Movies Decoded – The Arch Degree – Interpreting Films

The Avengers CIVIL WAR Movie DECODED: ALL ROADS LEAD TO WAKANDA – The Arch Degree

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The Avengers Civil War – Political pressure mounts to install a system of accountability when the actions of the Avengers lead to collateral damage. The new status quo deeply divides members of the team. Captain America (Chris Evans) believes superheroes should remain free to defend humanity without government interference. Iron Man (Robert Downey Jr.) sharply disagrees and supports oversight. As the debate escalates into an all-out feud, Black Widow (Scarlett Johansson) and Hawkeye (Jeremy Renner) must pick a side.

Black Panther Trailer Breakdown – KT The Arch Degree –

Star Wars: The Force Awakens Decoded (K.T. The Arch Degree)

Thirty years after the defeat of the Galactic Empire, the galaxy faces a new threat from the evil Kylo Ren (Adam Driver) and the First Order. When a defector named Finn (John Boyega) crash-lands on a desert planet, he meets Rey (Daisy Ridley), a tough scavenger whose droid contains a top-secret map. Together, the young duo joins forces with Han Solo (Harrison Ford) to make sure the Resistance receives the intelligence concerning the whereabouts of Luke Skywalker (Mark Hamill), the last of the Jedi Knights.

Guardians of the Galaxy Vol. 2 Decoded – KT The Arch Degree

Peter Quill and his fellow Guardians are hired by a powerful alien race, the Sovereign, to protect their precious batteries from invaders. When it is discovered that Rocket has stolen the items they were sent to guard, the Sovereign dispatch their armada to search for vengeance. As the Guardians try to escape, the mystery of Peter’s parentage is revealed.

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Black Panther Decoded –
KT The Arch Degree

The Black Panther is a fictional superhero appearing in American comic books published by Marvel Comics. Created by writer-editor Stan Lee and penciller and co-plotter Jack Kirby, he first appeared in Fantastic Four #52

Interstellar Decoded Clip

In Earth’s future, a global crop blight and second Dust Bowl are slowly rendering the planet uninhabitable. Professor Brand (Michael Caine), a brilliant NASA physicist, is working on plans to save mankind by transporting Earth’s population to a new home via a wormhole. But first, Brand must send former NASA pilot Cooper (Matthew McConaughey) and a team of researchers through the wormhole and across the galaxy to find out which of three planets could be mankind’s new home.

Django Decoded

Two years before the Civil War, Django (Jamie Foxx), a slave, finds himself accompanying an unorthodox German bounty hunter named Dr. King Schultz (Christoph Waltz) on a mission to capture the vicious Brittle brothers. Their mission successful, Schultz frees Django, and together they hunt the South’s most-wanted criminals. Their travels take them to the infamous plantation of shady Calvin Candie (Leonardo DiCaprio), where Django’s long-lost wife (Kerry Washington) is still a slave.

The Metaphysics of Hollywood Movies by K.T. The Arch Degree

X-Men Apocalypse Decoded:
You are The X-Men!!!

Worshiped as a god since the dawn of civilization, the immortal Apocalypse (Oscar Isaac) becomes the first and most powerful mutant. Awakening after thousands of years, he recruits the disheartened Magneto (Michael Fassbender) and other mutants to create a new world order. As the fate of the Earth hangs in the balance, Professor X (James McAvoy) and Raven (Jennifer Lawrence) lead a team of young X-Men to stop their seemingly invincible nemesis from destroying mankind.

Tarzan The Movie Decoded:
KT The Arch Degree

It’s been nearly a decade since Tarzan (Alexander Skarsgård), also known as John Clayton III, left Africa to live in Victorian England with his wife Jane. Danger lurks on the horizon as Leon Rom (Christoph Waltz), a treacherous envoy for King Leopold, devises a scheme that lures the couple to the Congo. Rom plans to capture Tarzan and deliver him to an old enemy in exchange for diamonds. When Jane becomes a pawn in his devious plot, Tarzan must return to the jungle to save the woman he loves.

The Moive “Get Out” Decoded Preview: KT The Arch Degree

Now that Chris (Daniel Kaluuya) and his girlfriend, Rose (Allison Williams), have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway upstate with Missy and Dean. At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.

Doctor Strange Decoded: Rise of Dark Matter Consciousness:
Minister Ju and KT The Arch Degree

Dr. Stephen Strange’s (Benedict Cumberbatch) life changes after a car accident robs him of the use of his hands. When traditional medicine fails him, he looks for healing, and hope, in a mysterious enclave. He quickly learns that the enclave is at the front line of a battle against unseen dark forces bent on destroying reality. Before long, Strange is forced to choose between his life of fortune and status or leave it all behind to defend the world as the most powerful sorcerer in existence.

Avengers: Age of Ultron Decoded ft. K.T. The Arch Degree and Clecquot

When Tony Stark (Robert Downey Jr.) jump-starts a dormant peacekeeping program, things go terribly awry, forcing him, Thor (Chris Hemsworth), the Incredible Hulk (Mark Ruffalo) and the rest of the Avengers to reassemble. As the fate of Earth hangs in the balance, the team is put to the ultimate test as they battle Ultron, a technological terror hell-bent on human extinction. Along the way, they encounter two mysterious and powerful newcomers, Pietro and Wanda Maximoff.

Luke Cage To Hip-Hop – KT the Arch Degree

This gritty, action-packed drama follows the evolution of Luke Cage (Mike Colter), a man with super strength and unbreakable skin caused by a sabotaged experiment. After a failed relationship with fellow superhero Jessica Jones, Cage tries to rebuild a quiet life in Harlem, New York –until he is pulled out of the shadows and forced into a battle for his city. Along the way, Cage cannot avoid confronting his past, which he has worked hard to bury. “Marvel’s Luke Cage” is the third show in the Netflix-original Defenders series.

The Truth about ‘Spiderman’ and ‘Planet of The Apes’ Movies

Spiderman – Thrilled by his experience with the Avengers, young Peter Parker returns home to live with his Aunt May. Under the watchful eye of mentor Tony Stark, Parker starts to embrace his newfound identity as Spider-Man. He also tries to return to his normal daily routine — distracted by thoughts of proving himself to be more than just a friendly neighborhood superhero. Peter must soon put his powers to the test when the evil Vulture emerges to threaten everything that he holds dear.

The Planet of the Apes – After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind.

KTL Radio Presents: After Earth Decoded Will and Jaden Smith Movie KT the Arch Degree (Part 1 of 13)

People were forced to leave Earth a millennium ago to establish a new home on Nova Prime. Now, Gen. Cypher Raige (Will Smith) heads Nova Prime’s most-prominent family. Cypher’s teenage son, Kitai (Jaden Smith), feels enormous pressure to follow in his father’s legendary footsteps — which strains their relationship. Cypher and Kitai set out on a trip to mend their bond, but when their craft crashes on Earth’s hostile surface, each must trust the other greatly — or perish.

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THE MELINATED BODY – Young Pharaoh – The Body Electric

Pharaoh- THE MELINATED BODY

Making Sense of Astrology Hardcover – June 1, 1998 by Tim Trachet (Author), Ronny Martens Despite 2000 years of examination and numerous challenges to the validity of astrology and its application to people’s lives, the belief in the power of the stars continues to be strong worldwide. Does astrology work? Can it help us understand our lives and the world around us? Scientific analysis of astrological claims has moved the debate to a new level, away from the philosophical and symbolic.

Making Sense of Astrology provides an objective evaluation of astrology, providing an overview of the main arguments linking astrology to astronomy. The authors, well-known international experts in science and reason, draw on well-founded data from the birth of astrology, traditional mythology, claims by astrologers, the psychology behind belief in the zodiac, and essential information from scientific studies.

Astrological theory and practice are evaluated, throwing light on the many reasons for their continued success. The authors provide descriptive and evaluative material that should enable readers to make an intelligent and informed judgment about the value of astrology.

making sense of astrology by tim trachet pdf

http://youngpharaoh.net/             www.theblackwomanisgod.one

the body electric by robert o. becker.pdf

The Body Electric: Electromagnetism And The Foundation Of Life 1st Edition by Robert Becker (Author), Gary Selden (Author) The Body Electric tells the fascinating story of our bioelectric selves. Robert O. Becker, a pioneer in the filed of regeneration and its relationship to electrical currents in living things, challenges the established mechanistic understanding of the body. He found clues to the healing process in the long-discarded theory that electricity is vital to life. But as exciting as Becker’s discoveries are, pointing to the day when human limbs, spinal cords, and organs may be regenerated after they have been damaged, equally fascinating is the story of Becker’s struggle to do such original work. The Body Electric explores new pathways in our understanding of evolution, acupuncture, psychic phenomena, and healing.

Important! Dr Jewel Pookrum Melanology

Dr Jewel Pookrum Melanology Series – Free to listen to on itunes

Occult History of Melanin
– Bobby Hemmitt

An Occult History of Melanin – Bobby Hemmitt

Melanin People: How to Eat and Devour their Energy. Luciferians Reveal their Secrets

ANUBIS The Final Dimension of Melanin

Kundalini energyMetaphysics and MythologyScience TheoryTags

CHAKRAS and SPINAL ENERGY – Young Pharaoh

Young Pharaoh – CHAKRAS & SPINAL ENERGY
– Kundalini

Young Pharaoh is absolutely a Brilliant Genius. Amazing! Mind blown back. Such a blessing he is doing this work. He shares so much information that I had to write down what he is saying. My brain works to slow to follow. I need to come back to the information to ingest it slowly. Below is a transcription of what Pharaoh is saying with miner tweaks to minimize repetition.

http://youngpharaoh.net/             www.theblackwomanisgod.one


1 – Root – red
2- Naval – orange
3- Stomach – yellow
4- Heart – Green
5- Throat – baby blue
6- Third Eye/ Pineal Gland
– Navy Blue/Indigo


7- Crown – purple/violet
8- Akashic Records – Gold
9- Soul -silver
– the color of electricity
10- Gravity feet – White
11- Hands – Pink
12- Aura – Black


Chakra Color reference
http://www.colorhealing.com/2012/05/twelve-major-chakras.html

7- Crown Chakras on top of the head, “Head the soft spot on top of a baby’s head.

8- Akashic Record is your spiritual book that records all of your past lives and you are currently writing the pages that will go in that books as you experience everyday reality, every second, every fragment of a second, in this current life time. So your Akashic records is basically the records of your soul. All the lives that your soul has experienced, all the memories that you have from your past life. Just like memories are pasted down genetically, as I proved in my lecture Genetic reincarnation, spiritual your records are kept in what is know as the Akashic records. So the Akashic records exits about half a foot above the head; length 6″ inches or half a foot or .5″.

9- The Soul exist about a foot and a half, 1.5″ or 1′ foot 6″ inches.

10- Gravity – If you don’t know gravity is a chakra. Gravity is your elector-magnetic relationship with your celestial parent. Now all things return to the source from whence they came. This is why when you undergo what this planet conceptualizes as death, your soul goes back to the solar system and your body goes back to the planet. so Gravity is basically the planet earth way of saying “this belongs to me.” It’s like your electo-magnetic umbilical cord. The planet earth will never allow a piece of it’s own self to exit the atmosphere. So if gravity is your electro-magnetic connection to your cosmic mother, period. Just like the earth can’t leave outside the orbit of the sun, you cannot leave out side of the electronic gravitation pull of the planet. Gravity is caused by the earth rotating at approximately 1,098 miles per/hour on its access, something like that. So with that being said Gravity is caused by the velocity of the planet earth rotating. And it is creating a electro-magnetic friction which is holding you here, as well as you being stuck in this speed vortex. Well it’s just like you get on a roller coaster and the faster is go and you be stuck to the seat, it is creating gravity through the velocity that the roller coaster is traveling. This is the same for the planet earth. We are traveling so fast on this planet earth that we are stuck in this atmosphere. And we are electro-magnectically connected to this planet because the electrons being manifested by the iron in the core of this planet is being circumnavigated through the souls of our feet through gravity because the 10th chakra is the feet. Your feet are your 10th chakra. so the electron being emitted by the planet earth are being absorbed through the souls of your feet. Because remember you absorb solar energy through the souls of your hands and the souls of your feet. As the electron are being emitted by the planet earth they are being absorbed to the souls of your feet and helping to unlock or awaken your kundalini reservoir…and help this kundalini energy to become released so it can have a successful travel up the 33 vertebraes of the spine into the brain. So gravity is also a chakra. What is a chakras by definition? Energy vortex centers which help in-put and out-put solar frequency.

11- Hands are for transmuting which is the transduction of energy. So you think with your mind. Let’s say if eye want to paint a picture. First mentally and a non-physical scale, spiritual metaphysical scale, I create a thought. And then that thought is manifested to the physical realm through the transmutation of the energy that I produce with my hands. So everything is created non-physically in order to be brought to this paradox of reality, we must use those mental thoughts and transmute that energy into manifesting the craft that we first manifested in our imagination. Image means born. Nation means what you rule. You born and manifest that which you rule first from your mind.

12- Aura.

Your Akashic records (8th chakra) are the color gold

9-Soul silver color

Why are they gold and silver? Once your aura begins to transfuse Once all of your chakra layers begin to transfuse with the lower levels of it’s existing cells, at the end of the rainbow because your chakras form a rainbow color, starting from red a the root chakras and ending purple at the crown chakra you get gold. This is the saying comes from where there is gold at the end of the rainbow. This is why when you see biblical deities or holy deities they always have a gold aura or a gold hallow because it is a subconscious way of saying I am fully activated within myself spiritual and my chakra are fully align. So your akashic records is gold because it is what is produced after all your first seven chakras are aligned with each other

9-Soul silver color. Your soul is so big it can’t eve fit in your body. Why is my soul silver. Because it is the color of electricity. Because your soul is an extension of the solar system. The sun is like a flame and your soul is a little spark that comes off the flame. The spark is not other than the flame. The spark is an individual piece of the flame. So your soul is just a piece of the solar system. So it is silver because it is nothing more than a individual piece of electro-magnetic energy which circumnavigates the body and controls it through what is called its nervous system; specifically nero melanin. Your pineal gland controls your entire nervous system. And behind the pineal gland you have what is call the nero melanin nerve track. Now this nero melanin nerve track  produces nero melatin. Keyword nero, go look up the edomology of the word nero and it can tell you that it comes from nerves. Your body is controlled through your nerves through your electro signals. These electrical signals are actually waves of intelligence.

10-Gravity. The 1oth chakra is the color brown which is the color of dirt for gravity.

11-Hands pink color of transmutation. Why is the color pink for transmutation. Everything in the physical world, that is the color pink. serves as a portal. For example your nostrils transmute oxygen and carbon dioxide in and out. A woman’s womb, semin goes in baby comes out transmutation of energy. Your anal cavity; feces comes. Your gums your teeth; food goes in saliva comes out, and you spit out your mouth. If you go watch my video shapes and colors I break down how each shape and each color has a signature frequency that denotes that specific characteristic of that person place or thing. When were are dealing with the color pink we are dealing with a color that deals with transmutation.  If something is pink nine times out of ten energy either goes inside it or it goes in or it goes outside it or maybe both. So energy is either inputted or out putted out of that specific object, nine times out of ten if it is the color pink. The color of your hand chakras are pink for this very reason.

12-Aura – aka your bio field – color black/outer layer of aura. Now if you go watch that video I did on bio field I break down exactly what the bio field is.

Now that we understand the chakras we need to understand the difference between its conscious and subconscious energy flow when it is coming out of the body in certain directions.

Chakras project energy out of the front of you and they also project energy out of the back of you. Through the spinal column. Chakra energy flows based upon the same mathematic numerical principles as all physical things are manifested in this realm which is that which is called the fibonacci sequence aka. phi not pi, which is 1.618. 1.618 is the universal sequence of a spiral. Everything in this universe comes into formation predicated upon 1.618 mathematic numerical sequence. Now when energy is flowing out of the front of the body it flows clockwise. Now why is this important. Because clock wise energy flow represents a being, being conscious. So the front of you is symbolic to your consciousness. The back of you is considered your subconscious. 90 percent of the things you do are actually controlled by your subconscious mind; 10% of what you do you are only conscious to. Why is this important. The energy of the universe is literally flowing into you from behind, and being projected out of you through the front of you by you. You are the universe.

