occult element and interviews Lorrimer Van Helsing, who is shocked to learn the details of Laura’s death. He realises that Johnny Alucard (whose name is Dracula written backwards) is a disciple of Dracula, and that the Count must have returned.

In the meantime, Alucard brings another of Jessica’s friends, Gaynor Keating (Marsha Hunt), to St Bartolph’s, where she is killed by Dracula and Alucard willingly has himself turned into a vampire. The vampire Alucard kills a passer-by and lures Jessica’s boyfriend, Bob (Philip Miller), to a café they frequent, where he turns him into a vampire as well. While Lorrimer is out, Bob goes to the Van Helsing house and persuades Jessica to come to the café, where he and Alucard capture her and take her to Dracula.

Lorrimer tracks Alucard to his flat and battles him, in which course Alucard accidentally kills himself with the running water in the bathroom shower. Lorrimer finds Bob’s dead body, slain by sunlight before he could reach his resting place, and discovers Jessica in a trance at St Bartolph’s, where Dracula plans to take his revenge on the Van Helsing family by turning her into a vampire. Van Helsing sets a trap for Dracula and waits for him to return at nightfall. After a struggle, Dracula is killed by a fall into a pit of stakes that Van Helsing had previously prepared, and his spell over Jessica is broken. She embraces her grandfather and the title “Rest In Final Peace” is shown.

DraculaSatanDevilThe Satanic Rites of Dracula
Christopher LeeHorror of DraculaDracula 1972
They Live Full MovieHumansNon HumanAutomaton
Bobby Hemmitt Thunder Dog In The Motor City

INGRESS REPORT is Now Pokemon Go!

INGRESS REPORT | Our Investigation Begins – EP1

Ingress changed to Pokemon GO In REAL LIFE
A government initiative to garner the help of heroes, automatons, goons and monsters to purge out alien energy from the world.

 

The Super Mario Bros. Movie

The Super Mario Bros. Movie
– Bicentennial Man (1999)
– FLIGHT OF THE NAVIGATOR (1986)
– MAC AND ME (1988)
and Fun Movies

https://www.youtube.com/results?search_query=Super+Mario+Bros.+Movie+-+Full+Movie
Editorial Review
Buckle up and hang on tight – the discovery of a parallel universe launches you into the adventure of a lifetime! Mario and Luigi, two wacky plumbers, undertake a daring quest to save a princess in “Dinohattan” – a hidden world where the inhabitants evolved from dinosaurs! Mario (Bob Hoskins – WHO FRAMED ROGER RABBIT) and Luigi (John Leguizamo – REGARDING HENRY) face deadly challenges from a diaboloical lizard king (Dennis Hopper – HOOSIERS) and must battle giant reptilian goombas, outwit misfit thugs, and undermine a sinister scheme to take over the world! Blast off for nonstop excitement with SUPER MARIO BROS., the live-action thrill ride that dazzled moviegoers everywhere!

Sixty-five million years ago, a meteorite crashes into the Earth, killing the dinosaurs and causing the universe to split into two parallel dimensions. The surviving dinosaurs cross over into this new dimension and evolve into a humanoid race.

In the present, Mario and Luigi are two Italian American plumbers living in Brooklyn, New York, who are currently being driven out of business by the mafia-like Scapelli Construction Company led by Anthony Scapelli. Later, Luigi falls in love with an orphaned NYU student named Daisy, who is digging under the Brooklyn Bridge for dinosaur bones. After a date, Daisy takes Luigi back to the bridge only to witness one of Scapelli’s men sabotaging it by leaving the water pipes open. Unable to fix the flooding, Luigi and Daisy rush back to his apartment where they inform Mario about the incident. The trio returns to the flooding where the Mario Bros. manage to fix it but are knocked unconscious by Iggy and Spike, who proceed to capture Daisy.

