Thor Ragnarok Movie

Thor Ragnarok God of Thunder Imprisoned on the other side of the universe, the mighty Thor finds himself in a deadly gladiatorial contest that pits him against the Hulk, his former ally and fellow Avenger. Thor’s quest for survival leads him in a race against time to prevent the all-powerful Hela (The Goddess of Death, Not a Queen nor a monster) from destroying his home world and the Asgardian civilization.

Ragnarok is a Celebration of the death, doom, annihilation, destruction, obliteration, murder, final destiny or battle, twilight, end of an age of the Gods. The gods meet their cataclysmic end.

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Ragnarök, the doom of the gods, has finally occurred. But the long-held belief that evil would be destroyed along with the gods in that final conflagration proved false. Only the gods died. The Nine Worlds collapsed and became the Dusk Lands, a vast twilight realm inhabited by men, trolls, demons, and shattered kingdoms, under the tyranny of the Great Enemies.

After hundreds of years, a single god emerged into the post-Ragnarök world, Thor, the God of Thunder. But Angantyr, the Lord of the Dead, has discovered his reappearance, and unleashes his draugar, the undead walkers, against the Thunder God, seeking to destroy the last vestige of the former worlds, and the only hope for the present one.

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The Avengers Civil War – Political pressure mounts to install a system of accountability when the actions of the Avengers lead to collateral damage. The new status quo deeply divides members of the team. Captain America (Chris Evans) believes superheroes should remain free to defend humanity without government interference. Iron Man (Robert Downey Jr.) sharply disagrees and supports oversight. As the debate escalates into an all-out feud, Black Widow (Scarlett Johansson) and Hawkeye (Jeremy Renner) must pick a side.

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An archaeologist is intrigued by an inscription on a Viking funeral ship. Sigurd believes this is the key to the myth of Ragnarok: the day when heaven and earth are destroyed. Sigurd, his kids and a colleague, set out to uncover the secret Ragnarok.

Norse Mythology – Neil Gaiman – Thor – Loki

Introducing an instant classic―master storyteller Neil Gaiman presents a dazzling version of the great Norse myths.

Neil Gaiman has long been inspired by ancient mythology in creating the fantastical realms of his fiction. Now he turns his attention back to the source, presenting a bravura rendition of the great northern tales.

In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki―son of a giant―blood brother to Odin and a trickster and unsurpassable manipulator.

Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Once, when Thor’s hammer is stolen, Thor must disguise himself as a woman―difficult with his beard and huge appetite―to steal it back. More poignant is the tale in which the blood of Kvasir―the most sagacious of gods―is turned into a mead that infuses drinkers with poetry.

The work culminates in Ragnarok, the twilight of the gods and rebirth of a new time and people.

Through Gaiman’s deft and witty prose emerge these gods with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

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In Norse mythology, Ragnarök is a series of future events, including a great battle, foretold to ultimately result in the death of a number of major figures (including the gods Odin, Thor, Týr, Freyr, Heimdallr, and Loki), the occurrence of various natural disasters, and the subsequent submersion of the world in water. Afterward, the world will resurface anew and fertile, the surviving and returning gods will meet, and the world will be repopulated by two human survivors. Ragnarök is an important event in Norse mythology, and has been the subject of scholarly discourse and theory throughout the history of Germanic studies.

Norse Mythology: A Concise Guide to Gods, Heroes, Sagas and Beliefs of Norse Mythology Paperback – February 11, 2016
by Robert Carlson (Author)

Norse Mythology

An introduction to such a vast subject as Norse Mythology can be problematic as it could well fall between two stools; so packed with details as to put one off, or so vague, that one is none the wiser for having read it. This text manages a pleasing balance, succeeds in whetting the appetite and supplying excellent online resources for the reader who wishes to find out more.
Inside you will read about…

– The Creation in Norse Mythology – The Nine Worlds of Norse Mythology – The Major Gods and Goddesses – Valhalla – Ragnarok – The Sagas – The Influence of Norse Mythology on Our Lives Today The author quotes generously from the most important relevant source which is freely available via the Project Gutenberg, and you are left with the sounds and taste of the times… ringing in your ears and tingling on your tongue.