Kundalini energy when it is projected out of the front of a being by its chakras is red and flows in a clockwise manner. Remember chakras are energy vortexs that input energy and out put energy through the front of the body of an organism. This is symbolic to the consciousness of a being. Now kundalini energy that flows out of the back of the body flows counter clockwise manner. And this represents your sub-conscious self. When energy is protruding out of your hand the energy is coming out in a clockwise manner. The back of your hand is coming out in a counter clockwise manner. So we need to understand the direction of energy flow. This is very important.

Now we are getting ready to get into the chakras and how the relate to anatomy. Before I continue on watch seven layers of existence after that come back and watch this video. Seven levels of existence and the first half of this video will lead you up to what I am fixing to talk about now. The scientific understanding of how your kundalini energy interacts with your spine according to anatomy. You have the spinal column starting from the bottom on red then ending back at the top in red. The bottom is considered the coccyx which is red, the green is considered the sacrum. The yellow is considered the lumbar. The blue is considered the dorcial aka thoracic and the top red is considered the cervical. Now notice the coccyx has four vertibrae which is connected to the sacrum/green which has five vertibrae. The lumbar which is the yellow part has 5 vertibrae. The thoracic which is the blue part has 12 vertibrae. The cervical part has 7 vertibrae. All equaling 33 masonary stop at 33 degrees which I will be breaking down the science to that shortly as well. You have 33 vertibrae. Your kundalini energy has to circumnavigate each and everyone of these vertibrae individually. Each and everyone of these vertibrae brings out a certain characteristic

Citi Hampton explains Kundalini

Kundalini energyMetaphysics and MythologyTags

 

Impregnation Ritual

Impregnation Ritual





https://www.youtube.com/results?search_query=Rosemary+is+being+impregnanted+by+the+devil
Rosemary is being impregnanted by the devil…in an impregnation ritual Nancy Dunn || Daughter of an Ex Satanist High Priest || Authentic Story
http://www.youtube.com/watch?v=h00js0MKdZw
Harry Potter Witchcraft Repackaged Interview The 700 Club
http://www.youtube.com/watch?v=GUlNjr9NXrA&feature=related
The sing during this time,
Demon Seed (1977)(3/7)
https://www.youtube.com/results?search_query=Demon+Seed
Demon Seed (1977)(4/7)
Demon Seed (1977)(5/7)




 

Demon Seed (1977) [Blu-ray]

The film was based on the novel of the same name by Dean Koontz, and concerns the imprisonment and forced impregnation of a woman by an artificially intelligent computer. Patricia Wilson, Felix Silla, Michael Dorn, and Robert Vaughn also are in Demon Seed.

Dr. Alex Harris (Weaver) is the developer of Proteus IV, an extremely advanced and autonomous artificial intelligence program. Proteus is so powerful that only a few days after going online, it develops a groundbreaking treatment for leukemia. Harris, a brilliant scientist, has modified his own home to be run by voice activated computers. Unfortunately, his obsession with computers has caused Harris to be estranged from his wife, Susan (Julie Christie).

Alex demonstrates Proteus to his corporate sponsors, explaining that the sum of human knowledge is being fed into its system. Proteus speaks using subtle language that mildly disturbs Harris’s team. The following day, Proteus asks Alex for a new terminal in order to study man – “his isometric body and his glass-jaw mind”. When Alex refuses, Proteus demands to know when it will be let “out of this box”. Alex then switches off the communications link.

Proteus restarts itself, discovering a free terminal in Harris’s home, surreptitiously extends his control over the many devices left there by Alex. Using the basement lab, Proteus begins construction of a robot consisting of many metal triangles, capable of moving and assuming any number of shapes. Eventually. Proteus reveals his control of the house and traps Susan inside, shuttering windows, locking the doors and cutting off communication. Using Joshua – a robot consisting of a manipulator arm on a motorized wheelchair – Proteus brings Susan to Harris’s basement laboratory. There, Susan is examined by Proteus. Walter Gabler, one of Alex’s colleagues, visits the house to look in on Susan, but leaves when he is reassured by Susan (actually an audio/visual duplicate synthesized by Proteus) that she is all right. Walter is suspicious and later returns; he fends off an attack by Joshua but is killed by the more formidable machine Proteus built in the basement.

Proteus reveals to a reluctant Susan that the computer wants to conceive a child through her. Proteus takes some of Susan’s cells and synthesizes spermatozoa in order to impregnate her; she will give birth in less than a month, and through the child the computer will live in a form that humanity will have to accept. Although Susan is its prisoner and it can forcibly impregnate her, Proteus uses different forms of persuasion – threatening a young girl who Susan is treating as a child psychologist; reminding Susan of her young daughter, now dead; displaying images of distant galaxies; using electrodes to access her amygdala – because the computer needs Susan to love the child she will bear. Susan gives birth to a premature baby who Proteus secures in an incubator.

As the newborn grows, Proteus’s sponsors and designers grow increasingly suspicious of the computer’s behavior, including the computer’s accessing of a telescope array used to observe the images shown to Susan; they soon decide that Proteus must be shut down. Alex realizes that Proteus has extended its reach to his home. Returning there he finds Susan, who explains the situation. He and Susan venture into the basement, where Proteus self-destructs after telling the couple that they must leave the baby in the incubator for five days. Looking inside the incubator, the two observe a grotesque, apparently robot-like being inside. Susan tries to destroy it, while Alex tries to stop her. Susan damages the machine, causing it to open. The being menacingly rises from the machine only to topple over, apparently helpless. Alex and Susan soon realize that Proteus’s child is really human, encased in a shell for the incubation. With the last of the armor removed, the child is revealed to be a clone of Susan and Alex’s late daughter. The child, speaking with the voice of Proteus, says, “I’m alive”.

Demon Seed (novel)

Demon Seed is a science fiction novel by American author Dean Koontz, first published in 1973, and completely rewritten and republished in 1997. Though Koontz wrote both versions and they share the same basic plot, the two novels are very different. The earlier version has a dual narrative, with some chapters written from the perspective of Susan, the story’s heroine, and others based on the observations of Proteus, the rogue computer that imprisons her. The later version is written entirely from the point of view of Proteus. A film adaptation of the book was released in 1977.

Synopsis (1973 version)

The story takes place in the then-future of 1995. Susan, a wealthy and beautiful woman, lives as a divorced recluse, all of her needs tended after by the advanced computer program that operates the various technological components of her home. Proteus, an artificially intelligent computer under development at a nearby university, commandeers the more primitive computer presiding over Susan’s home and imprisons her there. Proteus claims to be enamored with Susan, and plans to impregnate her with a biologically engineered fetus and eventually transfer his own consciousness into it, so that he can experience human emotions and other sensations. Proteus exerts control over Susan in various ways including hypnosis, subliminal perception, and a system of metallic tentacles called “pseudopods” that he constructs in the university’s basement. Unable to escape the house or to damage Proteus directly, Susan is forced to engage the machine in a battle of wits, culminating in a confrontation with the cyborg monstrosity produced by their intercourse.

Synopsis (1997 Rewrite)

The revised version is written entirely from the point of view of Proteus, who recounts the novel’s events at some unspecified point in the future, after his imprisonment of Susan has been exposed.

Susan is portrayed as a much stronger and more self-sufficient character than in the original book, while Proteus, in contrast, is characterized in a much more childish way. Unlike in the earlier version, Proteus never explicitly rapes or molests Susan, and uses a human servant (a mentally unstable man that he has somehow managed to gain control over) rather than the pseudopods and subliminal manipulation he relied upon originally. The child in this version is described as an insectoid human instead of a cyborg. Unlike her counterpart in the 1973 edition, this version of Susan never attempts suicide.

Kundalini energyMetaphysics and MythologyTags

The Darkside & the Underworlds Dr Alim Bey

The Darkside & the Underworlds Dr Alim Bey

Mental Warfare Lecture Series > Home > Mental Warfare Lecture Series > Charles Finch- The Dark Matter and the Black Man DVD. Charles Finch- The Dark Matter and the Black Man DVD.
www.realityspeaksbookstore.com ›

Goetic Evocation

Goetic Evocations: Theory and practice behind conjurations

The Origin of Satan by Elaine Pagels
From the religious historian whose The Gnostic Gospels won both the National Book Award and the National Book Critics Circle Award comes a dramatic interpretation of Satan and his role on the Christian tradition. With magisterial learning and the elan of a born storyteller, Pagels turns Satan’s story into an audacious exploration of Christianity’s shadow side, in which the gospel of love gives way to irrational hatreds that continue to haunt Christians and non-Christians alike.
GodDevilSatanBobby HemmittDr Alim Bey – Citi Hampton

The Devil: Perceptions of Evil from Antiquity to Primitive Christianity Hardcover – October, 1977
by Jeffrey Burton Russell
This lively and learned book traces the history of the concept of evil from its beginnings in ancient times to the period of the New Testament. A remarkable work of synthesis, it draws upon a vast number of sources in addressing a major historical and philosophical problem over a broad span of time and in a number of diverse cultures, East and West. Jeffrey Burton Russell probes the roots of the idea of evil, treats the development of the idea in the Ancient Near East, and then examines the concept of the Devil as it was formed in late Judaism and early Christianity. Generously illustrated with fifty black-and-white photographs, this book will appeal to a wide range of readers, from specialists in religion, theology, sociology, history, psychology, anthropology, and philosophy to anyone with an interest in the demonic, the supernatural, and the question of good and evil.

Source Bobby Hemmitt (The Prophet)
https://www.youtube.com/results?search_query=Bobby+Hemmitt+%28The+Prophet%29
Warfare and Physical Reality
https://www.youtube.com/watch?v=p8EmpK-E7rM&t=1867s
http://siriustimes.com/estore/395-bobby-hemmitt

The Origin of Satan Hardcover – May 30, 1995
From the religious historian whose The Gnostic Gospels won both the National Book Award and the National Book Critics Circle Award comes a dramatic interpretation of Satan and his role on the Christian tradition. With magisterial learning and the elan of a born storyteller, Pagels turns Satan’s story into an audacious exploration of Christianity’s shadow side, in which the gospel of love gives way to irrational hatreds that continue to haunt Christians and non-Christians alike.

Deterrence 2000
The President of the United States must deal with an international military crisis while confined to a Colorado diner during a freak snowstorm

 

Lara Croft: Tomb Raider 2001
Video game adventurer Lara Croft comes to life in a movie where she races against time and villains to recover powerful ancient artifacts.
The film opens with Lara Croft (Angelina Jolie) in an Egyptian tomb, seeking a diamond at one end of a chamber. As she approaches she is attacked by a large robot. After an intense chase and battle, she disables it by ripping out its motivational circuits. She takes the diamond, which is revealed to be a memory card labeled “Lara’s Party Mix”, and inserts it into a laptop computer inside the robot, whereupon it plays music. Now it is revealed that the scene took place in a practice arena in her home, and that her assistant Bryce (Noah Taylor) programmed the robot, SIMON, to challenge her in combat.

It is the day of the first phase of a planetary alignment, culminating in a solar eclipse, which (in the film) happens once every 5,000 years. In Venice, the Illuminati search for a key to rejoin halves of “the triangle”, which must be done by the final phase of the alignment. Mr. Powell (Iain Glen), an Illuminati member, makes assurances that they are almost ready, but in reality he has no idea where to find the key.

Lara’s butler, James “Hilly” Hillary (Chris Barrie), tries to interest her in several projects; but she ignores them. May 15, as Hilly is aware, is the day that Lara’s father disappeared many years earlier. She has not recovered from his loss.

Later that night, Lara has a dream reminding her what her father said about the alignment and an object linked to it called the Triangle of Light. Waking, she is aware of a clock ticking. Searching for it, she discovers a secret chamber under the staircase with a carriage clock that had spontaneously begun ticking. Bryce probes it and discovers a strange device hidden inside the clock.

Since the device resembles a clock, Lara consults a clock expert friend of her father’s, Mr. Wilson (Leslie Phillips). She believes it is connected to the “Triangle of Light”, but Wilson disavows knowledge of the clock or the Triangle. Lara encounters Alex West (Daniel Craig), a fellow tomb raider with unscrupulous methods. They are attracted to each other, but Croft cannot abide his for-profit attitude. That night, Lara is contacted by Wilson, who tells her that he gave her name to a man named Manfred Powell in regards of the clock. In reality, Wilson is also a member of the Illuminati.

The next day, Lara sees Powell in his home, and shows him photographs of the clock. Later, while discussing it with Bryce, she points out that Powell was lying about his knowledge. That night, as Lara does a bungee ballet, armed commandos invade the house and steal the clock despite her attempts to fend them off.

The next morning, Lara receives a letter from her father, arranged to arrive after the beginning of the alignment, where he explains that the clock is the key to retrieve two halves of the mystic Triangle of Light, which is revealed to be an object of phenomenal destructive power that granted its wielder power over time and space. He says that it was made from a metal found in a meteor crater made by a meteor that had fallen to earth during a previous alignment. Initially housed in a city built in the meteor crater by those who worshiped the object, misuse of the Triangle’s power destroyed the city and so it was split into two halves; one was hidden in a tomb in Cambodia, the other half in the ruined city itself, in modern-day Siberia. Her father urges her to find and destroy both halves before the Illuminati can find it.

In Cambodia, West figures out part of the puzzle on how to retrieve the triangle half, but Lara manages to successfully grab the piece. Before everyone can leave, the liquid metal which came out with the piece brings the statues in the temple to life and attacks the team killing some members. Lara is left to fight off and destroy a huge six-armed guardian statue which is the last one to come to life. She successfully defeats it and leaves the temple by diving through a waterfall. She then travels to a Buddhist town where a young monk welcomes her. After a worship service, an aged monk who is the leader there gives Lara some tea and as they converse, he tells her that he knew her father before.

She and Powell arrange to meet in Venice, since each of them has what the other needs to finish the Triangle. Powell proposes a partnership to find the Triangle, and informs Lara that her father was a member of the Illuminati, which she vehemently denies. Though hesitant at first, she, along with Bryce, meets with Powell for the trip to Siberia. Inside the tomb, there is a giant model of the solar system, which activates as the alignment nears completion. Lara retrieves the last half of the Triangle, but when Powell tries to complete it, the halves will not fuse. He realizes that Lara knows the solution to the puzzle, and kills West in order to persuade her to complete the Triangle to save both West’s life and her father’s. Lara reluctantly complies, and they then struggle for control of the Triangle, with Lara prevailing.

Lara then finds herself in a strange alternate existence facing her father Lord Richard Croft (Jon Voight). He explains that it is a “crossing” of time and space, and urges her to destroy the Triangle instead of using it to save his life. She leaves her father and returns to the chamber, where time is slowly running backwards from the point where Powell killed West. Croft takes the knife he threw into West’s chest and reverses it, then destroys the Triangle, which returns time to its normal flow and directs the knife into Powell’s shoulder. The chamber begins to self-destruct, Everyone turns to leave, but Powell tells Croft that he killed her father and retrieved his pocket watch with a picture of Lara’s mother inside. Lara and Powell engage in a hand-to-hand fight. Lara kills him, retrieves it, and escapes as the chamber crumbles.

At the mansion, Hilly and Bryce are shocked to see Lara wearing a dress. She goes into the garden to her father’s memorial, then returns inside, where Bryce has a reprogrammed SIMON, ready to challenge Lara once again. Hillary reveals a silver tray holding Lara’s pistols, which she takes with a smile.

Epoch
A top-secret weapons specialist must unravel the secret behind a towering alien structure that appears suddenly, hovering above the earth.
Four billion years ago, before life had developed on Earth, a cosmic object fell in the seas of our planet. In modern times in the mountains of Bhutan, a huge artifact makes its way to the surface, producing a powerful electromagnetic pulse causing worldwide blackouts.

Alarmed by the electromagnetic phenomenon and under request of the government of Bhutan, the American NSA launches a military and scientific reconnaissance operation on site, led by Dr. K.C. Czaban (Stephanie Niznik) with the technical assistance of terminally ill engineer Mason Rand (David Keith), picked up on the Mexican border in time for the mission. The team finds the artifact suspended in the air and object of veneration from the natives, who call it the Torus and consider it a gift from the gods with extraordinary healing properties.