Moments later, Mario and Luigi awaken and head deeper into the caves following Daisy’s screams and discover an interdimensional portal allowing the Mario Bros. to follow Daisy. It turns out that Iggy and Spike are henchmen (and cousins) of the other world’s germophobic and obsessive–compulsive dictator, King Koopa, who descended from the most revered dinosaur, the Tyrannosaurus Rex. The Mario Bros. realize they didn’t bring Daisy’s rock, a meteorite fragment which Koopa is trying to get in order to merge his world with the real world. It is then revealed that Daisy is the long-lost Princess of the other dimension. When Koopa overthrew Daisy’s father (and de-evolved him into fungus), her mother took her to Brooklyn using the inter-dimensional portal. The portal was then destroyed, killing Daisy’s mother in the process, but Scapelli’s men inadvertently reopened the portal when they blasted the cave. Upon hearing this, Koopa sends Spike and Iggy to find both Daisy and the rock to merge the dimensions and make him dictator of both worlds. However, after Koopa subjects them to one of his experiments to make them more intelligent, Spike and Iggy realize Koopa’s evil intentions and side with the Mario Bros. in the desert. Koopa believes only Daisy can merge the worlds, but the Mario Bros. are also from a different place and time. Eventually, the Mario Bros. rescue Daisy with the help of Toad, a good-natured guitarist who was punished by Koopa for performing music that protests his reign (for which he is de-evolved into a Goomba).

Eventually, the two worlds merge and Koopa turns Scapelli into a chimpanzee before going after Mario, but Luigi and Daisy bring back the rock and the worlds separate again. In Dinohattan, Mario confronts Koopa and eventually defeats him when he and Luigi fire their devolution guns at Koopa and blast him with a Bob-omb. Koopa, now transformed into a ferocious, semi-humanoid Tyrannosaurus attempts to kill the Mario Bros., but they destroy him once and for all by transforming him into an actual T-Rex, which is too intense for him to live through and instead turns him into primeval slime. With Daisy’s father restored after Koopa’s defeat, he reclaims control over the kingdom. The citizens celebrate and immediately destroy anything under Koopa’s influence. Luigi professes his love for Daisy and wants her to come to Brooklyn with him, but Daisy cannot come until the damage caused by Koopa is repaired and thus, she wants to spend more time with her father. Heartbroken, Luigi kisses Daisy goodbye as he and Mario return home to Brooklyn, with Daisy watching them leave. Three weeks later, the Mario Bros. are getting ready for dinner when their story comes on the news and the anchorman says they should be called the “Super Mario Bros.” Daisy then arrives and asks the Mario Bros. to help her and says, “You’re never gonna believe this!”

In a post-credits scene, two Japanese business executives propose making a video game based on Iggy and Spike, who decide on the title The Super Koopa Cousins.

Bicentennial Man (1999)

https://www.youtube.com/results?search_query=Bicentennial+Man+%281999%29
To find out more about some basic attributes of an automaton check out Bicentennial Man play by Robin Williams. Also note it repeats a common theme “it must always serve and protect ‘humans’ “….Superheros, Superman “Superman to the rescue!!!!”, The Avengers; Batman, Thor wanted to say here on earth to serve and protect…

Bicentennial Man – A character named Andrew Martin requests an unknown operation from a robotic surgeon. However, the robot refuses, as the operation is harmful and violates the First Law of Robotics, which says a robot may never harm a human being. Andrew, however, changes its mind, telling it that he is not a human being.

The story jumps to 200 years in the past, when a robot with a serial number beginning with “NDR” is brought to the home of Gerald Martin (referred to as Sir) as a robot butler. Little Miss (Sir’s daughter) names him Andrew. Later, Little Miss asks Andrew to carve a pendant out of wood. She shows it to her father, who initially does not believe a robot could carve so skillfully. Sir has Andrew carve more things, and even read books on woodwork. Andrew uses, for the first time, the word “enjoy” to describe why he carves. Sir takes Andrew to U.S. Robotics and Mechanical Men, Inc. to ask what the source of his creativity is, but they have no good explanation.

Sir helps Andrew to sell his products, taking half the profits and putting the other half in a bank account in the name of Andrew Martin (though there is questionable legality to a robot owning a bank account). Andrew uses the money to pay for bodily upgrades, keeping himself in perfect shape, but never has his positronic brain altered. Sir reveals that U.S. Robots has ended study on generalized pathways and creative robots, frightened by Andrew’s unpredictability.

Little Miss, at this point, is married and has a child, Little Sir. Andrew, feeling Sir now has someone to replace his grown-up children, asks to purchase his own freedom with Little Miss’s support. Sir is apprehensive, fearing that freeing Andrew legally would require bringing attention to Andrew’s bank account, and might result in the loss of all Andrew’s money. However, he agrees to attempt it. Though facing initial resistance, Andrew wins his freedom. Sir refuses to let Andrew pay him. It isn’t long afterwards that he falls ill, and dies after asking Andrew to stand by his deathbed.