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Extended Trailer

Ragnarok…the Twilight of the Gods in Norse mythology…the destruction of the Nine Worlds. And now, three hundred years later, the birth of vengeance. Walter Simonson returns to comics in this stunning all-new series.

The Old Norse compound ragnarok has a long history of interpretation. Its first element, ragna, is unproblematic, being the genitive plural of regin (n. pl.) “the ruling powers, gods“. The second element is more problematic, as it occurs in two variants, -rök and -røkkr. Writing in the early 20th century, philologist Geir Zoëga treats the two forms as two separate compounds, glossing ragnarökas “the doom or destruction of the gods” and ragnarøkkr as “the twilight of the gods“.

The plural noun rök has several meanings, including “development, origin, cause, relation, fate. The word ragnarök as a whole is then usually interpreted as the “final destiny of the gods.

The singular form ragnarøk(k)r is found in a stanza of the Poetic Edda poem Lokasenna, and in the Prose Edda. The noun røk(k)r means “twilight” (from the verb røkkva “to grow dark”), suggesting a translation “twilight of the gods”. This reading was widely considered a result of folk etymology, or a learned reinterpretation, of the original term due to the merger of /ǫ/ and /ø/ in Old Icelandic after ca. 1200 (nevertheless giving rise to the calque Götterdämmerung “Twilight of the Gods” in the German reception of Norse mythology). However, Haraldur Bernharðsson in a 2007 paper suggested that the singular form -røkr “twilight” (from the Proto-Germanic *rekwa) might have been the original reading. Haraldur argues that the words ragnarök and ragnarøkkr are closely related, etymologically and semantically, and suggests a meaning of “renewal of the divine powers.

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Other terms used to refer to the events surrounding Ragnarök in the Poetic Edda include aldar rök (aldar means age, “end of an age“) from a stanza of Vafþrúðnismáltíva rök from two stanzas of Vafþrúðnismálþá er regin deyja (“when the gods die“) from Vafþrúðnismálunz um rjúfask regin (“when the gods will be destroyed“) from VafþrúðnismálLokasenna, and Sigrdrífumálaldar rof(“destruction of the age“) from Helgakviða Hundingsbana IIregin þrjóta (“end of the gods“) from Hyndluljóð, and, in the Prose Eddaþá er Muspellz-synir herja (“when the sons of Muspell move into battle“) can be found in chapters 18 and 36 of Gylfaginning.

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Thor Ragnarok Film

“Brilliantly effective. . . . Surely among the most beautiful and incisive [pages] Byatt has ever written.”—Paul Binding, The Independent (UK)

“A brilliant, highly intelligent, fiercely personal rendition of the Scandinavian mythology. . . . A gorgeous enrichment and interpretation.”—Ursula K. Le Guin, Literary Review (UK)

The gods meet their cataclysmic end in this acclaimed work of fiction from the inimitable author of Possession and The Children’s Book, now in paperback.

As the bombs of the Blitz rain down on Britain, one young girl is evacuated to the countryside. She is struggling to make sense of her new life, whose dark, war-ravaged days feel very removed from the peace and love being preached in church and at school. Then she is given a copy of Asgard and the Gods—a book of ancient Norse myths—and her inner and outer worlds are transformed. She feels an instant kinship with these vivid, beautiful, terrifying tales of the end of the gods: they seem far more real, far more familiar during these precarious days.

How could this child know that fifty years on, many of the birds and flowers she took for granted on her walks to school would become extinct? War, natural disaster, reckless gods, and the recognition of the world’s impermanence are just some of the threads that Byatt weaves into this most timely of books. Linguistically stunning and imaginatively abundant, Ragnarok is a landmark piece of storytelling from “one of the most brilliant minds and speakers of our generation” (The Independent).