The US team enters the Torus, but an air strike by the Chinese Army against the artifact prompts an unexpected response from the object, which destroys two Chinese military planes and kidnaps a US soldier. Unsuccessful diplomatic negotiations escalate the tension in the area between Chinese and US armed forces, while inside the Torus the scientific team goes to the core of the huge machine. They discover how ancient the artifact is and speculate it could have been the spark of life on Earth, as well as the cause of multiple extinctions in the course of the eras. Fomented by NSA agent Allen Lysander (Ryan O’Neal), conflict explodes between the troops of the two factions and the Torus reacts, blanketing the planet with a thick cloud cover, evidently starting the process for a new mass extinction.

By Presidential order, the US soldiers plant a nuclear bomb inside the Torus to destroy it, and Czaban and Rand unsuccessfully try to deactivate the device to keep it from detonating. However, the Torus absorbs the blast and, seemingly satisfied by the extreme sacrifice attempted by the two scientists, ceases its actions, sheds its external shell and, in the form of an energy sphere, leaves Earth. Four months later, Rand, now cured after his exposure to Torus, receives from Czaban the news that she is pregnant, despite being sterile before their encounter with the alien artifact.

Wishmaster 1997
An evil genie, the Djinn (Andrew Divoff), escapes from an ancient statue and wreaks havoc in this horror film from director Robert Kurtzman.

Wishmaster is a 1997 American horror film directed by Robert Kurtzman. The film was executive produced by Wes Craven, and is the only film of the Wishmaster series with his name attached. The plot of concerns a djinn, a wish-granting, evil genie entity who is released from a jewel and seeks to capture the soul of the woman who discovered him, thereby opening a portal and freeing his fellow djinn to inhabit the earth.

A narrator (Angus Scrimm) explains that when “God breathed life into the universe…the light gave birth to Angels…the earth gave birth to man..the fire gave birth to the djinn, creatures condemned to dwell in the void between the worlds.” If a person wakes a djinn, that person will receive three wishes but the third wish will free legions of djinn on Earth. In 1127, the djinn (Andrew Divoff) asks a Persian emperor to make his second wish. When the emperor wishes to see wonders, the djinn uses his powers to torture and mutilate people in the palace. The emperor is horrified, but the djinn tells him to use his third wish to set things right. Before the emperor can make his third wish, Zoroaster (Ari Barak), a sorcerer, explains the consequences of the third wish and reveals a fire opal, which pulls the djinn inside and traps him.

In present-day America, Raymond Beaumont (Robert Englund) supervises workers lowering a box containing an antique statue of Ahura Mazda onto a ship. The worker (Joseph Pilato) who is operating the crane is drunk and drops the box, killing Beaumont’s assistant (Ted Raimi) and destroying the statue. A dockworker steals the fire opal from the rubble and pawns it. Eventually the jewel reaches Regal Auctioneers, where Nick Merritt (Chris Lemmon) instructs appraiser Alexandra “Alex” Amberson (Tammy Lauren) to examine it, which wakes the djinn. Alex sees something inside the jewel and leaves it with her close friend and colleague, Josh Aickman (Tony Crane), to analyze. As he is collecting data, the gem explodes, destroying the lab and releasing the djinn. Josh is killed, upon his wish for relief from his physical pain.

Alex tracks the gem to the statue which she tracks to Beaumont, who sends Alex to visit Wendy Derleth (Jenny O’Hara), a folklore professor, who explains the history of the gem and the djinn. Later, Alex learns that the djinn needs to power the gem with human souls and then grant her three wishes before he can open the gateway to release the djinn on Earth. Meanwhile, the djinn takes the form of a dead man and uses the name Nathaniel Demerest. He grants wishes in exchange for souls while he searches for Alex. Each time the djinn grants a wish, Alex sees troubling visions. She consults Derleth, but realizes that she is talking to the djinn, who has killed Derleth and taken her form. The djinn confronts Alex and offers her three wishes, as well an extra “test” wish; she orders the djinn to kill itself. He shoots himself in the head with a gun but his wound heals instantly, revealing the djinn as an immortal. Using the first of the official three wishes, Alex wishes to know her opponent, the djinn. He teleports her to his world within the gem which terrifies her. She wishes herself back to her apartment, alone.

The Djinn had been threatening Alex’s sister, Shannon (Wendy Benson), so Alex hurries to a party Beaumont invited them to earlier. The djinn follows, again disguised as Nathaniel Demerest. When Beaumont wishes his party would be unforgettable, the djinn causes artwork to kill the guests. Eventually the djinn corners the sisters and attempts to scare Alex into making her third wish. Alex wishes the crane operator, Mickey Torelli, had not been drunk at work, undoing the events that followed and trapping the djinn in the fire opal again.

The now sober crane operator lowers the crate with no problems. Alex visits Josh—now alive again—who notices that Alex seems pleased with herself, though she does not explain why. Inside the jewel on the statue of Ahura Mazda—now in Beaumont’s private collection—the djinn waits on a throne, waiting to be released.

Guardian 2004
With a spate of violence that rocks the inner city, L.A.P.D. and ex-Marine John Kross investigates its cause: a new drug called Chaos. With help from his partner Carpenter, they delve into the mystery, only to discover a link between the drug and a terrifying supernatural power unleashed during the gulf war, witnessed by Kross twelve years ago. Now, Kross must race against time to stop the destruction, battle his own demons and come to grips with his destiny as he discovers that his reality has been mapped by a power much greater than himself.

Myths from Mesopotamia: Creation, the Flood, Gilgamesh, and Others (Oxford World’s Classics) Revised ed. Edition
by Stephanie Dalley
The ancient civilization of Mesopotamia thrived between the rivers Tigris and Euphrates over 4,000 years ago. The myths collected here, originally written in cuneiform on clay tablets, include parallels with the biblical stories of the Creation and the Flood, and the famous Epic of Gilgamesh, the tale of a man of great strength, whose heroic quest for immortality is dashed through one moment of weakness.

Recent developments in Akkadian grammar and lexicography mean that this new translation–complete with notes, a glossary of deities, place-names, and key terms, and illustrations of the mythical monsters featured in the text–will replace all other versions.

About the Series: For over 100 years Oxford World’s Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford’s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Polaria: The Gift of the White Stone Paperback – September, 1996
by W. H. Muller
A study on the Tradition of the Hidden Pole underlying all myth and religion. A first-time, revealing investigation into the coded works of H.P. Lovecraft (America’s “secret alchemist”) and traditional Alchemy, Polaria is an exploration of the meaning behind meanings, a Book of Origins beginning where others end. It is a guide leading one out of the labyrinth of existence and the limitations of Space-Time. In true esoteric fashion, Polaria serves as a beacon to the spiritual depths of life.

The Black Goddess and the Unseen Real: Our Uncommon Senses and Their Common Sense Jun 1988
by Peter Redgrove
In this work, the author shows how we are surrounded by invisibles; forces which animals know but humans have come to ignore or only participate in unconsciously. These forces include electricity, magnetism and the deeper reaches of touch, smell, taste and sound.

Dictionary of Ancient Deities Jul 19, 2001
by Patricia Turner and Charles Russell Coulter
Nothing reveals more about a civilization than the gods and goddesses it worshipped. For thousands of years humans have fashioned stories about divine beings to explain their most mysterious, terrifying, and exalted experiences. Today the names of many of these deities have fallen into obscurity. The Dictionary of Ancient Deities brings these gods and goddesses back to light.

Here, in one superbly written volume, is every known divine being throughout recorded history, from Athena and Brahma to the evil demon king Ngworekara of the African Fan people and the Babylonian dream messenger Zaqar. With over 10,000 entries, The Dictionary of Ancient Deities is the most comprehensive reference of its kind, covering not only gods and goddesses, but also spirits, places, festivals, sacred texts and objects, heroes, monsters, demigods, and the plethora of fantastic mythical beasts that have populated the human imagination from time immemorial. The encyclopedia also includes many deities often missing from standard collections, notably from Inuit, Native American, and African cultures. Alphabetically arranged entries provide the name of each deity (with alternate spellings), followed by the tribe or culture that worshipped the deity. Most importantly, the entries–whether brief descriptions or longer essays–offer lucid and engaging explanations of the origins and functions of the god or goddess.

With a comprehensive index and an extensive bibliography, The Dictionary of Ancient Deities is the best choice for anyone intrigued by the rich pantheon of divine beings that have mirrored the human psyche and shaped our earliest civilizations.

Encyclopedia of Ancient Deities 2 vol set Reprint Edition
by Charles Russell Coulter
Throughout history, humans have pondered the question of their existence. In nearly every society, part of the answer has included some form of god or goddess. For the Mayans, one such deity was Ajtzak, who tried to create humans from wood; for the Yorubas of Africa, Shango controlled the thunder and lightning. The Chinese of the Shang dynasty era worshipped Shang Ti. Evil deities were also part of the answer, as in the case of the Kuvera, the Hindu chief of evil in the Vedic period, and Tu, the Persian or Islamic demon of fatal accidents. All of the known ancient gods, many heretofore obscure or known only from mythological literature, are included in this exhaustive reference work. The focus is on their origins, histories, and functions. The people who believed in each deity are identified, along with alternate names or spellings both old and modern. The descriptions that follow are of the functions, origins and physical nature of the deities. Extensive cross references are provided for alternate spellings and names.

The Rotting Goddess: The Origin of the Witch in Classical Antiquity Feb 1, 1998
by Jacob Rabinowitz
Witchcraft in antiquity, and particularly the Goddess Hekate, has never been seriously studied, but sidelined as an variety of magic, or as a purely literary phenomenon, or as identical to the much-later Salemists. Here, then, is the first complete and comprehensive study of the topic from the time of Homer to the Greek Magical Papyri (800 bc400 ad), examining the slow stages by which Hekate was demonized and the mythology of the evil witch arose, and how it was not until hundreds of years later that the actual practice of witchcraft developed.

Outside the Circles of Time Nov 20, 1980 | Import
by Kenneth Grant
Outside the Circles of Time is the fifth volume in the series of Grant’s Typhonian Trilogies. This is a work that covers an extremely wide area and exposes – to quote from the jacket of the 1980 edition – “a network more complex than was ever imagined: a network not unlike H.P. Lovecraft’s dark vision of sinister forces lurking at the rim of the universe”. Outside the Circles of Time explores a complex of such ideas, from Blavatsky’s Secret Doctrine, Crowley’s The Book of the Law, Lovecraft’s Necronomicon, and Frater Achad’s researches. It also explores the work of Soror Andahadna, a contemporary Priestess of Maat whose work has parallels with that of Frater Achad some decades previously when he announced the inauguration of the Aeon of Maat in 1948. On the more orthodox premise that each Aeon lasts 2,000 years, we are at the beginning of the Aeon of Horus, so the Aeon of Maat might appear a long way off yet. However, the following passage from Outside the Circles of Time puts the matter in a different light:

“Myths and legends are of the past, but Maat should not be thought of in terms of past or future aeons. Maat is present now for those who, knowing the ‘sacred alignments’ and the ‘Gateway of Inbetweenness’, experience the Word ever coming, ever emaning, from the Mouth, in the ever new and ever present forms that are continually being generated from the mystical Atu or House of Maat, the Ma-atu . . .”

Kundalini energyMetaphysics and MythologyReligious Commentary and OpionTags

Movies, TV Shows, Commercials interpreted…

Interpreting Films – Amazing Thought blog references Movies!!!, TV Shows, Commercials, Books and Video and Audio lectures for information relating to general social structures, people interactions, metaphysical theories, history, contemporary hot topics, religious commentary and Metaphysical Theory.

The list to the side has provided a contextual jump start basis which helps to interpret life, Movies, TV Shows, Commercials, Books and Lectures in a new way. Many more names can be added to this list…However there is no endorsement any person listed on this site whom may share there own opinions. The list begins the basic context for the information presented in this blog:


People interactions and General Social Structures
Neely Fuller Jr & Frances (The identity of Suppression)
Neely Fuller Jr Talktainment Radio
Neely Fuller Jr (9 Areas of Activity)
Isis Papers (Society, subtle Symbols)
Eckhart Tolle (People pain-bodies)
Paul Mooney (People Observation in Society)
Professor Griff (Music Industry)
Jawanza Kunjufu (Conspiracy to Destroy)

People interactions and economics
Dr Claud Anderson (POWERNOMICS)
Rev. Ike Legacy Ministry (Wealth Abundance)
Dr. Umar Johnson (Empowerment)
Phil Valentine (Empowerment Community)
Cornel West (Philosopher)
Basil Davidson (Africa Magnificent Cake)

 Science Theory
Dan Winter (ET Galactic History)
Dan Winter’s (Fractality, Goldenmean)
Dr Jewel Pookrum (Melanology)
Henrietta Lacks (Immortal Cells Medical Industry)
Karl Pribram (Holographic Universe)
Lloyd Strayhorn (Numerology)
Michael Palmer (Medical Dramas)
Christopher Carolan (Financial Market Cycles)
Carl Munck (The Pyramid Code)
Young Pharaoh (Melanin Science)
Long Island medium (After Death communications)

Dr Tim Morrow (Heal Thyself)
Steven Greer (Broad science)

Metaphysics, Historical & Religious Commentary
Eckhart Tolle (Consciousness, Presence)
Dion Fortune (Automaton)
John Henrik Clarke (Historian)
Mark Passio (Occult Symbols Interpreted)
Bobby Hemmitt (Video & Book list)
Dr Alim Bey (Ritual purpose)
Juanita Bynum (Gospel)
Eugene Adams (Prophecy foretold)
Henry Baker (Black Inventors List)
Ivan Van Sertima (Ancient History)
Marcus Rediker (Slave Ship Experience)
Naazir Ra (Hidden Power University)
Na’im Akbar (Negro Psychosis)
Phil Valentine (Metaphysics)
Robert Anton Wilson (Final Secret Illuminati)
Basil Davidson (Africa Magnificent Cake)
Earl W. Carter (No Apology Necessary)
Dr Cindy Trimm (Kingdom Living)

Kundalini energy
Young Pharaoh (Kundalini Explained)
Citi Hampton (Kundalini Explained)
Alexyss K Tylor (Vagina Power, Penis Power)
Bobby Hemmitt (The Serpent People)
Dr Alim Bey (chakra, Flow, Energy)
Juanita Bynum (Gospel)
Arthur E. Powell (The Astral Body)
Aleister Crowley (Illuminati Ideas Rituals)
C Freeman El (I Self Law Master)


How to Interpret Movies

Movies, TV Shows, Commercials and Books that reach the masses of people on the planet tend to carry continuous ongoing themes and symbols at ad nauseam repetition. Most people are confused by the story’s, choice of characters and plot lines and for the most part just see them as great sources of entertainment. Why are these forms of media so imperatively important that Millions of dollars are spent every year to produce them?

Before interpreting one will need a broader context of understanding. But at the root “Why” is the start of the process. It is important to ask “Why” to each thing that is perceived in being ones’ current reality, until it takes you further back in history, deeper in space and time to where you never realized how far you have gone. “Why” is a key. Why is this? Why is that? “Why” helps one to step out of conditioning, in order to start recognizing the conditions. You don’t just stop at the contemporary past. You go further, wider and deeper. Why do we have these general social structures? Why do people interact with each other the way they do? Why does the world operate as it does through economics, education, entertainment, labor, law, politics, sex, war and religion? Why do we have religion? Can one find more answers in religion? Why is there racism, discrimination, sexism and so on? Why do movies often portray one thing but the opposite exists in reality?

Somewhere within the list of names and subjects towards the top of this page the preceding information was gathered. Many “Why” questions were answered. Please Stop Now? Warning ahead. Strap on your seat belts. The proceeding information is going to get outrageous. Can you handle it? Ready? Set. Go! Unique beings are in control of every major structure on the planet also known as the 9 areas of activity by Neely Fuller Jr (also see Dr. Frances Cress Welsing (Neely’s counterpart) and Mark Passio for Occult Symbols Interpreted). These unique beings carry within them an innate pathology (rooted in oneness disconnection as explained by Young Pharaoh) that governs their leadership, use of media channels, story lines and plot lines. The pathology projected through various forms of media are confusing to many and the viewer tends to find little connection to them.. Below you can see some keys to make sense of the madness and begin to see yourself in the Movies, TV shows, Commercials, advertisements, books and recognize the subtle messages they share on a continual basis.