Andrew begins to wear clothes, and Little Sir (who orders Andrew to call him George) is a lawyer. He insists on dressing like a human, even though most humans refuse to accept him. In a conversation with George, Andrew realizes he must also expand his vocabulary, and decides to go to the library. On his way, he gets lost, and stands in the middle of a field. Two humans begin to walk across the field towards him, and he asks them the way to the library. They instead harass him, and threaten to take him apart when George arrives and scares them off. As he takes Andrew to the library, Andrew explains that he wants to write a book on the history of robots. The incident with the two humans angers Little Miss, and she forces George to go to court for robot rights. George’s son, Paul, helps out by fighting the legal battle as George convinces the public. Eventually, the public opinion is turned in favor of robots, and laws are passed banning robot-harming orders. Little Miss, after the court case is won, dies.

Andrew, with Paul’s help, gets a meeting with the head of U.S. Robots. He requests that his body be replaced by an android, so that he may better resemble a human. After Paul threatens legal action, U.S. Robots agrees to give Andrew an android body. However, U.S. Robots retaliates by creating central brains for their robots, so that no individual robot may become like Andrew. Meanwhile, Andrew, with his new body, decides to study robobiology – the science of organic robots like himself. Andrew begins to design a system allowing androids to eat food like humans, solely for the purpose of becoming more like a person.

After Paul’s death, Andrew comes to U.S. Robots again, meeting with Alvin Magdescu, Director of Research. He offers U.S. Robots the opportunity to market his newly designed prostheses for human use, as well as his own. He successfully has the digestive system installed in his body, and plans to create an excretory system to match. Meanwhile, his products are successfully marketed and he becomes a highly honored inventor. As he reaches 150 years of age, a dinner is held in his honor in which he is labeled the Sesquicentennial Robot. Andrew is not yet satisfied, however.

Andrew decides that he wants to be a man. He obtains the backing of Feingold and Martin (the law firm of George and Paul) and seeks out Li-Hsing, a legislator and chairman of the Science and Technology committee, hoping that the World Legislature will declare him a human being. Li-Hsing advises him that it will be a long legal battle, but he says he is willing to fight for it. Feingold and Martin begins to slowly bring cases to court that generalize what it means to be human, hoping that despite his prosthetics Andrew can be regarded as essentially human. Most legislators, however, are still hesitant due to his immortality.

The first scene of the story is explained as Andrew seeks out a robotic surgeon to perform an ultimately fatal operation: altering his positronic brain so that it will decay with time. He has the operation arranged so that he will live to be 200. When he goes before the World Legislature, he reveals his sacrifice, moving them to declare him a man. The World President signs the law on Andrew’s two-hundredth birthday, declaring him a bicentennial man. As Andrew lies on his deathbed, he tries to hold onto the thought of his humanity, but as his consciousness fades his last thought is of Little Miss.

FLIGHT OF THE NAVIGATOR (1986) Full Movie

https://www.youtube.com/results?search_query=FLIGHT+OF+THE+NAVIGATOR+%281986%29
Disney’s 1986 Flight of the Navigator combines a strong ensemble cast and classic ’80s soundtrack with dazzling special effects for a high-flying sci-fi adventure. While searching for his little brother in the woods, 12-year-old David Freeman (Joey Cramer) falls down a ravine and is knocked unconscious. After what seems like minutes, he returns home, only to discover that eight years have passed since he was declared missing and presumed dead. Even more mystifying is that David hasn’t aged, nor can he account for the time lapse. Meanwhile, NASA officials stumble upon a futuristic spacecraft and are determined to assess what David knows about it by locking him in a top-secret lab for scanning and testing. His only chance of escape is in the spacecraft manned by Max, a wisecracking robot. Cramer gives an earnest performance, which overcomes an imperfect script, while enough one-liners and imaginative animation will keep families engaged. Watch for Sarah Jessica Parker in one of her first film appearances. Rated PG for language.
(Ages 6 and older) –Lynn Gibson

MAC AND ME (1988) Full Movie

https://www.youtube.com/results?search_query=MAC+AND+ME+%281988%29

Oath of Allegiance (United States) http://en.wikipedia.org/wiki/Oath_of_Allegiance_(United_States)
The United States Oath of Allegiance (officially referred to as the “Oath of Allegiance,” 8 C.F.R. Part 337 (2008)) is an oath that must be taken by all immigrants who wish to become United States citizens. The first officially recorded Oaths of Allegiance were made on May 30, 1778 at Valley Forge, during the Revolutionary War.