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Mythology: A Fascinating Guide to Understanding Greek Mythology, Norse Mythology, and Egyptian Mythology Paperback – July 26, 2017
by Matt Clayton (Author)

Introducing: A Mythology Trilogy From the creator of the Captivating History Series

This book includes three captivating manuscripts:
Greek Mythology: A Fascinating Guide to Understanding the Ancient Greek Religion with Its Gods, Goddesses, Monsters and Mortals

Norse Mythology: A Fascinating Guide to Understanding the Sagas, Gods, Heroes, and Beliefs of the Vikings

Egyptian Mythology: A Fascinating Guide to Understanding the Gods, Goddesses, Monsters, and Mortals

The first part of this book will explore Greek heroes, what they were like and what they accomplished. Furthermore, the book will tackle Greek religion—the gods and goddesses which establish the backdrop against which Greek legends were formed. We will also take a close look at the myths of Greek monsters.

Here are just some of the topics that the first part of this book will cover:

Greek Heroes
Honorable Thieves
Legends of Pride
Legend of Cadmus, Founder of Thebes, Greece
The Illiad
The Odyssey
Myths of Wonder
Cecrops and Dragons
Greek Religion
The Burdens of Selfishness and Hubris
The Ages of Man
Morals of the Gods
Zeus Giving Birth to a New Kind of Chaos
Greek Monsters
Typhon and Echidna
Perseus and Cetus
Herakles and His Labors
And More

The second part of this book is jam-packed with fascinating facts and stories of Norse mythology. For instance, part 2 covers all that you need to know about the nine realms as well as captivating tales of Odin, Thor, Loki, and Ragnarök.

Here are just some of the topics that the second part of this book will cover:

The Icelandic Sagas
The Varangian Guard
Vikings in America
The Vikings of Sicily
Norman Conquest of England
Berserkers
Vanir against the Aesir
The Nine Realms
The Giants and Midgard’s Humans
Lesser Divine Beings
Tales of Odin and Thor
Loki and Ragnarök
And More

In the third part of this book, we will start by looking at the gods and goddesses of Kemet—Ancient Egypt. Then, we will turn our attention to the monsters which likely gave them nightmares and humbled them in their quest to bring order to the world around them.

Here are just some of the topics that the third part of this book will cover:

Osiris, Isis, Seth, and Horus
The Sun and Creation
Gods and Humans
Apep: Great Snake of Chaos
Sett: God of Desert, Storms, War, Evil, and Chaos
Imhotep, the 27th Century BC Polymath
Akhenaten, the King Who Upended Tradition
Ramesses the Great
Cleopatra, End of an Epoch
And More

Get the book now so you can enjoy captivating stories of the Gods, Goddesses, Monsters, and Mortals

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Legion – The Priest – Fallen Angel – The Prophecy

At a remote desert truck stop, the fate of the world will be decided. Evil’s armies are amassing. Armed and united by the Archangel Michael, a group of strangers become unwitting soldiers on the frontlines of the Apocalypse. Their mission: protect a waitress and her sacred unborn child from the relentless, bloody siege of the demonic legion.

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The Hebrew term Abaddon (Hebrew: אֲבַדּוֹן‎‎, ‘Ǎḇaddōn), and its two Greek equivalents Apollyon (Greek: ἈπολλύωνApollyon) as a person/being and Τάρταρος Tartaros as a place/time, appears in the Bible as name of a place, time, or personification/incarnation of destructive nature. In the Hebrew Bible, Abaddon often appears alongside the place שְׁאוֹל (sheol), meaning the realm of the dead. In the New Testament Book of Revelation, an angel called Abaddon is described as the king of an army of locusts; his name is first transcribed in Greek (Revelation 9:11—”whose name in Hebrew is Abaddon, The Angel of Death.” (Ἀβαδδὼν), and then translated (“which in Greek means the Destroyer” (Ἀπολλύων, Apollyon)). The Latin Vulgate and the Douay Rheims Bible have additional notes (not present in the Greek text), “in Latin Exterminans”, exterminans being the Latin word for “destroyer”.

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The Avengers Civil War – Political pressure mounts to install a system of accountability when the actions of the Avengers lead to collateral damage. The new status quo deeply divides members of the team. Captain America (Chris Evans) believes superheroes should remain free to defend humanity without government interference. Iron Man (Robert Downey Jr.) sharply disagrees and supports oversight. As the debate escalates into an all-out feud, Black Widow (Scarlett Johansson) and Hawkeye (Jeremy Renner) must pick a side.