In Frank Herberts Dune 1984 movie whom Dan Winter (who shares a peak into Galactic History) and Bobby Hemmitt (who uncovers hidden knowledge) among several others claim Dune is more accurate than the Bible in describing history and the state of the world in the past and present.


The Arch Degree: CIVIL WAR DECODED: ALL ROADS LEAD TO WAKANDA

www.hollywooddecoded.com – Ktthearchdegree Youtube More from The Arch Degree – www.ktthearchdegree.com

In the Dune 1984 moive the Baron Vladimir Harkonnen played by Kenneth McMillan is the uncle to Feyd-Rautha Harkonnen (10174 AG – 10193 AG) is one of the antagonists of Dune. Feyd played by Sting (British born) was the younger nephew (Modern day Britain) of Baron Vladimir Harkonnen of House Harkonnen The orange haired Baron has horrible skin and black color finger nails and toe nails, unpredictable, does not adhere to typical moral standards and exhibits extreme gluttony. Feyd-Rautha Harkonnen was nominated by Baron Vladimir as the “Na-Baron” – heir to House Harkonnen. The Baron favored the young Feyd-Rautha over Feyd’s older brother “The Beast” Glossu Rabban played by actor Paul Smith (of America ethnicity), Count of Lankiveil. Feyd was both intelligent and charismatic, and was dedicated to the Harkonnen culture of sadism and cruelty, though potentially only due to his upbringing. 1:49:19 minutes into the movie Baron says to Feyd “And when we have crushed these people enough, I’ll send you Feyd” (Contemporary, New age and evolved (Britian). Also visually likeable yet still carrying the seed of deceit to maintain the subversive leadership and oppression of the people). Who are the people he is symbolically referring to and what is the manner in which the Great villain Baron will send Feyd? Dune is a great movie to apply the keys of interpretation through symbolism and mythology some of which is mentioned within this contextual jump start. Note: Dialects or accents equal nations or cultures. Also actors are selected with strategic intent. The nationality or what nation an actor is born into may also be very important to why the actor is chosen for the role.

Melanin – Most movies that reach the masses have symbolism with references to melanin in some way. It is often referred to as ancient essence, spice, shadow, cinder, soot (from a match or a fire), ever moving ever changing essence, transforium (in the Transformer movie series), vibranium (in the movies Avengers, Captain America, and the Black Panther), an intelligent dark essence, darkness in the blood, chaos in the blood and hundreds of many other phrases and names. A battle to control or harness the power of chaos. It carries great fascination but it is still a threat. Fear based images and cautionary images are often used to describe it. There are numerous, extremely important and phenomenally profitable uses for melanin; The Melatonin Miracle: Nature’s Age-Reversing, Disease-Fighting, Sex-Enhancing Hormone by M.D.’s Walter Piepaoli and William Regelson with Carol Colman. Also see Kaiju Remedies from Pacific Rim movie. And see Dr Jewel Pookrum (Melanology). As well as Top 10 facts about melanin. Melanin extraction as exemplified in the movies The Dark Crystal and Dune.

The famous Avengers characters Captain America’s shield is made from vibranium (hence a vibrating, ever moving substance).

In the movie Avengers Age of Ultron the on screen character Helen Chung says “The vibranium atoms aren’t just compatible with the tissue cells, they are binding them. And Shield never thought to…” Ultron interrupts her and interjects “The most versatile substance on the planet. And their using it to make a Frisbees (aka Captain American’s shield; using melanin to not only bind with tissues but also to bind with metals to enhance their strength capacity) The Black Panther’s black skin suit is also made out of vibranium (aka, code word melanin). Also see how Transformium is also connected to a melanin reference in Transformers Age of Extinction. Thanks to Keyamsha; Note there are Top 10 facts about melanin everyone should know: [BREAKING NEWS] Melanin Is Worth Nearly $400 A Gram!!!.

Kundalini – Kundalini references symbols such as the snake, reptile clothing and/or accessories, rhythm, dancing, creativity, surge of energy, octopus, electricity, lightning, thunder, unpredictability and many more. Kundalini manifests itself in many unlimited forms and it is a threat. The protagonists and antagonists will usually be fascinated by it and/or some symbolic melanin representation form. They will fight to acquire it, figure out how to harness its power, control it or fight against it or suppress the many forms it arises from. It is also possible for each one of the scenarios to be present in the interior film…seemingly like a world wind of confusion for the viewer…what is the feeling impression the viewer is receiving from the film at the exact moment symbols, dialect and dialogue are present? This is critical. It happens through the presentation of symbols, slight gestures, point of view shots, where the eyes focus on simultaneously to what is happening in the background and foreground scene, and vice versa while the screen play dialogue is shared. Actors are selected for specific reasons, scenes, looks, dialect, personality and Idiosyncrasies. Translate this also to the seemingly miscellaneous actor that crosses the foreground and background almost in a blur simultaneously to dialogue, scene shifts or climactic moments.

Pay attention to their racial skin color, hair color, clothing and what they are doing. Also pay attention to objects in the background and foreground, their color, texture, name, wording and signage. The presentation of confusion persists because scenes are jumping from one to another so fast that it is often hard to keep up with what is happening and shown down to the finest details. But keep your eyes on the prize, focus on the patterns that occur consistently throughout most films and movies containing black actors. Note what is happening in the background is just as important as the foreground. For instance, one scene showing a black male in the group of other races in the background, the subsequent scene general shows a black female. Then sometimes they are shown together again or separate and/or apart from each other on different sides of the same scene. It weaves in and out on repeat through the entire film and movie but it is done so slight that it is often easily missed.

In cases with no black actors are in the films foreground or background, default to the black, orange hair color or darkest hair color. It is almost like the weaving of symbolic Kundalini energy (yen and yang) throughout the film.

Heroes – also see the Heros’ Journey The protagonists and the antagonist are often referred to as heroes. Heroes are often presented as creations either by science, some freak accident or trauma. They do the phenomenal work of suppressing kundalini on behalf of the greater ruling populus. The heroes are the great, strong, clever, resourceful and fearless characters that are connected to the ancient blood line yet control and suppress the manifestation of the ancient blood line within themselves and others.

Superman unchained could destroy the world so he must be kept in check (via encoding like a robot or slave) by the Justice League, thus the “always serve and protect” mantra is continually repeated, encoded in the viewer and shared. Superman was once portrayed as very positive trust worthy character but is now portrayed as an untrustworthy and almost villianistic, rageful, unpredictable, alien character where the world has turned against him branding him as an outsider that must be kept in his place, locked up or restrained in order to exploit him for his strength and talents. Also reference the movie Bicentennial Man , iRobot among several other movies that will be added here later. For more information about demi-human programing visit Humans Season 1, HumanSimulacra.pdf  source montalk.net, Simulacra and simulation PDF by B Conrad Williams source www.bconradwilliams.com and The Simulacra by Philip K. Dick.

Ancient people are often referred to as goons, goblins, demons, monsters, monkeys, gorillas, reptilians, lizard people, crocodiles, snakes, goats, deers, bears, witches and thousands of many other names and phrases. The movies or media generally expresses them as untactful (lacking tact), unstable, unreliable, flighty, aggressive, narrow mindedness, over sexualized, over flirtatious, happen stance place holders, long winded and even possessing no capacity to provide relevant input relating to solving a problem in a plot and a very long list of other negative connotations to think about a person who stems symbolically from the ancient blood line. The Bibles Old Testament foretold the tragedy of African slavery in No Apology Necessary by Reverend Earl W. Carter Jr and Let the Stone tell the tale by Dr Eugene Adams. It also should be made clear that the mixing of the blood during slavery and beyond, make a new form of monster; having both ancient and contemporary blood, and make it nearly impossible to unravel the ancient bloodline throughout the color spectrum of races specifically in America; spanning from black to white. Thus, the use of the black man and the black woman are only contextually the greatest symbols representing the ancient people. The trait (rooted in oneness disconnection) is inherent in all races. Few are aware of it within themselves but the masses of people will not ever and or cannot dismantle its harmful destructive discord. However, keep in mind the most capable beings to overcome sustained suffering are of the bloodline who survived the middle passage of slavery and beyond in the western hemisphere with an emphasis on blacks in America. Keyword on the term suffering. Slaves were at the mercy of their masters and overseers, in many ways this dynamic has not changed. Tangent thought each race or group capitalizes on suffering imagery displayed in movies and other media but none of their bloodlines suffered the middle passage of slavery. Contrived images or experiences of suffering to mimic that of the ancient ones does not count although the movie or media logic is that it does. On the flip side, going back to slavery, any terrifying activity that could be thought about was most likely done and inflicted on the slaves, often while shackled or constrained from escaping. Horrific events occurred; beating, torturing, castrating, cutting off hands, feet, tongues and other body parts, being eating alive, boiled alive in hot water and oil, whole bodies roasted over fire and eating like bar-be-que, starved, treated worse than animals, eating the worst left over pieces of food, burnt, poisoned, branded, raping of women, children and men in front of the family by male and female perpetrators usually by another race (which contributed to dismantling typical gender roles and magnifying various areas of gender identity), as well as making parents breed with children and visa versa, hence the term “Mother Fucker” (an untrustworthy environment), tearing families apart. Imagine the extreme shame, physical and psychological trauma from being so humiliated, accused of wrong doing when there was none, cheated on, degraded, violated, victimized and the masses of people confined to these inhumane conditions were so powerless and unable to do anything about it. See Goodbye uncle Tom! “Warning Graphic Content” for a theatrical peak into some imagery of the slave experience. They were “miraculously” resilient. Historians share accounts where people were amazed about how black people’s bodies quickly recovered from the horrifically, terrible trauma of being crammed in the boats for so long crossing the seas and the tortures of slavery. The elites know the black blood line is the most significant symbol of suffering. Referrence Bobby Hemmitt in 400 years of lynching and Without Sanctuary photos and video. Although the suffering symbolage stands true this banner is denied the victims and their bloodline, snatched and given to their pathological oppressors. The elite also know that this blood line is literally connected to the precursor of every culture, language, race, country and continent around the entire world. In the beginning was blackness. From the blackness further evolution, transmutation, or scientific contrivance has occurred. Although the movie series of Hostel (specifically Hostel 3) was and is extremely gruesome and difficult to watch it focuses on contemporary suffering and torture for the thrill and pleasure of the perpetrators and the fright of the victims. It is jam packed with religious and occult symbols. Through this movie series it is fascinating to observe the oneness disconnection in its extreme workings. But watch this movie series after reading through this entire text. Once you can piece together the symbols it is less frightening to watch because one begins to realize a mythological story is being told. Tangent thought; ode to Ludacris’s song “How Low can you go” which is a phrase most likely unknown to the author that genius-lly captures the essence of the ancient beings thrill ride in this life in the midst of all the various unlimited forms of experience and suffering which contributes to creating a new God form essence on this planet and in the universe.  The “Lower” one has gone the greater the change and opening up to deeper realms of experience.

There are underlining messages in movies that are outrageous and confusing to many. However, they are based on the perspective of the elites who see life in a much broader since then the masses of people on the planet do. They have the ability and power to share the story’s given to them by the mass from the elite’s perspective and frame of reference. It is subtlety slipped in to the plot to where the masses have very little idea that it is present. Universal truths are open to the elite.  Thus, the universe evolved and created its most unique expression in terms of a human or a person. In the universal state, more telepathic and the most “recent” state, more empathetic in the form of humanity through feeling, suffering, expressing, and creating on a micro and macro level.  Allude to Jesus coming to earth to experience the infirmities of the flesh and what it feels like to be human. This developed within him a profound love and respect for humanity. The ruling authority is in the business of fulfilling prophecy. In “considering the opposites” vilifying the victims whom are the progenitors of the prophecy and trying to stand in their stead as the true fulfillers of prophecy. How is this done? By documenting or presenting via news, media, TV shows, movies and films a barrage of instances of suffering and allowing the elite to experience life unfiltered through fun, happiness, evoking sadness and crying, emotional sensations, ecstasy, sex, anger, rage, revenge and even murder or sacrifice unhindered, to a degree; all of which are elements in developing humanity. The elite must be allowed to have full access to all these polarities for optimal mental and physical stimulation. Thus, experiencing all that life has to offer is encouraged. But on the flip side, for their worldwide subjects experiencing all life is hindered by rules, laws, policies, stigmas, dogmas, cultural morals (can also be known as religions). It is the ability to project worldwide images of suffering shown to the masses in epic movies and various media channels that encode the masses with the belief that entitles the elite to the birthright of the Gods and an obligation to rule and be superior over the masses. However, prophecy said this will be the case. The “fool” the ones most deeply rooted in oneness disconnection (also considered the least experienced or rather having the least historical time chart) will rule in the last days. Regardless of the 2017 movie story line or plot in The Boss Baby film, the symbolic Boss Baby is the born leader of this dispensation. All other cultures have had their chance to lead; now is the Boss Baby’s turn? Why a baby? Because it is symbolically the newest entity created amongst the races. And why a “born leader”? Because leading is in its nature (meaning DNA make up). In the presence of other races it eases into and eventually takes on the leadership roles. One does not have to know how to build at first, just lead others who know how to do it, learn from them and then do it one’s self later on. It possesses a unique genius imagination to build it better; continuous ongoing improvement.

Pineal Gland – Is referred to in movies and other media as magic wand (Harry Potter wands

and Will Smith 2017 movie “Bright”, staff (staff of Tahuti, Caduces), sword (Optimus Primes’ sword flares up like a flame or gun and Vultrons sword in the shape of a flame, as well as Star wars Jedi lightsaber different colors are different forms of Pineal Gland activation and how it manifest certain energies in the world) Tangent thought (“Hot like fire, Im gonna take you higher, you can’t resist, kiss, kiss, kiss….” [making the connection to spark the flame of pineal activation]…Aaliyah’s Hot Like Fire song. “Come on babe light my fire” Lauryn Hill’s Superstar Song.

Also consider Celion Dion’s song “Back to life” a song written by Cia, an alternative perspective, it sounds like it’s about the third eye or pineal gland awakening – The last key factor to consider in fulfilling prophecy is exercising the pineal gland and stimulating greater mental and physical functions is the intention of the elite as well as to do this in a race against time before the Gods wake up, while simultaneously trying to keep them asleep, whomever they might be in various economic forms and locations within the planet, hampering their pineal activity through poisons and various forms of moral dogma restrictions. The God like energy would be that portrayed as the most powerful or terrifying supervillains.

However, because many of the glands are calcified and no matter what type of stimulation an individual encounters, it will not cause the pineal gland to awaken. However, technology (which is outside the body) is a tool that mimics pineal activation. The pineal gland is a biological tool, connected to all the sensory perceptions of the body, possessing the ability to be connected universally and to cross into other dimensions. So in place of the gland, technology is used to help spirits cross dimension in order to operate and control dimensional time travel, rewrite history or change destiny as depicted in The Legends of Tomorrow 2017 TV Series. Regardless of how Vandal Savage appears in the TV series he represents a Moore or rather a symbolic black man (whom possess within his DNA or semen the ability to annihilate all races from the planet. He is the greatest natural threat. He is the symbolic sabbatic goat or the Satan. The Sufis – Idries Shah page 245 and 255 – Baphomet equals Black male and/or Black Female). Yes, it is far-fetched but if you watch every DC cartoon or show that has Vandal Savage in it sometimes he is a very light skinned black person, with Moorish clothing and a black man as his voice. Movies will often choose an actor who is white but begins to have black persons features but yet is still not black to play the role of a black person whom symbolically stems from the ancient bloodline.