Fun Movies

Beyond The Wall Of Death Pt 1 Of 4 – Bobby Hemmitt
http://www.youtube.com/watch?v=EZ5XwabLctQ
Beyond The Wall Of Death Pt 2 Of 4 – Bobby Hemmitt
http://www.youtube.com/watch?v=h-XSpZKk4A4
Beyond The Wall Of Death Pt 3 Of 4 – Bobby Hemmitt
http://www.youtube.com/watch?v=n0qaXLYev50
Beyond The Wall Of Death Pt 4 Of 4 – Bobby Hemmitt
http://www.youtube.com/watch?v=zgYlmifRXfM
Celestrial Ships of the North by E Valentia Straiton
http://www.bibliotecapleyades.net/cosmic_tree/straiton.pdf
Hellraiser 1 2 3 and 4
Predator 1 and 2
Aliens replie scott
beetle juice 1 and 2
twelve monkey
bodysnatchers
Puppet master donald sutherland
Star trek 1st contact and all Star Trek movies
Star Trek inserection
meet Joe Black
The Shadow Alec baldwin
Species 1 and 2
wild wild west
Tale.of.the.Mummy.1998
Dark City
Deep Rising
Ernest Goes to Jail
The 13th warrior
Space is the place 1974

 

AutomatonBeyond the Wall of DeathBobby Hemmitt
Celestrial ShipsE Valentia StraitonOath of Allegiance

Transformers Prime – One Shall Stand (2012) FULL MOVIE

Transformers Prime – One Shall Stand

https://www.youtube.com/results?search_query=Transformers+Prime+-+One+Shall+Stand+
This full-length film was originally broadcast as seven episodes from the first two seasons of Transformers Prime and is, above all else, the story of Optimus Prime. Optimus Prime (voiced by Peter Cullen) is the leader of the Autobots and perhaps the most important figure in the Autobots’ fight against the Decepticons and its leader Megatron (Frank Welker). This film sets out to answer two big questions: Who is Optimus Prime and where did he come from? Humans Jack, Miko, and Rafael certainly don’t know, and neither, it seems, do fellow Autobots Bumblebee, Arcee, Bulkhead, and Ratchet. The first big event in the film is that Unicron (John Noble) is awakened deep in the center of the earth and poses a threat to the Autobots and the entire human race. Optimus pursues him, but the fight causes Optimus to forget his present status as a prime and revert to his past position of archivist and clerk–in the service of Megatron! Suddenly it looks like all is lost for the Autobots in their war against the Decepticons and their dark energon. That is, unless teen Jack, chosen by Optimus and entrusted with a Cybertron relic that just might be the key to unlocking the all-powerful vector sigma, can collaborate with the other Autobots and his fellow humans. They must find a way to cross into Cybertron, unleash the power of vector sigma, and somehow bring back Optimus and restore his memory. This action-packed film features remarkably good CG animation, voice talent, and sound, especially considering it was originally a television production, and the film is just as much about character development as it is about action. Bonus features include a 12-minute interview with executive producer Jeff Kline, supervising producer/writer Duane Capizzi, and writer Steven Melching, and an animatic of One Shall Rise, Part 2. Transformer fans will definitely want to catch this film. –Tami Horiuchi