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The series is set in somber Los Angeles right after World War II and before the election of American president John F. Kennedy.

The episodes, although filmed in color, mimicked what had been done by Hollywood filmmakers during the film noir era of the 1940s and 1950s in terms of tone, look, and story content.

The television program was produced using top-notch directors, well-known hard-boiled fiction writers, experienced screenplay writers, inventive cinematographers (who recreated the film noir images), and actors. The art directiongave the series the ambiance and historical look required of a show devoted to noir set in Los Angeles.

A few known actors went behind the camera to direct a few episodes. They include: Tom Cruise, Tom Hanks, and Kiefer Sutherland.

Each episode in season 1 begins with a cool and restrained jazz score as the sultry character Fay Friendly (Lynette Walden) explained to the audience what would develop in the episode. each episode in season 2 begins with a prologue voiced by Miguel Ferrer which explained to the audience the episode’s events and who the main character’s were.

Her words are wistful, melancholic and foreshadowed the pain to come.

Neo-noir novelist James Ellroy said of the show: “It’s a role call of tormented souls confronting their monsters within; it’s a picaresque look at Los Angeles back in the forties. It’s the world of pulp on celluloid, pure translations that augment the stark power of great short fiction.”

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Evil angel Gabriel (Christopher Walken) has come to earth to strengthen his powers by claiming the wicked spirit of a psychotic veteran. The benevolent angel, Simon (Eric Stoltz), want to stop that from happening, so hides the man’s spirit where Gabriel would least expect to find it: in a little girl (Moriah Shining Dove Snyder). Caught in a cosmic battle in which even Lucifer (Viggo Mortensen) plays a part, a liturgically minded cop (Elias Koteas) moves heaven and earth to protect the child.

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Thomas Dagget, a Catholic seminary student, loses his faith when he sees disturbing visions of a war between angels. Years later, Thomas is a detective with the Los Angeles Police Department. Two angels fall to Earth: one, Simon, enters Thomas’ home and warns him of coming events, before disappearing. The second, Usiel, a lieutenant of the angel Gabriel, is killed in an altercation with Simon. Investigating the disturbance, Thomas finds in Simon’s apartment the obituary of a recently deceased Korean War veteran named Colonel Arnold Hawthorne and the theology thesis about angels which Thomas himself wrote in seminary. Meanwhile, in Chimney Rock, Arizona, Simon finds the dead veteran awaiting burial and sucks the evil soul out of the body.

The medical examiner informs Thomas that Usiel’s body is like nothing he has seen before: it has no eyes, no signs of bone growth, hermaphroditism, and the same blood chemistry as an aborted fetus. Among the personal effects found on the body is an ancient, hand-written Bible, which includes an extra chapter of the Book of Revelation that describes a second war in heaven and prophecy that a “dark soul” will be found on Earth and used as a weapon.

Unknown to Thomas, Gabriel arrives on Earth. Needing a human helper, Gabriel catches Jerry, a suicide, in the moment of his death and keeps him in a state of limbo. Unhappily dominated by Gabriel, Jerry retrieves Usiel’s belongings from the police station while Gabriel destroys Usiel’s body in the morgue. After finding Hawthorne’s obituary, Gabriel and Jerry head for Chimney Rock. Before Gabriel arrives, at the local reservation school Simon hides Hawthorne’s soul in a little Native American girl, Mary, who immediately falls ill and is taken care of by her teacher, Katherine.

After finding Usiel’s burnt body, all evidence of its oddity now lost, Thomas hurries to Chimney Rock. When Gabriel realizes Hawthorne’s soul is missing, he confronts Simon. Gabriel says Hawthorne’s soul will tip the balance to whichever side possesses it. Should the rebellious angels win, Heaven will become like Hell with earth in its thrall. Simon refuses to reveal its location, and Gabriel kills him, ripping out his heart. Mary shows signs of possession by the evil soul; she suddenly recounts an incident from Hawthorne’s harrowing war experiences in first-person perspective. Meanwhile, Thomas examines Simon’s remains and questions Katherine. In Hawthorne’s home, he finds evidence of war crimes. Thomas visits a church to reflect and is shaken by a verbal confrontation with Gabriel. He is beginning to understand the nature of the jealous angels who hate humans because God loves them most.