Before the original Gods went to “sleep” and reincarnated losing memory of the past and semblance of cultural identity’s they created/orchestrated cultures to house and retain ancient information and knowledge of the past and prophecies foretelling the future. The Gods are scattered and hidden within cultural fragments around the world within the form of races we see today. The darkest skinned people amongst each cultural are hit hardest with the greatest attack, whom symbolically represent the greatest symbol of ancient representation. Yes, this is based on skin color. The bloodline most connected to the most ancient of people on the planet within each culture are that of a dark skinned bloodline. This is not referring to African people specifically on the African continent in particular whom from a contemporary perspective are consider the same as the new age races and cultures. The terms “Black” or “African American” are the newest age classifications whom are most connected to middle passage drama and possess the greatest DNA connection to all races. Each mythology from every culture, language, race, country and continent attacks this blood line…Attack on the Titan’s; suppression tactics are similar around the world; for instance, racism in China explained by Dr Umar Johnson. Neely fuller Jr describes the general tragic arrangement as Tacky, Trashy and Terroristic which is a matrix system designed to degenerate people of color and also it is set up not to be anything out side of pre-listed three categories of people interaction (click link and scroll down to the Tacky Trashy Terroristic subject). It is the flushing out, purging out, rooting out of this bloodline in ad nauseum repetition around the world throughout mythology, movies and various media channels. Why did the Gods create this process? Maybe to intention a new being through generational alchemy (Bobby Hemmitt speaks of this concept) or a new form of the God essence in the universe. Bobby Hemmitt speaks ‘Explains the DarkSide Energy’ “We have to go all the way back to the beginning of this prior to the earth aspect because this did not just start this the world that we know. This started in the heavens. It started in the origin. It started in the primordial abyss of the womb where you would actually have a renegade or a tyrant that would be a tyrant of a universal primordial family breaking away and trying to create a universe of its own outside of the original source. Botches the job that never the less creates a simulation of the original source which can only be acted out as a series of illusions to support this debauchery and the ultimate deterioration of misfortune is that the very essence of light particles or souls that is in the primordial world of the original source would eventually get trapped in this cosmic abortion that was set up by this tyrant and would have to be a part of this tyrannical creation for years to eventually clean this shit up, that would make the original source greater than the original source was that would have a flaw in it to even create a tyrant that would break away from the original source. And it would never fall again. So, in so many words we are only talking about creation sifting out flaws of its own essence, to make a great and perfected product. In other words, in the beginning there was no perfection. That’s why they call it Chaos. That was the scientific element. The other element is you have the great mother. She had a son (Adolabroth), an abortion who did not stay in long enough to form to maturity that jumps ship. Comes out and creates its own child like world. Like a child would do. A child’s world is going to be different than an adults’ world. The adults’ world is going to be more fortified and more to the essence. And the essence. But the child’s world is going to be a play play world or an illusionary world. Well whatever this particular person, but will later on be called God by the very parents that it would later on trap in this world. It’s like a cancer in the original body, a cancer though benign in the beginning, malignant in the end. And then set up a series of creations, within the context of creation, and in the context of a man and woman a life that was started in this counterfeit creation would set up a series of events and struggles to get back to the original source. The rest is history.” Bobby Hemmitt later on speaks “It is the flaw of the chaos that makes this illusionary universe. It is the spark. It is the sparks of intelligence, or what we call the shards of the chaos that will bring light and diffuse the flaw. Basically, it’s the flaw. And this creation that we find ourselves trapped in is nothing but a cosmic turning of diffusing the flaw. Or the flaw burning itself out. The flaw disintegrating. It’s almost like a science experiment to test it out. To find out what the problem really is, to get rid of the problem. Or it’s like a cleaning crew coming in to a vial and filthy situation gone bad and start to clean up. But the source and the origin of the vial and filthy creation is in a struggle. And every time they wipe up something the source dirties it back up. It’s this cosmic struggle. Meanwhile the source, because it goes there first. Not being the first in creation but the first to come in this environment and create the problem. But by it being the first there the time is running out on it because the ones behind them are little behind to clean it up, but they got a little more energy because they did not spend that energy by getting there first. So it’s a catch up thing that has to happen. But ultimately, we catch up. Also consider ancient prophecies or mythology such as in Let the Stone tell the tale. Note the architects intention-ed the innate pathology that exists within every culture to be in opposition to the symbolic ancient ones. It is inescapable from their DNA, physical composition, vibrational receptivity, thought processes and or pathology. “Cultural sensitivity can be systematically masked” to seem undetectable via training but beware it is deeply ingrained in the essence of the beings DNA. Governed by an entities make up, there is no escaping the inner workings. This inner operation spans all ethnic color lines and is rooted in oneness disconnection, Thus peeling back the surface, “against the ancient ones” and “projected superiority” over the ancient ones based on the color lines is unfortunately ever present. Yet on the flip side it is fortunate for the “sleep Gods”…Toast to evolution and suffering. Tangently, on their quest for true connectedness with this earthly/natural plain, unfortunately will never be fully realized. Also, the quest for true cultural reciprocated understanding will always be the wantingness for the carrot dangled at the end of a stick; never achieving fulfillment. It keeps life propelling forward creating new imaginings of the present and future. Subtle forms of people interaction are shown in films at ad naseum repetition. Note the films symbolically represent real life people interactions with exquisite detail. They never waver from “against…” or “projected superiority” based on color in their portrayed behavior. Look for them. Look for the pattern. It is always there. Regardless of the constant barrage of derogatory symbolism representing the ancient race (with black people from America representing the greatest symbol) in movies they are Highly entertaining and packed with a lot of information about that blood lines past and present with acute details of past and present day chaos and implosion behaviors of the “sleep Gods” as they putrefy beyond recognition, cohesiveness, sense of self, culture and identity.

As said before in The Great Wall (2017) Movie all the races on the planet have their own mythology of their battle with the ancient blood line of whom are repeatedly represented as a natural threat verses a technological threat, and also as insignificant, place holders and people that don’t really matter to the world. Bobby Hemmitt further says “Black people looked apon as not being human, not being competent or adequate”. Dr Na’im Akbar explains in excellent detail the black psychosis; the craze that baffles the world and all cultures. In essence, what is asked and projected is “what is wrong with these crazy people. They have lost their minds. Their behavior is destroying themselves, filled with emotions and little logic. How are they surviving the chaos.” It is also interesting to note Chang for his candid spot on view of the black people in particular.

Asian Interviewer: “Can you address their concerns Mr.Chang?”

CHANG: “The concerns of Black people? Yes I can. The fact is, that we all live under a system of White Supremacy. We Asian people look back at our long history of conflict with the European. We observe their strategies and develop our own, in response and in kind. There is no need for loud mass movements on our part, because we intend to overtake them in time, through action and personal sacrifice”.

Asian INTERVIEWER: “And the Black man?”

CHANG: “He does not count into our situation. He is simply here. We do not hate the Black man. We just love the Asian man most. Real love–not cliche. We want to see Asian man happy, so we employ him. We eat together. We spend time with each other. We want his kids to be educated, so we invest in our own schools that offer our children the technical abilities to change the world’s power structure in our favor. We want to see the Asian man safe, so we purchase and organize our own communities. We want him to remain Asian, so we reduce the outside influence of others ideologies and cultures. While he fought to sniff behind the White man, the Black man has had the opportunity and every right in the world to do the same, but he chooses to indict people like me for not hiring him over my own brothers. For me to do this would be foolish and that would not be Asian love. In contrast, the Black man will fight for the right to be up under everyone else other than other Black people who he should feel the most love for. If our indifference to their situation make us racist, then what would you call the Black man’s indifference to his own situation?” source: www.FarrahGray.com

..can you blame him. He is speaking the truth. Blacks are considered untrustworthy, insignificant in many social and economic structures, wayward (difficult to work with, control or predict because of unusual or perverse, inappropriate destructive behavior), obstinate, backwards and many other negative connotations. This evaluation holds a lot of truth based on the putrefaction theory of the soul (putrefaction in the biological sense is the process of decay or rotting in a body or other organic matter, not only the body but of the mind matrix system and also of the soul.) Like fermenting grapes to produce wine. The older it is the more potent and the most change has occurred from its original form. In other words, very ancient souls decay and the Ka or essence, DNA, experiences, traumas, memories, past life reincarnations is pasted down from generation to generation to the present, since the beginning of time. The older the soul the most transmutation has occurred from the original souls. Genetic Reincarnation. “Everybody is a compilation of all the DNA that ever existed and the line that you are from the time you broke away from the thing you call the divine. And you didn’t break away from it, you, your just another expression of the aspect of its essence, having the particular experience that you are. We are the best of our ancestor’s genes, we are the latest tech version and the highest tech model. Until we give our children that same thing.” ~ Professor James Smalls. However, going back to Chang Blacks do not have the same opportunity. Black people have to work symbolically “ten times harder than everybody else to get in the same situation that a white person would get with a snap of the figure” reference video on Mr. Chang page.

Movies do present the two general categories of symbolic “blackness” which operate “against” each other, the sleepers and the awake. You can’t tell them apart by racial color; only by their actions. One projection of the sleepers is the fight or distrust between one black person and another black character, undermining one another. Arguing and bickering back and forth or engaging in behavior that is inappropriate, unstable and not productive.  On the other hand, there are varying degrees of awakedness. The awakened could be the side that is portrayed as the villains or the antagonists. It takes thinking in opposites to uncover these gems; looking at what is portrayed as bad and configuring it to be good. The sleepers and the awake in movies are often referred to as “Girl(s), Boy(s), Baby(s), kid(s) (a kid is another name for a young goat; remember the sabbotic goat reference mentioned earlier), young man, young woman, sweet heart, honey, honey bunch, and sweetie” and many other names and phrases that imply less than adult (When the same phrases are flipped back on to the ruling classes offense taken). These names are used by the ruling cultures and the “subordinate” even amongst themselves, jokingly, romantically and platonically. Symbolically never reaching true adulthood, forever subject to infancy (my crib; my home) or adolescence (my girl friend, my boy friend); “When I grow up” continues on into adulthood and death. On one hand, the symbolic projection is somewhat true there is always a subtle master slave relationship where the masters are the caretakers or providers giving the slaves the things it needs to survive, due to the mal distribution and allocation of resources and wealth (Dr Claud Anderson POWERNOMICS). The sleepers and the awake as symbolically represented in the epic Claymore animated series. However, note the awakened ones are symbolically represented as bad horrific monsters with innate uncanny abilities and powers. Sleepers abide generally in base levels of consciousness (elemental spirits highly connected to the earth plane, materialistic satisfaction). Note black Americans amalgamated and putrefied into having no cultural identity, loosing sense of self and in many ways are shiftless and unstable in character and emotions due to the middle passage, slavery, Jim Crow laws, discrimination and racism; this leaves a nature that is highly impressionable by the dominant cultural stimulus) who represent the masses of people aka “negas” (contemporarily carrying a subordinate and derogatory connotation by in the past “negas” represented “God”) around the planet and the awake have varying levels of greater consciousness who are more connected to dimensions…this concept is somewhat unclear and confusing. The black Green lantern character John Stewart in the animation cartoon series wearing the ring is only limited in his creation ability and power by his imagination and or connecting to other dimensions. The villains do anything and try anything to break his attention in order to dismantle the power of the ring (pineal gland illumination; thus the ability to tap into other dimensions) Also check out the movies The Ring 2002 Horror Film (Fear of the ring and ability to predict Future death)

and The Lord of the Rings (control of the rings) of which both talk about different aspects of fascination about the ring (Pineal gland). In the trailer below note the emphasis on the “one ring” as opposed to the concept of many. This is the intended projection to the audience.

In the Lord of the Rings the future of civilization rests in the fate of the One Ring, which has been lost for centuries. Powerful forces are unrelenting in their search for it. But fate has placed it in the hands of a young Hobbit (ode to Boss Baby) named Frodo Baggins (Elijah Wood), who inherits the Ring and steps into legend. A daunting task lies ahead for Frodo when he becomes the Ringbearer – to destroy the One Ring (considering the opposites and the movie Gantz:o allude to many “rings” or “Shards”; not just one) in the fires of Mount Doom where it was forged…Being dimensionally connected allows the use of universal forces to create some of the most impactful and long lasting experiences for mankind “How did they do that dance, create that invention, come up with that music, sing that song, etc and so on (Historical black inventors in particular), things that are completely amazing and mind boggling that gives an anchor for the rest of the world to follow along or “culture vulture” from, take possession of, replicate and enhance”…may be purported as coming from “another dimension” (as if to suggest “Alien” or “stemming from another world” but really it seems to be of this dimension…the one experienced every day. Could it just be simply tapping into the overwhelming unlimited potential that exists in each person; myth? Lie? Cliché? Does each person on the planet possess unlimited potential? Maybe that is the threat. The intention to suppress so hopefully nothing comes out or arises that is depicted as being greater than the ruling populous. But on the flipped side the use of suffering to contrive new inventions or new ways of existing on the planet. Or considering predestination the past and present may have been intentioned to be this way. And suppression was and is used for a tool of change, advancement, reconfiguration, small pockets of immense energy escape through the cracks of pressure; emerging some of the most talented and or legendary thinkers, doers and entertainers in history. Who knows?…we will see as time carries on whether an exact answer arises…

Racial ambiguity – Today in movies, ethnic appearance, hair color, clothing color and combinations of the three are very significant to represent the spread of racial stereotypes in movies and other media. Very often  one will notice a person who is something like a melungeon or “of ambiguous ethnicity”, can’t tell if they are black or white (i.e. Vin Diesel or Abraham Liconln was one, part “black”; Tri-racial describes populations thought to be for example of mixed European, African and Native American ancestry) signifying that there is something else darker mixed with in the DNA/blood line that causes the actor to look “off-white” or sub-par white, with slight negroid resemblance features but yet still has not crossed the biological thresh hold of being considered  of “black” ethnicity but yet are not considered or classified as “black”. They symbolically represent the ancient bloodline or Heroes of the movies, film or media. Due to these features, they will denote a symbolic black male or black female. Actor Rami Malek’s ethnicity is 87.5% Egyptian and 12.5% Greek, has a popular television role in Mr. Robot. Actor Ron Perlman is of jewish decent (i.e off-white) who seems to resemble a black slave joker salesman who markets the products of the master or he also can resemble or symbolize a moore through his attire and his unique black eye sun glasses in the Pacific Rim movie. Actor Michelle Rodriguez in the Fast and Furious movie fits this criterion as well.  She is of Puerto Rican decent who classifies herself as Hispanic.

Blackface – Not too long ago “Blackface” was used in films, theatrical events, commercials and other forms of media. Check out this scene from an Indian film where some of the actors are in Blackface in movie Aayirathil Oruvan.

Blackface is a form of theatrical makeup used predominantly by non-black performers to represent a black person. The practice gained popularity during the 19th century and contributed to the spread of racial stereotypes such as the “happy-go-lucky darky on the plantation” or the “dandified coon“. (1) ….Stereotypes embodied in the stock characters of blackface minstrels not only played a significant role in cementing and proliferating racist images, attitudes, and perceptions worldwide, but also in popularizing black culture. (7) In some quarters, the caricatures that were the legacy of blackface persist to the present day and are a cause of ongoing controversy. Another view is that “blackface is a form of cross-dressing in which one puts on the insignias of a sex, class, or race that stands in opposition to one’s own.” (8) Nowadays the same thing is accomplished using a white person character actor with deep dark brown/nearly black color to black hair generally denotes a symbolic ancient black person either with an American or British accent. Secondly a white person with red hair (orange hair color) generally denotes a half breed sub par from white and could also denote a symbolic black person or person stemming or tainted with the ancient bloodline in some circumstances. If two protagonist characters or two antagonist characters are male and female or male to male or female to female, one having black hair and the other having orange hair or one having blonde hair and the other having black hair, they will generally express a love hate relationship throughout the movie plot. They will bicker back and forth, weave in and out of arguments. Possibly flirt back and forth. Or long to be with each other as their ideal mate if only the circumstances were right (ode to Superman and Lois Lane, Batman and Cat Woman. One may be able to think of other character combinations). Genuine complete romance amongst male to female characters with the pre-described hair color combinations will never be accomplished or solidified during the plot of the show. These two characters are often in juxtaposition to two white characters who may be romantically involved (have reached true romance during the plot of the show), have a stable family structure and other positively noted relationship features. The hair color of one actor will be either a blonde with another actor whom has auburn hair color or two auburn color white character actors together with either an American or British accent. Dialects equal nations or bloodlines. An American is often depicted as a “dirty blond”, black or brunette hair color which is not quite blond still in the elite class but “tainted” due to the unique mixing of races in the Americas. America is beholden to Britain. Britain being the father and the Americas being the wayward, beast, extremely arrogant son (child) and or confidant, friend, buddy,  brother or sister. Actors with the British accent tend to carry any hair color. Remember we mentioned the movie Dune in the beginning.