Melanin Reference – Transformium – Transformers Age of Extinction Movie 2014

Refer to Transformium as melanin in Transformers Age of Extinction. Refer to Vibranium as melanin in Averagers, Black Panther and the Captain America Movies. A great explanation of the use of melanin in the body is given by Young Pharaoh’s discussion of Oneness disconnection. The detail transcript below is from Transformers Age of Extinction. A wealthy arrogant American business man say to the blonde British woman consultant whom he likes to flirt with but she just wants to keep the relationship business. He says “You have no idea what has been happening here. We’re about to make the quantum leap” Scene shift in to his business laboratory. He says “A rare-earth metal. (Black grainy substance in glass jars. Note the light skinned black man behind him back to back) “Molecularly unstable.” The business man pulls out of a glass container on a conveyor belt a metal substance. Now when we see it up close it is now a shiny silver color, no longer black and grainy as we saw before but now a big chunk he is holding with black tweesers) Industrial uses, none. And then the aliens came. And we made the connection. It’s what their made of.
(Scene shift: first face you see is a black man guarding the door of a new room that are entering into)
Wembley: It’s the holy grail.
“Transformium” (the word transform signifying movement). That’s what we’re calling it.
Business man: Focus-grouped. Catchy.
Business man: Trademarked. Yeah.
This is the greatest advance in modern physics since the splitting of the atom.
It’s programmable matter.
And now we’ve mapped it’s genome
Business man interjects: “I”
Wembly: Now you’ve mapped its genome.
Business man interrupts: And now we can begin to give it instructions. (He activates a machine with his hand. A white sphere ball emerges from the center and gets lifted up by a metal rod. He picks it up in his left hand”
Wembly: This is extremely good. (The camera right before the climactic unveiling pans back out to the back man guarding the door, yet the camera keeps him off to the side for a brief moment. Then the scene blinks back to the center of the room to just the people with the room)
Wembly: Watch this
The camera pans counter clockwise to the business man holding the white ball in his left hand. Then ball lifts up from his hand and transforms. In a split second a black man walk clockwise in the background then out of the shot blocked from sight by the British woman consultant’s shoulder.
Wembly: We can change anything into anything
Business man (using two hands to change alter the form): Sensual, almost Don’t you think? Look at that. (They laugh) Do you like music?
It changes into speaks in the shape of a pill called the beats by Dre (Aka the black man rapper Dr. Dre) Business man says: The pill. Perhaps something a little more violent? (It changes into a gun that he holds in his right hand. He smiles. And slowly seems to aim it at the chest of the British woman however the direction is slightly off. He is actually pointing it passed her right shoulder in the direction of the black guard standing out side. At first frightened as we see Wembly shock and fright on his face. She then quickly in a split second gains composers realizing that she is not in danger and immediately smiles. She and the business man are smiling at each other while the gun is still pointed in the direction of the black male guard. This direction is barely noticeable based on the camera angle. However what is confusing is that remember another tech working came in the room with back hair. The gun seems to be pointed at him. He is a distraction so the viewer would miss the connection. But the view must also keep mind that the real target was behind the black haired tech worker who was standing directly in line with the Black man guard by the door.
The British woman consultant: Oh my God. You’ve done it (She acknowledges her God of that moment, whom is the business man who has the ability and potential unpredictable craze to take her life in the moment. She gives obeisance and reverence to him with the comment. The American and British power dynamic)
Scene shift
Business man excepts a screen clicker from an Asian woman standing like a statue and not looking him in the eyes: In aerospace, in military. We will own the entire robotics industry. (While leading the blonde British woman past her to a screening room that shows a promo of their industry endeavors on the wall. “All exploration. The oceans. Space. Everything.”

AutomatonNiggas vs GodsTransformer

Astro Boy Full

https://www.youtube.com/results?search_query=Astro+Boy+Full
et in futuristic Metro City, Astro Boy is about a young robot with incredible powers created by a brilliant scientist in the image of the son he has lost. Unable to fulfill the grieving man’s expectations, our hero embarks on a journey in search of acceptance, experiencing betrayal and a netherworld of robot gladiators, before he returns to save Metro City and reconcile with the father who had rejected him.

Advanced Genetic Engineering Technology

https://www.youtube.com/results?search_query=blank+slate+tecnology+Defined
what is mind control, really? electronic implant tech. how to teach esoterocism or complex subjects. whats wrong with you and everybody else.
This tecnology has been used to torture immortal beings with electronic flows, no time limit, It has been used to “erase the beingness” of immortal beings and this can be done slowly as a kind of torture.in fighting off a machine one eventually goes into apathy THEN they go to work on you. This is beyond words like terrifying. The idea is to get the idea across that it is better to obey than be a rebel. This torture is what’s behind peoples disinterest in two conspiracy theories. “they” can reprogram you to be one of them virtually overnight

The Blank Slate: The Modern Denial of Human Nature

 

The 6th Day movie – Advanced Genetic Engineering Technology

https://www.youtube.com/results?search_query=The+6th+Day
In this futuristic thriller spiked with intrigue, humor and high-voltage action, a ruthless power broker is using his advanced genetic-engineering technology to clone human beings for personal gain. When Adam Gibson (Arnold Schwarzenegger), an old-fashioned family man and decorated fighter pilot in what was known as the Rainforest War, comes home one night to discover that his life has been stolen by his clone, his perfect existence is erased. Plunged into a sinister world of murder, corruption and high-tech deception, he is torn from his family by thugs who have been sent to destroy him because they cloned the wrong man. Adam must not only save himself, but uncover who and what is behind the evil plot that entangles him in order to reclaim his family and his identity.