At school, Katherine finds Gabriel questioning the children. After he leaves, she rushes to Mary’s home and finds Thomas there. As Mary’s condition worsens, Katherine takes Thomas to an abandoned mine where she had seen Gabriel. Inside, they find angelic script and experience together a terrible vision of the angelic war. They rush back to Mary’s home, only to find Gabriel and Jerry there. Thomas kills Jerry, who thanks him for the release. Katherine stops Gabriel temporarily when her wild gunshot misses him and blows up Mary’s trailer home. The three protagonists flee to a Native American site where Mary can be exorcised. In a hospital ICU ward, Gabriel recruits a new unwilling assistant, Rachael, just as she dies of a terminal illness. He needs her because he doesn’t know how to drive.

That night, Lucifer confronts Katherine and tells her that “other angels” have taken up this war against mankind, and since then, no human souls have been able to enter Heaven. He knows of Gabriel’s plot to use Hawthorne’s soul to overthrow the obedient angels. He also knows that if Gabriel wins the war under his influence Heaven will ultimately devolve into another Hell, which Lucifer considers “one Hell too many”. The next day, Lucifer appears to Thomas and advises him to use Gabriel’s lack of faith against him. Gabriel arrives and attempts to disrupt the exorcism ritual. Thomas kills Rachel, and he and Katherine fight Gabriel.

Lucifer appears first encouraging the tribe to complete the exorcism. Then he confronts Gabriel telling him that his war is based upon arrogance, which is evil, making it Lucifer’s territory. Gabriel taunts Lucifer about his past when he fell from grace; Lucifer tells Gabriel he needs to go home and rips out his heart. Simultaneously Mary expels out Hawthorne’s soul, a rancid cloud of evil. The “enemy ghost” starts to attack the people but a bright light from Heaven immediately destroys it. With the threat to his evil kingdom eliminated, Lucifer tells Thomas and Katherine to “come home” with him. They staunchly refuse. “I have my soul…and my faith,” declares Thomas. Lucifer drags Gabriel to Hell. As morning comes, Thomas comments on the nature of faith and what it means to truly be human.

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The Prophecy 2

Lucifer (Guri Weinberg) ejects Gabriel from Hell, claiming the War of Heaven isn’t his to fight and Hell isn’t big enough for Gabriel and he. Gabriel’s new mission is to prevent the birth of a child, a nephilim, the offspring of an angel and a human. The coming of this child, said to precede reconciliation between the warring factions in heaven, has been prophesied by Thomas Daggett, now a monk. The child’s conception takes place when Valerie, a nurse, is seduced by an attractive stranger (the angel Danyael) whom she hit with her car. She finds a few days later that she is pregnant.

Gabriel attempts to find the whereabouts of the child from Daggett, but kills him when he refuses to help. When Danyael kills members of Gabriel’s army of angels, Gabriel instead employs the assistance of a teenage girl (Izzy) who has just committed suicide. Gabriel keeps her alive to help him in his search for Valerie (despite his powers as an angel, he is completely naive about technology, and is unable to drive a car or work a computer and has her use her computer skills to find her and drive him around).

Gabriel’s war against Danyael and the other angels climaxes in a battle in Eden, now an industrial wasteland. Danyael and Izzy are killed, but Valerie defeats Gabriel by seizing him and jumping from a building, confident that God will protect her as He told her He would (she reveals that Gabriel is unable to hear His voice as he simply does not listen); she is indeed unharmed, but Gabriel is impaled on a spike. As punishment, Gabriel is turned into a human by Michael. Valerie raises the child by herself, accepting the risk that the angels may come for her. The film ends with Gabriel as a derelict; a face in the sky and ominous clouds show that the war in heaven is not over.

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