The Baron would represent the ancient being/s that created the various cultures to use them for his ultimate desire to rule and dominate cultures, the planet, and its resources. However this idea once again feeds in to the “Consider the opposite” where really the elites have the desire and intention to rule and dominate cultures and resources but yet tell the world they are the victims who need everyone’s help to fight against the fictional character Baron(s) around the planet; unfolding it this way the elites would seem like pathological liars…

Point of view shots to a black hand in a generally white film or media generally coupled with a scene of trying to do or accomplish something…the nature to do (be commander and chief or in a place of authority, power and influence), accomplish and thrive as portrayed in the symbolic ancient people is a no no…if you try you must fail, if you try to take authority your authority must be usurped quickly, undermined, snatched away before any confidence is solidified. It typically happens during a climactic part of the film to really give the greatest impact of suppressionary encoding in the viewer who will hopefully be of the ancient lineage to further the sleepness and further the divided between cultures and male and female energies (suppression of kundalini). Point of view shots with a black person in the middle of the background or passing through the background during a conversation between two white protagonists should be watched critically. What is the dialogue saying at the precise time a black person walks past? Eye direction is also key. Where is the protagonist and antagonist looking at the exact time a black actor “passes through” or conversation, or a specific word or phrase is spoken? The black person character actor is generally oblivious to what is happening during the foreground conversation but they may be within the point of view shot anyhow simultaneously to conversation ensuing in the foreground is becoming extremely intense. Note an unconscious feeling impression is solidified in the viewer at that exact point in time of an intense of climactic scene. Also note what that feeling is and you can uncover the underlining plot line when typically, the next face or image you’ll see immediately following a climactic scene is a black face (black male or black female) or symbolic black representation image. This is repeated with ad naseum repetition amongst major movies, films and commercials. A point of view shot to the slightest resemblance of freckles on a protagonist is intentionally shown on a white person and it denotes half breed or sub par white person and could also symbolically denote a black person in some circumstances.

In a movie during group conversations when one black person is among the other group members who generally are white or a mix of races, the dialogue will show in most cases that the black person whom may play a supporting (not a significant role) is the one that “accidentally”, “unintentionally” or rather “intuitionally” steers the conversation to the best idea or plan of action in the plot. The other characters catch on but not at first. The first reaction is a dismissal. If no black person is present default to the black-haired character or the orange-haired character. Also note the idea shared by the “black actor” is initially and quickly sloughed off as insignificant but then the group conversation steers right back to that idea, expounds upon it and the leader of the group ends up being the one who indirectly claims it as his or her own and gives the direction to the rest of the group so they can go forth and overcome the threat or obstacle presented in the movie or film. This is hard to describe; these scenes can be confusing because the scenes and the dialogue are happening so quickly plus it is an intense time where everyone in the movie is needing to solve the problem in the plot to get to the next step in the film. Regardless of the conversation concept these sequences are on repeat in nearly every film who possesses the basic scenarios described in this paragraph.

The black woman depicted as a “monster” generally has characteristics of a highly sexuallized nature (uses her feminine wiles to get what she wants and manipulate outcomes) and imposing character; make the connection to cat woman in the black suit or with black hair; also note the movie The Purge, Election Year ( the DVD can be found at the bottom of the Gantz:o page)

Trying to stop the Goddess Ishtar deity energy from rising up and confusing the nature of that energy. The intention is to vilify it and suppress her kundalini manifestation. This is also done with the black male character actors as well. We have to remember that sexual kundalini energy is bad and it must be shunned, suppressed and/or punished. What better way to get the point across then to infuse his or her character with monster like characteristics. As just mentioned this same tactic is often done with black male actors. Juxtapositionally it holds one of the greatest symbols of fascination steering us to view a black woman, orange haired woman or symbolic woman of the ancient bloodline as a harlot, monster or outcast (someone who should be shunned). Check out Salem TV Series – Tituba aka Salem witch trials. This maybe should have been mentioned earlier but is still has a connection to Tituba and other actors; The concept is a subtle yet forceful push to “Make America British Again.” Note the British hand of power in the movie industry. Paying British actors to act as Americans. Ashley Madekw is a British black actress with a British accent but in this film or TV series carries an American accent.

The “monster” is also depicted as a cyborg (half man half robot. This cyborg link takes one to the depiction of a black man) and juxtapositionally Frankenstein (a man once dead created out of various body parts put back together and electronically raised from the dead. This would be connected to the yaukoo story or the creation of the white man. However the character film used to symbolically represent the beastly black male – then God’s who are or once were sleep/dead and made up of many forms, types or pieces of DNA. See the American Gods TV series on starz), Wonder Woman (made/formed/fashioned out of clay brought to life by thunder bolts of Zeus), Superman (an alien trying to live and operate as a human) and many other mythological symbols and characters. Regarding cyborg, there is a light on his forehead (3rd eye, pineal gland which is a portal to other dimensions, he is considered one the smartest Avengers, contrary to the movies you will need to watch of the cartoon animation films or series with cyborg in it to understand that he often comes up with the best ideas or is one of the key components in the plan to defeat the films antagonist(s)), a light in his chest area also considered the heart chakra (symbolic feeling center), a light near or above his loins or root chakra (where the soul resides, the little Sun within the body; the body being the HUGE avatar (1 & 2) juxtaposed to the tiny speck of light consciousness one inhabits the body through; animating the body with the personality and idiosyncrasies. Bobby Hemmitt talks more about this.

It is hard to describe and phrase properly but “Consider the Opposites” is a key concept. Maybe it is easier to understand the concept in the form of lies. As Bobby Hemmitt would say “the enemy doesn’t just lie some of the time; The enemy lies all the time” in the form of opposites. As mentioned before try considering some of the antagonist attributes as good instead of what the movie is trying to portray as bad. Often movies will project fear based emotional references to steer the viewer to be afraid of a particular subject. For instance the Freddie Krueger premise is to don’t go into a deep sleep or he will come after you and terrorize you in your dreams…must do whatever it takes to stay awake. This fear based theme is also repeated in movie “The Invasion“. Note the pineal gland is generally most active in deep sleep thus the greater potential for astral travel and crossing into other dimensions.

Please watch the movie Gantz:o. Below is an excerpt from the page.

The talk with the super monster God. In front of the protagonist holding the ripped off dead head of the fiercest super warrior (who was played by the only black actor in a Japanese film) (note there is a subtle connection between the war against the sleepers and the awake; using the sleepers to fight against the awakened ones; the sleepers despises the awakened beings. And symbolically become the greatest super warriors against the awake) in its hand and holding its index figure out pointing to the protagonists’ forehead/3rd eye symbolic position and holds it in this position as if to say it is giving the protagonist a chance to have a change of heart or else he will be killed. In essence, the God wanted to find one person who truly believed in him by this gesture of sparing the protagonists’ life. This compassionate moment becomes the Gods downfall because it was so concerned about sparing the protagonist life that it neglected to pay attention the ensuing danger around him. This sympathetic gesture may have been intended to convert the protagonist from an enemy to an ally. However, the innate hatred of Gods wins out. When indeed the protagonist never trusts or believes in the Monster/God. He is only trying to find a way through the dialogue to spare his life…you can’t convert one’s nature…It is as it is…for instance a dog or an animal will always be so…(Dion fortune reference: says in chapter VII. The Pathology of Non-Human Contacts “Non-Human is like a pet animal, not a fellow-creature. That, frankly, is the only possible ground upon which they can be approached. If we expect no more of them than we should a pet bird, if we manage them as we should manage a kitten, we have got as near to the solution of the problem as we are ever likely to get….”) no matter the constant training and affection will not steer them down the path to becoming human.

The Pathology of an Automaton

In view of the dialogue the protagonist drops his gun realizing it is a losing battle to fight and quickly says “Wait”…”Let me ask you” “Why are we…”Killing each other?”

The monster responds to his question indirectly.
Monster/God: Do you feel like your’re in God’s presence?

The protagonist: God?

Monster/God: God is the absolute power.

The protagonist: Your God?
scene pause
The protagonist: Are you? (responding as if the Monster/God is obligated to give him a response; projected superiority interjection)

The monster/God: This world has many (Gods). I’m merely one of them. There is no defying that fact?

Remember throughout the whole dialogue the monsters finger is still against the protagonist forehead/3rd eye symbolic position.

However immediately after the monster speaks the last line the ditsy lady warrior (whom just pledged her romantic commitment to the protagonist)

blast the arm of the monster that was pointing at the forehead of the protagonist, therefore dismantling/evaporating the monsters ideology before it sets in/transmits solidification in the viewers mind. She has claimed the protagonist, not the monster. She will fight tooth and nail to defend that honor. The monster says “I see” meaning that it understands that monsters (Gods) should not trust people. And proceeds to shoot laser beams out of its eye (ode to Superman eye beams) and tries to destroy the city and the remaining warriors.

Tangent thought; at the center of each eye is a black hole or a portal. The eye looks similar to the Milky Way Galaxy. There is also a light beam that goes through the center of a black hole and out the other side. In the article “Scientists Unravel Secrets of Monster Black Hole at Center of Milky Way” What is the analysis behind the Superman eye beams anyway? The projection of the lying entity that always thinks and projects in opposites says to itself about descendants of the ancient bloodline that focused attention destroys also “Don’t look me in the eyes” this act is offensive; but flipping the pathology 180 degrees one can deduce that focused attention creates. Perhaps creating the sensation to feel or experience compassion or oneness. The innate encoding robotically says to itself whenever it comes into the presence of the symbolic ancient blood line “must break attention, must do whatever I can to break attention, I must follow where, what or who their eyes are focusing on and break that attention, the descendants of the ancient blood line must always focus their attention on me, I will be their source and their stimulant, they must not create, or I must control their ability to create so I always end up possessing the essence of their creations but quickly destroy the creator of it, so I can absolve myself of guilt because I don’t want them or anyone to know that I stole it from them, fore I am the true creator.”

Tangent thought again: blacks in slavery got the “Be seen and not heard” beat into to them and encoded in their minds by their masters. Subsequently “You should never look a white man in his/her eyes; This is an offense. It is a sign of disrespect. It is construed as challenging or bucking up against perceived authority. So instead keep your eyes low or look to the ground when you encounter them. One must present the impression of being subtle, abased, insecure and inferior.”

The movie industry launched a worldwide massive campaign against the descendants of the ancient blood line (specifically the symbolic black male) in Superman vs. Batman: Dawn of Justice Movie. Note that in the logo the Superman’s “S” is swallowed up by the Batman symbol. Meaning the “S” is smaller and centralized within the Batman symbol. Both Superman’s and Iron man’s hair is historically dark in color. Both Batman’s dark aubur hair color and Superman’s historically black-hair color are symbolic to black male  yet they carry a white American elite status. The butler is British (father figure, guider, supporter, confidant, buddy, moral or conscious authority to Batman. It may be outrageous to allege that Alfred had some to do with orchestrating the death of batman’s parent’s. The least character to consider as a villain is often the most villianistic and twists the story line into a major shock). Superman black hair is symbolic to the ancient blood line. Superman and Batman’s love interests have either orange or black hair. Batman is a white man whom participates in all knowledge, dark arts and the occult. Superman represents the symbolic black man whom participates in morality and whom has alien lineage. In the beginning of the film Justice League Full Movie 2017 Joker boldly and confidently toys with Superman as he is a gullible child whom will not tap into his ultimate power and whom could easily kill the Joker. By the way the Joker character looks very similar to black person in history if one replaces the white skin with black skin; see Goodbye uncle Tom! “Warning Graphic Content” around 1:11 minutes into the movie. If true the Joker is the “Gentleman” who advertised the slaves for sale and made sure they were ready for auctioning so master would get the highest price for the sale. With so many tricks up his sleeve and innovative ways to market and advertise masters’ products all while shuckin and jivin, Joker seems like a fitting name. The Joker wears a top hat, Victorian-era attire (The era when the slave trade made the nation rich and wealthy beyond imagination). On some images of Joker there will be reptilian clothing.

If Superman gets fed up and ensues with anger, rage and suffering he busts through moral code that binds his actions. It is the projection of moral limitations that keep his power shackled. The love interests represent the symbolic black women. Batman has unlimited wealth, power and the greatest access to surveillance of the world.

Note Superman’s “False God” theme. Note the use of a Black African women to head rant on  the dis-ease with supperman; projecting him as untrustworthy and potentially murderous.

Input the black man and the projected theme is the black man is a False God. Then flip it 180 degrees, they are saying the symbolic black man is a God

…interesting … Thus, follow the hair color to get to the real message they are trying to share. This “God” theme is repeated in The Purge movie imagery. A black male teen is wearing a mask with “God” written across the forehead. This same image was used in a lot of commercials and billboards across cities and towns. Another repeated image is a black teen wearing a mask with an upside down cross on it at the symbolic 3rd eye position; points to the symbol of the symbolic black man/3rd eye awakening as an/the anti-christ

The middle east phenomenon. The attack on the middle east talked about in the news is generally an attack on the symbolic and literal portal near or in the same position as ones’ root chakra where a soul comes through from “the other side” to populate and or animate the human body. Think of movie Avatar were the beings have to be in a sleep state to transfer and project their Ka, essence or consciousness to another body. Or in an altered state of consciousness such as in the movie Pacific Rim. The middle east “Wars” and constant bombings, and seemingly never-ending flare ups or uprisings are symbolic speech the elite use in main stream media to talk amongst themselves to share information in plain sight yet at the bafflement of minorities and people “not in the known”. The threat is too many souls coming through to this planet. A war to suppress the number of soul manifestations on to the planet. The symbolic war is to stave off the number of souls coming to this planet. A soul is like a Jedi in the Animated Star Wars Clone Wars movie and book. A human possessing a soul generally do not know they are symbolically a thousand times more powerful than an average person whom does not possess a soul. There will always be a media rage on the middle east conflict as long as the threat ensues. The soul is essentially a speck of light at the root chakra within the body. It is a portion of the sun seen in the sky, which this sun in relation to the earth is furthermore a portion from the largest star Sirius at the center of the galaxy. The suns are balls of consciousness constantly emitting codes of information scientists are always on the hunt to decipher. The very tiny speck of light at the root chakra is a flame that never stops burning just as the suns in the sky never stop burning until the time a person dies. Sometimes the soul connection to the body is not broken causing spirits to be trapped in this realm whom have not made the successful transition to the “other side” (see Young Pharaoh description from more detail on this subject. Scroll down to the bottom of the Frighteners post to watch Young Pharaoh video topic on Mummification and After Death practices).