The 6th Day is a 2000 American science fiction action film directed by Roger Spottiswoode and starring Arnold Schwarzenegger, Tony Goldwyn, Michael Rapaport and Robert Duvall. In the film, a family man of the future is illegally cloned by accident as part of a vast conspiracy involving a shady billionaire businessman, and is thrust into a struggle to clear his name and protect his family from the conspirators who seek to keep the cloning a secret. The title refers to the Judeo-Christian Genesis creation narrative, where God created mankind on the sixth day.

In the year 2015, the cloning of animals and human organs has become routine. Cloning entire humans, however, is prohibited by what are known as “Sixth Day” laws. Billionaire Michael Drucker, owner of cloning corporation Replacement Technologies, hires charter pilot Adam Gibson and partner Hank Morgan for a ski trip. Due to Drucker’s prominence, the two must first undergo blood and eye tests to verify their aptitude. On the day of Drucker’s arrival, Adam finds that his family dog Oliver has died, and Hank offers to fly Drucker instead to allow Adam time to have the pet cloned. After visiting a “RePet” shop, he remains unconvinced but purchases an animatronic doll, a SimPal, named Cindy.

Adam returns home and discovers that not only has Oliver already been cloned, but a purported clone of himself is with his family, along with another SimPal Cindy. Replacement Technologies security agents Marshall, Talia, Vincent and Wiley arrive with the intention on killing Adam. Adam kills Talia and Wiley in the ensuing chase and escapes, but both are later cloned. Adam seeks refuge at Hank’s apartment after the police betray him to the agents. A while later, Tripp (whom Adam recognizes from the ski trip) kills Hank and is mortally injured by Adam. Revealed as a religious anti-cloning extremist, Tripp informs Adam that Hank was a clone, since he killed the original one on the mountaintop earlier that day, to be able to kill Drucker, who was also a clone, and there is now a new Drucker clone. Tripp then commits suicide to avoid being captured by Marshall and the others. The agents arrive again and Adam is able to disable Marshall and kill Talia again, and steals her thumb.

Adam sneaks into Replacement Technologies with Talia’s thumb and finds Dr. Griffin Weir, the scientist behind Drucker’s illegal human-cloning technology. Weir confirms Tripp’s story, adding that to resurrect Drucker, the incident had to be covered up and Adam was cloned because they mistakenly believed he had been killed. Weir explains that Drucker – who already died years before – could lose all of his assets if the revelation became public, since clones are devoid of all rights. Sympathetic with Adam’s plight, Weir gives him a memory disk (syncording) of the Drucker clone but warns him that Drucker may go after the other Adam instead, putting Adam’s family in danger. Weir also discovers that Drucker has been engineering cloned humans with fatal diseases as an insurance policy against betrayal. Upon finding out that his own wife was one such victim, Weir confronts Drucker and resigns. Drucker shoots him dead while promising to clone both him and his wife.

Drucker’s agents abduct the Gibson family and Adam comes face to face with his clone. The two reluctantly team up and devise a plan to destroy Drucker’s facility. While Adam wrecks the security system and gets himself captured, the clone sneaks in, plants a bomb and rescues his family. Drucker, however, tells Adam that he himself is the clone; the other Adam is the original one. Enraged, Adam fights off Drucker’s agents and Drucker is mortally wounded while Talia, Wiley, Vincent and Marshall are killed for the final time. Drucker manages to clone himself before he dies but the malfunctioning equipment causes the new Drucker to be incomplete. As the cloned Adam fights his way to the rooftop, he is rescued via helicopter by the real one as Drucker falls to his death before the facility explodes.

Now having a more moderate view of cloning, the real Adam arranges for his clone to move to Argentina to start a satellite office of their charter business. The clone’s existence is kept a secret, especially upon discovering that his DNA has no embedded illnesses, giving him a chance at a full life, since he was of no political value to Drucker. As a parting gift to the Gibson family, the clone gives them Hank’s RePet cat, Sadie. The real Adam gives the clone a flying send-off.

Watch THE 6TH DAY and hundreds of other free full-length streaming movies and TV shows on http://www.crackle.com
AutomatonBlank Slate TechnologyDenial of Human Nature
erase the beingnessEsoteric SciencesGenetic Engineering
Human ArtificialHumansImmigrant HumanHumans
Immigrant HumanImmortalreprogramingDemiurge
Synthetic HumansSynthetic LifeThe 6th Day
Genetic Engineering Technology