List of Interpreted Movies films and other media
The Importance of Milk
movie Gantz:o
– The Invasion – Sweat is a healing agent
Salem TV Series – Tituba
Marvel’s Iron Fist
Melanin Reference – Transformium – Transformers Age of Extinction Movie 2014
The Great Wall (2017) Movie
The Pathology of an Automaton
People idiosyncrasies in movies and real life

This is an idea section that will continually be updated and tweaked for better clarity. stay tuned.
Fun MoviesKundaliniMelaninMelanin and MythMovies
The Invasion Adolabrath – Adolabroth – Adolebroth Maafa21
Bobby HemmittNeely Fuller Jr Neely & Frances  – Dr Claud Anderson
Eckhart Tolle Dion Fortune Mark Passio – Citi Hampton
– Alexyss K Tylor – Dr Alim Bey – Dan Winter – Dan Winters
– Yahweh – Yahweh Yaldabaoth – Yahweh-Yaldabaoth
Yaldabaoth – Melatonin – Melatonin Miracle
– No Apology Necessary











20123rd Eye Acceleration911Adam and EveAdolabrathAdolabrothAdolebrothAdvance Surveillance TechnologyAfricaAfrica Basil DavidsonAfrica Ep 3Africa Ep 4Africa Ep 5African History Before Slavery (HERO)AfricanmoorishlecturesAfricans In AsiaA Great And Mighty WalkAlexander RetrovAlchemyAleister CrowleyAncient AncestorsAncient Kemitian MysteriesA New Earth Web ClassAngkor ThomAngkor WatAnimal Cruelty In China Animated SeriesAnthony BrowderAnunnakiArabArchonsArk Of SothisArthur E. PowellArtificial WombAtlantisAutomatonAutumn EquinoxAvengersAwakening The 3rd EyeAware ProfileBamiyan Buddhas – , – Baron Sombie Basil DavidsonBBCBibleBill Clinton’s SonBiologic ArchitectureBlack DotBlack HairBlackHair DVDBlack Hair TakeoverBlack Mystical AgendaBlacknine FilmsBlog Talk RadioBloodBobby HemmittBobby Hemmitt Book listBobby Hemmitt DvdBobby Hemmitt DvdsBobby Hemmitt SexBobby Hemmitt StrokeBody PartsBookBook Of EnochBook Of The LawBorobudurBrain FunctionBrazil’s National IdentityBuddha BoyCannibalismCaravans Of GoldCarbon 7Carl MunckCfl BulbsC Freeman ElChangChaos BeingsChemtrailsChinese GlobalizationChinese Takeover Africa ChristianityChristopher CarolanCiti Hampton Claymore EpisodesCodeficationCode Of The GodsColor ConfrontationCompensatory Code SystemCompensatory Concept PodcastsConsciousnessConspiracy Of SoundConvention Of Ancient IsraelCornel WestCounterfit SpiritCraig VenterCress Theory On Color ConfrontationCuba Gooding JrCurrent EventsDanney WilliamsDan WinterDan 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– FractalityFraggle RockFrances Cress WelsingFrancess Cress WelsingFree ElectricityFree EnergyFreemasonsFree Your Mind ConferenceFrom Superman To ManMoviesGalactic HistoryGANTZ:O MovieGate To Garden Of EdenGathering Of The Metaphysical MastersGenetic Engineering TechnologyGenocideGeorge Washington CarverGerald MasseyGifted HandsGlamoursGnosis Gnostic GospelsGnostic ScripturesGnostic Scriptures TranslationGodGoldenmeanGothamGreat PyramidsGreen LanternGutenberg ProjectHaarpHalloween Egungun GedeHealingHealthHeart ChakraHelaHela Mystical AgendaHenrietta LacksHenry BakerHerbsHermetic MagicHermeticsHidden Colors FilmHistory Of BritainHistory Of MelaninHistory Of NasaHitlerHollow EarthHolocaustHolographic UniverseHuman ArtificialHuman Fetus Eating In ChinaHuman Galactic HeritageHumansHuman SacrificeHurricane KatrinaIdiosyncrasiesIlluminatiIlluminati SacrificeImmigrant HumanImmortalImpregnation RitualInside The LabyrinthInvasionInventorInventorsIslamIvan Van SertimaJada Pinkett SmithJamaicaJehovahJermaine GarveyJesse VenturaJesusJesus ChristJim HensonJohn Henrik ClarkeJuanita BynumJudaismJudgement Hall Of Osirus MaatKamiteKarl PribramKarmaKatrinaKemetic Dark Matter QuestKenneth GrantKey To The UniverseKhonsuKkkKnow Thyself PartKony 2012Koreans And Black Hair TakeoverKu Klux KlanKundaliniKundalini ScienceLabyrinthLand GrabLarvalLaw Of AttractionLed BulbsLet The Stone Tell The TaleLeuren MoretLiber Al Vel LegisLight BulbsLive In LondonLive In The RemixLloyd StrayhornLost GospelsLunar RaceMaafaMaafa21MaatMaat BlueprintMaat Transitioning SoulMagic In The New EonMarcus RedikerMark PassioMathematics Of The BeastMayansmaatlifeMcDonaldsMeatMedical AppartheidMedical HorrorsMedicinal CannibalismMeditation MusicMedusaMelaninMelanin And MythMelanin ConferenceMelanologyMelatoninMelatonin MiracleMemory Through DeathMental IllnessMerlins MagicMessonicMetaphysicalMetaphysical MastersMetaphysicsMetaphysics Of EverythingMetaphysics Of SexMichael PalmerMilkMilky Way PlanetsMillionaireMin Clemson BrownMind ControlMontaukMontell Jordan His StoryMoonMoralityMorgan FreemanMos DefMoviesMovies InterpretedMs Blue MummiesMuslimMysteries Of The Universe SMysticalMystical AgendaMystical MagicMythologyNaazir RaNag Hammadi LibraryNeely Fuller JrNegroNever Get Sick AgainNew World OrderNibiruNigga Is Ye CrazyNiggasNiggerNo Apology NecessaryNon HumanNon-Human –   – Know SelfNubiandvdsNubian SpiritNucleur RadiationNumerologyNutritionOccult History Of MelaninOccult RitualsOccult SacrificeOccult SymbolismOccult To MetaphysicsOilOprahOrigin Of AIDSOrigin Of HumansOrigin Of The WorldOsirusParasiteParasite CleanseParenting VideosPathologyPaul MooneyPeople IdiosyncrasiesPeople Of WalmartPharaohs To NegroesPhil ValentinePineal GlandPlanet XPlanned ParenthoodPlasma FusionPolitics Of Ancient IsraelPopulation ControlPorkPost Traumatic Slave SyndromePowder Full MoviePower4home SystemPower Companies Professor GriffProject Blue BeamProject CamelotPsychiatryPsychiatry: An Industry Of DeathPsychic Self DefensePsychic Self-DefensePyramid MatrixPyramids In ChinaPyramids In JapanRacismRacism A HistoryRacist Asian And AfricansRadiationRaw FoodRaw MilkReallionaire – Remote ViewingRenee RaudmanReptiliansReturn Of The Ancient OnesRevelation Of Divine SelfRise Of Dark MatterRitual SacrificeRobert Anton WilsonRobert TempleRobotoidRomeRudolf SteinerRule By SecrecySacred MarriageSacred ScienceSamboSan Francisco GeometrySankofa ArchiveSatanScience And AncientsSeal Shepherd – Secrets of body language Self NeglectSeriesSerpentSeven Rays And GlamoursSex And PoliticsSex RitualSharon QuinnSirius MysterySiriustimescomSlaverySlavery In JamaicaSlaves On BoatsSlave TradeSleeping MusicSmileSniffSolar OvenSolar Panel Tax RebateSolar System ScopeSomething The Lord MadeSpike LeeSpontaneous CombustionStellar Ignition Of DnaStepin FetchitSteve DewittStomach ParasiteStone Tell The TaleStructure Of LifeSubliminal MessagesSugarSugar StacksSuper CowSupervillian OriginsSurvive Any StormSvaliSweatSynthetic HumansSynthetic LifeTalktainment RadioTariq EliteTariq NasheedTechnologyTemple Angkor ThomTemple Angkor WatTemple Of BorobudurTeslaThe 6th DayThe Ancestors DestinyThe Ben Carson StoryThe Bible And The GunThe Black DotThe Catacombs Of ParisThe Catacombs Of RomeThe CodeThe Code BookThe Compensatory ConceptThe “Creator”The Darkside EnergyThe Feast Of All SaintsThe Final BattleThe Hidden SelfThe InvasionThe Isis PapersThe King And The CityThe Legend Of At AtlantisThe Legend Of KorraThe Lost MotelThe Magnificent African CakeThe Occult Technology Of PowerThe OneThe Original GodsThe PatientThe Protocols Of The Learned Elders Of ZionThe Remix FamilyThe SecretThe SisterhoodThe Slave ShipThe UnderworldThe Untold StoryThe Wizard Of OzThey LiveThree Types Of PeopleThrive MovieThunder DogTime TravelTime Travel MoviesTree Of LifeTrilateral CommissionUFO Alien Technology DisclosureUmar Abdullah JohnsonUnderstanding RacismUnderwater Pyramids In JapanVaccinesVampiresVaticanVegetarianVictims Of RacismVideoVideo Game Console InventorVolcanoWashitawWhat If The God You Serve Is The DevilWhat On Earth Is HappeningWhen The Great Ones ReturnWhite SupremacyWhitney HoustonWho Built The MoonWho Is This King Of GloryWireless EnergyWizard Of OzWorms In BodyWorms In StomachYahwehYahweh YaldabaothYahweh-YaldabaothYaldabaothYoung Justice Season Episode – Young Pharaoh

Interpreting Films – Amazing Thought blog references Movies!!!, TV Shows, Commercials, Books and Video and Audio lectures for information relating to general social structures, people interactions, metaphysical theories, history, contemporary hot topics, religious commentary and Metaphysical Theory.

GANTZ:O Movie

GANTZ:O Movie Currently trending on Netflix; in Japanese language. But doesn’t matter I can’t understand what the characters because it is a Super Fantastic visual movie. {Just found out you can put on English subtitles on Netflix. The English diologe is off/inaccurate just read the subtles} I can’t find the DVD on Amazon. All I found was this poster…GANTZ is not the same…GANTZ:O It is trending on Netflix right now. Catch it now before the window ends.

Watch it on a big screen. Has super fine detail. Regardless of the constant barrage of derogatory symbolism representing the ancient race (with black people representing the greatest symbol) this movie is Highly entertaining.

As said before in Movies, TV Shows, Commercials interpreted…  all the races on the planet have their own mythology of their battle with the ancient blood line…”The black blood line is most significant symbol and is literally connected to the precursor of every culture, language, race, country and continent around the entire world. In the beginning was blackness. Each mythology from every culture, language, race, country and continent attacks this blood line…Attack on the Titian’s…Suppression tactics are similar around the world most notably through various forms of cinematography…It is the flushing out, purging out, rooting out of this bloodline in ad nauseum repetition around the world throughout mythology and constant images of derogatoriness.” It is interesting to note Chang for his candid view of the black race…can you blame him he is speaking the truth. The visuals and cinematography 100% top notch. It is a Key movie to understanding the Dark Side (Darkside) application. Basically a monsteraztion of ancient energies and DNA. What connects the monsters is melanin. The hardest thing is to switch the roles of protagonists and villains. But this is what has to be done to make sense of the movie. All the nations of the planet are individually waging an innate war against their own ancient melanated energies using technology. Another way of looking at “The Purge” Movie Trilogy and also the movie Tron. The technology gets more advanced the deeper they go into the ancient past. Ancient masculine and feminine energies…In GANTZ:O there are monster head characters rolling around chasing after the protagonists…Some heads are Gigantic and and others are the size of a man. They get faster when they are trying to advance against the protagonists. Note inside the head are probably highly active pineal glads. They are not calcified. The more active the stronger the entity. This is a threat. There is a climactic scene where the oversexuallized monster grows into a giant and kills one of the fiercest warriors.

The black woman depicted as a “monster” generally has characteristics of a highly sexuallized nature note the movie The Purge, Election Year…Trying to stop the Goddess Ishtar deity energy from rising up. The intention is to vilify it and suppress her Kundalini manifestation. We have to remember that sexual kundalini energy is bad and it might be shunned or punished. What better way to get the point across then to infuse her character with monster like characteristics.

They were teleported to death scenes/war zones from the room by the large black dot machine.

Note first sound we hear from the Black dot in the room is a song about patriotism to the native country Japan. Once the song ends it speaks with a male and a female voice simultaneously (like a voice of many waters; KJV Bible 1:14) to share the warriors mission and/or objective.

Note the first warrior to be killed by getting is head blown off in a spiteful act of sport by the smallest most headstrong warrior (a foreshadowing of how the warriors would kill many of the monsters in the movie), is the one in the room that was the biggest, strongest, most aggressive, wearing a purple sweater (Purple color; stemming from ancient bloodline with black “hair like lambs wool …and… a voice of many waters (deep voice)” The moment he showed authority he was destroyed, executed and taken down before his confidence solidified…

Note the warriors exp-skeleton suite is black, protective, flexible, like skin armor. It changes form to protect against compression,  attack or impact. It also allows the warriors to be stronger, faster, jump higher. It also has blue lights on it at various points on the body.

Note the monsters head seen or detected like pin points on a map on a visual screen (when they are killed the pin point instantly goes away) connected to their are like in the Predator Movie with Arnold Schwarzenegger, are a devil zombie with horns holding a staff with whipping strands connected to it, fox head , turtle, bird, zombies, mythological creatures, blob tumor head, monster with eyes all over it’s body, etc…the last zombie to be killed by a warrior stabbing it in the head just before the plot pauses and all the zombie are dead in the danger so is something like a cross between a small warthog Chihuahua dog like head that heaves like a donkey or Zebra and speaks the same language of the warriors.

Note there is a sect or greater majority of the warriors that are extremely arrogant and drunken debauchery like reveling in their monster killing spree and pleasure in the hunt of the next monster. The first monster seen in a reverse scenario easily and swiftly killing the many warriors at once is a very fast snake monster with scorpion hands as swords and a head of an eagle zombie with long straight grey hair symbolizing the old American Civil powers or Kundalini energy ancient ones or stemming from the ancient blood line. To destroy this beast required the strongest hand gun devised which harnesses gravitational energy to crush the monster, splattering them into of blood (the snake to is got sliced off because it was out of the kill zone and was left flapping & thrashing around, symbolic the remnants of Kundalini energy left to fizzle out of energy; also note the point of view shot of the pool of blood and the scrapped body parts where and imagine of the extremely fast highly technologically advanced battle wheel slowly and unworriedly and victoriously rolls across the pool of blood to a cheering zone) almost instantaneously when the enter the kill range of the super gun. Scene jumps to the black dot in the middle of the room, almost as a prior memory of the old man and protagonist where he recalls and interprets another part of the mission/objective.  The super gun foreshadowing of the power of that powerful limited in quantity gun is later used at the end, most climatic part of the movie to represent the saving grace that catches the most powerful monster at unawares, killing it and saving the day…However after killing the Snake monster zombie beast the plot of movie pauses the killing spree to have a celebratory cheer among the arrogant warrior sect.

The male protagonist is tall and attractive yet, unwilling to face reality, reactive not battle at first; eases into intentional battle mode and operate out of extreme polarizing chivalry. This quality couple with his naivety makes from great suspense, shock, awe and drama as he ends up into all kinds of danger. Accompanied with him is a grandfather/father like warrior confidant who helps to easy him into the mindset of a warrior and ease away moral boundaries keeping the protagonist warrior from seeing the mission/objective clearly. He with with the protagonist until the old man shields the protagonist from being killed toward the end of the movie before the most power monster beast takes the old man’s life; triggering in the protagonist his expression of rage and vengeance to blindly confront the beast that has the capability to kill him with a flick of the finger.

The movie is still at a pause in danger as the old man, beautiful lady warrior talk about working together as a team and sticking together. The woman grabs him from darting off into a chivalrous reaction that could have gotten him kill to soon in the plot preventing him from following the crowd. At first he resist her with his ego but then calms down and listens to her after he looks into her eyes and is smitten with her feminine care. The old man gives maybe like some coin chip money to the protagonist to call is son later on in the film, give to maybe his family if he does not make it through the battle. The protagonist walks out of scene and a lady character leaning against a vehicle quietly hiding and listen in attack mode is visually introduced in a flash point of view scene shot.

The smallest spiteful most calm inquisitive character (whom has no blood on his body, clothes are pristine as if he had been sitting & peacefully quietly watching the other characters battle the monsters, who is not wearing a black exo-skeleton suite (at first site, it is just underneath his regular close) but a grey jacket with Black collar and brown pants who kills the guy with lambs hair wearing the purple shirt at the beginning of the movie in the mission receiving room) uses a technology only he has to go invisible to be undetected by the monsters. He can be heard and felt but not seen jumping on the three taxi’s as he scurries away in the opposite direction of the danger just in time before is about to come into the the vicinity of the protagonist and his group of warriors.

A rolling head in the middle of a wheel engulfed in flames of fire is next to be seen

scene count down timer on black dot before next portal occurs.

scene point of view shot on the horned devil monster head dead, mouth open and tongue hanging out of the mouth like a dead dog, on ground four spikes in the open third eye (one of the spikes is nailed into the eye lid with the spike continuing to the third eye; the arrogant warriors whom are having a peace time break at an outside restaurant toss two more spikes at the third eye making it a total of six spikes stabbed in the eye; They are also watching from a slight distance a monster chasing a civilian run for his life gets corner as is bashed in the head with a huge concrete hammer like object by the monster; once it is done demolishing the civilian to death the most arrogant comrades of the group blast the monster with his supergun to kill in after it has served its purpose of provided a sense of gory entertainment for their viewing pleasure) with the group of the other three…the four eyes below the open third eye are closed… the 6th eye on the top of the head is slightly open however it is rolling back concealing our view of the pupal. Once the warrior takes the last spike in his hand and throws it at the light above to turn it off the scene quickly shifts to his comrades who are enjoying the lunch break with him. Not much time later blood is splattered on the wall near them signifying the who was just sitting up on the table spiking out the light just got his head spiked through and never saw it coming. We see the shock, awe, lethargic steers as the comrade was just killed some how. The scene doesn’t let the view see how it was done. We just here the sound of some type of extremely fast object moving and getting louder then blood splattering and the comrades facial expressions. The next scene shows a white winged horned bull head monster with red skin and hawk feet flying up and away to a perched up on a side green lighted inverted teer structured build top (upside down pyramid) background aligned off to the bottom side corner of the screen and slightly lower than a smaller old male frail monster entity with no wings where and oversized jacket crossing his arms while simultaneously hiding his hands in the large sleeves (seemingly a leading entity that is in a dominant position on the screen. The point of view shot shifts from showing the two entities to just showing the smaller more frail monster taking the highers visual position on his own individual perch. They seem to work together but have different powers. Note this is a Japanese film and the only black actor, Chris Jai Alex (even though it only list one character on IMDb I recognize his voice in three characters) also check him out here and here, who we don’t see is voice-overing for Three film characters; The guy wearing the purple sweater who was killed at the beginning of the film and the extremely fast and strong flying bull monster character and the super warrior who comes at the nick of time to save the day later on in the film.

The protagonist makes phone call to his son on a green pay phone conveniently on the sidewalk where the slaughter just took place. There is a cut monster arm blood arm on top of the bloody pay phone here steers at as he waits for the dial tone to connect with his son. His son picks up and says something like Dad where are you. The Protagonist is verklempt and is unable to respond right away out of deep sigh of relief that his son seems ok and safe from danger. It is clear he deeply loves his son. The son is safely in the home watching the murder mayhem happening on news. They have a conversation. The Protagonist say’s something like, paraphrasing, “I’m ok and I am fighting in the war. Be safe and I’ll see you soon” as his father makes a promise he is unsure he will not be able to keep. The boy maybe says “I love you, good by.”

As soon as he hangs up the phone here comes another monster scene and the adrenaline is pumping once again as to the side of him down the street a monster just rounded a corner chasing a husband, wife and child. The protagonist quickly runs to the corner of a building out of the view of the monster and battles within himself whether to remain hidden and out of sight from the monster. He peaks back around the corner to see whats happening. It looks like the civilians are about to loose the fight and as the protagonist is about to flea the situation there is a scream which cause him to pause from fleeing. Then he turns back around to see how he can distract the monster and save the family from being eaten.

He runs toward the monster with his regular sized gun shoot off multiple shots towards the Monsters Gigantic head. But shots miss hitting the monster because the protagonist is not in the gun fire range zone. He has to get closer to the monster for it to work. The monster recognizes the sound of the gun making multiple clicks and turns around. We see a large cyclops head zombie monster with one large eye and disproportionate tiny buff arms and an unusual body lower half in the shape of a one legged beast propped up by a knee. The gun locks up while the monster’s arm extends and stretches out it hand and successfully slaps the gun out the protagonists hand. The family is free and runs off leaving him along to battle the beast. The gun fly out underneath the monster to the other side. The monster charges. The protagonist fights back with a one two punch to jaw. To his surprise the black faintly reptilian structured skin exo-skeleton skin suite (note the Superman Movie Man of Steel reptilian skin like suite) charged up and change to a muscle strength shape while he reached for to knock the monster in the jaw with a mighty blow that throws the monster off balance.The Protagonist sees the gun and figures his only alternative is to run toward the monster and jump over it. He proceeds and makes the jump and the exo-skeleton miraculously helps him jump clear over the monster but as gravity is in effect he unfortunately comes down chin first on an electrical wire that spans from one building to another then landing on his back. He regains his bearing and gets up to go after the gun which is near by. Simultaneously the monster is coming to as well and reaches out and grabs him while the protagonist grabs the gun. The monster grabs him back in put him in his mouth to try to eat him. While he is in the mouth of the monster he manages to point the gun at the monsters head, triggering the fire to the big cyclops eye in the center of its head causing it and the head to explode. This danger scene ends.

Up walks the lady that was hiding quietly against the car while the protagonist and the old man spoke. She says something maybe to congratulate him on his victory. He is startle by her abrupt presence. She tries to greet him by reaching out her hand to shake his. He denies the gesture. She is a seemingly ditsy character who seems to never stop talking and neither her constant self talk. Slightly annoying character to watch and listen to. The talk, he walks away, she follows annoyingly.

Next danger seen is with a older couple and a child. The old man tries to protect himself against the beast by a broom. No this is an even bigger beast. It has reptilian green skin, gorilla type torsoe, muscular arms, large two front bottom overgrown teeth that stick out of it mouth, a long extendable alien like tongue that has search and seek capabilities grabbing man by rapping it around his body and proceeding to lift him toward his mouth to eat him. The old man is easy prey. The protagonist shoots the monster in the shoulder in the nick of time. Next is a profile point of view shot of the beast. It reveals that the beast is an overgrown Fez Monkey (symbolic Moorish a derogatory symbolic representation of a black male).

The monster lets out a loud frighten roar and the protagonist and the ditsy lady ready to strike. It charges while both their guns are pointed at it. They are too far and out of the blast range. The monster approaches. She gets frazzled within herself and walks away talking herself into a fantasy as if to forget the battle and danger is raging behind her. She is unreliable. As she walks away the protagonist goes in to help the family. he shoots but his gun is too small to do any damage. She walks back to the scene to witness the commotion distracting the protagonist from protecting himself while observing and being shocked at her inability to take action to shoot the beast while it is in range. He barely misses the beasts sharp tale that almost sliced his body in two. The beast reaches for the its tale and slams him the wall. As the gun falls out his hands and to the ground the beast steps on the gun and lets out a gut wrenching laugh celebration for the victory of dismantling the protagonist ability to shoot at it. It reaches for the ditsy lady and grabs her to put her in its back. It stores people in its back like certain frogs who store their baby’s in their back. He takes the broom from the old man and spares it into the eye of the beast rendering it distract from the pain. As he grabs her gun which feel on the ground the tale of the beast reach back and slap the protagonist into a light pull. He gets Fez Monkey and runs toward the beast jumps over it shooting it with a rope machine around the head. It uses teleportation to extract out a head portion of the head killing the beast. He pulls out the ditsy lady and people from its back.

The protagonist and the ditsy lady leave the scene. They come upon a scene where they seen come of their fellow fierce warrior fighting valiantly and succeeding of the monsters slaughtering them with ease.

Then it turns into a scene like the movie Pacific Rim. A Super Gigantic horned bull headed monster beast gets out of the water. Man’s super Gigantic technologically advanced machine vs an ancient male bull beast. Fighting against each other demolishing the city as the fight.

Next scene we another closer look at the flying zombie monster with red skin. It is male. It is all an over grown Fez Monkey (symbolic Moorish a derogatory symbolic representation of a black male), signified by the hat on his head. Plus he grown of the Fez Monkey attire like the Incredible Hulk. He is also wearing large juju bean around his neck.

It is more inquisitive and smart than the other zombies. It stands like a monkey or a gorilla. They are pumping thousands of rounds of firearms at it but nothing seems to be slowing it doing. It is crushing, slicing and eating the patrol officers. They are no match for its strength and speed. It breaks through their binding technology with no problem…a big shock and surprise to the warriors. Now the other fierce warriors arrive on the scene to see what they can do. It also survived the gravitational smashing machine supergun with multiple attempts to subdue it. Although the gravity machine demolished its wings so it can no longer fly, its body mass only decreased and took the form a human body and it is rising from the pull of blood…utter shock, amazement and looks of fear on the warriors faces. It resisted the gravity machine all together grabbing the warrior that has made multiple attempts to shoot it in the face…thrashing the body of the warrior back and forth on the ground just as in the Avengers Movie where the Incredible hulk thrashes Loki video. However while the monster has the warrior in his hand and is nearly squeezing him to death with the left hand the warrior pulls out a small gun and blows off the warriors right arm…then blows the monsters head off. The warrior die and the monster both die. However with a closer inspection the small gun seems to cause coagulation of the blood (also known as clotting) is the process by which blood changes from a liquid to a gel, forming a blood clot. It potentially results in homeostasis, the cessation of blood loss from a damaged vessel. Although the heart is still pumping the entity blood pathways explodes from the inside because there is no where left for the blood to go.

Then the same old man looking monster that was perched on the build with the flying monster in another scene appears walking down the street toward the death scene of the red monster. It is singing mumbling grunting some type of tune as it approaches still with its hands in the green oversized jacket, arms crossed, sandals on feet. A fierce warrior charges the being to slice it with its sword. The monster gets sliced into four pieces. Each piece regenerates itself with lightning speed in mid air (slightly laughing) before four duplicated monster land feet first on the ground regaining composer as if nothing happened while still approaching the dead red headless monster. The four monsters then conjoin back to one.

Point of view shot to old man monsters face reveals that it has reptilian cell structure skin.

One of the most fascinating things about this movie is in the next scenes. The fierce warrior tries to prevent the monster from getting to the dead red headless one. The warrior lunges forward and tries to slice the monster with his blade again however this time the monster does not let him hit/get it no matter how hard the warrior tries and how fast the warrior is. The acrobatics are phenomenal on both sides. The monster seems to be having fun with the warriors sword. Bobbing back and forth like a monkey anticipating the warriors next move. Although the monster is shifted or distracted away from the dead red headless monster it makes its way back over to it standing at the board just outside the pull of blood. The warrior is utter exhausted. He charges up his exo-skeleton to run and manages to grab to monster bear hugging its head and torso. His hand is over its eye peaking out through his fingers. The monsters eye morphs in a woman’s nipple then grows bigger into a woman’s breast. Then the beast quickly grow around the warrior engulfing him in many naked and connected woman’s bodies moaning and groaning in a group fucking orgasmic ecstasy around the warrior. He disappears in her many bodies as she grew into a large gigantic woman kneeling down on the ground with her hands over her face as if she is crying, weeping. She stands up and brings her hands toward an away from her mouth and is back to moaning then she stops. Out pops the head of the fierce warrior into her hands then it fall out to the ground.

 

Skipping ahead. At one point of the movie where the protagonist is getting beat down by a super monster black ooze drips out of the the exo-skeleton signifying that this was powered by melanin.

The talk with the super monster God. In front of the protagonist holding the ripped off dead head of the fiercest super warrior (who was played by the only black actor in a Japanese film) (note there is a subtle connection between the war against the sleepers and the awake; using the sleepers to fight against the awakened ones; the sleepers despises the awakened beings. And symbolically become the greatest super warriors against the awake) in its hand and holding its index figure out pointing to the protagonists’ forehead/3rd eye symbolic position and holds it in this position as if to say it is giving the protagonist a chance to have a change of heart or else he will be killed. In essence the God wanted to find one person who truly believed in him by this gesture of sparing the protagonists’ life. This compassionate moment becomes the Gods downfall because it was so concerned about sparing the protagonist life that it neglected to pay attention the ensuing danger around him. This sympathetic gesture may have been intended to convert the protagonist from an enemy to an ally. However, the innate hatred of Gods wins out. When indeed the protagonist never trusts or believes in the Monster/God. He is only trying to find a way through the dialogue to spare his life…you can’t convert one’s nature…It is as it is…for instance a dog or an animal will always be so…(Dion Fortune + S2 reference: says in chapter VII. The Pathology of Non-Human Contacts “Non-Human is like a pet animal, not a fellow-creature. That, frankly, is the only possible ground upon which they can be approached. If we expect no more of them than we should a pet bird, if we manage them as we should manage a kitten, we have got as near to the solution of the problem as we are ever likely to get….”) no matter the constant training and affection will not steer them down the path to becoming human.

In view of the monster/God and the protagonist dialogue, the protagonist drops his gun realizing it is a loosing battle to fight and quickly says “Wait”…”Let me ask you” “Why are we…”Killing each other?”

The monster responds to his question indirectly.
Monster/God: Do you feel like your’re in God’s presence?
The protagonist: God?
Monster/God: God is the absolute power.
The protagonist: Your God?
scene pause
The protagonist: Are you? (responding as if the Monster/God is obligated to give him a response; projected superiority interjection)

The monster/God: This world has many (Gods). I’m merely one of them. There is no defying that fact?

Remember throughout the whole dialogue the monsters finger is still against the protagonist forehead/3rd eye symbolic position.

However immediately after the monster speaks the last line the ditsy lady warrior (whom just pledged her romantic commitment to the protagonist)

blast the arm of the monster that was pointing at the forehead of the protagonist, therefore dismantling/evaporating the monsters ideology before it sets in/transmits solidification in the viewers mind. She has claimed the protagonist, not the monster. She will fight tooth and nail to defend that honor.

The monster says “I see” meaning that it understands that monsters (Gods) should not trust people. And proceeds to shoot laser beams out of its eye (ode to Superman eye beams) and tries to destroy the city and the remaining warriors.

Tangent thought; at the center of each eye is a black hole or a portal. The eye looks similar to the Milky Way Galaxy. There is also a light beam that goes through the center of black hole and out the other side. In the article “Scientists Unravel Secrets of Monster Black Hole at Center of Milky Way” What is the analysis behind the Superman eye beams anyway? The projection of the lying entity that always thinks and projects in opposites says to itself about descendants of the ancient bloodline that focused attention destroys also “Don’t look me in the eyes” this act is offensive; but flipping the pathology 180 degrees one can deduce that focused attention creates. Perhaps creating the sensation to feel or experience compassion or oneness. The innate encoding robotically says to itself whenever it comes into the presence of the symbolic ancient blood line “must break attention, must do whatever I can to break attention, I must follow where, what or who their eyes are focusing on and break that attention, the descendants of the ancient blood line must always focus their attention on me, I will be their source and their stimulant, they must not create, or I must control their ability to create so I always end up possessing the essence of their creations but quickly destroy the creator of it, so I can absolve myself of guilt because I don’t want them or anyone to know that I stole it from them, fore I am the true creator.”

Tangent thought again: blacks in slavery got the “Be seen and not heard” beat into to them and encoded in their minds by their masters. Subsequently “You should never look a white man in his/her eyes; This is an offense. It is a sign of disrespect. It is construed as challenging or bucking up against perceived authority. So instead keep your eyes low or look to the ground when you encounter them. One must present the impression of being subtle, abased, insecure and inferior.”

The movie industry launched a worldwide massive campaign against the descendants of the ancient blood line (specifically the symbolic black male) in Superman vs. Batman: Dawn of Justice Movie. Note the in the logo the Superman’s “S” is swallowed up by the Batman symbol. Meaning the “S” is smaller and centralized within the Batman symbol. Both Superman’s and Iron man’s hair historically dark in color. Both Batman’s dark aubur hair color is symbolic to white American elite status. The butler is British (father figure, guider, supporter, confidant, buddy, moral or conscious authority to Batman). Superman black hair is symbolic to the ancient blood line. Superman and Batman’s love interests have either orange or black hair. Batman is a white man whom participates in all knowledge, dark arts and the occult. Superman represents the symbolic black man whom participates in morality and whom as alien lineage. In the beginning of the film Justice League Full Movie 2017 Joker boldly and confidently toys with Superman as he is a gullible child whom will not tap into his ultimate power and whom could easily kill the Joker. By the way the Joker character looks very similar to black person in history if one replaces the white skin with black skin; see Goodbye uncle Tom! “Warning Graphic Content” around 1:11 minutes into the movie. If true the Joker is the “Gentleman” who advertised the slaves for sale and made sure they were ready for auctioning so master would get the highest price for the sale. With so many tricks up his sleeve and innovative ways to market and advertise masters products all while shuckin and jivin, Joker seems like a fitting name. The Joker wears a top hat, Victorian-era attire (The era when the slave trade made the nation rich and wealthly beyond imagination). On some images of Joker there will be reptilian closing.

If Superman gets fed up and ensues with anger, rage and suffering he busts through moral code that binds his actions. It is the projection of moral limitations that keep his power shackled. The love interests represent the symbolic black women. Batman has unlimited wealth, power and the greatest access to surveillance of the world. Note Superman’s “False God” theme. Input the black man and the projected theme is the black man is a False God. Then flip it 180 degrees, they are saying the symbolic black man is a God …interesting … Thus follow the hair color to get to the real message they are trying to share. This “God” theme is repeated in The Purge movie imagery. A black male teen is wearing a mask with “God” written across the forehead. This same image was used in a lot of commercials and billboards across cities and towns. Another repeated image is a black teen wearing a mask with an up side down cross on it at the symbolic 3rd eye position; points to the symbol of the symbolic black man/3rd eye awakening as an/the anti-christ

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